Cards sent by troops to Australia from various locations overseasGreeting Cards collected and or sent by australian soldiers whilst serving overseas during world war oneGreeting Cards Coloured black and white photos Greeting cards with cartoon characters, flowers and animals. Black and white photos of troops and picture scenes of famous placesgreeing cards lara mcintyre soldiers

The sketches, contents were by William Cecil Dunford who trained in Artistry in the U.K and was posted to the YMCA as an Officer War Artist, his subjects were YMCA Places and Australian Diggers. It is believed that the originals are held by the AWM. Refer AWM Collection “NR P05307.003 which is a portrait of DUNFORD and a short biography.Large red buckram covered album with ornate gold trim on front, rear and spine, there are 31 sketches and photographic copies by War artist W.C.Dunford, on first page is a photo of YMCA Officers on Salisbury Plain July 1917.Label on the spine, “Sketches by C Dunford of 1914 - 18 war, scenes in Flanders. On the last page in pencil, “Methuen”ymca, flanders, military history,

Small photograph showing the re-enactment of the shoot-out between Kelly and the police at Stringybark CreekScene of the murder of Constable Scanlan and Lonigan by the Kelly's Byrne and Hart Wombat October 1878 (written in ink on rear)kelly gang, ned kelly, edward kelly, police murders, stringybark creek

This photograph is of historic interest because it shown some of the exotic plants favoured by nineteenth century gardeners.The photograph provides a different aspect of the Ballarat Botanical Gardens and provides further information about the plantings in the nineteenth century. Photocopy of a black and white photograph of palm trees, succulents and lawn. The original photo has age marks. In pencil written bottom lefthand corner, "Scene in Botanical Gardens, Ballarat and in the lefthand corner, January 3, 1883.ballarat botanical gardens, friends of ballarat botanical gardens, john garner, doctor, history, scene, plantings victorian era, john garner collection, gardens, ballarat

Art Collection Previously located in History HouseThe painting depicts a body of water with two large trees in the foreground. The two trees are situated on the left side of the riverbank which extends across the foreground of the work. The trees extend beyond the borders of the work with only a few branches visible at the top of the work. To the right of the trees, on the surfaceof the water, is a boat with a large white sail. The river bed continues on the left and right sides of the work and is covered with brown trees. The background features a distant view of the riverbank covered in blue trees. The work has a gilded ornate frame with cardboard and gilded mount and glass.Front: A.S. Murray plaque attached to frame: SCENE on the RIVER MURRAY Back: W. HAMER __________Street, Ballarat

(i) Wall hanging on card. An illustration of a couple in their Regency clothes. No. 24 KAY NIELSEN. A description of the scene is in the quote, '' Ah, Princess! Surely you are not running away from me?'' . Hodder & Stoughton Ltd., London. (ii) A small picture of the nativity scene.artwork, print, print, lydia chancellor, collection, handcrafts, ephemera, art, artwork, drawing

This early tobacco tin was manufactured in England and imported to the "colony" Australia at the beginning of the 1900s. This manufacturer had won the Gold Medal at the Liverpool International Exhibition in 1884. This tobacco would have therefore been very expensive to purchase making it a must for the wealthier client of the Kiewa Valley. The Golden Flake Cavendish smells of the man of wealth and position. In this era the type of dress and the brand of tobacco smoked showed everyone at first glance where the man using it was on the social ladder and his pecking order. With the demise of tobacco smoking in the early 2000s clothes themselves do not show the pecking order in that quickly visualised manner, as at the time of manufacture of this tobacco tin. In the 21st century the level that men are in the socio economic field is realized on "the social information" available on the internet.This tobacco tin relays a long ago era, when personal contact, and not something that has been written down by some "unknown", was valued as the true appraisal of a member of the community. This was especially relevant in a small regional area such as the Kiewa Valley. Although social networking was not as fast then as the internet provides now, appearances, manners, fashion and etiquette with first impressions high on the order of evaluating someone in the community. Pointer such as the brand of tobacco smoked was part of the rural assessment method. Up until the demise of the Australian Tobacco Industry, circa 2004, the Kiewa Valley and surrounding district was part of a vibrant producer of tobacco leaves. The remnants of this industry still remain today but the drying sheds (for tobacco leaves) are now used to store hay for the valley's dairy and beef cattle industries.A dark metal tobacco tin covered in a bright metallic gold fleck pattern with a black frame on the lid around a drawing of a woodsman with a musket and axe sitting on a stump overlooking a valley that reads "Pioneer Brand", next to a company seal incorporating a wreath, eagle and shield. The front side reads "Richmond Cavendish Co./ Limited/ Liverpool." and the right and left side "Golden Flake Cavendish". The bottom has the same woodsman feature as the lid. The back side is an elongated diagram featuring tobacco leaves and plant summit. Inside lid surface has a half torn coloured (red, black and green) sketch on paper of the woodsman scene depicted on the top lid.The following inscriptions are displayed on the top and inside lid and on the bottom tobacco tin: "PIONEER BRAND" and to the left of the scene the "SEAL OF THE COMPANY TRADE MARK" Both side of the ens have the following words in large thick print "GOLDEN FLAKE CAVENDISH" and each is contained withih a black boarder.pipe tobacco, cigarette tins, smoking accessories, personal effects, tobacco containers

Framed colour print featuring a Chinese playground scene. Red and black double card window mount set in a silver metal frame. The brightly coloured scene shows children gathered in groups near buildings and trees. Some are playing a bat and ball game.

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 23 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. In the 1920s, the photographer travelled throughout Victoria, including on the west coast from Port Campbell to Port Fairy. Trips were presumably made by train and by foot. Lynda Tieman and her team at the Port Fairy Historical Society have tried to identify a number of Henry Christian's photographs of Port Fairy, of which this is one. The scene is probably the Southern Shoreline but no obvious landmarks are observable. henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, port fairy, southern shoreline

This poster was one of a set produced for towns in Australia. It was adapted to suit the requirements of the location. It contains not only the names of soldiers, but also photographs of war leaders, such as Lieutenant-General Sir John Monash, Field Marshall Sir Douglas Hay, Marshall Ferdinand Foch and General Sir William Birdwood. The roll of honour is surrounded by collector’s cards depicting battle scenes. It also contains the dates and details of war events from 1914 to 1919 and advertisements for several local businesses such as J.W.Bird & cO.; Victorian Producers Co-Operative; Tomlis & Gall; McKinnon & Sons; Co-Operative Insurance Co of Victoria; Epplestun & RodwellThis item is a useful research tool.A poster, titled, "Chronological Record Great War 1914 - 19". It has a sub - heading - "Orbost District" beneath two crossed flags, an Australian and a British. The roll of honour is surrounded by collector’s cards depicting battle scenes. It also contains the dates and details of war events from 1914 to 1919 and advertisements for several local businesses. In each corner is a coloured photograph of a man in a military uniform.ww!-roll-of-honour-orbost

Postcards collected after WW1 by R.H. Baron whilst serving with 5th Divisional Headquarters (57 Batt) in Belgium. Part of the "Robert H. Baron (No. 3596) and Cooper Collections. See Catalogue No. 1981P for details of Baron's service.Seventeen black and white postcard scenes of the Battle of Waterloo and surrounds. Each has perforations down the LHS.robert h. baron, cooper collection, postcards, ww1, waterloo

This item is an example of domestic furniture created to reflect an Australiana type design with Australian motifs.Wooden, Australiana dining chair. Emus + bush scene carved into back with wood turned legs and supports.Front top - Rd 253chair dining-chair wooden-chair furniture-domestic

2 white souvenir china saucers showing scenes of Government House Melbourne and The Treasury Melbourne in black.domestic equipment, table setting, plate

Hand painted china side plate with coloured scene of Chinese Joss House Bendigo and gilt edge.Hand painted by J.Mitchener Bendigo 1985domestic equipment, table setting, plate

Artwork. Norman Penrose collection: 7 drawings consisting of plants, trees and one of a scene drawn in pencil.N. Penrosedrawing, pencil, norman penrose collection, artwork, plants, scene

Born: Ballarat, Victoria, Australia 1864; Lived and worked: France and England 1890-1893, England, Wales, France 1897-1939; Died: Looe, Cornwall, England 1939VictorianGift of Mrs E.E. Ledger, 1976Harbour scene with large ships, smoke, a wharf, water and a grey sky. Gold brushed timber frame.Recto: Signed "Davies" in brown oil in l.r.c of composition; Not dated; Not tiltedpainting, seascape, ships, boats, smoke, industrial, dock

Born: Devon, Devonshire, England 1839; Arrived: Melbourne, Victoria, Australia 1868; Died: Melbourne, Victoria, Australia 1901VictorianLedger Gift, 1978Australian bush scene with two figures, a horse and a dog on a track with trees, hills, clouds and sky. Unframed.Recto: Signed and dated "J W CURTIS / 82" in black oil in l.l.c of composition; Not titledpainting, landscape, figure, horse, animal, trees, colonial, path, track

Black and white or sepia photograph. Scene possibly in a Public Garden or on an excursion of small waterfall amongst ferns.public gardens, excursion, waterfall, ferns

Rural City of Wangaratta Collection, Wangaratta Art Prize 1987.A landscape of a lake scene, painted using oils in a colour palette of green, blue, pink, brown, and grey.Obverse: Wykeham Perry 87/ (bottom left corner) WANGARATTA ART SHOW/ GRAND WINNER 1987/ (plaque mounted on frame)wangaratta art gallery, wykeham perry, landscape, painting, coastal