Black and white photograph of Dean Haber of St Brendans Primary School, receiving prize for reaching the finals in the Space Essay competition from Geoff Sutherland, Director of Australian Institute of Engineers. Lakes Entrance Victoriaschools

Six Foolscap pages containing a list of names for the first and final distribution @ 4½ per share. There is also an insert consisting of two typed pages of a list. of names of unclaimed distributions dated 9th March 1955gold, mining, list of shareholders, bendigo, gold mines, red white & blue extended, sheepshead line of reef.

First and Final Distribution @ 5d. Per share. The stationary used is Report on all Payments not Authorised by the Directors. Contains a list of names of Shareholders and the amount of shares that they own. Also contains a typed insert of a list of shareholders.gold, mining, list of shareholders, gold mines, bendigo, eaglehawk, north virginia

Shield awarded to winners of Barnett Glass 25 Mile Road Race 1918. Shield put out by the Barnet Glass Company. After winning the shield for 3 years in a row, the recipient club was awarded the shield. This was the Geelong West Cycling Club.Wooden Shield with nickel plated plaques inscribed with winners names of Geelong Cycling Club 25 mile road race from 1918-1923"BARNETT GLASS SHIELD/ 25 MILES ROAD RACE/FOR CLUBS AFFILIATED/WITH THE/INTER CLUB CYCLING/ASSOCIATIO/FINAL WON BY GEELONG WEST CYCLING/CLUBgeelong cycling club; geelong west cycling club; shield; h.a. boyle; w. costello; f. king; norm hisham; jim holden; s. wells; barnett glass shield; 25 mile road race; 1918;

Images from a Legacy Bowls tournament, there are people in watching the games and also Sir Dallas Brooks speaking at the end. Names of the legatees are not known. The trophy awarded to the winner was named after Sir Dallas Brooks who was a patron of Melbourne Legacy when he was Governor of Victoria (1949-1963). Melbourne Legacy held regular bowls tournaments for Legatees. Some events were as a fundraiser for Legacy and well as a social event for legatees. The date is estimated to be the 1960s as it was with other slides from that period. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of the type of activities Legacy provided as a social outlet for the Legatees and for fundraising.Colour slide x 8 of a Bowls Tournament in Kodak mount.The mounts are imprinted slide numbers (5, 10, 11, 13, 15, 16, 17, 18) and one has 'Dallas Brooks Bowls Final' handwritten on it.bowls, legatee event, dallas brooks

The Fred Rochow Railways Collection incorporates photos related to the operation of the Wodonga Railway Station including different types of trains and railways staff C. 1930 – 1990. It was donated to the Wodonga Historical Society by Fred Rochow, a railwayman who spent many years based in Wodonga. He joined the Victorian Railways on 17th June l947 and retired in 1988. For some time, he was a member of the Australian Federated Union of Locomotive Enginemen and served a term as a member of the Trades Hall Council. He had an extensive knowledge of the struggles that took place to achieve better conditions for railway workers. Fred worked for many years as a fireman and then worked his way up the ranks to driver, experiencing many changes from the days of steam locomotives through to diesel trains, locomotives and even the modern XPT train. He worked throughout Victoria at different stages of his career, with his final working years focused on the northeast of Victoria and the Albury to Melbourne line. After his retirement, Fred continued to share his love of steam miniature trains with the community.This collection has local and statewide significance as it captures images of trains, locomotives and personnel who operated the railway services in Wodonga and throughout Northeast Victoria. The railways played a critical role in opening up Victoria and connecting Australia for trade, business, social communication and transport.An S Class locomotive pulling a goods train into Wodonga in its last days before being scrapped. S Class Diesel Locomotives The eighteen members of the S Class were ordered in two batches by the Victorian Railways from Clyde Engineering for express passenger and freight workings, with the final eight locomotives ordered specifically to work the North-East standard gauge line. Many were named after prominent Victorians. They were introduced into service about 1957railways wodonga, fred rochow, wodonga railwaymen, s class locomotive

Located near the NSW border in the far east of Victoria, the Bendoc school served the needs of a rural population which opened the land to grazing at the turn of the century. It opened on September 8 1896. In December 1956 falling attendances forced the Education Department to close it. It is interesting to note that children here sought their secondary education in NSW. The first head teacher) was John M. Cass and the last R R King. In 1953-54 Lower Bendoc operated part-time with Goongerah. In 1955 it regained full-time status, but in 1956 worked part-time with Tubbut. Author, Dorothy Hepburn, attended Bendoc State School.This is a useful reference tool on the history of Bendoc.A spiral bound book with a plastic sheet front. The cover is white with black print and a b/w photo of a man sitting on a wooden chair outside a log building . Underneath is written "FROM HUMBLE BEGINNINGS TO FINAL CLOSURE".bendoc-state-school

Yellow plastic folder containing submissions for the Eaglehawk Dahlia & Arts Festival 1985 Literary competition 'Apollo Award '309 entries received / 19 selected for final judging on 19.2.1985 ten poems listed in order of meriteaglehawk, history, event, the eaglehawk dahlia & arts festival 1985 literary competition 'apolo award

SHEEAN FRAN COLLECTION: Final Report to Victorian Minister for the Arts and to the City of Bendigo,Borough of Eaglehawk and Shires of Huntly, Marong and Strathfieldsaye on proposals to establish a Community Arts Centre for the Bendigo sub-region (25 March 1986)bendigo, history

Dr Harry Jenkins owned Churchill Island from 1936 to 1963 and bequeathed it to Margaret Campbell on his death. Sister Campbell had been nurse to his disabled son and wife and she lived on the island from the time of World War Two. The item was given to Arthur Evans, a family friend, on the day of the auction sale of artifacts when she sold the island, approximately 1973. This item demonstrates values and costs of era.Paper document, Final Statement re Estate of late Mrs. Anna Hannah Gahan, relative of the wife of Harry Jenkins, Alice (nee Gahan), itemizing receipts and disbursements, dated 24/4/1936. Original typed.mrs. anna hannah gahan, alice gahan, alice jenkins, harry jenkins, churchill island, gahan, jenkins, statement

Document. Envelope contains: - Cert. of Inspection of Boiler, Receipt for Treasury Bonds, Bendigo Sewerage Authority + Final Certificate, War Damage Commission Receipt lease, Agreement with Monument Hill Consolidated. Central Deborah Gold Mine.McColl, Rankin & Stanistreetorganization, business, gold mine, mccoll, rankin & stanistreet, central deborah gmc nl, gold mining, boiler inspection cert. treasury bonds receipt, bendigo sewerage authority

WARM was a community textile art project that saw over 250 knitters come together to create a beautiful collage tapestry. Made entirely from wool, the artwork contains more than 1000 individual hand knitted sections. The project takes aim at global warming, it highlights both the causes and solutions for us to create a sustainable and safe climate for future generations. Lisa Kendal, the co-creator of the project, said “One of the problems in the world is that we have forgotten how to warm ourselves with wool. We have become too dependent on fossil fuels (for heating)”. This is the key idea surrounding the project. WARM began as two large scale images created by Lars Stenberg. The first image is a landscape scarred by coal mining. The second image is the same landscape only many decades later. Regeneration and regrowth have taken over the landscape and hidden the past coal mine completely. In its place is a beautiful landscape including trees, native flowers, a lake, lots of greenery and wind turbines. From March to the end of August in 2016, knitters worked hard to create the over one thousand pieces that came together to form the final tapestry. The pieces were all designed by Fibre Artist Georgie Nicolson of Tikki Knitting Designs, who converted the second image of the healed landscape into patterns for the 250 plus knitters to follow. These patterns included unusual designs such as gum leaves, trees, native flowers and even the wind turbines. During several days of installation, the knitted pieces were stitched together by Lars Stenberg over a picture of the first image of the operational coal mine. They worked to create the second image of the renewed landscape; like an enormous collage. The WARM project was donated to the National Wool Museum in 2021. It was a much-loved hanging within the Ballarat Hospital for many years before coming to the museum. More information about the project can be found on the following website. http://www.seam.org.au/warm The tapestry is made from 1000+ hand knitted sections stitched together to make an image. In the foreground of this image is a large gum tree that stretches from the bottom left to the top right corner. The trunk of this tree follows the left edge of the tapestry, with foliage from the gum tree spanning its top border. The bottom third of the tapestry is predominantly green grass with yellow, pink and red flowers providing sporadic colour. The middle third encompasses a lake, with orange colours surrounding the banks of the water as opposed to the green grasses of the bottom third. To the right of the lake are wind turbines. The top third of the tapestry is blue sky with white clouds. It also contains the previously described gum tree leaves. Each piece of the tapestry is 100% wool and was hand knitted and stitched together. The Tapestry is accompanied by an oil painting on canvas. It is a painting that matches the tapestry and served as a template for the final tapestry. Finally, the tapestry is accompanied by another pointing on wood board. This final panting is of a coal mine. This is the setting before regeneration and regrowth have reclaimed this site, which is the theme captured in the final tapestry. In the foreground of the coal mine painting is the same gum tree described in the tapestry; however, it is grey and sickle with only 4 leaves visible at the top border, compared to the numerous leaves in the tapestry. Also in the foreground is a broken barb wire fence adding to the unwelcoming nature of the site. The colour scheme of this image is of dark greys and browns. A coal fired power plant can be seen in the final third of the image with four chimneys emitting plumes of smoke into the sky. In front of this power plant is the spiral shape of a coal mine, burrowing deep into the earth’s crust. Inside of the coal mine 3 yellow trucks are seen mining and transporting coal to the top of the mine.warm, community textile tapestry, knitting, community artwork, global warming

Photos in the collection relating to R.G. Bennetts No. 119452 & A36088, R.R. Bennetts No. A312177 RAAF. Refer to Cat. No. 560.3.1) Photo, black & white, group of 20 Australian Rules footballers, 86 Sqd RAAF. On rear in pen are all their names. .2) Photo, black & white, group of 23 Rugby League footballers, 86 Sqd RAAF. On rear in pen are all their names. .3) Photo, black & white, RAAF parade, band & aeroplanes in background..1) In black pen: "Runners Up Grand Final 29.7.45" .2) In black pen: "86 SQD Rugby League Football team 1945 Runners Up".raaf, photographs

ENTERTAINMENT AND SOCIAL EVENTS The Ladies of the Harbour Lights Guild played a central role in everyday functions of the Mission to Seafarers. Concerts and social events were held nightly all the year round, as were special events on Cup Day, the King and Queen’s Birthdays, Christmas Day, Boxing Day and New Years Eve. Ladies of the Guild and other friends of the Mission contributed greatly to the organisation of such occasions, which provided great comfort to seafarers so far removed from home and their loved ones. As one seafarer remarked: “Ah miss, it is not so much the concerts and picnics that does us men so good, but that you ladies will come and talk to us”. This window, titled ‘Hope’, was installed in 1933 in memoriam of one of the founders and long- standing members of the Guild, Miss Alice Tracey, who passed away in 1932. She is remembered as a much- loved leader and key member of LHLG.Reflections of the Sea was an exhibition of 10 framed montage of photographs from the mission's archive collection showcasing 10 stained glass windows from the St Peter chapel. This exhibition curated by Georgia Melville and Catherine McLay, and funded by PROV and Creative Victoria, was displayed in the World Trade Centre Wharf Gallery in June July 2013 and toured to Queenscliff Maritime Museum. The photographs of the windows were taken by scientific photographer Justine M. Philip. This frame is showcasing the memorial window to Alice Sibthorpe Tracy, a photograph of ladies pin the kitchen in the Flinders Street building, and seamen dressed up during a picnic.Framed and mounted on black cardboard of black and white and colour reproductions from the MTSV collection for the exhibition Reflections of the Sea with brief label signageon label: ABOVE: Volunteers preparing meals for a social event, circa 1950s BELOW: Seafarers dressed for the "final heat"of the costume race at the 1926 Christmas Day picnicreflections of the sea, georgia melville, exhibition, 2013, world trade centre, wtc, creative victoria, prov, mission to seafarers, stained glass windows, justine m. philip, alice sibthorpe tracy, social events, kitchen, lhlg, picnic, fancy dress, seamen, sailors, catherine mclay, arthouse

This report is a re-evaluation of the Historical Survey: Shire of Stawell as undertaken by the Stawell and Halls Gap Historical Societies in June 1990.Yellow Card cover with black print and black plastic bindingFinal Document Prepared for the Shire of Stawell and Heritage Victoria Shire of Stawell Study of Selected Heritage Sites Prepared by Tom Hutchison and Denise Thornson November 1994stawell heritage

This glass ginger beer bottle was manufactured and used early to late 1900's, until the time that cheaper containers were invented(plastic bottles). This bottle was so constructed to be easily moved within the ginger beer processing plants from the brewing vats/holding tanks to the final corking/sealing of the bottles for eventual distribution. From 1990s the bottle slowly became phased out of production however boutique suppliers still preferred thick glass to contain any explosive action. Two major glass bottle works companies, e.g. Melbourne Glass Bottle Works Co. were the main suppliers for the Victorian State. In the period when this bottle was manufactured and used the major ginger beer brewing plants for the whole of Victoria were located in Melbourne because this was where its greatest consumer base was there and most rural areas were supplied by domestic sources (mother brewing ginger beer for the children). The Kiewa Valley and its region was one rural area which until road invrastructure was enhance covered the ginger beer thirst by local family production. As the population expanded considerably in the late 1940's (SECV Hydro Scheme) with a greater demand for "soft" drinks" being established supplies from larger towns and cities were call for. Each bottle was "branded" during manufacturing to show the contents were from a reputable supplier (H Taylor) and where it originated from. These bottles were recyled by the manufacturer as a way to cut production costs. This method of recycling the bottles back to the specific manufacturer has (except for South Australia)been overtaken by a no cost recycling collection by councils (funded by their communities). This method by passes the user cost principle as the bottles are processed as non generic. The uneconomical "on cost" which was replaced by the "throw away" less costly plastic containers however did not provide the keen domestic brewer of the "beer" with a reusable bottle. This heavy gauged glass ginger beer bottle has a rim and a distinctive head at the top. This head has been manufactured to facilitate the movement of the bottled along the filling production line. The method of pouring ginger beer into the bottle has been part of the "production line". This bottle has a one and a half pint capacity and is made from "light green" coloured glass(a protection against light penetration). This thick glass bottle, to contain ginger beer, required its thickness because of the extensive handling (man and machine) before final consumption. During this period delivery to homes in cities and towns was made initially by horse and cart and later by truck. Ginger beer was a "soft drink" of great demand. On the middle portion of this bottle is a large elongated circle within it and following the spherical line is "H. TAYLOR" ans a star separates this from "MELBOURNE" rounding out the bottom curviture. Within these words are the large initials "T H" . The "T" superimposed onto the "H". On the base and covering the whole bottom is the letter "T". At the opposite side to the manufacturers logo is "THIS BOTTLE CANNOT BE SOLD OR USED BY ANY OTHER PERSON & IS NOT COMPLETE WITHOUT STOPPER" glass bottle, non alcoholic drink, taylor ginger beer bottle, reuseable bottles

The Chinese on the Bendigo Goldfields, 46 pages of the history of the Chinese on the Bendigo Goldfields from their arrival in 1854 - 1860 by Janette M Bomford Final year honours thesis Bachelor of Arts Degree, Department of History, University of Melbourne. Softcover.Janette M Bomfordchinese, bendigo goldfields, bendigo - history - chinese - goldfields.

Bendigo Advertiser "The way we were" from 1999. Final resting place: the Sandhurst cemetery in Bridge Street, Sandhurst, circa 1880s. NOTE: Photo incorrectly labelled. This chapel is at the Back Creek Cemetery in Carpenter Street Bendigo.newspaper, bendigo advertiser, the way we were

Vol V, p. 1-284 ; Vol. VI, p. 1-282. Title page and final pages missing, contents page lists stories in Vol. VI only. Bound in calico which is printed with product advertisements.fictionShort stories by various authors, including the editor John Mackay Wilson. scottish folklore, short stories, fiction, john mackay wilson, t. craig [bookbinder]

Yellow laminated card with three photos and a typed report on the Saturday Morning 'B' Division Grand Final. The first photo is a photo of Clarice Cowling with bursary recipients Hannah Blythe and Tim Tremain. The second is a photo of Joseph Camilleri on a ski board at Arakoon enjoying some water activity. The third is a photo of Carryn Wallis with the corks she got while competing in the cork scramble. The typed result of the Saturday Morning cricket - 'B' Division Grand Final where Laurel Street defeated White Hills. Mention is also made of the presentation night.education, primary, golden square laurel st p.s., golden square primary school 1189 collection - newspaper cuttings, clarice cowling, hannah blythe, tim tremain, victoria league for commonwealth friendship, joseph camilleri, arakoon, advertiser, peter hyett, carryn wallis, travis breheny, scott ellerton, matthew hubber, xenophan alexandrou, nick mccauley, ben rodda, john mccorkelle, robin breheny, gary & val ilinck