BHS Collectionblack and white photo: family. One mature female in dark gown with brooch and necklace, one mature male in suit, white shirt, tie and tie pin. One male child suited, short trrousers. Six young males suited and buttonholed, one with watch chain. Two young females, long dark curls, pinafore gown, brooch visible at throat of R. hand gown. Weatherboard house at rear, ivy at left hand border. Step and verandah visible behind group with an upholstered chair, personal belongings nearby and below four pane glazed window.2000 - 180-01 on back of photoperson, group

Photographic portrait of Francis (Frank) Thomas Le Page. Frank is the oldest child of Nicholas and Rachel (nee Addy), who arrived in Melbourne in 1852 from Guernsey in the Channel Islands. Nicholas was a tailor and Rachel was a dressmaker. They originally made their home in Prahran and set up a business but about two years later decided to take up market gardening. The Le Page family bought property in the Two Acre Village, Cheltenham. They had nine other children. At 14 years of age Frank was driving his father’s horse and dray to Melbourne with the vegetables they grew - standing backed in to the footpath in Little Collins Street, at the old Eastern Market. At 18 years of age, and the other members of the family growing up, Francis decided to seek work outside, and was employed as a gardener by Mr Budd, who conducted the Brighton Grammar School. It was whilst employed there that the late Sir Thomas Bent and he became friends, a friendship which lasted throughout their lives. Sir Thomas was then on the land also. Frank was an active member of social and sporting groups in the region. In 1876 Frank married Mary Geraghty and they made Cheltenham their home. He became a councillor for the then Shire of Moorabbin, a position he held for 25 years, and in 1902 was elected President of the Shire of Moorabbin. He was also a Justice of the Peace and occupied the bench at the Cheltenham Court. The next generation of Le Pages continued to be heavily involved in the civic life of the region with Frank and Mary's son Everest being elected mayor twice.Black and white image of Francis (Frank) Thomas Le Page.

In 1919 J.B. North, a violinist with the then Melbourne Symphonic Orchestra, and Monsieur Leon Lambert, a French architect, who later designed the Glaciarium Ice Skating Rink, purchased three available farms, Looker's, Wright's and Taylor's, approximately 60 acres, the area running along the creek and being bordered by the present day Ryans Road, Karingal Drive and Sherbourne Road. The farms were used for orchards and market gardens. Leon Lambert designed and built two homes on the farm site, one for the North family, ‘Tralford’, and the other, ‘Glen Ellen’, for himself and his wife. The homes were considered as "brother and sister" and they each included in their design an identical bay window in the main living area. "Glen Ellen" originally comprised kitchen, lounge room, inglenook, dining room, bath room and sleepout. Although the home has been extended over the years, much of the original architecture has been retained including timber panelling and three fireplaces. The land was subdivided in approximately 1966 with "Glen Ellen" retaining approximately one half acre of land fronting Meruka Drive. The property then passed from the Charleston family to Gerald and Margaret Sutton in 1976 and again was sold in 1980 and lastly sold again in 1994. The Norths named their house 'Tralford'. According to Marjorie North, the name Meruka was suggested by Alan Gardner and so was apparently not used by the North family. The name appears to be of Indian origin and its connection with the land is not known. ‘Tralford’ stayed in the North family for many years. Eltham Council acquired the house to create Meruka Park. The house was used for some years by the Council as a community arts facility and as emergency accommodation. It fell into disrepair and was demolished about 1990. The Meruka Child Care Centre has been built on the site and incorporates some of the architectural features of the old house. The Co-op was opened in April 1994. The original drive flanked by large old cypress trees remains. These trees are considered to be of local heritage significance and for this reason Meruka Park is covered by a Heritage Overlay under the Nillumbik Planning Scheme. Part of the park has been preserved as habitat for rare local flora. LL's house, named ‘Glen Ellen’, remains in a well-preserved state and fronts Meruka Drive.shire of eltham archives, child care centres, health & community services, meruka child care co-operative, peter staples mhr jaga jaga, cr pamela sladden

In 1919 J.B. North, a violinist with the then Melbourne Symphonic Orchestra, and Monsieur Leon Lambert, a French architect, who later designed the Glaciarium Ice Skating Rink, purchased three available farms, Looker's, Wright's and Taylor's, approximately 60 acres, the area running along the creek and being bordered by the present day Ryans Road, Karingal Drive and Sherbourne Road. The farms were used for orchards and market gardens. Leon Lambert designed and built two homes on the farm site, one for the North family, ‘Tralford’, and the other, ‘Glen Ellen’, for himself and his wife. The homes were considered as "brother and sister" and they each included in their design an identical bay window in the main living area. "Glen Ellen" originally comprised kitchen, lounge room, inglenook, dining room, bath room and sleepout. Although the home has been extended over the years, much of the original architecture has been retained including timber panelling and three fireplaces. The land was subdivided in approximately 1966 with "Glen Ellen" retaining approximately one half acre of land fronting Meruka Drive. The property then passed from the Charleston family to Gerald and Margaret Sutton in 1976 and again was sold in 1980 and lastly sold again in 1994. The Norths named their house 'Tralford'. According to Marjorie North, the name Meruka was suggested by Alan Gardner and so was apparently not used by the North family. The name appears to be of Indian origin and its connection with the land is not known. ‘Tralford’ stayed in the North family for many years. Eltham Council acquired the house to create Meruka Park. The house was used for some years by the Council as a community arts facility and as emergency accommodation. It fell into disrepair and was demolished about 1990. The Meruka Child Care Centre has been built on the site and incorporates some of the architectural features of the old house. The Co-op was opened in April 1994. The original drive flanked by large old cypress trees remains. These trees are considered to be of local heritage significance and for this reason Meruka Park is covered by a Heritage Overlay under the Nillumbik Planning Scheme. Part of the park has been preserved as habitat for rare local flora. LL's house, named ‘Glen Ellen’, remains in a well-preserved state and fronts Meruka Drive.shire of eltham archives, child care centres, health & community services, meruka child care co-operative, peter staples mhr jaga jaga, cr pamela sladden

In 1919 J.B. North, a violinist with the then Melbourne Symphonic Orchestra, and Monsieur Leon Lambert, a French architect, who later designed the Glaciarium Ice Skating Rink, purchased three available farms, Looker's, Wright's and Taylor's, approximately 60 acres, the area running along the creek and being bordered by the present day Ryans Road, Karingal Drive and Sherbourne Road. The farms were used for orchards and market gardens. Leon Lambert designed and built two homes on the farm site, one for the North family, ‘Tralford’, and the other, ‘Glen Ellen’, for himself and his wife. The homes were considered as "brother and sister" and they each included in their design an identical bay window in the main living area. "Glen Ellen" originally comprised kitchen, lounge room, inglenook, dining room, bath room and sleepout. Although the home has been extended over the years, much of the original architecture has been retained including timber panelling and three fireplaces. The land was subdivided in approximately 1966 with "Glen Ellen" retaining approximately one half acre of land fronting Meruka Drive. The property then passed from the Charleston family to Gerald and Margaret Sutton in 1976 and again was sold in 1980 and lastly sold again in 1994. The Norths named their house 'Tralford'. According to Marjorie North, the name Meruka was suggested by Alan Gardner and so was apparently not used by the North family. The name appears to be of Indian origin and its connection with the land is not known. ‘Tralford’ stayed in the North family for many years. Eltham Council acquired the house to create Meruka Park. The house was used for some years by the Council as a community arts facility and as emergency accommodation. It fell into disrepair and was demolished about 1990. The Meruka Child Care Centre has been built on the site and incorporates some of the architectural features of the old house. The Co-op was opened in April 1994. The original drive flanked by large old cypress trees remains. These trees are considered to be of local heritage significance and for this reason Meruka Park is covered by a Heritage Overlay under the Nillumbik Planning Scheme. Part of the park has been preserved as habitat for rare local flora. LL's house, named ‘Glen Ellen’, remains in a well-preserved state and fronts Meruka Drive.shire of eltham archives, child care centres, health & community services, meruka child care co-operative

The children in the photograph are probably Eliza Jane Kennedy, b. 1862, Richard John Kennedy, b. 1863, Mary Catherine Kennedy, b. 1865, Margaret Ann Kennedy, b. 1866, and Martha Kennedy, b. 1868. The age of the youngest child has been used to date the photograph to 1869-70. Thomas Kennedy was in charge of Linton police station from about 1865.Black and white copy of original photograph which shows Thomas Kennedy, his wife Eliza (nee Brophy) and five of their children outside Linton Court House.linton court house, thomas kennedy, eliza kennedy (nee brophy), eliza jane kennedy (jane), richard john kennedy, mary catherine kennedy (catherine), margaret ann kennedy, martha kennedy

The Victoria Hotel was on the corner of Skipton and Geelong Roads in Linton and is believed to have been built around 1860. H. Blunt and afterwards Ellen Blunt were licensees between 1864 and 1881. Ambrose and Mary Murrell were licensees from December 1882 and ran the hotel for many years. Mary Murrell continued to run it with her daughter Caroline after Ambrose Murrell died. The building was demolished in 1938. See Hotels file and Murrell family file for more information.Black & white copy of original photograph, which shows a horse-drawn wagon passing Murrell's Victoria Hotel in Skipton Road, Linton. Several people, including a child, are standing outside the hotel. The date of this photograph is unknown, possibly c.1900. Members of the Murrell family identified in the photograph are Bill, Caroline, Mary, Sarah and Charlotte.murrell's victoria hotel, ambrose murrell, mary murrell, ellen blunt, h. blunt

POLICE INSPECTOR EDWIN RYAN AND HIS WIFE ANNA MARIA LIVED AT "QUAMBY" ON THE CORNER OF SERVICE AND BATH STREETS, CLUNESBLACK AND WHITE COPIES OF PHOTOGRAPHS:- 1. GROUP OF SIX PEOPLE C1925 WHO WERE THE GRAND-CHILDREN OF EDWIN RYAN, A POLICE INSPECTOR. 2. CHILD IN A PRAM, C1941, ALSO A GRANDCHILD OF EDWIN RYAN.BLACK AND WHITE COPIES OF PHOTOGRAPHS:- 1. GROUP OF SIX PEOPLE C1925 WHO WERE THE GRAND-CHILDREN OF EDWIN RYAN, A POLICE INSPECTOR. 2. CHILD IN A PRAM, C1941, ALSO A GRANDCHILD OF EDWIN RYAN.local history, photography photograph, ryan family

Brian Millane's grandmother made gown and petticoat in 1881/1882. Used in 1967 at christening of Brian and Michelle's first child. Was worn by many generations of the Millane's family.Long cotton christening gown with handmade eyelet/broderie anglais on skirt and bodice. Four tucks on each side of broderie anglais on bodice. Sleeves and neckline edged with lace. Opening at back pearl button and tie at waist. Pin-tucks in skirt layered between broderie anglais lace. Petticoat is sleeveless with lace and tucks at hemline. Opening at back of bodice with ties.millane family, st john's church mitcham

Charles Meynell Pitt Withers (aka Bill) was the son and last child of artist Walter Herbert and Fanny (nee Flinn) Withers. He was born February 5, 1902 at Heidelberg and baptised April 4, 1902 at St John's, Heidelberg. The family moved to Southernwood at the corner of Brougham and Bolton streets, Eltham in 1903. [His son, John Withers advised that his nickname was "Bill"]Many items in this collection have suffered from significant water damage and black mouldjohn withers collection, eltham, southernwood, 1905, charles meynell pitt withers

[John Withers, son of Charles Meynell Withers advised September 13, 2024: • Bill: was the nickname for John’s father, Charles Meynell Pitt Withers • Merv: was Charles/Bill’s good mate from school, Mervyn Britain • Dall: was the nickname for the eldest child, Emily Gladys Withers • Harry Eggington: became a family solicitor. He died from a fall whilst stepping out of a train ]On back of photo: "From left to right Mervyn, Dall, ? Harry Eggington, "Dolly" Bill About 1918" Many items in this collection have suffered from significant water damage and black mouldjohn withers collection, brougham steet, dolly (horse), eltham, charles meynell pitt withers, emily gladys withers, harry eggington, mervyn britain

The pusher belonged to Edgar Alfred Unger and his wife Thelma Mary nee Richardson and was first used for their eldest daughter Marjorie in 1960. The Unger family lived on a property in Thurgoona which is now the location of the Thurgoona Golf Course. Edgar died on 3rd April 1957 in Thurgoona, New South Wales. Thelma Mary Richardson was a descendant of the Frauenfelder family which was amongst the first German Immigrants to arrive in the Albury district during the 1950s. She died on 14th December 2000 in Wodonga, Victoria.This item is significant because it shows one of the ways people improvised to meet various needs in the past.A home-made child's pusher with wooden frame and rubber-tyred and metal-spoked wheels.baby pusher, unger family, improvised baby items

ALBUM. Family Album of Miss Fanny Agnes Hamilton daughter of W A Hamilton. Only Child. c1880B/W Photograph of substantial brick homestawell portrait

Peter White Bray(28/2/1871-24/12/1958) was the son of John Bray and Catherine Hamilton Innes. John and Catherine had a total of 12 children. Another child was Edith May Bray (1883-27/5/1957) who married Harry Gee in 1904. Their son Harry Herbert was born in 1906 so this photo would date c. 1907-8 when Harry Herbert was pictured with his Uncle Peter at the age of about 18 months. Peter never married and is buried with his sister Amy at Eaglehawk. Harry and Edith later moved to Griffith, NSW, where they are both buried.B&W photograph of Peter Bray, a young child Harry Gee and a dog. McKenzie Family Collection.history, eaglehawk

BHS CollectionJim and Ruby Glen and their four children (one adult daughter, two sons and a child). Posed studio B&W photograph. McKenzie Family Collection.Photographer's stamp Kalma, 57 & 59 Pall Mall, Bendigo.history, eaglehawk

This image is one of several family group portraits taken by Stevenson and McNicoll on rural properties. This property has been identified as that of John Tilley at Parwan’s Creek. The people depicted are presumably members of the Tilley family. The dwelling has since been demolished. Tilleys Road in Maddingley is probably named for this family farm.Small sepia unframed photograph on card with gold border framing photograph. Housed in the Jeremeas Family Album which contains photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll. The property has been identified as that of John Tilley at Parwan’s Creek. This property has since been demolished. Presumably, the photo is of members of the Tilley family. The image shows a family group of four women and one young child. It is unclear if the child is a boy or a girl, due to the custom of clothing young male children in dresses. The women are sitting or standing in two groups. To the right stands an older woman in a starched white apron, perhaps indicating that she is the housekeeper. The group on the left is of one woman standing and two women seated, one reading a newspaper or magazine. The young child reaches out one arm to her, perhaps for reassurance. The dwelling consists of two structures, one single storeyed cottage, which is perhaps the older part, and an adjoining weatherboard house with a steeply pitched roof and a prominent chimney at the front. The cottage has a shingled verandah partially covered by corrugated iron, which also covers the roof. Trees, a climbing vine and shrubs form a rather unkempt garden. On the hill rising behind the farmhouse there can be seen animals, possibly sheep, grazing.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, farmhouses, families, women bacchus marsh

Links to another image in the collection previously unidentified now known as at 2018 to be the children of a seafaring family of Captain and Mrs Aviss. In 1918 the family was re-united with Mrs Aviss' parents after a dangerous journey by sea the first time that the children met their grandparents, Captain and Mrs Frampton also seafarers . Mrs Aviss gave birth to her third child in August 1918 on board the ship. She contracted the "Spanish flu" probably in St John, New Brunswick and died, at the age of 28, on the 3 November 1918 after a week in hospital, leaving her husband with two toddlers and a 3 month old baby. The story demonstrates the respect and support of the Mission for two remarkable families of seafarers and the dangers of the influenza epidemic post WW1.An example of lives and tribulations of a seafarer family who survived the Great War but who also had to deal with the Spanish flu pandemic of 1918-1919.Large engraved brass plaque mounted onto brick wall commemorating wife of sea captain. To the Glory of God / and in memory of Catherine Florence/ the beloved wife of Captain Herbert Aviss/ (Barque Inverneill) who died at St John. N.B./ Nov 3rd 1918.brass, plaque, great war, memorial, commemorate, catherine florence aviss, florence catherine nee frampton, wwi, first world war, barque, inverneill, herbert aviss, st peter the mariner chapel, mission to seafarers, flinders street, 1919, st john, new brunswick, influenza, spanish flu, pandemic, 1918

One letter (1490.a) and two flyers (b and c) a. A covering letter dated September 1985 to Anglican congregations and their representative on Mission letterhead with a typed message headed Sea Sunday' from Michael Chin, Senior Chaplain. b. Monotone flyer with red colour title 'Your Daily Bread Costs Him His Family Life' depicts bearded man holding photo of woman and child aboard a ship. There are four different associated organisation logos. c. Deep blue three-colour flyer titled 'Remember Seafarers on Sea Sunday; July 10th' features a graphic of a silhouetted figure framed by porthole looking at tanker out to sea; features three logos below. Additional inscriptions and logos: a. The Mission letterhead in blue featuring the Missions to Seamen flag. b. The sub-title 'Sea Sunday Oct 20 is your chance to remember him and his family in your prayers' and featuring four logos; the International Christian Maritime Association circle, the Apostleship of the Sea flag, the British Sailors Society flag and The Missions to Seamen flag. c. The sub-titles 'Seafarers are members of God's family too' and 'The Church serving ALL seafarers' and featuring three logos; The Mission to Seamen flag, the Apostleship of the Sea flag and the British Sailors Society flag.mission to seamen, international christian maritime association, apostleship of the sea, british sailors society, flyer, reverend michael chin, sea sunday, 1985

The discovery of gold in Smyth's Creek in 1854 and subsequent gold rush to the Caledonia diggings led to the establishment of Queenstown (present day St Andrews). The first recorded burial was July 31st, 1861 and it was officially declared a Cemetery Reserve in 1866. Many graves are unmarked and unrecorded including many Chinese and other itinerant miners. The cemetery was closed for new burials in 1851. The last recorded burial was in 1981 in an existing family grave. In Loving memory of David Band Died 30th Decr. 1862, aged 51 years. John Cork Knell Died 11th April 1867, aged 42 years. Eliza Smith Died 20th Jany. 1874, aged 3 1/2 years. William Band Died 20th Feby. 1883, aged 51 years. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p73 The discovery of gold at Smyth’s Creek* in 1854 brought 3000 people to the area in search of their fortunes.1 However in the harsh conditions many miners and their families died young, and were buried in unmarked graves. Their stories died with them but by 1861, the first burial was recorded at the Queenstown Cemetery – that of William Dalrymple aged 65 – although the cemetery was only officially declared a reserve in 1866. Even before this in 1856, a double burial had been recorded for the twin baby daughters of George Harrison at Market Square, the miners’ settlement – presumably where the cemetery is today. In 1951 the Queenstown Cemetery at 70 Smiths Gully Road, Smiths Gully, closed for burials. However the last burial in a family plot, that of Grace Evelyn Smith, occurred in 1981. Today only 55 headstones remain, but more than 380 burials are recorded. Remnant bushland dominates the cemetery where many graves are merely mounds and others have been damaged by vandalism and the neglect of time. Bushfire in 1962 destroyed the picket fencing, grave markers and cypress boundary planted in the early 1900s. The box/stringybark woodland in the 1.7 hectare Cemetery Reserve is regrowth from then and the indigenous and heritage vegetation is protected. Thanks to the volunteer Cemetery Trust and Friends & Relations of Queenstown Cemetery, the cemetery is maintained, stories recorded and the burial index corrected and expanded.2 Close by the cemetery on the site of today’s Peter Franke Picnic and Nature Reserve stood Market Square, the Caledonia Diggings village of tents and stores, the forerunner of Queenstown, now St Andrews. Many of the Caledonia Diggings miners were Chinese, many of whom, with itinerant prospectors, were buried in unmarked graves. Histories are being recorded of other immigrants, mainly English and German, who settled after the gold rush, some of whose descendants fought and died in the two world wars. Names on many headstones are also recorded on the district’s roads, reserves and war memorials such as Motschall, Joyce, Howard and Coutie. The oldest surviving tombstone is that of Scot, David Band who died in 1862 at 51 years. His oldest daughter Elizabeth, with husband John Knell, owned the Queenstown Hotel and the post office. Child-rearing in a colonial gold town was often tragically difficult, as demonstrated in the first 20 years, when 41% of the 34 burials recorded were children. Settlers endured harsh conditions graphically illustrated with the deaths of Annie Joyce at 30 years and of her family. Annie was married to gold miner Walter Joyce. Their third child Walter, born in 1886, died in March 1887. Eight months later Annie died of breast cancer. Walter died in 1909, aged 53, of miner’s phthisic caused by stone dust destroying his lungs. It was so hard to make a living that burials were usually held from 2.30 pm to allow mourners to work a day before paying their last respects.3 Most burials before 1890 were recorded as Anglicans, as the only church on the Caledonia Diggings was the Church of St Andrew, until 1897, when the Primitive Methodist Church came to Panton Hill. Generally miners came to better themselves, but some, like Grace Hopkinson (nee Milward), born in England in 1828, came from a well-off and educated family. According to family legend Grace emigrated with husband William, to live in a tent, but had kept her personally embossed sterling silver cutlery service. Amid the tough environment were some successes like that reported in The Evelyn Observer April/May 1901 of miner William Hopkinson who was buried at the cemetery in 1912 aged 81. The Observer stated that Hopkinson ‘recently dropped across another find in his claim at One Tree Hill’. The lump of gold found this time weighed more than half a kilo. Mr Hopkinson referred to it as ‘another little speck’. *Today’s Smiths GullyThis collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, david band, eliza smith, gravestones, john cork knell, queenstown cemetery, smiths gully road, st andrews, william band

Situated at the eastern end of York Street, Eltham, 'Shinrone', the former home of Professor William (Mac) MacMahon Ball was one of the first in the Shire of Eltham to incorporate mud-brick. Professor MacMahon Ball, a political scientist, writer, broadcaster and diplomat and family moved to York Street, Eltham in 1945 into a timber cottage built around the 1890s and in poor repair. Mac asked Alistair Knox to renovate the home and he expanded the living area and added verandahs. In 1948 Montsalvat artist and sculptor Sonia Skipper supervised the building of most of the mud-brick studio. Neighbour Gordon Ford made the mud-bricks. Mac also asked John Harcourt, who had worked with him as a journalist in shortwave broadcasting, to build a pise (rammed earth) and stone addition to the largely timber house. Harcourt built two bedrooms - including an attic bedroom - a balcony with a shower and toilet, a nd a fireplace and chimney of local stone. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p141 At the eastern tip of York Street, Eltham, stands Shinrone, the former home of one of Australia’s intellectual leaders. Professor William Macmahon Ball, was one of the first to bring Asia as a foreign policy issue to the Australian public.1 He was a political scientist, writer, broadcaster and diplomat. The house was one of the first in Eltham Shire to incorporate mud-brick,2 because of the acute shortage of building materials after World War Two. Its novice builders later become leaders in Eltham’s built and garden design. Mac (as he was usually called), who was the son of a Church of England minister, was born in Casterton, Victoria in 1901 and died in 1986. In 1945 he helped establish the United Nations, as political consultant to the Australian Delegation at the San Francisco Conference.3 Then in 1946 Mac was appointed British Commonwealth Representative on the Allied Council for Japan, which is recorded in detail in his diary.4 In 1948 Mac led an Australian Government Goodwill Mission to South East Asia. However, Mac was perhaps most successful as an academic and public speaker.5 He was a commentator on the Australian Broadcasting Commission, from the early 1930s to the early 1960s. He was also Controller of the Short-Wave Broadcasting Unit during World War Two, which later became Radio Australia. From 1923 he taught at The University of Melbourne, then became foundation Professor of Political Science in 1949 and was Chair until his retirement in 1968.6 In 1942, as the government expected a Japanese invasion, Mac’s wife Katrine and their only child Jenny, moved from Kew to Eltham as temporary evacuees. However Mac and Katrine lived in Eltham for almost the rest of their lives. After staying with friends, they rented a house in Reynolds Road, where, as it was wartime, they needed to keep horses for transport and a cow and poultry for milk and eggs. In 1945 the family moved to the house at York Street, which was then a timber cottage, built around the 1890s and in poor repair. The underground well, cellar and part of the garden are all that remain of what stood on the original 18 acre (7.3ha) allotment. Thanks largely to Katrine’s hard work, the house was gradually renovated and extended. The long rambling house was partially built by several young neighbours, who were inspired by the cheap mud-brick and stone building style of Montsalvat, the Eltham artists’ colony. Mac asked Alistair Knox to renovate Shinrone, named after an Irish village near Katrine’s family home. Knox later popularised the mud-brick style of house construction, for which Eltham became known. He expanded the living area and added verandas. In 1948 Montsalvat artist and sculptor Sonia Skipper supervised the building of most of the mud-brick studio. Another neighbour, Gordon Ford, who was to have a major influence on the Australian garden style, made the mud-bricks. Mac also asked John Harcourt, who had worked with him as a journalist in short-wave broadcasting, to build a pisé (rammed earth) and stone addition to the largely timber house. Harcourt built two bedrooms – including an attic bedroom – a balcony with a shower and toilet, and a fireplace and chimney of local sandstone. With pioneering work naturally came mistakes, including one particularly dramatic incident when Harcourt was building walls with unsupported sections. Jenny Ellis, Mac’s daughter, remembers being awakened from sleep by a thundering shudder. The wall of her room had fallen down – fortunately away from her! In 1950 artist Peter Glass – another neighbour and later landscape designer – built Katrine a mud-brick pottery. As a result, the house features at one end Harcourt’s characteristic steep gable roof, while at the other the flatter construction characteristic of Knox. Mac referred to the home as the Eltham ‘experimental building site’.7 Surprisingly, the combination works, perhaps partly because it has the warm inviting feel of timber, mud-brick and stone.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, alistair knox, gordon ford, john harcourt, mudbrick construction, pise construction, professor macmahon ball, shinrone, sonia skipper, york street

From Abbott Family album (Box 892). Kenneth Cyril Abbott was the 5th child and fourth son of Mary Hannah Gibbs and Richard Hartley Smith Abbott.A Bartlett Bros Sandhurst sepia sitting studio photo of Kenneth Cyril Abbott in a striped frilled smock with bows at shoulders. aged 9 months.In gold on reverse is written ' born August 90, taken May 91, aged 9 months.bartlett bros., k.c abbott

From Abbott Family album (Box 892). Kenneth Cyril Abbott was the 5th child and fourth son of Mary Hannah Gibbs and Richard Hartley Smith Abbott.A Bartlett Bros Bendigo sepia standing studio photo of Kenneth Cyril Abbott in sailor suit with arms crossed and cricket bat and cap to the sideIn pen on reverse is written 'Taken July 1st 97, Cyril Kenneth Abbott born Aug 28th 1890bartlett bros., k.c abbott

The story is written by Ingrid Stephen, daughter of Hans Barth who was an internee in camp 1 during WW2. She wrote the story for her children as part of their knowledge and heritage, the history of how and why she arrived in Australia and her life in this wonderful country which has been so good to her and her family. Tells what her father went through from capture to release.A white book with a sepia colour photograph, in centre, of a lady and child. Title at top and author below, in black writing. Family photograph on back in colour.ingrid barth, ingrid stephen, hans barth, john stephen, camp 1 internees

Black and white photograph of single-fronted house with verandah and iron lace. A young child, understood to be a Nelson descendant, is standing outside front picket fence, wearing winter coat and hat. Part of a car is visible on lower right side of photograph.houses, nelson family

a,: Photograph of Auntie Sophie Buick with Lila Buick (inscription of reverse). Aunt standing beside chair with child Lil ( 3 -4 years) standing on chair and held by aunt by hand. B.: same photo as a. in different size format and condition. Inscribed on reverse: Sophie & Eliza Buicka.: Bent - Batchelder's Centre of Pall Mall, Sandhurstperson, family, buick family collection

From Abbott Family album (Box 892). Kenneth Cyril Abbott was the 5th child and fourth son of Mary Hannah Gibbs and Richard Hartley Smith Abbott.A single sheet Christmas card with nativity scene on front, angels at top with open trellis section at left and base with flowered vine. Reverse of card has a phrase from St.Matt 2. 11 and a poem. Produced by Raphael, Tuck and Sons, London, Paris New YorklIn ink on reverse of card is written 'Harold from Bella'christmas card, nativity

From Abbott Family album (Box 892). Harold Athelstone Abbott was the fourth child and third son of Mary Hannah Gibbs and Richard Hartley Smith AbbottA Bartlett Bros Sandhurst sepia full body studio photo probably of Harold Athelstane Abbott born 7th April 1889 and taken December 1990 in a knee length dress with broderie anglaise frill and black strapped shoes.In gold on reverse 'Yahen?, Dec 90, Born April 7th 89'r h s abbott, bartlett bros.

From Abbott Family album (Box 892). Harold Athelstone Abbott was the fourth child and third son of Mary Hannah Gibbs and Richard Hartley Smith AbbottA Bartlett Bros Bendigo sepia standing studio portrait of Harold Athelstane Abbott in a sailor suit with racquet by his sideIn in written on reverse is 'Taken July 1st 97, Harold Athelstane Abbott born April 7th 1889r h s abbott, bartlett bros.

The Nunawading Council produced commemorative first Day Covers for Australia Day showing First Date of Issue stamp during the years 1981-1992First Day cover with 41 cent stamp at upper right corner. Postmarked, 'Nunawading Vic. Aust. 3131 26 Jan 1990'. Envelope decorated with child's representation of Australian fauna. At left, logo, and 'Join in the free fun Nunawading Australia Day Family Festival Friday 26 January 1990' Envelope numbered 92.|See Other Information for back of envelopeMunicipal Offices Nunawading Vic 3131philately, date stamps, civic mementoes, souvenirs