Khaki Canvas Bag designed for First Aid Kit. Contains 25 items including 2 x tweezers, 1 x eye bath, 1 x metal syringe, 1 x bottle gauze strip, 1 x snaake bite kit, 1 x pocahontas inhaler, 1 x water sterilizing kit, 1 x cat gut in glass tube, 1 x blade in container, 1 x splint set, 1 x first field dressing 1939 Smith and Nephew, 4 x large field dressingss, 2 x splint holders ?, 1 x First Aid book, 1 x Sanax First Aid card.Receipt from Red Cross Victorian Division South Melbourne Branch dated 14th April 1942.

Emma Thomas Collection: Items were owned by Emma Courtis, nee Thomas. Family lived in Hamelin St, White Hills. Clothing items possibly made by Emma or a local person in White Hills area and used around 1890s. Emma's family include Elizabeth Penrose (mother), Solomon Thomas (father), and Richard Courtis, a blacksmith (her husband).Black jacket is handmade with a heavy cotton lining. Collar and hem of the garment are lined with black velvet. Sleeve hems also lined with a band of black velvet. Hock and eye fasteners provide centre closing. Twelve small, black buttons (decorative) have been sewn vertically along the centre panel from collar to hem. Boning has been inserted into both of the side seams to shape the jacket. Darts, with decorative stitching, have also been used to tailor the front of the jacket around the centre closure panels (Three darts on either side of the centre closure panels). A central seam runs through the jacket back which ends in a "scalloped" shape.emma thomas, emma courtis, clothing, jacket

This item is from the "Barone" Collection. "Barone" (also known as "Seaview") was a stately Brighton home built at 9 Moule Avenue prior to 1855 and demolished in 1986. The house's residents included Edward Elgin Browne (during 1859-72), a Melbourne tea merchant, and the family and descendants of retired Scottish Army captain Archibald Black (during the period 1880-1970). Its neighbors included “St Ninians” owned by the Ward- Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family. The items in the "Barone" collection were largely donated by two of the house's later owners, Mrs Doris Halkyard and Mrs Brian Brandt.Black silk satin, lace and beaded pelerine from c.1890. The pelerine features a silk high stand collar covered in black lace. It secures around the neck and down the centre front to the waist by seven hook and eye closures. A black lace frill extends down the centre front from the throat to the centre front tip of the garment. The shoulders feature a heavy, intricately beaded floral design open sleeve through which the arm would be visible. The sleeve finishes around the elbow in a point, however the beading hangs down to below the hip in a loose fringe. At the back from below the shoulder, the garment shapes in to finish in a tapered 'V' shape over the wearer's coccyx. There is a hand stitched "M" in white thread on the inside lining of the pelerine near the neck.pelerine, brighton, barone, seaview

The dress was worn by Gladys May Moutray when she married Alan Tieman at St. John’s Anglican church Port Fairy in 1941.Home made wedding dress with attached train and lining/petticoat. Cream crepe over sewn in rayon lining. Material covered buttons x 7 with fabric loops on each wrist of long sleeves. Hook and eye (hand sewn) at back of neck closure and side closures of lining and dress. Velveteen ruffles around edge of train. Velveteen flower accent at front and back waist with Cornelli embroidery. Shirring at top of shoulders. Press studs at wrist closure. Dress L 134cm, W shoulders (flat) 32 cm, hem (flat) 80 cm. Attached train, L 134cm, W 164 cm. Sleeves, L (inside arm) 46 cm.female costume dress, wedding, gladys may tieman, alan tieman, gladys may moutray

BHS CollectionFox fur stole - mid brown colour. Wider at centre back than at ends.Each end has six short tassels ( 8cms). Fully lined with brown satin fabric. Fastened at front with cotton covered hook and eye. Centre back has pleated ruffle at neckline. False pocket at centre front on LHS. Stole made up from six long strips of fur. Stole worn by maternal grandmother of Barbara Filcock at Barbara's wedding to Kevin Gallagher 20/08/1960. The fur stole was owned by Bernadine Filcock of Bendigo. It was purchased at Myer Bendigo. The stole was worn for many years to family weddings and on a sea voyage in 1970. See also 11400.327 & 11400.328.Name tags stitched at each end ''B.Filcock'' Hand written.costume accessories, female, fox fur stole

Framed black and white photograph of the interchange between cable and horse trams at Moreland Road and Sydney Road Brunswick for the Coburg horse tram line. Has two cable tram sets in the background. Horse Tram No. 4, with the now Moreland Hotel in the background. Date around 1900, prior to the introduction of bogie trailers. Frame - brown varnished timber frame, glazed with clear glass, white card backing with brown tape on rear, brass wire hanging wire with small eye hooks the side. Framed by Conroy-Moffatt Pty Ltd of 316 Kings St Melbourne. See Reg Item 2312i3 and 6353 for another similar view which provides a date of 1890.trams, tramways, cable trams, coburg, brunswick, moreland rd, horse trams, tram 4

It is a woolen khaki green great coat, with inter shoulder lining of khaki green canvas. There are back belt loop holes in the interior, lined by the same canvas. The pockets are made of the same canvas and are not sew to the interior of the coat at the bottom. The insides of the sleeves are lined with a more beige khaki green material. There is a split flap that is 500mm long in the middle at the bottom of the coat, which is fixed shut with two brown plastic buttons and a metal hook and eye at the bottom. The construction of the jacket is four panels and has been taken in at the waist for form above both pockets. The jacket has a back pleat from below the triangle stitching below the nape of the neck. The back belt has three metal insignia buttons, and the backside is lined with canvas. On both shoulders, there are epaulettes which have one metal insignia button each. On the front, there are three metal buttons on each on flap, and when the jacket is done up, the left flap goes on top. It has three button holes on the left flap and one button hole on the right flap for a large brown button on the inside of the left flap. There are two outer pockets on either side of the jacket. Beneath the jacket lapels, on either side there are metal buttons, and there are button holes for them in the middle of the bottom lapel. Where the upper and lower lapels are split, there is a hook and eye. There is a brown plastic button on the underside of both the upper lapels, which is where the extra flap of fabric on the inside of the left jacket flap, can be fixed as a face protector. The tag on the inside reads; DAVID KLEIN PTY. LTD. Victoria 1967 An arrow (Department of defence symbol) SIZE 6 CLASS 8405 66.012.0494 REGIMENTAL NO................... NAME......................... The regimantal number section had a number filled in but then scribbled out and another number written above, which is 359282. The name section was filled in with B.R.MIER. The name and regimental numbers were done in black marker pen. All the metal buttons are decorated with the medical corps symbol, which is a serpent-entwined rod (Rod of Asclepius) surrounded by a laurel wreath and above the rod is a crown (St Edward’s Crown). On the outside of the upper sleeves, just below the shoulder, there is two patches that signifies the rank of Staff Sergeant. The top patch is an embroided St Edward’s Crown and represents the staff rank. It is 47mm wide and 45mm. Below this there is a patch depicting the three stripes/ chevorns of the sergeant rank. The chevorn’s points face down, and the sides measure 66mm, while the depth down to the point is 86mm. The bottom lengths is 100mm on both sides and the top lengths are 9mm. coat, trench coat, great coat, medical corps, staff sergeant, b.p. mier, 359282, david klein pty. ltd., 1967

Not much is known about William Rothwell other than he is recorded as working as an optician and scientific instrument maker in Manchester at 277 Deansgate Street from 1780 until 1820. An entry in the “Complete History of the Trades of Manchester” published in 1822, in which the author describes Mr William Rothwell as an intelligent young man who is conversant in several languages. He went on to describe him as an philosophical instrument maker of optical and mathematical objects, specialising in spectacles, all sorts of surveyors instruments as well as eye glasses of all types. At present that is all that is known of William Rothwell other than his products were made to the highest standards of the time. Today his products are now actively sought by collectors and are currently fetching high prices at auction sales overseas. The telescope is a rare item even though not much is known about Rothwell's history his scientific instruments and optical items fetch high prices when they become available as collectors look for rare and well made items from the 18th and 19th centuries. Its completeness and good condition make it a very good addition to the collection at Flagstaff Hill. A three draw military telescope brass with main cylinder section made of wood, main lens is removable for cleaning.Marked "Rothwell, Manchester"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, telescope, william rothwell, scientific instrument, manchester optician, optician

The original Victoria Theatre opened on 16 February 1856 with a season by Lola Montez. She performed several farces and her famous spider dance, delighted the diggers and enraged the sensibilities of respectable people, with Henry Seekamp in the famous "whipping" incident with Montez in Ballarat. The program consisted of popular melodramas, farces and hits such as Rob Roy, The Lady of Lyons and the Count of Monte Cristo. The nautical drama Black-Eyed Susan was also very popular. This production "The Piper and Red riding Hood" was performed by The Mid-Night Players (Janet Low, Fay Jones, Natalie Jones, Fiona Hanrahan, Elizabeth Dale, Mark Jones, Bruce Roberts, Geoff Wallis, Matthew Brooks, Andrew Dark and Tom Rendall) at the replica Victoria Theatre at Sovereign Hill, Ballarat.A5 booklet with black ink printing on white card and paper.VICTORIA THEATRE THE PIPER AND RED RIDING HOOD THE MID-NIGHT PLAYERS ballarat, drama, melodrama, the piper and red riding hood, teh mid-night players, janet low, fay jones, natalie jones, fiona hanrahan, elizabeth dale, mark jones, bruce roberts, geoff wallis, matthew brooks, andrew dark, tom rendall, victorian theatre, sovereign hill

The mansion was built in 1888. The first occupant was Charles Brook Longbottom (independent means). In c1910 he moved to 92 Union Road. Anthony G Connell followed and then Dr John Box J P. (1863-1934); he was a surgeon at Williamstown Hospital and honorary surgeon at the Eye and Ear Hospital. John and his first wife Jessie Powell Mitchell (1872-1913) had a daughter who died in infancy, then 4 sons. Henry Powell Box became a solicitor; John Eric Mitchell Box became a chemist; Noel Edward Hamilton Box became a surgeon and and William Mitchell Box also became a doctor. John Box married Eleanor Beatrice Grist in 1917. Montalto was sold after her death, demolished and the land subdivided as Sythney Court.Black and white photo of a 2 storey Italianate mansion with arched verandas on 2 sides. There is palm tree on the near side of the driveway and outhouses in the background.SH519 in pencil on the rear.montalto, italianate style, dr john box, jessie powell box, jessie powell mitchell, eleanor beatric grist, eleanor beatric box, william mitchell box, henry powell box, noel edward hamilton box, john eric mitchell box

Appears to be original to Chalet. Used to display trophies won by guests for various winter sporting competitions. Similar cabinet stored in garage. Also in original location. 'The Chalet's lounge area and nearby spaces include various cabinets. The most eye-catching is the tall metal-framed, glazed cabinet standing in the commanding position at the entrance to the Ballroom at the historic core of the Chalet. It once displayed an array of trophies and silver cups relating to various snow sports that the Chalet had fostered since its opening in 1910. A photograph taken in c.1937 shows the same chrome-framed cabinet with squat cabriole legs standing in the same position in the hall, confirming that it has stood there for decades (fig 36). It is still in the same location in 2011... Some of the old trophies that once graced the cabinet disappeared in the 1980's.' Listed in Draft Inventory of Significant Collection Items. Solid, chrome edged display cabinet with three glass sides. Back section is mirrored. Features two glass shelves. Base of cabinet features four claw feet. Green felt on base of cabinet interior.

Invasion places an imaginative eye in Australian colonial history and turns around the dominant view, taking alien creatures into iconic London-based cityscapes, with white urban residents their victims. Cook's images express the shock that enveloped the Australian continent when European people appeared on Aboriginal shores. Aboriginals as aliens, sci-fi scaled animals - featherless birds, super sized grubs, giant lizards, possums on ufo's, laser shooting fembots, and clouds of rainbow lorikeets - arrive into urban London, the 'mother' country, and wreak havoc. Within the broad narrative are mini narratives that speak to the past, historical references that tease out and reverse the racist practices imposed on Aboriginals. The drama of such an event heightened with the use of vintage-inspired B-grade horror movie aesthetic - an ironic 'spoofy' edge.australian first nations art, photography, colonialisation, sci-fi

Invasion places an imaginative eye in Australian colonial history and turns around the dominant view, taking alien creatures into iconic London-based cityscapes, with white urban residents their victims. Cook's images express the shock that enveloped the Australian continent when European people appeared on Aboriginal shores. Aboriginals as aliens, sci-fi scaled animals - featherless birds, super sized grubs, giant lizards, possums on ufo's, laser shooting fembots, and clouds of rainbow lorikeets - arrive into urban London, the 'mother' country, and wreak havoc. Within the broad narrative are mini narratives that speak to the past, historical references that tease out and reverse the racist practices imposed on Aboriginals. The drama of such an event heightened with the use of vintage-inspired B-grade horror movie aesthetic - an ironic 'spoofy' edge.australian first nations art, photography, colonialisation, sci-fi

Large green coloured metal case with canvas carry strap containing 3 INCH Mortar Sight MK2 Outside: Case No 2 MK 2 C.M. 1019. A. Distinctive Products Pty Ltd When replacing sight in case SET Sight Lensatic to Horizontal & Zero, Dial Plate to Zero, Drum to Max. Range INSIDE: Contents of case Sight 3" Mortar Mk. 2 or Sight S.B 4.2 Mortar MK. 3 and Screwdriver No 7 Director Mk 2/L. (W/O cord, disc or eye) Thimbles, Luminous, Mk. 1. X 3 Bubble, spirit, cased, no.10 MK.1mortar sight

This Edwardian era mourning outfit was worn by a wealthy woman from the rural area of Willaura, southeast of the Grampians. It was inherited by the donor from his mother, who had purchased it from a clearing sale in the 1960s. The jacket has a peplum or flounce below the waistline, a fashion that was seen in the 1860s and is still around in the 1900s. The outfit represents the female mourning fashion and wardrobe from the late 19th to early 20th centuries. Such garments were a necessary inclusion as death occurred often to the young, due to illness, accidents and hard work - it was a regular part of life in rural Victoria. Mourning outfits were a part of a person’s wardrobe and often passed from one generation to the next. This particular outfit appears to have been adjusted at some stage to allow for a wider waistline. The original skirt may have been replaced by the one that is now part of this outfit; the skirt is all machine-sewn, unlike the jacket and petticoat. The fabric of the skirt may be silk or it could be a synthetic fibre such as artificial silk or rayon; both were available in the 1800s,but nylon wasn’t invented until the 1930s. This skirt has sunray pleating, which was advertised on skirts for sale in the 1890s, and 1909, and was part of a fashionable bridal gown train in the 1930s. The mourning of death was part of both family and community life, particularly in rural and remote areas. People were bonded through work, religion, disasters, tragedy and social activities, supporting one another. They came together from near and far on such an occasion, giving each other the care that was needed and showing respect for the member who had passed away.This three-piece silk Edwardian mourning outfit is significant historically for its connection with rural Victoria and the social and religious customs surrounding the death of a family or community member. The high-quality outfit is also significant for representing the financial management of the times, being tailored by a dressmaker for a person of means and then adjusted to fit at least one different-sized person. The black silk tailor-made jacket is one of three pieces of a ladies’ Edwardian mourning outfit. It has long sleeves, a stand-up collar trimmed with appliqued black crochet lace, and pleated sashes on the left and right sides from front to back fastened at the shoulder and waist. The jacket has a peplum or flounce below the waistline. The front of the jacket has brass hooks and fabric eye fastenings. The back of the jacket has two tails. The jacket is lined and the shoulders are padded. It has been machine sewn and finished with hand stitching. A white card is tied with a ribbon inside and has an inscription. The poplin skirt on the jacket has been cut up to the waist at the side seams. There is an attached card with an inscription, handwritten in ballpoint pen.“Jenny” and “Mrs Sheila Handscombe, Wallaura, Jenny”flagstaff hill maritime museum and village, warrnambool, shipwreck coast, edwardian era, tailor-made, dressmaker, mourning outfit, handmade garment, mourning dress, death mourning, sunray pleats, sunburst pleats, western district victoria, mourning jacket

The Ballarat School of Mines traditionally had a strong Australian Rules Football team. The 1982 team included Tony Lockett who went on to play at the highest level becoming the highest goal scorer in the history of the VFL/AFL with 1,360 goals in a career of 281 games, that commenced in 1983 with the St Kilda Football Club, and finished in 2002 with the Sydney Swans. Lockett is the only full-forward ever to win the coveted Brownlow Medal, in 1987, a season in which he was decorated with several honours. He is a four-time Coleman Medallist, kicked more than 100 goals in a season on six occasions (an AFL record), and is a member of the Australian Football Hall of Fame. (Wikipedia) In 2015 Tony Lockett was elevated to the state of Legend in the Australian Football League Hall of Fame.Photograph of the Ballarat School of Mines Australian Rules Football team taken at the Ballarat School of Mines. The football team wears the gold and green colours of the school team. Standing left to right: T. Gough (Team Manager), Anthony Cook, Mark Simpson, John Clifton, E. Vidaic, Andrew McMaster, R. Dunne, A. Leddick, Bruce Gee, P. Scott, B. Eyers. Sitting left to right: N. Rowe (Runner), Paul Drohan, Jeff Colbourne, A. Bell, Tony Lockett, Colin McCurry (Coach), Damian Ryan (Captain), J. O'Brien. Front left to right: Barrie Lock, S. Gleeson. Absent: C. Edwards, S. Gordon, B. Griffin (Vice-Captain), Damien Murnane. ballarat school of mines, football, australian rules footballl, herald shield, mccurry, lockett, tony lockett, t. gough, anthony cook, mark simpson, john clifton, e. vidaic, andrew mcmaster, r. dunne, a. leddick, bruce gee, p. scott, b. eyers., n. rowe, paul drohan, jeff colbourne, a. bell, colin mccurry, damian ryan, j. o'brien., barrie lock, s. gleeson., c. edwards, s. gordon, b. griffin, damien murnane., afl, vfl

The Ballarat School of Mines traditionally had a strong Australian Rules Football team. The 1982 team included Tony Lockett who went on to play at the highest level becoming the highest goal scorer in the history of the VFL/AFL with 1,360 goals in a career of 281 games, that commenced in 1983 with the St Kilda Football Club, and finished in 2002 with the Sydney Swans. Lockett is the only full-forward ever to win the coveted Brownlow Medal, in 1987, a season in which he was decorated with several honours. He is a four-time Coleman Medallist, kicked more than 100 goals in a season on six occasions (an AFL record), and is a member of the Australian Football Hall of Fame. (Wikipedia) In 2015 Tony Lockett was elevated to the state of Legend in the Australian Football League Hall of Fame.Photograph of the Ballarat School of Mines Australian Rules Football team taken at the Ballarat School of Mines. The football team wears the gold and green colours of the school team. Standing left to right: T. Gough (Team Manager), Anthony Cook, Mark Simpson, John Clifton, E. Vidaic, Andrew McMaster, R. Dunne, A. Leddick, Bruce Gee, P. Scott, B. Eyers. Sitting left to right: N. Rowe (Runner), Paul Drohan, Jeff Colbourne, A. Bell, Tony Lockett, Colin McCurry (Coach), Damian Ryan (Captain), J. O'Brien. Front left to right: Barrie Lock, S. Gleeson. Absent: C. Edwards, S. Gordon, B. Griffin (Vice-Captain), Damien Murnane. ballarat school of mines, football, australian rules footballl, herald shield, mccurry, lockett. tony lockett, vfl, afl

A black and white photograph of Children at the Catholic Orphanage, Vung Tau which was supported by the Medical Staff of the 1st Australian Field Hospital (1AFH), vung Tau. The Diggers and the nurses, in particular, did an outstanding job of maintaining the health and well being of the orphans. The hospital staff conducted regular medcaps and provided food and clothing sent from relatives and friends back home in Australia. From time to time the orphaned children were taken for a day at Back Beach behind the 1AFH area. The children ranged in age from new born babes to teenagers. Quite a number, who were fathered by "round eyed" servicemen, were abandoned at birth, by Vietnames Bar girsl, particularly those with "dark" skin.photograph, 1st australian field hospital, vung tau, orphanage, gibbons collection catalogue, catholic orphanage, digger, back beach, vietnamese children, vietnames bar girls

Card board box containing 3 individual envelopes (originally held 6) that hold one piece transparent plastic eye shield visors mounted on leather band with felt forehead comfort strip held by 3 staples. At the end of the leather band two lengths of black elastic material straps with one having a small hook and the other having small ring and when joined secure the shield to the wearers head. The elastic bands are secured to the leather using press studs which clip into two studs in the plastic visor to make the visor fit around the wearers face. The cardboard box is made of heavy duty cardboard with opening at one end to access the envelopes. The envelopes are beige manila type and not sealed. On cardboard Box a label - EYESHIELDS,ANTI-GAS, MK11 AIR SPRAY Action to be taken within ten minutes in the following order to prevent blisters--. 1. COTTON WASTE: Swab liquid off exposed skin. 2. OINTMENT: Rub hard on exposed skin for 1 minute. 3. EYESHIELD: Change. 4. CLOTHING: If detector shows large drops, remove or cut away as necessary. If cape "worn" swab off liquid. SMALL drops :no action. 5. OINTMENT: Rub on skin now exposed. 6. DETECTORS: If possible, remove and renew. (Tippet or Armlet). 7. WEAPONS: Decontaminate. 8. OINTMENT: Re-apply to hands. A.F.A.& CO. 1941

Shows the details of buildings in the east end of Sturt St, c1916.Digital image from a postcard from the collection of David Critchley, of Ballarat, Sturt St c1916. This 'birds eye' view of Sturt St reveals on of the early fleet standing at the city terminus probably during the Great War. Note the absence of motor cars and women's skirts are somewhat shorter - an economy concession with the shortage of cloth during the war years. A Valentines photo postcard. David scanned this pic at a higher resolution than normal, so you should be able to zoom in on the tram, which has been fitted with windshields and looks typically well used and unloved as did most of the original Ballarat fleet in their latter years. Image supplied by email 30/8/2011 - not to be published without David's authority.trams, tramways, sturt st, bridge st, esco

This photograph is a good view of the car park at RDNS Headquarters, 452 St. Kilda Road, Melbourne, with the new Torana two door vehicles. The RDNS insignia seen on some of the cars is a thin royal blue circle with the words "Royal District Nursing Service" written in white capital letters. The centre section is in three with the top and bottom section white and the centre section royal blue with the large capital white letters "RDNS" written across it.Royal District Nursing Service (RDNS) has had various modes of transport over the last 130 plus years. At first, from 1885 as Melbourne District Nursing Society (MDNS), their Trained nurses (Nurses) walked the streets and lane ways amid the slums of central Melbourne. As the Society expanded public transport was used, and bicycles were bought by the Society in 1903 and used in inner areas until 1945. During the Spanish flu epidemic, in 1919, MDNS appealed for assistance to procure Motor vehicles so the Nurses could visit an influx of cases. Through trusts, grants and donations four 'Ford T Model' cars were procured which enabled the Nurses to triple their visits. Through constant use the cars were in such a poor state two were sold in 1922 and the others later. In 1922-23 three Peugeot cars were purchased and a woman Chauffeur, 'Miss Sword', was employed who lived in the Home and was also in charge of the garage. MDNS was expanding and a Motor Auxiliary was formed in 1929 to take the Trained nurses (Sisters) to patients, and some Sisters used their own cars; even a motorcycle was used by one Sister in 1933. All these forms of transport were intermingled and in the early 1950s, and now as Melbourne District Nursing Service, seven Ford Prefect cars were bought followed by twelve Ford Anglia cars 1955. Having received Royal patronage; the now Royal District Nursing Service (RDNS) had its own fleet of Holden vehicles by the mid 1960s and the Motor Auxiliary ceased operating in 1971 as by then all staff employed were required to have a driving licence. Seat-belts had been introduced to Victoria in 1959 and District fitted them to their cars from 1962, even though they did not become compulsory until 1970. The Holden vehicles were replaced with grey Holden Torana vehicles. After several years the fleet was changed to white Toyota Corolla vehicles. The Melways Directory of maps was introduced in 1966, which was a boon to the Sisters, though it was a few years before it went beyond Seville, so a large paper map was used by the Sisters visiting patients in the areas passed Seville. By 2009 there were 598 cars in the fleet and the Sisters travelled 9 million 200,000 kilometres – this is equivalent to 12 trips to the moon and back. Black and white photograph taken above, and giving a "birds eye view", of the car park and latest fleet of grey Holden Torana two door vehicles owned by Royal District Nursing Service (RDNS). The fourteen cars are parked in two rows with the front of the cars facing to the left of the photograph. The round RDNS insignia is seen in the upper centre of some car doors. A tall brick wall is seen along the rear and right hand side of the car park. Two fire extinguishers are seen attached to the lower area of the rear brick wall in the open space between the two rows of cars. In the background and to the left, a road, some cars and parts of two brick buildings are seen as well as several small bare trees.Barry Sutton's Photographers Stamp. Quote KX 86royal district nursing service, rdns, rdns transport, rdns headquarters, rdns carpark,

In 1824, Hume and Hovell were the first Europeans to pass through the district and graziers soon followed, impressed by the abundance of fodder and water. The first cattle run in the area was settled in about 1838 in what was known as Swampy Plains. Later, this run became known as “Khancoban Station”. Khancoban lies in the heart of the high country and is home of Australia’s mountain cattlemen. This heritage is celebrated in Banjo Paterson’s epic poem, “The Man from Snowy River”. In 1962, Bruce and Jo Chisholm relocated from Bond Springs to Khancoban Station, which Bruce had acquired in 1959. Khancoban Hereford and thoroughbred stud progeny were keenly sought after whenever they were presented in the sale ring. Bruce imported a stallion, Comet, from England in 1964. Comet stood at Khancoban for 15 years and was the sire of numerous winners, including Cobbermine, Kelly's Eye, Boack and Starglow. Photographs demonstrate local Kiewa Valley residents enjoying a community visit to the historic homestead at Khancoban Station which holds significance to the early history of the area. Its heritage is celebrated in Banjo Paterson’s epic poem, “The Man from Snowy River”. Also demonstrates a pictorial history of social activities undertaken during this period Black and white photographs mounted on buff card 1. Kiewa Valley residents visiting Khancoban Station 2. Photo of thoroughbred horse Comet and handler at Khancoban Station1. Handwritten in black ink below photo- Khancoban Station. Mrs. Young, Mrs Van Der Weyde 2. Handwritten in black ink above photo- "Comet' at Khancobankiewa valley residents, clare roper

"Jones purchased a quiet little weekend retreat in the hill', published in 1928. Black and white drawing from a Bird’s eye perspective showing a house with veranda surrounded by shrubbery and a large gum tree. It features numerous people in the garden with a road full of various automobiles at the top of the picture. The image is reminiscent of the artists “Wiregrass” series of a mythical country town which were published in the Weekly “Table Talk” magazine from 1926 to 1937. Percy Leason (1889 - 1959) was a painter and cartoonist renowned for his depictions of Australian society in the 1920s and 1930s. He lived in Eltham from about 1924 to 1938 when he moved to the USA. Published by Thomas Nelson, Carlton date unknown. Published in "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall" (1971) Chapter 16 Eltham in Modern Times, page 97.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, eltham, percy leason, drawing, illustration

Annual report of the Association for the Advancement of the Blind outlined activities and events over the year, including a membership of 276, nearly 1000 visits made to people in their homes with several taking the opportunity to learn Braille, leasing of 'Woodburn' to accommodate those who were unable to provide for themselves or convalescent rather than provide short term financial help, an extension of the Railway Permit was secured so that the holder is able to travel with a guide and pay only one fare on the Brighton Electric Tramway and Williamstown Ferry Boat club, commitment by the Federal Government to extend the invalid pension to blind persons, the Department of Education is improving lighting which will help some children with eye difficulties and the loss of Sir Malcolm McEachern, F.S Grimwade, Mr Quayle and Dr McBurney, (the latter for whom a portrait will be placed in the Home for the Adult Blind due to his professional and personal support of the Association).1 volume of printed material with some illustrationsassociation for the advancement of the blind, annual reports

Used as display in AMSA workshop foyer, Moorabbin, Vic. Nautical charts x 2 , The framed and glazed chart identifies strategic points in the notorious Bass Strait passage, which in the nineteenth century was known as the ‘Eye of the Needle’. It covers the whole of Tasmania, Bass Strait and the islands, and the lower part of Victoria with its coastline between Cape Otway and Gabo Island. The chart has an electric cord connecting it to a wall switch which enables a series of small lights to flash on strategic geographical locations.. While it is not known if it is original to Wilsons Promontory, it certainly elates to its location. A similar chart at Cape Otway shows less of Tasmania and is not electrified. Gabo Island Lightstation has two large framed charts; one is the same as the Wilsons Promontory example but without the lights and the other is entirely different, focussing on the east coast between Point Hicks and Montague Island. The Wilsons Promontory chart is unique as an illuminated version of the other charts and has first level significance if its provenance to the lightstation can be confirmed.The framed and glazed chart has an electric cord connecting it to a wall switch which enables a series of small lights to flash on strategic geographical locations.Yes

A group of widows at Legacy House doing seated exercises in June 1991, being taught by instructor Betty Luders who ran the classes for many years (at least from 1996 to 2001). Similar to photos 01544, plus 00619 and 00620 which show exercise classes in 2004. Melbourne Legacy ran an excellent exercise program for its widows for many years at Legacy House. Photos were in a scrapbook of photos spanning 1983 to 1991, they were taken by Susie Howard, Publicity Officer. The labels with the photos explain: ' Exercise - You can do it Legacy . . . organise many activities for their widows. Helping them to keep fit is high on the list of priorities. Instructor Betty Luders keeps a watchful eye on proceedings and ensure the classes are enjoyable as well as beneficial. Many of the health problems associated with old age can be be prevented for managed with the help of regular exercise.'A record of the types of activities Legacy provided as a physical and social outlet for widows. Colour photo x 5 of Legacy widows doing exercises at Legacy House.Handwritten white paper label in blue pen 'June '91'. widows, exercise classes, activities, betty luders

The breeches buoy and traveller block are part of the beach rescue apparatus used by lifesaving crew overseas and in Australia in the 1860s to 1960s. The breeches buoy (or chair bucket or petticoat breeches) were invented by Lieutenant Kisbee by the 1850s. It looks like a pair of canvas shorts with a cork lifebuoy ring attached around the top. The set-up works similar way to a zip wire and allows for two-way travel. Saving lives in Warrnambool – The coastline of South West Victoria has had over 600 shipwrecks and many lost lives; even in Warrnambool’s Lady Bay there were around 16 known shipwrecks between 1850 and 1905, with eight lives lost. In 1859 the first Government-built lifeboat arrived at Warrnambool Harbour and a shed was soon built to house it, followed in 1864 by a rocket house to safely store the Rocket Rescue equipment. In 1878 the buildings were moved to the Breakwater area, and in 1910 the new Lifeboat Warrnambool arrived with its ‘self-righting’ design. For almost one hundred years the lifeboat and rocket crews, mostly local volunteers, trained regularly to maintain and improve their skills, summoned when needed by alarms, gunshots, ringing bells and foghorns. Some became local heroes but all served an important role. By the end of the 1950s the lifeboat and rescue equipment had become obsolete. Rocket Rescue Method - The first use of a lifesaving rocket rescue system is often credited to Captain Manby and his invention of a life mortar, first used in 1808 to fire a line onto a ship to rescue lives. Henry Trengrouse’s invention of 1820 was the first to use a sky rocket’s power to throw a line, and his invention included a chair for carrying the shipwrecked victims to shore. In 1832 John Dennett invented a rocket specifically for shore to ship rescue. It had an iron case and an 8 foot pole attached and could shoot the line as far as 250 yards (about 230 metres). From the 1860s the rocket rescue apparatus was in use. It comprised a breeches buoy and traveller block that was suspended on a line and manually pulled to and from the distressed vessel carrying passengers and items. Colonel Boxer, who had invented an early line-thrower, designed a rocket in 1865 with a range from 300 to 470 yards. It was the first two-stage rocket, with two rockets placed one in front of the other in a tube that carried the rescue line. The hemp line was faked, or coiled, in a particular way in a faking box to prevent twists and tangles when fired, and the angle of firing the rocket was measured by a quadrant-type instrument on the side of the rocket machine. Schermuly invented the line-throwing pistol around 1920, which used a small cartridge to fire the rocket. Victoria’s Government adopted lifesaving methods based on Her Majesty’s Coast Guard in Great Britain, which used Colonel Boxer’s rocket apparatus rescue method. The British Board of Trade published instructions in 1850 for both the beach rescue crew and ship’s crew. It involved setting up the rocket launcher on shore at a particular angle measured by the quadrant, inserting a rocket that had a light-weight line attached, then firing it across the stranded vessel. A tally board was then sent out with instructions in four languages. The ship’s crew would haul on the line to bring out the continuous whip line and attach the whip block to a mast or sturdy part the ship. The rescue crew on shore then hauled out a heavier hawser line, which the ship’s crew fixed above the whip block. The hawser is then tightened using the block on the shore end of the whip. The breeches buoy and endless whip are then attached to the traveller block on the hawser, allowing the shore crew to haul the buoy to and from the vessel, rescuing the stranded crew one at a time. The rocket system could also be used from one ship to another. This item is significant for its connection with local history, maritime history and marine technology. Lifesaving has been an important part of the services performed from Warrnambool's very early days, supported by State and Local Government, and based on the methods and experience of Great Britain. Hundreds of shipwrecks along the coast are evidence of the rough weather and rugged coastline. Ordinary citizens, the Harbour employees, and the volunteer boat and rescue crew, saved lives in adverse circumstances. Some were recognised as heroes, others went unrecognised. In Lady Bay, Warrnambool, there were around 16 known shipwrecks between 1850 and 1905. Many lives were saved but tragically, eight lives were lost.Breeches buoy and traveller lock; white canvas breeches (shorts) with lifebuoy ring attached to its waistband, with ropes for attaching it to the traveller block. Wooden traveller block has double brass inline sheaves and brass rollers on each cheek of the block, and each shell is scored for the strop. The thimble attached to the strop has a wooden slat for quick release of the breeches buoy. The ropes comprise of two equal lengths of rope that have been bunched together to form two loops, then bound together just below the loops, while the four hanging ends are looped around the lifebuoy, equally spaced, with each end finished in an eye-splice. The apparatus is suspended by the loops at the top and attached to the traveller block, which has a quick release device.flagstaff hill maritime museum & village, flagstaff hill, maritime museum, maritime village, warrnambool, great ocean road, shipwreck, life-saving, lifesaving, rescue crew, rescue, rocket rescue, maritime accidents, shipwreck victim, rocket crew, beach rescue, line rescue, rescue equipment, rocket firing equipment, rocket rescue equipment, rocket apparatus, beach apparatus, petticoat breeches, breeches buoy, rocket house, rocket shed, lifeboat men, rocket equipment, rocket machine, rocket head, rocket launcher, rocket line, marine technology, william schermuly, line-firing pistol, line throwing gun, schermuly pistol, pistol rocket apparatus, beach rescue set, traveller, block, running block, pulley, hawser, faking, faking box, faked line, rescue boat, lifeboat, lady bay, warrnambool harbour, port of warrnambool, tramway jetty, volunteer lifesavers, volunteer crew, breakwater, lifeboat warrnambool, rocket rescue method, rocket rescue apparatus, captain manby, mortar, henry trengrouse, sky rocket, john dennett, shore to ship, colonel boxer, two-stage rocket, italian hemp, quadrant, schermuly, line-throwing pistol, line throwing cartridge, rocket apparatus rescue, stranded vessel, tally board, light line, whip line, endless whip, petticoat buoy, traveller chair, traveller block, her majesty’s coast guard, harbour board, line thrower, line throwing, beach cart, hand barrow, sand anchor, hawser cutter, life jacket, faking board, irish hand barrow, government of victoria

Uniform issued to SGT. "McCLAREN M". Reg No. 3/52075 2 FLO REGT R.A.A. 1. Coat - khaki colour wool fabric uniform great coat. Double breasted with six buttons. Collar which fastens with buttons and metal hook and eye fastener. Shoulder epaulettes with button. Back has full length inverted pleat and lower vent with two buttons concealed closure. Buttons are gold coloured plastic with metal shank with raised emblem - crown over cannon carriages artillery. Double half belt with three buttons back at waist. Two front inset pockets with flap. Manufacturers stamp on light brown coloured cotton half lining, sleeves beige colour lining. 2. Beret - black colour wool felt with black colour cotton fabric lining and black colour leather trim. Two white cotton manufacturers labels inside on lining.Manufacturers infrmation. 1. Purple ink stamp "46/^" Black ink stamp "D^D". 2. Crown label - black embroidery "BERET/ Mnfrs/Pty Ltd/ Victoria/Australia. SIZE 7 1/2 " . Side label - black embroidery "REGIMENTAL NO/ NAME" Handwritten black ink "3/52075/SGT McLAREN. M./ 2 FLO REGT. R.A.A." uniform, army, great coat, m. mclaren

Through the address on the box, this dress has a local connection. Miss Mavis Hedrick operated a dress salon at 162 Liebig St Warrnambool in the 1940's. Her parents lived at various houses in Warrnambool, including Skene, Spence and Princess Sts. She married John William Freeman in 1942 and left Warrnambool some time after that date. From wedding reports of the day it doesn't seem that this is Miss Hedrick's wedding dress. It seems more likely that it was purchased from her frock salon in Liebig St Warrnambool.While the owner and original wearer of this dress has eluded us, the dress has a strong link to Warrnambool through the original box with its identifying labels. The dress is very much in the style of the era of Miss Hedrick's dress shop..This cream silk wedding dress and slip was donated in original cardboard box with the address written in large letters on the front. The dress is cream silk with gold metallic trim in two lines across the bodice.There are silk covered buttons on the front and back of the bodice and it has a high rounded V neckline.It has long lily point sleeves .There is a side opening with hook and eye fastening.The skirt is cut on the cross and a small train flows from the back of the dress. A simple A line slip accompanies the dress. It has ribbon shoulder straps and the top is edged in a fine narrow lace. The large box is rectangular and grey in colour. The addressee's name is written in large lettering in black (possibly crayon) . A label is pasted to the top right hand corner. A Victorian Railways stamp is loose with the item.On the Box : Miss Hedrick Frock Salon Warrnambool On Label in top RH corner: Mollard & Williams 238 Flinders Lane Melbourne. Stamp: Victorian Railways Parcel stamp 8d Melbournewarrnambool, 1940's wedding dress, mavis hedrick, mollard and williams, 238 flinders lane melbourne, miss hedricks frock salon