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Kew Historical Society Inc
Photograph - Family portrait, The Marshall Family, 1903-1914
... Family portrait... A, Boroondara General Cemetery. Family portrait of the relatives ...Captain John Marshall was born in Dundee, Scotland c.1833. Within eleven years of his arrival in Melbourne in 1852, he had established an important colonial shipping company, Anderson & Marshall, and married Mary Austin, the eldest daughter of Thomas Austin Esq of Clifton Villa in Cotham Road. Elected to the Kew Borough Council in 1869, he remained an active member until 1875. During this period, he was elected Mayor of Kew in 1872. A Scottish Protestant by birth and conviction, John Marshall was, with David Beath, a member of the inaugural committee that began planning for a separate Presbyterian Church in Kew, lending the Committee the funds to purchase land on the corner of Cotham Road and Highbury Grove. John Marshall lived at his home, 'Maryfield', at what was then 239 [now 197] Cotham Road until shortly before his death at the age of 70 in January 1903. He was buried on 14 January in Grave 493, Presbyterian Compartment A, Boroondara General Cemetery.Family portrait of the relatives of an important civic figure in Kew in the 19th century who was also a notable businessman and shipowner in the Colony of Victoria.Albumen silver photograph on card of the Marshall family grouped in three rows in a garden setting. The twenty-three members of the extended family do not include John Marshall so the photograph presumably dates from after his death in 1903. His wife, Mary Marshall, is in the middle row, five from left. marshall family, john marshall -- mayor of kew -
Kew Historical Society Inc
Leisure object - Jig-Saw Puzzle, Hayter & Co, The Royal Family : a "Victory" Jig-Saw Puzzle, c. 1936
The Kew Historical Society’s collection includes a wide range of leisure objects. Many of the items are European-made, generally of British origin, however there are a number that were made for the Australian market by Australian manufacturers. There were clearly a huge range of toys produced for the Australian and International children’s market in the Nineteenth and Twentieth centuries. The examples of toys in the collection include examples of alphabet toys, arcade toys, baby toys, construction toys, dolls, doll accessories, educational toys, soft toys, tin toys, toy animals, toy blocks, toy machines, toy typewriters, etc. "Victory" Jig-Saw Puzzle of the Royal Family, circa 1936, in its original packaging. The jig-saw features King George VI, Queen Elizabeth, Princess Margaret and Princess Elizabeth. The puzzle is based on an original portrait by Marcus Adams.royal family, jig-saw puzzle, hayter & co -
Kew Historical Society Inc
Photograph, J E Barnes, Kew Becomes a City, 1921, 1921
This is a smaller version of the large framed photograph donated to the new City of Kew by Cr Wishart. The framed photograph was hung in the Walpole Street Town Hall. Presumably, each of the Councillors in the portrait was presented with a smaller version.This photograph was donated by a descendant of the Kellett family. This picture, like it framed counterpart, is historically significant as a record of a major civic event in Kew's history. It is also aesthetically significant as the last official photograph taken by the photographer Josiah Earl Barnes before his death in the same year.Kew Becomes a City, 1921. Small photograph mounted on card of the official portrait of the Mayor and Councillors of Kew in 1921. Josiah Earl Barnes, the photographer, posed the group in front of the Jubilee Rotunda in the Alexandra Gardens in Cotham Road, Kew. At the centre of the group in mayoral robes is the then mayor of Kew, Cr. F.G.A. Barnard. This was to be the last major commission by the Council for J.E. Barnes, who had been responsible for creating the series of 19th Century portraits of former mayors that was displayed in the Kew Town Hall in Walpole Street.J. E. Barnes / Photoj.e. barnes, kew (victoria), kew city council, alexandra gardens, f.g.a. barnard -
Kew Historical Society Inc
Photograph, An Outing to the Beach, 1900-1920
This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. An outing to the beach, ca. 1900-ca. 1920. A group portrait of six adults and two children, taken at the beach. Given that the negative, of unknown provenance was in a collection that included a photograph of the grave of Violet Steel, the photo may be of her brothers and sisters, whose family home was in Elsternwick. The woman third from the right is the bride in 1995.0037. The photo was printed from a glass negative in the collection. The original glass negative is part of a set donated to the Society by Ian McKenzie.beaches, bathers, glass negatives -
Kew Historical Society Inc
Memorabilia - Lock of hair of Thomas Henty (1775-1839) in a hollowed Cartwheel Penny
This King George III 1797 penny, colloquially described as a ‘Cartwheel’ because of its large size and thick rim, was manufactured in Great Britain from 1797-99. The penny and the twopence were the first coins shipped to New South Wales by the British Government. In 1800, Governor King issued a proclamation that forbade their export. This coin is one of the 132,000 coins sent to Australia in 1800. It is not uncommon to find cartwheel pennies used as containers. They were reputedly used to conceal a more valuable coin or for smuggling. The penny was purchased by the Society as part of a small collection of Henty memorabilia and portraits from the owner of Moorabool Antiques, Geelong in 2021, which had in turn acquired the item from the estate of Dennis Alston of Alston's Antiques in Hamilton, Victoria.This cartwheel penny, used to contain a lock of hair of Thomas Henty (1775-1838), is of statewide significance to Tasmania, where he settled and died, and to Victoria, where his children and their descendants were notable pioneers, squatters and subsequently landowners in the Western District. The item is also of national significance for its strong connection to the Henty family, notable British settlers of southeastern and southwestern Australia in the 1830s. The connection to Kew (Vic.) is that members of the Henty family owned important mansions in Kew in the 19th century. Thomas Henty was the father of Stephen George Henty of 'Findon', and Francis Henty of 'Merino Downs' in the Western District and 'Field Place', Kew. Numerous members of the Henty family are buried in the Boroondara General Cemetery.Object of personal memorabilia. Coiled and bound lock of hair of Thomas Henty contained in a hollowed-out copper 'cartwheel' penny.OBVERSE: Georgius III . D : G . REX / REVERSE: Britannia 1797 / SELLER'S LABEL: Lock of hair from the late Thomas Henty, born 1775thomas henty, henty family, launceston, west tarring -- sussex (uk), tasmanian pioneers, australia - early settlers, cartwheel pennies -
Kew Historical Society Inc
Photograph - Daguerreotype, Henty Family Portrait
... Henty Family Portrait.... Henty Family Portrait Photograph Daguerreotype ...The Henty family and their descendants were notable settlers in Australia, initially in Western Australia, then in Launceston and finally in Victoria. While most family members settled in Victoria from 1834, others remained in England and in Tasmania. The identity of the woman in this mid 19th studio portrait is as yet unidentified. The daguerreotype was purchased by the Society as part of a small collection of Henty memorabilia and portraits from the owner of Moorabool Antiques, Geelong in 2021, which had in turn acquired the item from the estate of Dennis Alston of Alston's Antiques in Hamilton, Victoria.Members of the extended Henty family were notable British settlers of southeastern and southwestern Australia. The connection to Kew (Vic.) is that members of the Henty family owned important mansions in Kew in the 19th century. Stephen George Henty's family lived at 'Findon', and Francis Henty of 'Merino Downs' in the Western District lived in his final years at 'Field Place', Kew. Numerous members of the Henty family are buried in the Boroondara General Cemetery.Three quarter length studio portrait of a female member of the Henty family, taken using the daguerreotype photographic process, and encased in a standard daguerreotype frame made of tooled leather, velvet and gilt metal. The woman is dressed in a silk dress, typical of the 1860s, with a lace collar and bonnet. She appears to be holding a locket in her right hand.henty family, australia - early settlers -
Kew Historical Society Inc
Photograph - Daguerreotype : Eliza Margaret (Milligan) Gaunt (1844-91)
The Henty family and their descendants were notable settlers in Australia, initially in Western Australia, then in Launceston and finally in Victoria. While most family members settled in Victoria from 1834, others remained in England and in Tasmania. The daguerreotype was purchased by the Society as part of a small collection of Henty memorabilia and portraits from the owner of Moorabool Antiques, Geelong in 2021, which had in turn acquired the item from the estate of Dennis Alston of Alston's Antiques in Hamilton, Victoria.Members of the extended Henty family were notable British settlers of southeastern and southwestern Australia. The connection to Kew (Vic.) is that members of the Henty family owned important mansions in Kew in the 19th century. Stephen George Henty's family lived at 'Findon', and Francis Henty of 'Merino Downs' in the Western District lived in his final years at 'Field Place', Kew. Numerous members of the Henty family are buried in the Boroondara General Cemetery.Three quarter length seated studio portrait of Elizabeth Margaret (Milligan) Gaunt, taken using the daguerreotype photographic process, and encased in a standard daguerreotype frame made of tooled leather, velvet and gilt metal. Margaret Gaunt is dressed in a pale silk dress, typical of the 1860s, with a buttoned bodice and wide sleeves. She appears to be holding a book in her right hand. The sitter was the half sister of Mary Ann Lawrence (1821-81), the wife of Francis Henty of 'Merino Downs' and 'Field Place', Kew. She married Charles Gaunt (1842-1916) at St John's Church of England, Launceston in 1868. Following her marriage, she was to have 11 children.henty family, eliza margaret milligan, eliza margaret gaunt, launceston - 19th century, mary ann lawrence, mary ann henty, francis henty -
Kew Historical Society Inc
Photograph, Alice (Henty) Hindson (1852-1932)
The Henty family and their descendants were notable settlers in Australia, initially in Western Australia, then in Launceston and finally in Victoria. While most family members settled in Victoria from 1834, others remained in England and in Tasmania. The portrait was purchased by the Society as part of a small collection of Henty memorabilia and portraits from the owner of Moorabool Antiques, Geelong in 2021, which had in turn acquired the item from the estate of Dennis Alston of Alston's Antiques in Hamilton, Victoria.Members of the extended Henty family were notable British settlers of southeastern and southwestern Australia. The connection to Kew (Vic.) is that members of the Henty family owned important mansions in Kew in the 19th century. Stephen George Henty's family lived at 'Findon', and Francis Henty of 'Merino Downs' in the Western District lived in his final years at 'Field Place', Kew. Alice (Henty) Hindson, born in Portland in 1852, died at 'Field Place' in Kew in 1932. She was the daughter of Francis Henty. The portrait has added artistic and aesthetic significance as a signed photographic portrait by Lafayette Photographic Studios, Collins Street, Melbourne. The studio flourished from 1906-1930. Photographic portrait of Alice (Henty) Hindson (1852-1932), one of the daughters of Francis Henty and Mary Ann Lawrence, taken and signed by the internationally renowned London photographer 'Lafayette'. The oval photograph is encased in a brown calf skin case. The portrait represents the sitter in middle age, wearing a black dress and a white lace collar. Alice Henty had married John Hindson in 1875 at Trinity Church, East Melbourne. The couple were to live at 'Shrublands' in Canterbury from 1883. Her husband died in 1919 and it is likely that the portrait was taken after that date. She was to donate 'Shrublands' to the Anglican Church in 1923, after which it became St John's Home for Boys (and girls). Alice Henty's sister Louisa Henty died at her home 'Field Place in 1924. Alice was also to die at Field Place in 1932. Signed: "Lafayette / Melb."henty family, alice henty, alice hindson, shrublands, field place, john hindson, francis henty, louisa henty, mary ann lawrence, mary ann henty, lafayette photographic studio -- mebourne (vic.) -
Kew Historical Society Inc
Photograph - Tintype, Henty Family Portrait
... Henty Family Portrait... with a white collar and a cameo at the throat. Henty Family Portrait ...The Henty family and their descendants were notable settlers in Australia, initially in Western Australia, then in Launceston and finally in Victoria. While most family members settled in Victoria from 1834, others remained in England and in Tasmania. The identity of the woman in this mid 19th studio portrait is as yet unidentified. The tintype was purchased by the Society as part of a small collection of Henty memorabilia and portraits from the owner of Moorabool Antiques, Geelong in 2021, which had in turn acquired the item from the estate of Dennis Alston of Alston's Antiques in Hamilton, Victoria.Members of the extended Henty family were notable British settlers of southeastern and southwestern Australia. The connection to Kew (Vic.) is that members of the Henty family owned important mansions in Kew in the 19th century. Stephen George Henty's family lived at 'Findon', and Francis Henty of 'Merino Downs' in the Western District lived in his final years at 'Field Place', Kew. Numerous members of the Henty family are buried in the Boroondara General Cemetery.Small tintype of a female member of the Henty family. The hand-tinted close-up studio image is of an unidentified member of the family. The sitter's hair is parted in the middle as was typical of the period. She wears a dark dress with a white collar and a cameo at the throat.henty family, australia - early settlers, tintypes -
Kew Historical Society Inc
Photograph, Henty Family Portrait
... Henty Family Portrait... allow us to date the portrait to the 1920s. Henty Family ...The Henty family and their descendants were notable settlers in Australia, initially in Western Australia, then in Launceston and finally in Victoria. While most family members settled in Victoria from 1834, others remained in England and in Tasmania. The identity of the woman in this 1920s studio portrait is as yet unidentified. The photograph was purchased by the Society as part of a small collection of Henty memorabilia and portraits from the owner of Moorabool Antiques, Geelong in 2021, which had in turn acquired the item from the estate of Dennis Alston of Alston's Antiques in Hamilton, Victoria.Members of the extended Henty family were notable British settlers of southeastern and southwestern Australia. The connection to Kew (Vic.) is that members of the Henty family owned important mansions in Kew in the 19th century. Stephen George Henty's family lived at 'Findon', and Francis Henty of 'Merino Downs' in the Western District lived in his final years at 'Field Place', Kew. Numerous members of the Henty family are buried in the Boroondara General Cemetery.Oval convex portrait of an as yet unidentified member of the Henty family. The unsigned photograph mounted on a metal backing is sepia tinted. It shows a woman, photographed at an oblique angle, gazing at the photographer. Her dress and hairstyle allow us to date the portrait to the 1920s.henty family, australia - early settlers -
Kew Historical Society Inc
Journal, Kew Historical Society, Newsletter No.134, March 2021
... .) -- newsletters kew historical society (vic.) -- journals Family portraits ...Family portraits [Henty family] / Robert Baker p1. History & Heritage: Kew Heritage Centre; Kew Court House; Sponsors / p3. Major Events: 2021 McIntyre Lecture; 2021 Australian Heritage Festival / p4. Artists at Home in Kew / Judith Scurfield p5. The Centennial Choir: The artistry of the 19th century lithographer / Robert Baker p7. Public and private murals: Street art emerges in Brougham Street / Suzanne McWha p9. The Collection: Significant recent donations; Preservation Needs Assessment / Robert Baker p11. Membership & Donations p12.Published quarterly since 1977, the newsletters of the Kew Historical Society contain significant research by members exploring relevant aspects of the Victorian and Australian Framework of Historical Themes. Frequently, articles on people, places and artefacts are the only source of information about an aspect of Kew, and Melbourne’s history.non-fictionFamily portraits [Henty family] / Robert Baker p1. History & Heritage: Kew Heritage Centre; Kew Court House; Sponsors / p3. Major Events: 2021 McIntyre Lecture; 2021 Australian Heritage Festival / p4. Artists at Home in Kew / Judith Scurfield p5. The Centennial Choir: The artistry of the 19th century lithographer / Robert Baker p7. Public and private murals: Street art emerges in Brougham Street / Suzanne McWha p9. The Collection: Significant recent donations; Preservation Needs Assessment / Robert Baker p11. Membership & Donations p12.kew historical society (vic.) -- periodicals., kew historical society (vic.) -- newsletters, kew historical society (vic.) -- journals -
Kew Historical Society Inc
Photograph - The Weir family of Broken Hill, Sykes Studio, c.1914
An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.Important group family photograph, taken in Broken Hill, of the two Weir parents and their children. Another aspect of the photograph is that it is revealing about fashion and the tastes of the period.Studio portrait of George and Edith Weir and their five children, taken by a photographer of the Sykes Studio in Broken Hill, New South Wales. The members of the family are from left to right: Cecil Rigby Weir (1904-1983), Edith Mary Weir (nee Betteridge) (1867-1948), Edith Rigby Weir (1899-1981), John Rigby Weir (1910-1971), George Weir (1866-1937), Horace Rigby Weir (1907-1988), and George Rigby Weir (1901-1927). [John Rigby Weir was the father of the donor]weir collection, george weir, horace rigby weir, george rigby weir, john rigby weir, edith rigby weir, edith mary weir (nee betteridge), sykes studio -- broken hill -
Kew Historical Society Inc
Photograph - The Weir family of Broken Hill, Sykes Studio, c.1914
An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.Important group family photograph, taken in Broken Hill, of Edith Mary Weir and her children. Another aspect of the photograph is that it is revealing about fashion and the tastes of the period.Studio portrait of Edith Mary Weir and her five children, taken by a photographer of the Sykes Studio in Broken Hill, New South Wales. The members of the family are from left to right: John Rigby Weir (1910-1971), Edith Mary Weir (nee Betteridge), Cecil Rigby Weir (1904-1983), Horace Rigby Weir (1907-1988), George Rigby Weir (1901-1927), and Edith Rigby Weir (1899-1981). [John Rigby Weir was the donor's father].Stykes Studio / Broken Hillweir collection, george weir, horace rigby weir, george rigby weir, john rigby weir, edith rigby weir, edith mary weir (nee betteridge), sykes studio -- broken hill -
Kew Historical Society Inc
Photograph - George and Edith Weir, Yeomans Studio, 1891
An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.An early studio portrait of Edith Mary Weir (nee Betteridge) & George Weir c. 18/11/1891. The family story is that the photograph was taken by Yeomen photographers, of Burke St East, Melbourne about the time of their wedding prior to sailing on a ketch to Strachan, Tasmania.Print copy of an oval studio portrait of George Weir and Edith Mary Betteridge. In the portrait, George is seated while Edith stands to his right, holding a cockade fan.weir collection, george weir, horace rigby weir, george rigby weir, john rigby weir, edith rigby weir, edith mary weir (nee betteridge) -
Kew Historical Society Inc
Photograph - Orlando Henry Beater Christian, 1860
An item from an outstanding and diverse photographic collection, assembled by members of the Christian and Washfold families of Kew.Oval portrait of Orlando Henry Beater Christian. Younger than in photo 35. Wearing shirt and tie, waistcoat and jacket.orlando henry beater christian, christian-washfold collection -
Kew Historical Society Inc
Photograph - Orlando Henry Beater Christian, 1860
An item from an outstanding and diverse photographic collection, assembled by members of the Christian and Washfold families of Kew.Three quarter length sepia studio portrait of Orlando Henry Beater Christian in uniform holding a cornet. He wears a cap and is posed with the cornet in his left hand, leaning on a cushion atop a fake rock.hawthorn band, orlando henry beater christian, christian-washfold collection -
Kew Historical Society Inc
Photograph - Orlando Henry Beater Christian, 1860
An item from an outstanding and diverse photographic collection, assembled by members of the Christian and Washfold families of Kew.Oval sepia studio portrait of Orlando Henry Beater Christian, dressed in uniform holding a cornet in his right hand. He has centre part, moustache and is seated on an elaborately carved chair. Uniform has epaulettes. orlando henry beater christian, hawthorn band, christian-washfold collection -
Kew Historical Society Inc
Photograph - Bruce Pitcairn Hedderwick, c.1920
Bruce P. Hedderwick was the son of the Kew lawyer and politician Henry Hedderwick and lived with his family at 'Garoopna' on the corner of A'Beckett and Barry Streets, Kew. This photograph is part of a larger donation of items relating to the Hedderwick family of Kew.Monochrome, sepia print copy of an original photographic portrait of Bruce Pitcairn Hedderwick (1881-1925) hedderwick, garooopna, bruce pitcairn hedderwick -
Clayton RSL Sub Branch
hard cover non-fiction book, The Lost Diggers, 2012
The small French village of Vignacourt was always behind the front lines. For much of the First World War it was a staging point, casualty clearing station and recreation area for troops of all nationalities moving up to and then back from the battlefields on the Somme. Remember me: the lost diggers of Vignacourt tells the story of how one enterprising photographer took the opportunity of this passing traffic to establish a business taking portrait photographs. Captured on glass, printed into postcards and posted home, the photographs made by the Thuillier family enabled Australian soldiers to maintain a fragile link with loved ones in Australia. The Thuillier collection covers many of the significant aspects of Australian involvement on the Western Front, from military life to the friendships and bonds formed between the soldiers and civilians. The exhibition showcases a selection of the photographs as handmade traditional darkroom prints and draws on the Memorial's own collections to tell the story of these men in their own voicesapprox 4000 images were discovered in the attic of a barn Vignacourt, of soldiers and other life in WW1.An exciting story about the discovery of the plates of Vignacourt -
Sunbury Family History and Heritage Society Inc.
Photograph
A portrait view overlooking Sunbury township taken from a hill above the Goonawarra vineyard at the eastern end of the settlement. A sepia photograph with a cream frame of a portrait view of a rural landscape.sunbury township., goonawarra winery -
Sunbury Family History and Heritage Society Inc.
Photograph, 1900s
A sepia portrait photograph with cream surrounds of a man with a bushy moustache and smartly dressed in a suit. -
Sunbury Family History and Heritage Society Inc.
Photograph, Jas. Bacon & Sons, c1914 - 1918
The lady in the photograph was serving as a nurse with the Red Cross during World War 1.A sepia studio portrait photograph of a Red Cross nurse dressed in her uniform. The photograph is mounted on cream board. nurses, world war 1. -
Sunbury Family History and Heritage Society Inc.
Photograph
A sepia portrait photograph of a well-dressed man framed in an oval outline. The image is backed onto a light brown board. A crown is in the top LHS and a lion in the centre underneath the photograph. Written on the back in pencil - MRS. J. MURPHY. -
Sunbury Family History and Heritage Society Inc.
Photograph, A. Marks & Co
A sepia portrait photograph of a young man wearing a small floral arrangement in his buttonhole. -
Sunbury Family History and Heritage Society Inc.
Photograph
A sepia portrait photograph backed onto lighter brown board of a man. -
Sunbury Family History and Heritage Society Inc.
Photograph
A black and white portrait photograph showing a head and shoulders profile of a man. -
Stawell Historical Society Inc
Photograph, Mr L.O.B. Fleetwood-Smith son of the Fleetwood family who ran the Stawell news paper over many years -- went on to be a bowler for the Australian Cricket Team
Portrait. L.O.B. Fleetwood-Smith son of the Fleetwood family who ran the Stawell Newspaper over many years. He became a bowler for the Australian Cricket Team.stawell sport -
Stawell Historical Society Inc
Photograph, Mr Samuel Rogers & Mrs Emma Rogers nee Unknown with their Family -- Studio Portrait
... Family -- Studio Portrait... grampians Deep Lead – Portrait Samuel and Emma Rogers Family Stawell ...Deep Lead – Portrait Samuel and Emma Rogers Familystawell -
Stawell Historical Society Inc
Photograph, Mr Samuel Popp & Mrs Emma Popp nee Unknown's wedding -- Studio Portrait
... grampians Wedding portrait of Samuel Popp and Emma Popp and family ...Wedding portrait of Samuel Popp and Emma Popp and family groupstawell portrait -
Stawell Historical Society Inc
Photograph, Cray Family sons of Deep Lead with Bill, Frank, Rob & Tony 1952
Portrait of four sons of Alf and Amy Cray of Deep Lead. Bill Frank Rob and Tony 1952stawell