Stawell Brewery Stawell West with horse and cart in front. From Sketch series Circa 1888 stawell businesses

Series of Photographs of Business and Professional Women’s Club Members 1961 at Town Hall Supper Roomstawell

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

Arched Bridge (Monash Bridge) The Rose Series P. 4036 Reproduced in a brochure advertising the "Wattle Valley Estate" 7 minutes from the bridge. The new bridge designed by Sir John Monash over the Diamond Creek near Hurst's original home "Mia Mia" seen in the distance. The Wattle Valley Estate was first advertised in August 1925 as weekend building allotments by the Greater Melbourne Land and Development Company. Advertised from £28.10.0 or £60 per block. In August 1926, 30 picked allotments of 60x150 feet were put up for auction Saturday August 14, 1926 with frontages to Valley View Road and Fawkner Crescent advertised in the “Heart of the Glorious Wattle Country” and “Within 15 Minutes of the Newly Electrified Railway Station”. The Advertiser on August 13, 1926 in an article promoting the auction stated “the estate is regarded as one of the best in the district, and will be sold practically without reserve.” It is noted that an advertisement running in The Argus February 22, 1951 offered the remaining 16 blocks for sale at £12.10.0 or £200 the lot. By March 7, the remaining blocks were advertised at £17.10.0 The Wattle Valley Estate took over 20 years to sell and then people could not build on them.Digital file only Postcards scanned from the collection of Michael Aitken on loan to EDHS, 13 Feb 2018michael aitken collection, postcards, hurstbridge, monash bridge, bridge, diamond creek (creek), mia mia, shire of eltham pioneers photograph collection, wattle valley estate

Port of Portland Authority archiveFront: (no inscriptions) Back: Swagging a band saw (upper left, pencil). G2585 (upper left, pencil). Ray Glyde Creative Commercial & General Photography, 21 Prescott Terrace, Rose Park, South Australia. (Red stamp, lower right). G2585 (lower right, black pen).port of portland

Black and white photograph - Grade 4, 1918"Attached to photograph" Back Row - L to R: M Clark, G Lindsay, ?, ?, ?, Kathy Delaney, Rose Delaney, Pearl Andrews, Linda Pump. 2nd Row - L to R: No names 3rd Row - L to R: No names Front Row - L to R: ?, ?, ?, ?, ?, Kevin Pratt, ?, ?, ?, ?, ?. Teacher:

Digger One is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.3 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough

Albert Jacka No 465 enlisted in D Coy 14th batt AIF on 18.9.14. Embarked for Eygpt 22.12.14. He rose through the ranks from Pte to Captain by 15.3.17. He was WIA 3 times and hospitalised twice with illness. Awarded the Victoria Cross at Courtney's Post 19/20th May 1915. The Military Cross at Pozieres on 7.8.16 and a Bar to the Military Cross on 10.4.17 near Queant. He was discharged from the AIF on 10.1.20. This is a very brief history of "Jacka". Collection re Mrs May Burns.Postcard photo, B & W re Albert Jacka VC MC & Bar. On the rear of the original, “Egypt 26.3.15. best wishes Albert Jacka"photography, portrait, military history

Bernard Neal was became Galen Catholic College's 3rd lay principal in 2010, taking over from Mr. Dave Seiter. Mr. Neal served as the school principal until the end of 2021. During his time as our principal, many building projects were undertaken; the number of students at Galen Catholic College rose to over 1,200; and COVID-19 became one of our school's biggest challenges. Mr Neal is the second longest serving principal that Galen Catholic College has had.galen catholic college, galen college, principal, bernard neal, 2010

Commonwealth Federation Memorial unveiled 1903 corner of Lower Main St and Barnes Street Stawell. The memorial commemorates the Federation of the Australian States into the Commonwealth of Australia on the 1st January 1901. The memorial cost 100 pounds and has a foundation supporting 4 columns of Scottish rose granite. The base & caps of these columns are of black marble. Around the tops of the columns are the names of the six States. George Robson and George Gray, Stawell's monumental masons who carried out the work were also thought to be responsible for the design. Black & White photograph of a glass light memorial, supported on four columns. A fence of white posts and chains surround the memorial.Sign post in background "Atlantic Ethyl Service Station."stawell

Features 8 Melbourne Art trams of Oct. 2013. This was the reinvention of the Transport Art programme of 1978 to 1993. Image 2 gives the sponsors details - Arts Victoria, Transport Victoria, Melbourne Festival and Yarra Trams. Artists featured are - SW6 925 - Jon Campbell, Z3 183 Freya Pitt, Z3 209 - Luke Cornish (ELK), Z3 151 - Rose Nolan, Z3 259 Joining Forces, D1 3509 - Brook Andrew, B2 2002 - David Wadelton, C3008 - Bindi Cole.Provides a framed set of photos of Art Trams that were presented to the public in 2013 - 2014.Wood frame, containing 8 photographic prints, label, text regarding the trams, framed with perspex card backing, paper, tape and fitted on the rear with a hanging cord.transporting art, art trams, decorated trams, melbourne, trams, tramways, tram 925, tram 183, tram 209, tram 151, tram 3509, tram259, tram 2002, tram 3008, sw6 class, z3 class, c1 class, d1 class, b2 class, jon campbell, freya pitt, luke cornish (elk), rose nolan, joining forces, brook andrew, david wadelton, bindi cole

Introduced in 1974, the Braille Book of the Year was created to both acknowledge excellence in writing as well as raise the profile of Braille books. In 1991, the award was won by Trevor Hay for his book 'Tartar City Woman: scenes from the life of Wang Hsin-ping, former citizen of China'. The Narrator of the Year award went to Paul Karo for 'The Rise and Fall of Alan Bond'. Presentations were made by Wilma Bedford (Director of Life Be In It), John Blackman, Rose Blustein, Ross Gibbs, Paul Cotter (?), Trevor Hay and Paul Karo. 14 colour photographs, 3 black and white and 1 proof sheet of negativesawards, braille & talking book library, wilma bedford, paul karo, trevor hay, wang hsin-ping, john blackman, rose blustein, john cook, peter walsh, ross gibbs, paul cotter

Prior to the election of female Councillors and Mayors in the 1960’s, The Lady Mayoress role was one of the few ways women could be active in civic life. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and at times, international level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Mayoress Ewing was born Victoria Keighley in East Melbourne. Her father Edward Keighley was one on the district's earliest mine managers and part owner of the Rose of Denmark Mine. Framed, oval photographic studio portrait. Hand coloured detail.Mrs W Ewing / Mayoress 1925 - 26 / Vincent Kelly / Bendigovictoria keighley, mayoress ewing, mayor ewing, vincent kelly photographer, city of bendigo, mayoress portrait

Photograph - HTT bogie tram No. 19 crossing Camberwell Junction from Riversdale Road into Camberwell Road. Has the a letter "C" on the rear platform, which was the destination indicator for Camberwell Junction. In the view are a number of horse drawn carts, a motor cycle with a sidecar, Fraser Ironmonger, Dillons, H Evans & Co Real Estate agents advertising Eastern Heights Estate Saturday 20 March and the Commonwealth Bank. Saturday 20 March occurred in 1920. Original photo by Rose Stereograph Co. P 3525 - see reference.Yields information about Commonwealth Junction in 1920.Kodachrome cardboard duplicate slide - Black and white reproduction photograph - HTT 19 Camberwell Jtn 1920 "MP9" in penciltrams, tramways, htt, hawthorn tramways trust, camberwell junction, camberwell road, tram 19

Australian Army Campaigns Series - 5 - Malaya (1942). Soft cardboard cover with front & back flaps. Mid green, white & black print on front, spine & back. Background colour is off white with large black / white photo of 2 soldiers in a battle scene, on front, group of 4 black / white photos of military scenes. 253 pages, cut plain, glossy white, illustrated with black / white & colour photos, maps, diagrams, illustrations. Owner's label attached on top of title page: Black ink stamp, RSL Club Branch.book, malaya, army series.

This tenon saw was used in the planning and making of components for the ship model Sovereign of the Seas. It is part of a collection of objects used by Jim Williams, maker of fine ship models from about 1930-1955. Most of the components for the models, as well as many of the tools, were handmade by Jim Williams. Jim’s family has donated the ship model “Sovereign of the Seas” and many tools, accessories and documents used in the making of this and other ship models have been donated to Flagstaff Hill Maritime Village. Ship model of HMS Sovereign of the Seas, scale model of 17th Century English war ship, was handmade and carved from plans, enclosed in airtight glass case. All components of that model, including even the smallest pulleys, were hand crafted using tools designed and made by Jim. Outstanding details include functional rigging and moving cannons. Please see our record 3732 of the mode Sovereign of the Seas for further details of the ship and the maker. This saw is connected with the hobby and skill of ship model making that has been crafted as a leisure activity for many generations. The hobby is often chosen by serving and retired mariners who appreciate the connection with maritime history. This saw was used by local Warrnambool man, Jim Williams, who was employed at Cramond and Dickson clothing store, and then at Fletcher Jones menswear for 27 years. It was used in making components for the model of the historic ship, the Sovereign of the Seas. The Sovereign of the Seas was a historic 17th century English war ship with important maritime heritage. Tenon aw. Hand saw with small-toothed metal blade set into a slotted brass back, attached to a round brass fitting in the light coloured, turned wooden handle. Top on handle is marked with two concentric rings scored into the wood. On top of blade is maker’s name Dennan & Robinson. This tenon saw is part of a collection of tools and accessories once used by Jim Williams, maker of a series of ship models 1930-1955 including “HMS Sovereign of the Seas”. "Dennan & Robinson"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, jim williams, james bernard williams, ship model hobby, ship model tools, ship model making equipment, ship model making accessories, saw, wood cutting tool, tenon saw, carpenter's saw, dennan and robinson, sovereign of the sea, ship model, hobby, ship model tool

This fret saw, with its unconventional up-side-down blade, was used in the making of intricate shapes for the ship model Sovereign of the Seas. It is part of a collection of objects used by Jim Williams, maker of fine ship models from about 1930-1955. Most of the components for the models, as well as many of the tools, were handmade by Jim Williams. Jim’s family has donated the ship model “Sovereign of the Seas” and many tools, accessories and documents used in the making of this and other ship models have been donated to Flagstaff Hill Maritime Village. Ship model of HMS Sovereign of the Seas, scale model of 17th Century English war ship, was handmade and carved from plans, enclosed in airtight glass case. All components of that model, including even the smallest pulleys, were hand crafted using tools designed and made by Jim. Outstanding details include functional rigging and moving cannons. Please see our record 3732 of the mode Sovereign of the Seas for further details of the ship and the maker. This saw is connected with the hobby and skill of ship model making that has been crafted as a leisure activity for many generations. The hobby is often chosen by serving and retired mariners who appreciate the connection with maritime history. This saw was used by local Warrnambool man, Jim Williams, who was employed at Cramond and Dickson clothing store, and then at Fletcher Jones menswear for 27 years. It was used in making components for the model of the historic ship, the Sovereign of the Seas. The Sovereign of the Seas was a historic 17th century English war ship with important maritime heritage. Fret saw or coping saw. The fine-toothed, thin metal blade is held in place on the adjustable U shape frame by a swivelling spigot or clip at each end. The handle is turned wood, dark in colour. In this particular saw the blade is set into it upside down, and was used in this way for a specific purpose. This fret saw is part of a collection of tools and accessories once used by Jim Williams, maker of a series of ship models 1930-1955 including “HMS Sovereign of the Seas”. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, jim williams, james bernard williams, ship model hobby, ship model tools, ship model making equipment, ship model making accessories, fret saw, coping saw, wood cutting tool, carpenter's saw, carpentry, sovereign of the sea, ship model, hobby, ship model tool

Book. ALEC H CHISHOLM COLLECTION. 66 page paperback. A critical appreciation of the poems of the Australian poet, Henry Kendall. Includes a brief biography and time line. By Thomas Thornton Reed, Bishop of Adelaide. An Australian Men of Letters Series. Published in 1960 by Rigby Ltd., Adelaide. Photo of Henry Kendall (c.1880) opposite title page. Kendall, born 1839, Ulladulla. Died 1882, Redfern. Catalogue sticker ''2180 REE'' on spine.Thomas Thornton Reedbooks, collections, poetry, alec h chisholm collection, henry kendall, thomas thornton reed, poetry, biography

Melbourne Quintet, City Hall, Bendigo. Wednesday, 11th July, at 8.15 p.m. The Music advancement Society of Bendigo 3rd Concert, 1973 Series. President: M E Flanagan, Hon. Secreary: E Beilharz. Programme. Fourth Concert - Baccholian Singers Monday, August 20th, Patrons are reminded that these concerts are priced reasonably through the Generous Financial Assistance of the Victorian Government. Advertising: Bendigo Pottery, The Brolga Hotel Motel, Powney's Toy Shop (Newsagency).Bolton Bros. Pty. Ltd. Bendigotheatre, music advancement society bendigo, melbourne quintet, city hall, bendigo. 11th july. the music advancement society of bendigo 3rd concert, 1973 series. president: m e flanagan, hon. secreary: e beilharz. programme. fourth concert - baccholian singers, august 20th, patrons are reminded that these concerts are priced reasonably through the generous financial assistance of the victorian government. advertising: bendigo pottery, the brolga hotel motel, powney's toy shop

The Quartetto Di Roma, City Hall, Bendigo. Saturday, 5th August, 1961. Ho. Sec.: Madge Edgar & Mary Stanistreet. Programme One Shilling. The Music Advancement Society of Bendigo by arrangement with Musica Viva Society of Australia presents The Fourth Concert 1961 series. Ornella Santoliquido - Piano, Arrigo Belliccia - Violin, Franco Antonioni - Viola, Massimo Anfitheatrof - Cello. Programme listing. Advertising: Hesse Bros. Sales & Service, Edgars', Allan's.Boltons Print., Bendigoprogram, music, music advancement society bendigo, the quartetto di roma, city hall, bendigo. saturday, 1961. ho. sec.: madge edgar & mary stanistreet. programme. music advancement society of bendigo, musica viva society of australia the fourth concert 1961. ornella santoliquido - piano, arrigo belliccia - violin, franco antonioni - viola, massimo anfitheatrof - cello. programme. advertising: hesse bros. sales & service, edgars', allan's.

Postcard - colour photograph Fall's Glenorchy Rivulet. 'Beautiful Tasmania Series'. Addressed to Miss V. Evans, 'Flowing Vale', Lima East via Benalla, Victoria. Written - Thanks very much for pretty postcard. I hope you will like this one. I am so sorry I have kept you waiting so long for an answer. With fondest regards, Ida Morgan. A Tasmanian 1d stamp. 12th 6/9/08 (1908)postcard, photograph, olive pell collection. miss evans. ida morgan.

Handcoloured postcard : image shows woman dressed in maroon cloak, white fur colour, elaborate blue dress. Card is handcoloured and glitter affixed to highlight design of dress and cloak. Woman is wearing long gloves. Written on bottom: Philco Series 3128 D Madame Clara Butt. On rear: The Philco Publishing co., Mulborn Place, London. For inland postage only this space may now be used for communication. The address only to be written here.Philco Publishing co.person, individual, clara butt, pethard, lydia chancellor, philco publishing co., clara butt

The Vlach String Quartet, McGillivray Hall, Bendigo, Thursday, 14th May, 1964 at 8.15pm. Presented by The Music Advancement Society of Bendigo For the Second Concert 1964 series by arrangement with Musica Viva Society of Australia. Joseph Vlach - 1st Violin, Vaclav Snitil - 2nd Violin, Joseph Kodousek - Viola, Viktor Moucka - Cello. President: J Bright, Hon. Secs. Madge Edgar, Elsie Flanagan, E Bright. Advertisements: Allan's, Edgar's, Hesse Bros.Boltons Print., Bendigoprogram, music, music advancement society bendigo, vlach string quartet, mcgillivray hall, bendigo, 1964 at 8.15pm. music advancement society of bendigo second concert musica viva society of australia. joseph vlach - 1st violin, vaclav snitil - 2nd violin, joseph kodousek - viola, viktor moucka - cello. president: j bright, hon. secs. madge edgar, elsie flanagan, e bright. advertisements: allan's, edgar's, hesse bros.

Tel-Aviv String Quartet, City Hall, Bendigo. Tuesday 11th August 8.15pm. The Music Advancement Society of Bendigo 3rd Concert 1970 Series by arrangement with the Music Society of Australia. Chaim Taub: Violin, Menahem Bruer: Violin, Uzi Wiesel: Cello, Daniel Benyamini: Viola. President: Mr E Beilharz. Hon. Secretary: Mrs J Bright. Programme 20 Cents. Advertisements: The Brolga Hotel-Motel, Powney's, Allan's Music.Bolton Bros. Pty Ltd. Bendigoprogram, music, music advancement society bendigo, tel-aviv string quartet, city hall, bendigo. 11th august. music advancement society of bendigo 3rd concert 1970 series music society of australia. chaim taub: violin, menahem bruer: violin, uzi wiesel: cello, daniel benyamini: viola. president: mr e beilharz. hon. secretary: mrs j bright. programme. brolga hotel-motel, powney's, allan's music.

Raphael Tuck & Sons 'Oilettte' Connoisseur postcard 2747. Tuck's Post Card. Carte Postale. Postkarte. The 'Crayon' series. Four ladies are enjoying tea in a formal room. There are pictures on the walls and a lamp and clock on a mantelpiece. On a stand or auto tray are teapots and cups and saucers. Art Publishers to the King and Queen. The post card is addressed to Miss L. Pethard, Fir St. Golden Square. The one penny (1d.) Victorian stamp dated 3/11/?.postcard, lydia chancellor collection, collection, female, entertaining, entertainment, costume, fashion, clothing, recreation, tucks post card

First in a series of coloured photos taken by Eva Wilson in 1982. Photos taken during course of construction early 1982 to 16/5/82 Mainly Sundays. For Bendigo Historical Society by Miss Eva Wilson. Photo showing early stages of Hargreaves Mall construction, looking across excavation towards Gillies corner., Norris' menswear shop in foreground. On back' looking towards Hotel Williamson St. Cr. Hargreaves Mall 14/2/82'place, mall, hargreaves mall, bendigo, hargreaves mall, e. wilson, norris, gillies

A collectionof light pink/orange cards in a box (6) is part of a Coles Book Arcade Competition Card Series. This one is called "Advertisement Evening". The cards are kept in a cardboard box and have the answers to the questions on the cards. Peach colour card, folded in half, printed in black. Front has simple graphics and text. Inside opens out to single spread listing 24 questions and space to answer them. Back page lists other competition topics.COMPETITION GAMES / E.W. COLE / BOOK ARCADE / MELBOURNE.cole's book arcade, advertisements, quiz, competition games

B&W postcard, Valentine Series No. 3831, 'The Gully Bend, Belgrave Heights'. Photo shows a small group of women and children walking along a horseshoe-shaped section of road which has wooden railings along both sides. One woman is standing beside a child's pusher. There are tall trees on the far side of the road and scrubby trees and bushes on the right, lower side. On the back of the postcard is a written message that has been obscured with white-out.

Series of four Black and white photographs of tram 26 being operated following maintenance in Wendouree Parade. The tramcar record sheets note that the car was lifted 15-3-1975 and lowered 27-7-1975 and tested on the same day. Seems to have re-entered service on 28/9/1975. .1 - At Gardens Loop. .2 - At depot Junction .3 - At St Aidans Drive with Andrew Hall standing at the rear of the tram. .4 - at depot Junction. trams, tramways, btps, gardens loop, maintenance, wendouree parade, depot junction, st aidans drive, tram 26