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Tatura Irrigation & Wartime Camps Museum
Photograph, Baptism of Walter Kiessling Jnr
Camp 1, Baptism of son of Walter Kiessling.|Lutheran Pastor from New Guinea|Col. Schrader.|R. from baby Renz & wife; Schwarz & wife.photograph, people -
Wyndham Art Gallery (Wyndham City Council)
Print, Marlene Gilson, Untitled, 2023
Marlene is a proud Wadawurrung artist, who currently lives in regional Victoria. Gilson’s multi-figure paintings work to overturn the colonial grasp on the past by reclaiming and re-contextualising the representation of historical events. Learning her Wathaurung history from her grandmother, Gilson began painting while recovering from an illness. The artist's meticulously rendered works display a narrative richness and theatrical quality akin to the traditional genre of history painting. Gilson, however, privileges those stories relating to her ancestral land, which covers Ballarat, Werribee, Geelong, Skipton and the Otway Ranges in Victoria. Often including her two totems, Bunjil the Eagle and Waa the Crow, Gilson’s paintings not only reconfigure historical narratives, but display her spiritual connection to Country. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. -
Wyndham Art Gallery (Wyndham City Council)
Print, Edwina Green, Untitled, 2023
Edwina Green is a Trawlwoolway First Nations multidisciplinary artist based in Naarm (Melbourne, Australia) that works across painting, film, design, installation and sculpture to investigate narratives of perception, historical re-framing, cultural reclamation and the post- colonial paradigm and its impact on people and place. Graduating from The University of Melbourne with a Bachelor of Fine Arts, she has since been exhibited extensively across Australia and internationally. Her research influenced practice, connection to culture, and ties to reclaiming intergenerational disconnection, inform her practice and it’s aims to challenge understandings and interactions of Indigeneity through dynamic and poetic works. She has exhibited in respected galleries and festivals such as Firstdraft, Pari Ari, Incinerator Gallery, The Granville Centre, SEVENTH Gallery, TCB Gallery, Collarworks (New York), Yirramboi, Gertrude St Projection Festival, Brunswick Music Festival, and EFFA (Environmental Film Festival.) She has also worked as an art director, producer and programmer for RISING Melbourne, Samsung, Arts Centre Melbourne, Next Wave, and Darebin City Council. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. -
Wyndham Art Gallery (Wyndham City Council)
Print, Deanne Gilson, Untitled, 2023
Dr Deanne Gilson is a proud Wadawurrung woman living on her ancestral Country of Ballarat. Her award-winning multidisciplinary art practice has spanned forty years full time creating through painting, clay (sculptural installation), fashion & textile design, photography, drawing and recently being recognised at the Koorie Heritage Trust for her work as a Blak Jewellery Designer. Celebrating her continued living culture through art and design that revives traditional marks used by Wadawurrung family, contemporary ceremonial business and including oral stories like her Creation Story. She depicts many indigenous plants, trees, birds, often painting endangered species to highlight the importance of taking care of the land and all living things. Working with the notion that time is traversed and all is connected through layers of Dja (Country), from the Cosmos, to Sky to Under Country. Alongside the issues faced by Aboriginal women stemming from the white male and female colonial gaze. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. -
Wyndham Art Gallery (Wyndham City Council)
Print, Deanne Gilson, Untitled, 2023
Dr Deanne Gilson is a proud Wadawurrung woman living on her ancestral Country of Ballarat. Her award-winning multidisciplinary art practice has spanned forty years full time creating through painting, clay (sculptural installation), fashion & textile design, photography, drawing and recently being recognised at the Koorie Heritage Trust for her work as a Blak Jewellery Designer. Celebrating her continued living culture through art and design that revives traditional marks used by Wadawurrung family, contemporary ceremonial business and including oral stories like her Creation Story. She depicts many indigenous plants, trees, birds, often painting endangered species to highlight the importance of taking care of the land and all living things. Working with the notion that time is traversed and all is connected through layers of Dja (Country), from the Cosmos, to Sky to Under Country. Alongside the issues faced by Aboriginal women stemming from the white male and female colonial gaze. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. -
Wyndham Art Gallery (Wyndham City Council)
Print, Marlene Gilson, Untitled, 2023
Marlene is a proud Wadawurrung artist, who currently lives in regional Victoria. Gilson’s multi-figure paintings work to overturn the colonial grasp on the past by reclaiming and re-contextualising the representation of historical events. Learning her Wathaurung history from her grandmother, Gilson began painting while recovering from an illness. The artist's meticulously rendered works display a narrative richness and theatrical quality akin to the traditional genre of history painting. Gilson, however, privileges those stories relating to her ancestral land, which covers Ballarat, Werribee, Geelong, Skipton and the Otway Ranges in Victoria. Often including her two totems, Bunjil the Eagle and Waa the Crow, Gilson’s paintings not only reconfigure historical narratives, but display her spiritual connection to Country. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. -
Wyndham Art Gallery (Wyndham City Council)
Print, Ellie Franks, Untitled, 2023
Ellie Franks is a proud Gubbi Gubbi woman, living and working in Naarm. Her practice is print informed and utilises print techniques to talk to concepts of identity, belonging and connection. She focuses on the malleability of materials and leans into the fluid nature of various mediums, mistakes and chance. Ellie graduated from RMIT University in 2020 with a Bachelor of Fine Arts and is currently participating in the 2023 Koorie Heritage Trust Blak Design Program. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. -
Wyndham Art Gallery (Wyndham City Council)
Print, Ellie Franks, Untitled, 2023
Ellie Franks is a proud Gubbi Gubbi woman, living and working in Naarm. Her practice is print informed and utilises print techniques to talk to concepts of identity, belonging and connection. She focuses on the malleability of materials and leans into the fluid nature of various mediums, mistakes and chance. Ellie graduated from RMIT University in 2020 with a Bachelor of Fine Arts and is currently participating in the 2023 Koorie Heritage Trust Blak Design Program. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. -
Bendigo Military Museum
Memorabilia - CURRENCY, 1939-41
It was common for Soldiers to have this Note with an inset photo of themselves. Walter Forbes VX953 6th Div AIF. POW. Refer 1101 for service history also, 1102, 1103.44P. " Palestine Currency Board" One pound note, No F350017, Light green & white color. Inset B & W photo on one side re W. FORBES. These notes were pasted onto cardboard. Writing on rear in pencil is unclear."Jerusalem 30th September 1929"numismatics - notes, palestine, currency -
Emerald Museum & Nobelius Heritage Park
Horse-Shoes
George Walter A'Vard was a bullocky who worked all through the Dandenongs from 1900 to 1928, where he sold his bullocks. He settled in Emerald in 1920.VEMU1613.1 Eight holes and 7 nails. 13.5cm (H); 12.8cm (W); 4mm (D). VEMU1613.2 Eight holes. 14cm (H); 10.8cm (W); 3mm (D). VEMU1613.3 Six holes. 10cm (H); 9.5cm (W); 6mm (D). VEMU1613.4 Five nails. 12.5cm (H); 12.1cm (W); 7mm (D). VEMU1613.5 Five holes, 1 nail. 13cm (H); 11.5cm (W); 2mm (D). -
Tatura Irrigation & Wartime Camps Museum
Book, Freud's War, 2009
Primarily focuses on the experiences of one line of the Freud family, that of Sigmund Freud's eldest son Martin and his son Walter Freud who was sent to Australia on the Dunera in 1940.Dust covered book. White text. 3 men with a swastika and 3 cars full of officers and crowd of people. Navy blue hard cover.sigmund freud, martin freud, walter freud, dunera, internees sent to australia, freud family history -
Tatura Irrigation & Wartime Camps Museum
Photograph & Notes, painting made by Walter Klink
Photographic copy of painting made by Walter Klink in 2003, from sketches he made during internment in Camp 3. Images of painting, two of the sketches and two of descriptions.Coloured photo , two pencil sketches and two printed descriptions, one in German.illustrations, oil -
Bendigo Military Museum
Photograph - PHOTOGRAPH, PORTRAIT
Original owner of items. JAMES WALTER PATTERSON. ENLISTED REAAF NO. SN149800 AGE 19 YEARS. Discharged 13 June 1947 with Rank LAC at LAVERTON, VIC. (BCOF).Photograph - black and white photocopy of a portrait.photographs, military history, ww2, bcof -
Bendigo Military Museum
Uniform - GAITERS, C.WW2
Gaiters belonged to Alan Walter Mason VX140967, 2/10th AUST PORT OP COY AATNC. Enlisted 7 May 1943, Discharged 30 November 1945..1) & .2) Khaki webbed gaiter fitted with two clips and two straps for fitting. Straight double taped top and curved bottom with canvas lining on inside bottom.1 & .2) "VX140967 MASON, A.W." in black ink on canvas lining.uniform, gaiters -
Vision Australia
Photograph - Image, 1981 Carols by Candlelight performers
Performers at the 1981 Carols by Candlelight concert, including Daryl Somers, Brian Naylor, Humphrey B. Bear, Denis Walter, Joan McInnes, Dianne and Bram Manusama and Santa.12 x col. photographs of Carols by Candlelight performerscarols by candlelight, daryl somers, brian naylor, humphrey b bear, denis walter, joan mcinnes, bram manusama, dianne manusama -
Whitehorse Historical Society Inc.
Photograph, Dorothea Kruse, 1889
Dorothea, born 1810, died 6 June 1899. She was the mother of Wilhelmina Schwerkolt, the second wife of August Schwerkolt.Information supplied by Walter Jack, grandson of August Schwerkolt.Black and white photo of Dorothea Kruse, mother of Wilhelmina Schwerkolt taken 6 June 1889.kruse, dorothea elizabeth, schwerkolt, maria catherina wilhelmine -
Federation University Historical Collection
Book, Harcourt Education Australia, Australia's Best Inventors, 2004
The photograph of Henry Sutton used in this book was provided by Federation University Historical Collection.Hard copy green cover with black over spine, about Australian inventors, 32 pages with index, includes; Maria Skyllas Kazocos Richard Smith James Harrison Henry Sutton Hugh MacKay Lawrence Hargrave Walter Hume David Unaipon Arthur Bishop Mervyn Richardson David Henshaw Ralph Sarich Ben Lexon Alan Walshaustralian inventors, maria skyllas kazocos, richard smith, james harrison, henry sutton, hugh mackay, lawrence hargrave, walter hume, david unaipon, arthur bishop, mervyn richardson, david henshaw, ralph sarich, ben lexon, alan walsh -
Whitehorse Historical Society Inc.
Letter - Correspondence, Office of Lands and Survey, 1861
Copy of letter written by W. Fletcher, Office of Lands and Survey, Melbourne, 2 Nov 1861.Copy of letter written by W. Fletcher, Office of Lands and Survey, Melbourne, 2 Nov 1861. Reporting that charcoal burners in the Parish of Nunawading are using wood for that purpose without a license and suggesting the policeman at Whitehorse by informed. Attached note suggests author is possibly Walter Thomas Fletcher, early owner of land that included what is now Matheson's orchard (1988).Copy of letter written by W. Fletcher, Office of Lands and Survey, Melbourne, 2 Nov 1861.charcoal burning, fletcher, w, forest hill, parish of nunawading -
Bendigo Historical Society Inc.
Document - TOWN HALL BENDIGO, THE MUSIC ADVANCEMENT SOCIETY OF BENDIGO, c1954
Town Hall Bendigo, The Music Advancement Society of Bendigo presents the Fifth Concert 1954 series. Walter Susskind, Peers Coetmore, Thomas White. Wednesday, 8th September, 1954 at 8.15pm. Hon. Secretaries: Madge Edgar, Mary Stanistreet. Programme. Edgars', booksellers stationers authorised newsagents. Allan's radios. Frank J. Every & Sons, books.Bolton Bros. Pty. Ltd., Printers. Bendigoprogram, theatre, music advancement society of bendig, town hall bendigo, the music advancement society of bendigo presents the fifth concert 1954 series. walter susskind, peers coetmore, thomas white. wednesday, 8th september, 1954 at 8.15pm. hon. secretaries: madge edgar, mary stanistreet. programme. edgars', booksellers stationers authorised newsagents. allan's radios. frank j. every & sons, books. -
Eltham District Historical Society Inc
Photograph, Peter Pidgeon, Landscape with sheep by Walter Withers part of the Heidelberg Artist Trail, 2 Sep 2017
The Heidelberg School Artists Trail was established in about 1999 with about 52 signs across four local governemnt areas including Nillumbik and Banyule. This one acknowledges "Landscape with Sheep" by Walter Withers. The text on the board states: Walter Withers depicts in this work a number of sheep on Mr. Tom Orr’s property. Our view is from the rise above this park, from the Lower Plenty side of the nearby Diamond Creek, looking northwards towards the main Eltham township. The area that is now Wingrove Park, would have been to the right, in the valley below the sheep. The mood of this work is warm and vibrant, with the use of strong blues and pinks, and this stands in marked contrast to the softer, cooler greens used by Walter Withers in his work ‘The Silent Gums’. Heritage Excursion by EDHS members - An Eltham South Ramble, 2 Sep 2017Born Digitalactivities, eltham district historical society, eltham south, heritage excursion, local history centre, eltham, heidelberg artists' trail, walter withers, landscape with sheep, wingrove park trail -
Eltham District Historical Society Inc
Photograph, Peter Pidgeon, Heidelberg Artists Trail signs are through this area including local artist Walter Withers, 2 Sep 2017
The Heidelberg School Artists Trail was established in about 1999 with about 52 signs across four local governemnt areas including Nillumbik and Banyule. This one located in Wingrove Park Eltham pays tribute to Walter Withers and his painting "The Silent Guns" Transcription of sign: Walter Withers – The Silent Gums, 1909 Walter Withers painted this tranquil pastoral scene in the vicinity this park. Here he has captured the dairy cattle belonging to local Eltham farmer, Mr. Tom Orr, feeding and resting in the shade of the tall Manna gums. Wither’s daughter, Nan recalled how her father, for inspiration, often visited the property of their neighbour, Mr. Tom Orr, and in his later years, Withers painted many landscapes depicting Mr Orr’s sheep and dairy cattle. Heritage Excursion by EDHS Members - An Eltham South Ramble, 2 Sep 2017Born Digitalactivities, eltham district historical society, eltham south, heritage excursion, local history centre, walter withers, heidelberg artists' trail, wingrove park trail, the silent gums -
Federation University Historical Collection
Book, George Robertson & Co, Ivanhoe: A Romance, 1898
This book is part of a collection of books, photos and memorabilia donated from the Chatham-Holmes family collection. Ivanhoe was written by Sir Walter Scott and this Victoria Edition was called the Australasian Issue.This red cloth covered book has a front cover imprinted with a Scottish thistle and leaf design and a crest. The spine is impressed with a design and Victoria Edition and is also has printed in gold 'Ivanhoe', 'Scott' and G.Robertson & Co.'. The book is 484 pages long.On inside cover in pen - To Edith from Hautric? West, Xmas 1917 On leaf in pen - To W.H.West Esq. You have Ivanhoe so haven't a notion? 1902 (There is a verse and a signiture which is difficult to read)chatham-holmes family collection, ivanhoe, sir walter scott, victoria edition australasian issue -
Bendigo Military Museum
Badge - 39 ER’S BADGE, Post 1945
The badge belonged to Walter FORBES, VX953 AASC 6th Div AIF. The membership badge was for those who signed up in the 2nd AIF in 1939. Refer 1101, 1103.44, 1105. Badge, metal "THIRTY NINERS ASSOC". The badge is circular with a wreath and crown at top. Centre is red, white and blue with "1939" in gold. Under is a boomerang with gold lettering re badge name. The rear has a lug and key ring.On rear "No 4247"numismatics - badges, metalcraft, 39er, forbes -
Orbost & District Historical Society
framed photograph, 1923
The frame was hand carved by Cecil Rice and given to his aunt Mrs Marion Gargan. Cecil Rice ( 1912 - 1985) was the son of Walter Cecil Rice and Ellen Theresa Gargan.This item is a pictorial record of a 1920s wedding. Wedding dresses are a useful way to chart changing fashions. The Gargans were early settlers in the Orbost district.A small black / white wedding photograph of a seated man with a woman standing beside him. He is wearing a dark suit, white bow tie and is holding a pair of white gloves in one hand. She is wearing a dress which finishes above the ankles. She has a veil which is "cloche" style and is holding a large bunch of flowers.The photograph has a yellow frame and is mounted on gold card inside an ornately carved wooden frame.on front - Marion & Tom Gargan 1923gargan-thomas gargan-marion rice-walter wedding-photography -
Stawell Historical Society Inc
Photograph, Delahoy Family - c1943 WW2
Delahoy Family. Keith and Ellen (Nell) ne Sweeny Delahoy. Elizabeth (Bett) nee Illig and Walter Delahoy. Seated in front Oriel and Sarah Delahoy. About 1943 WW2stawell -
Eltham District Historical Society Inc
Newsletter, No. 73 July 1990
Contents: • Next meeting, guest speaker; Andrew Mackenzie: The art of Frederick McCubbin • Kangaroo Ground Schoolhouse • Walter Withers Plaque Project • Shire Conservation Strategy • Recent Activities The Shire of Eltham Historical Society was formed in October 1967. The first newsletter of the Society was issued May 1978 and has been published continuously ever since on a bi-monthly basis. With the cessation of the Shire of Eltham in late 1994, the Society's name was revised to Eltham District Historical Society and this name first appeared with issue No. 103, July 1995. The collection of the Society's newsletters provides a valuable resource on the history of the Society's activities, office bearers and committee members, guest speakers and subjects of historical interest pertinent to the former Shire of Eltham and the Eltham District.A4 photocopied newsletter distributed to membersnewsletter, eltham district historical society, shire of eltham historical society -
Bendigo Military Museum
Accessory - ENVELOPE, 13.4.1923
The letter to Mr O.W.Williams relates to his son Walter Williams No 1442 AIF, KIA. Refer cat No 4342P for his service details also Cat No 1859P for photo and medals.Envelope, “On His Majesty’e Service”, light brown colour, red stamp RH corner, all print and agrees in black type/print, item has been stamped four times.Addressed to “Mr O.W.Williams 323 Lyttleton Terrace Bendigo Vic”envelopes, official ohms, military -
Mission to Seafarers Victoria
Photograph - Photograph, Sepia, Anne Treverton Goldsmith (nee Lobb), 1907
The Siddeley Street institute, designed by renown architect Walter Butler was built in 1907. The foundation stone was laid in February 1907 by Lord Northcote and the institute was opened in December the same year.The Siddeley Street Seamen's Institute is the first central structure to be built in central Melbourne on the banks of the Yarra River as the shipping was moving from Hobson's Bay to the city centre. Originally planned and budgeted for in the mid 1880s and petitioned by Ships masters in 1897 this was a long awaited project for the Mission.Sepia toned photograph depicting the Siddeley Street facility under construction. There are two women dressed in white wearing picture hats and carrying either cloaks or coats to the right of the photograph and a group of five men standing in a row beside them. They are all standing in front of the entranceway with arched windows to either side all of which is covered in scaffolding.Pencil mark on reverse of photograph: "2"siddeley street institute, australian-wharf, 1907, walter richmond butler (1864–1949), seamen's institute, seamen's mission, ladies, lhlg, officers, seamen, sailors, seafarers, mission to seafarers, scaffolding, anne treverton goldsmith (nee lobb -
Mission to Seafarers Victoria
Drawing - Architectural drawing, photocopy, Walter Butler, New Buildings for the Missions to Seamen, c. 1916
Draft drawing for the new Flinders Street building designed by Walter Richmond Butler. The copy was published in the 2002 conservation plan without mentionne the source. The original has not been located.The drawing shows the first design of the chapel, the intented position of the weathervane, the absence of chaplain's residence and dome.A3 photocopy in black and white of an architectural drawing depicting the facade.walter richmond butler (1864–1949), flinders street, building, built heritage -
Mission to Seafarers Victoria
Drawing - Architectural drawing, photocopy, Walter Butler, A Rough Sketch of the Design for the New Buildings for the Missions to Seamen, Flinders Street, Melbourne, c. 1916
Rough sketch for the new Flinders Street building designed by Walter Richmond Butler. The copy was published in the 2002 conservation plan without mentionne the source. The original has not been located.The drawing shows the first design of the chapel, the intented position of the weathervane, the absence of chaplain's residence and dome.2 A3 photocopies glued in black and white of an architectural drawing depicting the facade.walter richmond butler (1864–1949), flinders street, building, sketch, built heritage