The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This item is from the Haeusler collection. It is a stoneware, urn-shaped vase. The mark "V210" underneath the vase identifies it as an Antique Majolica Green Glazed Victorian Mantle Vase. Majolica is an earthenware pottery decorated with a clear lead glaze. It became very popular during the Victorian era. This item is from the Hauseler Collection which documents social life of early settlers in the Wodonga community.A stoneware, urn-shaped vase. It has a waisted square foot, urn shaped body, trumpet neck and two curved side handles. It is decorated with scrolling leaves on the body and leaves on the foot, glazed with a monochrome dark green glaze.Underneath Base V210household items, decorative arts, ceramics, haeusler collection

This item was donated to Wodonga Historical Society by the artist, Betty L. Barberis. Betty Barberis nee Barton was one of 12 children born to Roderick Barton and Myrtle Ann Hore of Gundowring in the Kiewa Valley. She was born in 1927 and attended Upper Gundowring Primary School. Betty was encouraged to enter a project for the "Young Farmers" by illustrating a book. She won first prize for Victoria and the book was exhibited at the Royal Melbourne Show. This resulted in Betty attaining a Manual Art Teacher's Studentship which she completed at Wangaratta Technical School. Here she learned many new skills ranging from garment design to ceramics. She also attended Melbourne Teachers College. Betty created many decorative banners, the first being for the Australian section of the World Scout Jamboree in 1948. Over her long career she was to create many other banners and commissioned work including these badges for the Australian Antarctic Research Expedition in 1982. Betty’s great body of work included landscapes, millinery, ceramics, and a bronze sculpture of her husband Vern Barberis who was a fellow schoolteacher and represented Australia as a weightlifter, winning a bronze medal at the Helsinki Olympics in 1952. She also illustrated several books and had exhibitions in many galleries including in Albury. Betty passed away at The Grange, Wodonga on 26 November 2013.This item represents an important research organisation in Australia and was created by an highly recognised artist from Northeast Victoria.A framed montage of 2 cloth badges designed for the Australian Antarctic Research Expedition in 1983, a pin featuring a penguin, a business card and a note written by the artist and donor Betty Barberis nee Barton.On sign above badges:' THESE BADGES WERE DESIGNED FOR THE -/ AUSTRALIAN ANTARCTIC / RESEARCH EXPEDITION 1982/ By BETTY L. BARBERIS In the top left corner: "It is with very great pleasure I give these treasures to Wodonga Museum/ Betty Lorraine Barberis (Barton) 1927 / 2 -1-2011"betty barberis, anare, australian antarctic research expedition

This item was created for Wodonga Historical Society by the artist, Betty L. Barberis in 2009. Betty Barberis nee Barton was one of 12 children born to Roderick Barton and Myrtle Ann Hore of Gundowring in the Kiewa Valley. She was born in 1927 and attended Upper Gundowring Primary School. Betty was encouraged to enter a project for the "Young Farmers" by illustrating a book. She won first prize for Victoria and the book was exhibited at the Royal Melbourne Show. This resulted in Betty attaining a Manual Art Teacher's Studentship which she completed at Wangaratta Technical School. Here she learned many new skills ranging from garment design to ceramics. She also attended Melbourne Teachers College. Betty created many decorative banners, the first being for the Australian section of the World Scout Jamboree in 1948. Over her long career she was to create many other banners and commissioned work, including this banner created for Wodonga Historical Society and featuring the Wodonga Water Tower. Betty’s great body of work included landscapes, millinery, ceramics, and a bronze sculpture of her husband Vern Barberis who was a fellow schoolteacher and represented Australia as a weightlifter, winning a bronze medal at the Helsinki Olympics in 1952. She also illustrated several books and had exhibitions in many galleries including in Albury. Betty passed away at The Grange, Wodonga on 26 November 2013.This banner was created by a renowned and highly regarded artist from Northeast Victoria.A large velvet banner created for the Wodonga Historical Society by noted local artist Betty L. Barberis. It is mounted on a pine rod and features an image of the water tower in Wodonga, Victoria. The majority of the banner is hand stitched.Around the edge of the central image: "Wodonga Historical Society Victoria.wodonga historical society, betty l. barberis

In February 2001 the National Council for the Centenary of Federation called upon Australians to nominate someone whom they felt had significantly affected their lives, their community or our country. Thousands of these heroes and quiet achievers were selected. Betty Churcher, a member of the National Council, chaired the Peoplescape Selection Panel. Nominators then made life size, cutout figures to represent their "hero". The sculptures were installed in alphabetical order, on the hill at Parliament House and down to the Federation Mall in Canberra, each with a plaque at its base outlining the individual's achievement. This portrait was painted by Betty Barberis to represent her mother "Dolly" Barton. Dolly raised 12 children, lived through 2 World Wars and the depression. She kept the family dairy farm running whilst her husband was serving in World War 2 whilst still supporting the war effort through the Red Cross and CWA and the church guild. Betty’s great body of work included landscapes, banners, millinery, ceramics, and a bronze sculpture of her husband Vern Barberis who was a fellow schoolteacher and represented Australia as a weightlifter, winning a bronze medal at the Helsinki Olympics in 1952. She was also an art teacher of 22 years. Betty passed away at The Grange, Wodonga on 26 November 2013.This portrait was created by a renowned and highly regarded artist from Northeast Victoria for a national celebration of the centenary of Australian Federation in 2001.A large oil painting depicting a portrait of Dolly Barton, mother of the artist Betty L. Barberis. The painting includes representations of her 12 children, her farming way of life, her commitment to the community and to the war effort. The image was painted on to yellow corflute for exhibition. It has since been covered with perspex to protect the image.betty l. barberis, myrtle ann 'dolly" barton, peoplescape 2001

Stoneware or pottery canisters were widely used throughout the late 19th and early 20th centuries for storing and preserving a wide range of kitchen food ingredients. Bendigo Pottery was established in 1858 and is Victoria's oldest working pottery. It was founded by George Duncan Guthrie (1828–1910) who abandoned his potter’s wheel in Scotland to join the Australian gold rush. He found a clay deposit perfectly suited for the production of ceramics, so returned to his former profession as a master potter. The population explosion created by the Australian gold rush resulted in an increased demand for all kinds of locally manufactured goods. The Bendigo Pottery became one of regional Victoria’s most important industrial enterprises. By the late 1800s the Pottery was making all kinds of household wares. One of its most popular lines was the mass produced, affordable and functional earthenware such as these canisters.These items are significant on a state and national level due to the importance of Bendigo pottery as a major Victorian manufacturer whose products were widely used in Australian homes.A group of 3 stoneware and ceramic canisters of assorted sizes. The tallest canister bears the Bendigo Pottery makers mark. The flour canister with the lid and the third canister are unmarked. Similar canister were produced by several companies in the early to mid 20th century. They were commonly used for storing flour, salt and other commodities.At bottom of largest canister "BENDIGO POTTERY" above straight linebendigo pottery, earthernware, kitchen utensils

Johnson Bros. was founded by two brothers named Alfred and Frederick who purchased a pottery factory in Hanley, England, in 1883. They were grandsons of a renowned English potter, Alfred Meakin. They were later joined in the business by their brothers Henry and Robert. Their business grew rapidly, as they were one of the world's largest pottery factories by the turn of the 20th century. By 1970, Johnson Bros. obtained the Royal Charter to become the official provider of china for Her Majesty Queen Elizabeth II. More than 1,300 patterns have been created throughout Johnson Brothers' history. Due to their growing success, manufacturing plants were established overseas including the establishment of a tableware factory, Johnson Brothers Australia in 1957 in Croydon, Victoria operated through a company known as Sovereign Pottery Ltd. Due to rising competition, Johnson Brothers became part of the Wedgewood Group in 1968. In 2015, following the acquisition of Wedgewood by Finnish company Fiskars, the Johnson Brothers branding was discontinued. The trademark on this bowl was used by Johnson Brothers between 1913 and 1942. An item which reflects the changing market for tableware that was reasonably priced and serviceable. Their innovation of the pottery line called semi-porcelain changed the industry. This development allowed potteries to produce fashionable pottery items that were affordable to all social classes of the time. Their use became widespread in Australia, especially following their establishment of a tableware factory in Melbourne, Victoria. A shallow white bowl with gold trim, probably used for serving vegetables at the table. The underside of the bowl bears the mark of Johnson Bros England. The mark is composed of a green crown above the words "Johnson Bros England" also in green.On under side of bowl, beneath a green crown "Johnson Bros/England"johnson brothers ceramics, domestic utensils, kitchenware

A wide range of small china pieces carrying scenic views of holiday destinations or key locations were a popular kind of souvenir during much of the 20th century. Several different pieces were used to depict Wodonga during this period, primarily focusing on the Woodland Grove and the Soldier Memorial. In 1924, Arthur Arnold and his father Wilhelm Arnold had established a general store in High Street, near the water tower, but in 1931–32 they moved to new premises in High Street on the corner of what is now known as Elgin Boulevard. In 1933-34 they widened the frontage of the shop and added new premises at the rear for the sale of produce. As customer debt mounted during the depression, it became difficult for Arthur and Wilhelm to re-stock the shop, so they enticed customers into paying their accounts by rewarding them with a small individual cream or milk jug upon payment. The jugs were made in Czechoslovakia and displayed the war memorial, water tower and bandstand from Woodland Grove, Wodonga. The Arnolds continued to trade until they finally closed their store in 1950. Wilhelm Arnold was a brother of J G Arnold, whose business ultimately became the present-day Arnold’s Fruit Market, Wodonga. This item has local historic and social significance as it depicts which features of the city the community valued in the past. It has artistic significance as an example of the kinds of souvenirs used widely across Australia to represent communities and the landscape.A pair of miniature white jugs with a gold rim and handle detailing. A hand-coloured transfer image fills the front side depicts Woodland Grove Wodonga, including the Soldiers' Memorial, Water Tower and RotundaBeneath the image : "WOODLAND GROVE, VIC. / With Compliments/ from/ A. Arnold & Co."wodonga, souvenirs, woodland grove, ceramics, arnolds wodonga

'Home' is a symbol of hopes, dreams, comfort, love, family and future. It is both a place and an idea, nor does it remain in time and space. It can also represent a time of sadness , fear and loss. Through the roller-coaster of the past year, I have used a series of homes belonging to family and friends. Each artwork of home tells a different story about its occupants, their story, and what home mean to them. Sarah CANHAM Sarah has had a life-long love of creative arts and a passion for nature she has pursued in her career. She has a Bachelor Applied Science degree from Charles Sturt University, a Masters of Environment from University of Melbourne, and works in natural resource management and conservation. Studying part time Sarah Canham completed a Bachelor of Visual Arts at Federation University Arts Academy in 2021. Her art is an expression of the awe she has for the natural world, and concerns for the future, including for our indigenous culture, and native flora and fauna in Australia. She also reflects on the current and past women and mother artists who have experienced the challenge of juggling art, career and motherhood, and have been under-represented in the arts community for millennia.Three handbuilt, slab construction, stoneware formsceramics, sarah canham, dvc art award, alumni

William (Bill) ONUS (15 November 1906-1968) Born Cummeragunja Aboriginal Reserve, Murray River, New South Wales Clan: Wiradjuri William Townsend (Bill) Onus was a shearer, actor and activist who revived the Australian Aboriginese League in Melbourne in 1946. He retired from politics in to start the Aboriginal Enterprises workship in Belgrave with his brother Eric. They produced boomerangs, woomeras, fabrics and greeting cards imprinted with Aboriginal motifs. He ran the business from his small factory and shop at Belgrave in the Dandenong Ranges. To promote his wares Bill Onus toured widely in Victoria and beyond as a travelling showman, giving demonstrations of boomerang-throwing, which he advocated as a national sport. (ADB) Bill Onus adopted similar imagery to that which appeared in mass-produced indigenised design; however, he used such works to draw attention to his political work with the ‘Committee for Aboriginal Citizen Rights’ and the ‘Australian Aborigines League.’ William McLintock (Lin) Onus is the son of Bill Onus. Wooden plate decorated with Aboriginal design by Bill Onus.Stamped on back "Made in Australia Bill Onus"aboriginal, bill onus, aboriginal enterprise novelties, ceramics

Gembrook Pottery was based in Gembrook in the Dandenong Ranges of Victoria. The pottery, run by Ian and Robyn Burgher, was registered as a business from 1987 to 2007. Marks include Gembrook Pottery (impressed), Gembrook Pottery Wirilda (impressed) and Wirilda (painted). Lidded vessel with incised carvingceramics, australian studio pottery

Stephen Drew was Nintingbool Potteries Stephen (Steve) Drew studied at the Ballarat Technical Art School (a division of the Ballarat School of Mines) and RMIT. He worked as a secondary school teacher for a short time before setting up Nintingbool Potteries in a bush setting at Smythes Creek, near Ballarat, in 1974. He made a wide range of functional pottery high-fired in stoneware and porcelain, later concentrating on one-off sculptural pieces. Steve Drew was instrumental in setting up the Ballarat Ceramic Group, which operated for twenty years, and is a member of the Golden Plains Art Trail. His pottery mark is recorded as an impressed 'N' in a circle, or an incised 'Drew'. Bell shaped bottle by Nintingbool Potteriesaustralian studio pottery, ceramics, bottle, steve drew, stephen drew, nintingbool potteries, ballarat pottery group

Lidded Ceramic Jarceramics, australian studio pottery

Pottery with flower design.ceramics, australian studio pottery

Graham WOOD Wartook Pottery was set up in the early 70s by Graham Wood, and was sucessful for nearly 25 years. It then moved to Halls Gap (The Grampians, Victoria), and the name was changed to Jimmy's Creek Pottery in 1998. The pottery conitnued under that name until 2003. when cheap imports hurt the business. Hand thrown ceramic bowl with 'Gum Leaf' design and the word 'sugar'. According to decorator Wendy McGuiness all decoration was made and applied by hand - an extremely time consuming activity. Texture to the body of each piece was created by using a piece of coral. Tenmoku glaze was applied to the top of the pieces, with iron oxide to the main body. This was the first of the Wartook range that sold commercially from around 1987 all over Australia. At the height of production Wartook Pottery had 5 employees, including a new wheel potter (who was adept at creating the pieces as Graham had done before). Additional ranges were still hand thrown, but with a floral wreath (slip cast) applied to the top of each pot, as well as a range that used decals for decoration. australian landscape pottery, les macleman, ceramics, landscape, graham wood

Ken HOVENDEN Working at Bendigo Pottery from April 1972 at the age of 17, Ken Hovenden was also involved in the Lillydale Pottery venture. He worked at Cannie Ridge Pottery for a time, exhibiting work there in 1979. Known as a great thrower, his work featured beautifully fitted lids and quantities of mugs of identical size. In the 1980s, he set up his own pottery at Malmsbury and sold his work through Bangles Gallery at Cobargo. From late 1988 to 1997, he worked under the business name Shiloh Pottery in Castlemaine. His work often features a unique gum leaf design on individually thrown work. Marks used include KH on Bendigo Pottery Epsom Ware, Kevin Hovenden on Badger Creek Pottery, KH on Lillydale Pottery and his own impressed KH initials.Stoneware teapot with beige glaze and handpainted gumleaves, and stamped 'KH' on the footrim.australian studio pottery, ceramics, ken hovenden, teapot

Mark Reid began potting in the early 1980s, working for a time in North Queensland. In 1985, he and his wife Robyn set up the Torvil Pottery at Buninyong near Ballarat in Victoria. In 1991, they relocated to a 10 acre property in nearby Magpie and set up the Ballarat Clayfire Gallery with a working studio, gallery and residence. In 2005, he Clayfire Gallery was located to Daylesford. Mark Reid signs his work with an incised 'Mark Reid' or 'MR'.mark reid, australia studio pottery, ceramics, torvil pottery, buninyong, magpie, clayfire gallery, ballarat clayfire gallery, daylesford

Photograph of a hand thrown ceramic jug. ceramics, australian studio pottery, jug

Glazed cupaustralian studio pottery, ceramics, cup

Lidded bowl with glaze docorationaustralian studio pottery, ceramics, container

australian studio pottery, ceramics

australian studio pottery, ceramics

Garry BISH (1950- ) Born Charlton, Victoria After training as a secondary school art teacher in Melbourne in 1968-69, Gary Bish moved to Bendigo, where he established the Potters Arms Studio in Epsom in 1972 while studying for a Diploma of Art and Design in ceramics at the Bendigo Institute of Technology, graduating in 1974. Establishing an independent studio in Epsom in 1972, Garry Bish has lectured in Ceramics for many years. Bish marks his work with his signature or an impressed 'B' with a stem like a feather, or in later years the Initial GB in a square. Plate by hand drawn glaze designceramics, gary bish, australian studio pottery

Springmount Pottery is located in Creswick, Victoria, and produces and sells works designed by its owner, Tina Banitska, who also owns the Convent Gallery in Daylesford. Banitska came to Australia with her family from Greece in 1956. She trained at RMIT and Franklin State College, before taking over Doug Alexander's Springmount Pottery when he moved to Tharwa in 1976. Retaining the pottery name, she developed it as a workshop, employing throwers and decorators to make works to her design, and initially selling these through the Springmount Pottery Gallery on Main Street, Ballarat. The pottery now operates with its own gallery onsite. Banitska's initial interest in ash glazes is continued in the Pottery's ashware line and there has also been a wide range of other Springmount designs. Works are signed with a painted 'Springmount' often split over two lines.A hand thrown, glazed and decorated vase.ceramics, springmount pottery, tina banitska, australian studio ceramics, australian studio pottery

Grashir Pottery was based in Kyabram, Victoria, and between 1984-1999 was registered by ASIC under the trading name Grashir Handcrafts. The pottery was set up by Graham and Shirley Howard after Graham had worked for John Stroomer for many years. The pottery made functional stoneware marked with an impressed 'Grashir Pottery' or 'Grashir Kyabram' with a map of Australia. Small hand thrown jug by Grashir Potteryaustralian studio pottery, ceramics, jug, grashir pottery

Gembrook Pottery was based in Gembrook in the Dandenong Ranges of Victoria. The pottery, run by Ian and Robyn Burgher, was registered as a business from 1987 to 2007. Marks include Gembrook Pottery (impressed), Gembrook Pottery Wirilda (impressed) and Wirilda (painted). Lidded bowl with incised carving.ceramics, australian studio pottery, warilda, gembrook pottery

Robert GORDON Robert 'Andy' Gordon is a potter supplying ceramic wares to stores across Australia as well as exporting to Canada, the U.S.A. and New Zealand. to China. Robert and his wife Barbara started making pottery in 1979 in a tin shed at Gembrook in the Dandenongs, Victoria, which they called the Pack Track Pottery, selling their wares at the St Kilda markets. In 1987, they expanded to purpose-build premises in nearby Pakenham where they are still based today. Wares made at Pack Track Pottery are painted 'Robert Gordon' or 'Gordon' in oxide. Wares made at the Robert Gordon Pottery are stamped 'Robert Gordon Pottery Australia', 'Robert Gordon Pottery Australian Made' or 'Robert Gordon Australia'. Glazed jug with cork stopperrobert gordon, australia studio pottery, ceramics, pack tack pottery, jug

Robert GORDON Robert 'Andy' Gordon is a potter supplying ceramic wares to stores across Australia as well as exporting to Canada, the U.S.A. and New Zealand. to China. Robert and his wife Barbara started making pottery in 1979 in a tin shed at Gembrook in the Dandenongs, Victoria, which they called the Pack Track Pottery, selling their wares at the St Kilda markets. In 1987, they expanded to purpose-build premises in nearby Pakenham where they are still based today. Wares made at Pack Track Pottery are painted 'Robert Gordon' or 'Gordon' in oxide. Wares made at the Robert Gordon Pottery are stamped 'Robert Gordon Pottery Australia', 'Robert Gordon Pottery Australian Made' or 'Robert Gordon Australia'. Glazed jugrobert gordon, australia studio pottery, ceramics, pack tack pottery, jug

A lidded vesselceramics, australian studio pottery

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by the Australian art potter, Klytie Pate.Small, green glazed dish, highlighted with splashes of purple. Five ballerinas in the cavetto surround an undecorated well. The reverse is glazed a lighter green. Spur marks in the foot rim reveal that the dish was supported on stilts in the kilnSignature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), dishes, viola annie mcvicars, viola annie ayling