Copy photograph of a small photograph contained within item Reg. No. 587. Photograph of the opening scene at Gregory St for the opening of the line to Lydiard St. North. Has policeman on left side of photograph, ribbon on tram 37 and an inspector on the right hand side. Caption from 587 is "OFFICIAL OPENING DAY 28.9.37 (corrected to 30.8.37) Official Car arrives from city driven by Mayor J.Pryor (SEC Ballarat accountant W.J.K.Dunstan running)." Walter Dunstan. copy 3 by John Phillips, 9/97, laminated 10/97. - in 01-01-54 See also Reg Item 2521 for another image of this event - newspaper cutting. For some details on Walter Dunstan see Reg. Item 3231 worksheet. Hi Res scan of the negative added 8/5/2020.trams, tramways, ballarat, lydiard st. nth, opening , tram 32

Ex POW Camp 13 Murchison. Walter Jendry, wife and child wearing hat with upturned brim. Germany. Post WW2. Foam backed copy in file.Black and white photograph of a lady (left) and man and a child (front centre) wearing a hat with upturned brim. Trees in background.pow's, camp 13 murchison, walter jendry

Camp 1, Baptism of son of Walter Kiessling.|Lutheran Pastor from New Guinea|Col. Schrader.|R. from baby Renz & wife; Schwarz & wife.photograph, people

Second wife of August Schwerkolt. Wilhelmina had four husbands and died 1903, age 59, in Pittsburgh in U.S.A.Information supplied by Walter Jack, grandson of August SchwerkoltBlack and white copy of Wilhelmina Schwerkolt, taken in Pittsburgh, U.S.A.schwerkolt, maria catherina wilhelmine, pittsburgh, u.s.a.

Mary Pitt Withers was the fourth child and third daughter of artist Walter Herbert Withers and Fanny (nee Flinn), born December 4, 1895 at Heidelberg, Victoria. Many items in this collection have suffered from significant water damage and black mouldjohn withers collection, heidelberg, 1898, mary pitt withers

Edwina Green is a Trawlwoolway First Nations multidisciplinary artist based in Naarm (Melbourne, Australia) that works across painting, film, design, installation and sculpture to investigate narratives of perception, historical re-framing, cultural reclamation and the post- colonial paradigm and its impact on people and place. Graduating from The University of Melbourne with a Bachelor of Fine Arts, she has since been exhibited extensively across Australia and internationally. Her research influenced practice, connection to culture, and ties to reclaiming intergenerational disconnection, inform her practice and it’s aims to challenge understandings and interactions of Indigeneity through dynamic and poetic works. She has exhibited in respected galleries and festivals such as Firstdraft, Pari Ari, Incinerator Gallery, The Granville Centre, SEVENTH Gallery, TCB Gallery, Collarworks (New York), Yirramboi, Gertrude St Projection Festival, Brunswick Music Festival, and EFFA (Environmental Film Festival.) She has also worked as an art director, producer and programmer for RISING Melbourne, Samsung, Arts Centre Melbourne, Next Wave, and Darebin City Council. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art

Dr Deanne Gilson is a proud Wadawurrung woman living on her ancestral Country of Ballarat. Her award-winning multidisciplinary art practice has spanned forty years full time creating through painting, clay (sculptural installation), fashion & textile design, photography, drawing and recently being recognised at the Koorie Heritage Trust for her work as a Blak Jewellery Designer. Celebrating her continued living culture through art and design that revives traditional marks used by Wadawurrung family, contemporary ceremonial business and including oral stories like her Creation Story. She depicts many indigenous plants, trees, birds, often painting endangered species to highlight the importance of taking care of the land and all living things. Working with the notion that time is traversed and all is connected through layers of Dja (Country), from the Cosmos, to Sky to Under Country. Alongside the issues faced by Aboriginal women stemming from the white male and female colonial gaze. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art

Dr Deanne Gilson is a proud Wadawurrung woman living on her ancestral Country of Ballarat. Her award-winning multidisciplinary art practice has spanned forty years full time creating through painting, clay (sculptural installation), fashion & textile design, photography, drawing and recently being recognised at the Koorie Heritage Trust for her work as a Blak Jewellery Designer. Celebrating her continued living culture through art and design that revives traditional marks used by Wadawurrung family, contemporary ceremonial business and including oral stories like her Creation Story. She depicts many indigenous plants, trees, birds, often painting endangered species to highlight the importance of taking care of the land and all living things. Working with the notion that time is traversed and all is connected through layers of Dja (Country), from the Cosmos, to Sky to Under Country. Alongside the issues faced by Aboriginal women stemming from the white male and female colonial gaze. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art

Marlene is a proud Wadawurrung artist, who currently lives in regional Victoria. Gilson’s multi-figure paintings work to overturn the colonial grasp on the past by reclaiming and re-contextualising the representation of historical events. Learning her Wathaurung history from her grandmother, Gilson began painting while recovering from an illness. The artist's meticulously rendered works display a narrative richness and theatrical quality akin to the traditional genre of history painting. Gilson, however, privileges those stories relating to her ancestral land, which covers Ballarat, Werribee, Geelong, Skipton and the Otway Ranges in Victoria. Often including her two totems, Bunjil the Eagle and Waa the Crow, Gilson’s paintings not only reconfigure historical narratives, but display her spiritual connection to Country. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art

Marlene is a proud Wadawurrung artist, who currently lives in regional Victoria. Gilson’s multi-figure paintings work to overturn the colonial grasp on the past by reclaiming and re-contextualising the representation of historical events. Learning her Wathaurung history from her grandmother, Gilson began painting while recovering from an illness. The artist's meticulously rendered works display a narrative richness and theatrical quality akin to the traditional genre of history painting. Gilson, however, privileges those stories relating to her ancestral land, which covers Ballarat, Werribee, Geelong, Skipton and the Otway Ranges in Victoria. Often including her two totems, Bunjil the Eagle and Waa the Crow, Gilson’s paintings not only reconfigure historical narratives, but display her spiritual connection to Country. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art

Ellie Franks is a proud Gubbi Gubbi woman, living and working in Naarm. Her practice is print informed and utilises print techniques to talk to concepts of identity, belonging and connection. She focuses on the malleability of materials and leans into the fluid nature of various mediums, mistakes and chance. Ellie graduated from RMIT University in 2020 with a Bachelor of Fine Arts and is currently participating in the 2023 Koorie Heritage Trust Blak Design Program. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art

Ellie Franks is a proud Gubbi Gubbi woman, living and working in Naarm. Her practice is print informed and utilises print techniques to talk to concepts of identity, belonging and connection. She focuses on the malleability of materials and leans into the fluid nature of various mediums, mistakes and chance. Ellie graduated from RMIT University in 2020 with a Bachelor of Fine Arts and is currently participating in the 2023 Koorie Heritage Trust Blak Design Program. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art

Australian Design Set, The Last Anzacs - featuring Walter Parker, Roy Longmore, Alec Campbell and the 1914-15 Star awarded to all men who fought in campaigns in 1914 and 1915.

Original owner of items. JAMES WALTER PATTERSON. ENLISTED REAAF NO. SN149800 AGE 19 YEARS. Discharged 13 June 1947 with Rank LAC at LAVERTON, VIC. (BCOF).Photograph - black and white photocopy of a portrait.photographs, military history, ww2, bcof

Gaiters belonged to Alan Walter Mason VX140967, 2/10th AUST PORT OP COY AATNC. Enlisted 7 May 1943, Discharged 30 November 1945..1) & .2) Khaki webbed gaiter fitted with two clips and two straps for fitting. Straight double taped top and curved bottom with canvas lining on inside bottom.1 & .2) "VX140967 MASON, A.W." in black ink on canvas lining.uniform, gaiters

It was common for Soldiers to have this Note with an inset photo of themselves. Walter Forbes VX953 6th Div AIF. POW. Refer 1101 for service history also, 1102, 1103.44P. " Palestine Currency Board" One pound note, No F350017, Light green & white color. Inset B & W photo on one side re W. FORBES. These notes were pasted onto cardboard. Writing on rear in pencil is unclear."Jerusalem 30th September 1929"numismatics - notes, palestine, currency

Dorothea, born 1810, died 6 June 1899. She was the mother of Wilhelmina Schwerkolt, the second wife of August Schwerkolt.Information supplied by Walter Jack, grandson of August Schwerkolt.Black and white photo of Dorothea Kruse, mother of Wilhelmina Schwerkolt taken 6 June 1889.kruse, dorothea elizabeth, schwerkolt, maria catherina wilhelmine

Performers at the 1981 Carols by Candlelight concert, including Daryl Somers, Brian Naylor, Humphrey B. Bear, Denis Walter, Joan McInnes, Dianne and Bram Manusama and Santa.12 x col. photographs of Carols by Candlelight performerscarols by candlelight, daryl somers, brian naylor, humphrey b bear, denis walter, joan mcinnes, bram manusama, dianne manusama

George Walter A'Vard was a bullocky who worked all through the Dandenongs from 1900 to 1928, where he sold his bullocks. He settled in Emerald in 1920.VEMU1613.1 Eight holes and 7 nails. 13.5cm (H); 12.8cm (W); 4mm (D). VEMU1613.2 Eight holes. 14cm (H); 10.8cm (W); 3mm (D). VEMU1613.3 Six holes. 10cm (H); 9.5cm (W); 6mm (D). VEMU1613.4 Five nails. 12.5cm (H); 12.1cm (W); 7mm (D). VEMU1613.5 Five holes, 1 nail. 13cm (H); 11.5cm (W); 2mm (D).

The photograph of Henry Sutton used in this book was provided by Federation University Historical Collection.Hard copy green cover with black over spine, about Australian inventors, 32 pages with index, includes; Maria Skyllas Kazocos Richard Smith James Harrison Henry Sutton Hugh MacKay Lawrence Hargrave Walter Hume David Unaipon Arthur Bishop Mervyn Richardson David Henshaw Ralph Sarich Ben Lexon Alan Walshaustralian inventors, maria skyllas kazocos, richard smith, james harrison, henry sutton, hugh mackay, lawrence hargrave, walter hume, david unaipon, arthur bishop, mervyn richardson, david henshaw, ralph sarich, ben lexon, alan walsh

The Heidelberg School Artists Trail was established in about 1999 with about 52 signs across four local governemnt areas including Nillumbik and Banyule. This one located in Wingrove Park Eltham pays tribute to Walter Withers and his painting "The Silent Guns" Transcription of sign: Walter Withers – The Silent Gums, 1909 Walter Withers painted this tranquil pastoral scene in the vicinity this park. Here he has captured the dairy cattle belonging to local Eltham farmer, Mr. Tom Orr, feeding and resting in the shade of the tall Manna gums. Wither’s daughter, Nan recalled how her father, for inspiration, often visited the property of their neighbour, Mr. Tom Orr, and in his later years, Withers painted many landscapes depicting Mr Orr’s sheep and dairy cattle. Heritage Excursion by EDHS Members - An Eltham South Ramble, 2 Sep 2017Born Digitalactivities, eltham district historical society, eltham south, heritage excursion, local history centre, walter withers, heidelberg artists' trail, wingrove park trail, the silent gums

The Heidelberg School Artists Trail was established in about 1999 with about 52 signs across four local governemnt areas including Nillumbik and Banyule. This one acknowledges "Landscape with Sheep" by Walter Withers. The text on the board states: Walter Withers depicts in this work a number of sheep on Mr. Tom Orr’s property. Our view is from the rise above this park, from the Lower Plenty side of the nearby Diamond Creek, looking northwards towards the main Eltham township. The area that is now Wingrove Park, would have been to the right, in the valley below the sheep. The mood of this work is warm and vibrant, with the use of strong blues and pinks, and this stands in marked contrast to the softer, cooler greens used by Walter Withers in his work ‘The Silent Gums’. Heritage Excursion by EDHS members - An Eltham South Ramble, 2 Sep 2017Born Digitalactivities, eltham district historical society, eltham south, heritage excursion, local history centre, eltham, heidelberg artists' trail, walter withers, landscape with sheep, wingrove park trail

The frame was hand carved by Cecil Rice and given to his aunt Mrs Marion Gargan. Cecil Rice ( 1912 - 1985) was the son of Walter Cecil Rice and Ellen Theresa Gargan.This item is a pictorial record of a 1920s wedding. Wedding dresses are a useful way to chart changing fashions. The Gargans were early settlers in the Orbost district.A small black / white wedding photograph of a seated man with a woman standing beside him. He is wearing a dark suit, white bow tie and is holding a pair of white gloves in one hand. She is wearing a dress which finishes above the ankles. She has a veil which is "cloche" style and is holding a large bunch of flowers.The photograph has a yellow frame and is mounted on gold card inside an ornately carved wooden frame.on front - Marion & Tom Gargan 1923gargan-thomas gargan-marion rice-walter wedding-photography

The letter to Mr O.W.Williams relates to his son Walter Williams No 1442 AIF, KIA. Refer cat No 4342P for his service details also Cat No 1859P for photo and medals.Envelope, “On His Majesty’e Service”, light brown colour, red stamp RH corner, all print and agrees in black type/print, item has been stamped four times.Addressed to “Mr O.W.Williams 323 Lyttleton Terrace Bendigo Vic”envelopes, official ohms, military

The badge belonged to Walter FORBES, VX953 AASC 6th Div AIF. The membership badge was for those who signed up in the 2nd AIF in 1939. Refer 1101, 1103.44, 1105. Badge, metal "THIRTY NINERS ASSOC". The badge is circular with a wreath and crown at top. Centre is red, white and blue with "1939" in gold. Under is a boomerang with gold lettering re badge name. The rear has a lug and key ring.On rear "No 4247"numismatics - badges, metalcraft, 39er, forbes

Draft drawing for the new Flinders Street building designed by Walter Richmond Butler. The copy was published in the 2002 conservation plan without mentionne the source. The original has not been located.The drawing shows the first design of the chapel, the intented position of the weathervane, the absence of chaplain's residence and dome.A3 photocopy in black and white of an architectural drawing depicting the facade.walter richmond butler (1864–1949), flinders street, building, built heritage