Original drawing by Mullin for cartoon entitled 'THEY NEVER COME BACK', for publication in New York World Telegram. Large central naturalistic portrait of Gonzales, surrounded by caricatured vignettes referencing Gonzales comback in 1964 after semi-retirement. Glass backing on frame reveals handwritten inscr's.: 'MULLIN FOR TUES', 'VIA WESTERN UNION MESSENGER/CHARGE ACC'T WILLARD MULLIN/27 COLONIAL DRIVE PLANDOME L.I./(516) MA 7-2555/ PLEASE RUSH/ TO / ENGRAVING ROOM / 5TH FLOOR / WORLD TELEGRAM / 125 BARCLAY ST. / N.Y.C.' and ' PLEASE/DO NOT/CRUSH'. Frame glazed with UV glass. Materials: Paper, Graphite, Glass, Cardboard, Glue, Wood, Metal, Felt, Foamboardtennis

Digitised video (2.42GB). Duration: 55 minutes. Recorded March, 2024 (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)This month's Guest Presenter - Greg Hill, is recognised as the leading authority on both Australian Colonial Pottery and Australian Art Pottery. His interest in Australian pottery goes back to the early 1960s. He has been an avid collector of Australian pottery for many decades and has researched many key producers, particularly in Victoria. Greg has also assisted RDHS to evaluate the ceramic tiles featured at the front of Ringwood's historic Blood Bros. Store.

Dr. Anne Beggs-Sunter is an historian who lectures in the School of Arts at Federation University Ballarat in Wathawurrung country. Her major interests are in Australian social, cultural and political history. Her special interests relate to the colonial era, to the history of Ballarat and its heritage conservation, and the significance and commemoration of the Eureka Stockade. Anne is actively involved with a number of cultural institutions, including the Art Gallery of Ballarat, the Gold Museum and the Buninyong Historical Society, and serves on a number of City of Ballarat committees. She has written a number of books, exhibition catalogues and articles for different audiences ranging from specialised academic journals to newspapers.women of note, dr anne beggs-suntar, historian, school of arts, federation university, social cultural political histories, history of ballarat, heritage conservation, eureka stockade, ballarat art gallery, gold museum, author, books articles, lecturer, historical studies

Liquor ammonie was an antidote for snake bites in the late 19th century. George Halford, a medical professor at Melbourne University promoted ammonia injections to stimulate the heart and reinvigorate the blood. Inspired by experiments in dogs, his suggestion to intravenously dose snakebitten patients with an acknowledged poison was certainly controversial. The prevailing treatments, for doctors and laity, were ligature, cutting and sucking the wound, rest (or vigorous exercise), and prodigious quantities of alcohol. Support for ‘Halford’s injection’ nevertheless grew: Victorian doctors, chemists and citizens extolled its effectiveness in both human and animal patients. (Info. from Spectacular serpents: Snakebite in colonial Australia)This item is a useful research tool.A one sheet tabular list of cases of snake bite treated by the injection of liquor ammonie. There are pinholes in each corner.on front - Harry Richardsonsnake-bite australian-medical-journal halford-george

Set of three newspaper cuttings at the time of the launch of a new Restaurant tram - all dated 26/8/1992. Both reports featured issues with keeping Conductors on Melbourne trams. 1 - The Age - Kirner's hint on conducting yourself at dinner - featuring a photo of Premier Joan Kirner, Transport Minister Peter Spyker and Colonial Tramcar Restaurant part owner - Craig Opie 2 - Herald Sun - "New tramcar feeds row on conductors" - as above 3 - Herald Sun - "Win a tramcar party" - Herald Sun Competition to win a free dinner for 36 people and runners up a dinner for two. Yields information about Melbourne Tramcar Restaurant and the replacement of conductors on trams.Set of three newspaper cuttings from Melbourne newspapers 26/8/1992.tramways, conductors, colonial tramcar restaurant, joan kirner, peter spyker

Original design by Dorothy Leviny, aged 25, while she was a student at the Bendigo School Of Mines under the tutelage of Arthur T. Woodward. Woodward, who had come to Australia from Britain, was a renowned proponent of the Arts and Crafts Movement in Australia during the late nineteenth and early twentieth centuries. Dorothy Leviny, along with two of her sisters, entered a number of items in the First Australian Exhibition of Women's Work, Melbourne, 1907, and was awarded second prize for one of her wallpaper designs. Dorothy Leviny was the ninth child born to noted colonial silversmith and jeweller, Ernest Leviny, and his wife, Bertha (nee Hudson).This original wallpaper design by Dorothy Leviny is one of few that remain in existence from the early twentieth century showing the influence of the British Arts and Crafts Movement in Australia.Original wallpaper design made by (Bertha) Dorothy Leviny painted in watercolour. The repetitive floral design consists of pale pink bell-shaped flowers with green stems and leaves. Paper, card, watercolour paint.'D. Leviny /06'.dorothy leviny, watercolour painting, arts and crafts movement, 1906, buda, castlemaine, arthur t woodward, bendigo school of mines, exhibition of womens work 1907, wallpaper design, illustration

Framed and Mounted Rifles, Bayonets and Scabbards1 - ASFA ANKARA Turkish Model 1903 with Bayonet and Scabbard, WW1/WW2 , 7.65mm 2 - ARASANKA Type 38 Japanese Carbine, WW2, 6.5mm 3 - MANNLICHTER 1938 Italian Carbine with Bayonet and Scabbard, WW2, 6.5mm 4 - Lee Enfield SMLE with Bayonet and Scabbard Aust. WW2, 1938, 303 Caliber. 5 - .22 Martini indoor training by Cadets. 6 - BSA Martini Henry Vic. Colonial Cadet Rifle, Pre 1900. 297?230 Caliber.

Copy of an Advertiser Article titled Colonial Bendigo on display. The article mentions an exhibition organised by the Bendigo Art Gallery to celebrate Victoria's 150th anniversary. Mentioned are the artists George Rowe and S T Gill. The photographers Alex Fox and Nicholas Caire. Thomas Ham introduced engraving in a commercial capacity. Edwin Stocqueler and Ludwig Becker are also mentioned. Written above the article is: Mining on Victoria Hill, also known as Ironbark Hill. Dec 1 - 1984. On the back glass plates are mentioned. Also S T Gills water colours, lithographs and engravings. There is a photograph by Nicholas Caire, taken in 1875, showing the excavation of quartz reef and mine buildings, popper legs and chimneys near Ironbark Hill.bendigo, history, long gully history group, the long gully history group - colonial bendigo on display, bendigo art gallery, george rowe, s t gill, alex fox, nicholas caire, thomas ham, edwin stocquelerthe advertiser, ludwig becker, burke and wills, victoria hill, ironbark hill

The portrait was commissioned after Higinbotham's death in 1893. A committee was appointed to investigate the making of a portrait and they appointed Mr L Bernard Hall, instructor and later director of the National Gallery of Victoria. George Higinbotham (1826-1892) had a distinguished career as a newspaper editor and politican before becoming a Judge of the Supreme Court in 1880 and the third Chief Justice in 1886. Higinbotham was a long serving attorney-general in the 1860s colonial administration. Higinbotham was active in the education, land and constitutional debates of his time. He played a prominent role through his chairmanship of the of the Royal Commission into Public Instruction with regard to the introduction of the free and secular primary school education.The portrait of George Higinbotham is of historic significance as the depiction of an important public figure in 19th Century Victoria. The painting is also of interest as an early example of L Bernard Hall's Australian works. Portrait in Oils of George Higinbotham. Higinbotham is seated at his desk, pen in hand. He is dressed in his judicial robes, ready for Court.Signed Lower right B Hall 95. Plaque on frame : The Hon. George Higinbotham Judge of the Supreme Court 1880-1886 Chief Justice of the Supreme Court 1866-1892supreme court, higinbotham george, hall bernard

These items were used or were available for sale by chemists in Orbost. Chemists who worked in Orbost included Henry Cottman; James Alfred Dubois Williams; Harry Arthur Murray; Miss P.E .Mason (Phyllis Estelle?); Miss Sybil Monica Buzza; Thomas James Frayer; Australia Shaw; James David Torley; John William Zimmer; Dalkeith William Steele; William Thomas Hollingsworth; E.E. Cohen; R.S. Anderson; Frances John Perry Faith Everard Pardew and Charles Anthony Wurf. The tin was designed and used by the Colonial Sugar Refining Co. to store and sell golden syrup which is a by-product of cane sugar, molasses and treacle. The practices of early pharmacists are revealed through these items. The items have a clear association with Orbost.3210.15 is a rusty tin of CSR Golden Syrup. It is a yellow, red, brown, white tin with a black lid. used to sell and store golden syrup. The kilogram tin has the words 'golden syrup' printed in large red letters. There is a recipe for ANZAC BISCUITS on the back of the tin. Inside two concentric circles - "FROM THE AUSTRALIAN CANEFIELDS NATURALLY GOLDEN" around a drawing of a sugar refinery. 3210.16 is a glass jar with a black metal lid. It contains small beakers, rubber tubing, stoppers and vials. on front in red print - "FROM THE AUSTRALIAN CANEFIELDS NATURALLY GOLDEN ; CSR GOLDEN SYRUP ; GUARANTEED PREMIUM QUALITY ; NET 1KG ; SEE BACK FOR DELICIOUS RECIPE"pharmacies-orbost zimmer-john tin-golden-syrup medical-equipment

This etching by British engraver Arthur Willmore was created from Russian born artist Nicholas Chevalier’s original watercolour landscape of Bontharambo, Wangaratta (Chevalier’s watercolour is held in the collection of the National Library of Australia). Chevalier moved to Australia during the Colonial period and is famous for his landscape paintings, which were most commonly commissioned by wealthy landowners or merchants wanting to record their material success. Bontharambo is a historic property located in Wangaratta which was made famous by pastoralist Joseph Docker who took up the Bontharambo run in 1838 and has remained in the family since. The historic homestead on the property was built between 1857-1859 and was designed by architect Thomas Watts.ColonialWangaratta Art Gallery CollectionA rectangular landscape etching of the homes on Bontharambo station printed in black ink on off-white paper.Obverse: N. Chevalier/ A. Willmore/ THE OLD & NEW HOME STATIONSwangaratta art gallery, arthur willmore, nicholas chevalier, bontharambo, wangaratta

The Silver Standing Cup was made by Ernest Leviny c1860 and presented to Mr Charles Abraham Saint, editor of the Mount Alexander Mail newspaper, by the town's citizens on his departure from Castlemaine on 31 December 1863. Mount Alexander Mail report; 23 January 1864. This substantial silver centrepiece was the second masterpiece created by Ernest Leviny around 1859. It is decorated with highly detailed cast figures, fine embossing and chasing. This work of Australian Colonial significance reflects Leviny's rich European artistic background which he successfully merged with new Australian motifs, which epitomise the great wealth, ambition and pride at that time in the emerging, young Colony of Victoria.Semi matt surface albumen print mounted on cream coloured card with border around image drawn in pencil. Albumen photograph of Silver Standing Cup (Eperne). Elaborate silver cup, with lid highly decorated with cast figures, etc.Handwritten in pencil under image: I.1 'Photo Davies & Co' I.r 'Melbourneernest leviny, silver, silversmithing, cup, london exhibition 1862, mount alexander mail, william davies, photograph, charles a. saint

The photograph depicts a mine cut with a tractor. Water is being used to sluice the front of the tractor, possibly to separate any gold that may have been picked up from the earth. A few people watch the demonstration. Water was a significant part of gold mining in the Beechworth area and miners used a method known as 'hydraulic sluicing'. Due to the amount of water required, many water races were constructed throughout the Beechworth Mining District. These were cut through solid rock and are an example of engineering achievement. Water usage in the area put Beechworth at the heart of water policy, with many firsts for Victorian colonial goldfield water management being established in the Beechworth Mining District. This photograph is significant as it depicts the use of water in gold mining in Beechworth. Beechworth was notable for it's use of water in mining.Black and white square photograph (portrait orientation) printed on matte photographic paper.Reverse: SW-50-2 / 1997 31136 / unreadable pencil markingssluicing, gold mining, mining, hydraulic sluice, hydraulic sluicing, beechworth mining district

Shillinglaw Cottage looks stable enough now but it was the first colonial building in Australia to be pulled apart brick by brick and reconstructed on a different site. Community outrage prevented the council from demolishing the cottage in 1963 to make way for Eltham’s Shire Offices and local people paid for the cottage to be moved. Originally built by respected local builder George Stebbing in 1859, the cottage is typical of European farmhouses, but is constructed of handmade local bricks in a style known as “Flemish Bond.” The chequered pattern created by the burnt “header” bricks is a unique feature of this style. The cottage’s name comes from its long association with the Shillinglaw family, who loved there for more than eighty years. The Cottage is classified by the National Trust. Tomorrow's history documented todayeltham, jim connor collection, main road, shillinglaw cottage

Historical information of soldiers from the Albury-Wodonga district who fought in the Boer War in South Africa 1899 - 1902. In 1996 the then curator for the 8/13 VMR Museum, the Hon Colonel John Neale, commissioned the author to research a group of returned servicemen and women from the Boer War and had lived within 100 km radius of the Albury/Wodonga townships.The Boer War was the second war in South Africa and was the result of heavy taxes and non voting rights of the local white Boer population. Colonial forces including the Australian Light Horse contingent where called upon by England to overthrow the rebellion. This War was the first engagement of Australian troops fighting on foreign soil.This Honour Roll details the pay rates, the battle highlights, weapons used and maps covering the first Australian contingent of soldiers who fought in the Transvaal (Boer War).. Listed are the names of those soldiers who lived within 100klms of Albury and Wodonga.The soldiers are listed by Location, Rank, Initial,Name and Unit. The significance of both the War and those who served in it is two fold. Firstly it demonstrates that the tie between the Colonial outreaches of England's Empire to "the Motherland" were extremely strong at this point in time. This union remained strong up until the middle of World War II when England could not help Australia to defend itself against possible invasion by Japan. The alliance between Australia and the United States of America replaced the British/Australian pact. Secondly the attitude of, and the high degree of horsemanship of those from the Albury and Wodonga area. The degree of adaptability, by these servicemen, to suit the environment in which they fought provided the first real insight into the Australian psyche "of those living and surviving on the harsh Australian outback"This book has a bright red soft cover and is bound with bright yellow tape. There is a drawing of two Australian soldiers on the front, one on horsebackAuthor's complimentary inscription "To Mount Beauty Museum with compliments" signed Ian R Docking history, boer war, ex-servicemen and women, albury and wodonga

This copy book is for the practice of copperplate handwriting and was used at the Orbost School. It was not until the mid-20th century that Australian schools were investigating the modern cursive styles being taught overseas. Writing slates and slate pencils had been a commonplace item of everyday life in colonial Australia. Slates were generally only used by school children in the most junior grades By Class III, however, school children in Victoria had normally passed beyond the need for slates in shaping letters and used ink and copybooks instead. Writing slates often continued to be used for arithmetic exercises. the use of slates was discontinued mainly because paper became cheaper and writing on paper was deemed to be more hygienic.This item is an example of a school text book commonly used for the practice of handwriting in most primary schools in Australia. It shows a style of handwriting not commonly used today. The Cameron family is significaant in the history of Orbost.A school handwriting copy book. It contains examples of copperplate writing for copying and practice. On the front cover there are drawings of a kangaroo, emu, platypus and echidna in each corner. The book is titled "AUSTRALIAN COPY BOOK FIFTH GRADE No. 4". It is designed for use in all states and New Zealand. Inside a banner is "small hand proverbs geography commercial terms". All print is black.on front cover: Jean Cameron Inside front cover: Jean Cameron 1924, J.M. Ralston 1924handwriting education cameron

Candles were the main source of lighting during the Colonial era. The candles were made at home from tallow, or animal fat, which was readily available and inexpensive. The tallow was soft, often had an unpleasant smell, band burned with a low, quickly fading light. Beeswax candles could be bought ready-made and lasted longer when lit. Bayberry wax could also be made into candles but was the process was labour intensive and time consuming. Spermaceti was from whale oil, a growing industry in the late 1800's, made firmer candles. Around this time wooden candle moulds were invented and uniform size and shape candles could be produced using the spermaceti wax. The candle mould is significant in the evolution of household lighting. It was an asset to the 19th century homemakers, allowing the production of their own candles in a uniform size. Candlelight allowed for the extension of time available for duties.Candle mould of tinplate for one dozen (12) candles. The tubular moulds stand upright, three rows of four, in a fitted tray. Another concave tray fits over the top ends of the moulds and has a hole above each of the candles, which is used for filling the moulds with melted wax. Ends have wire-reinforced edges.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, candle mould, candle making, lighting, candles, tallow, beeswax, bayberry wax, spermaceti was, whale oil, candlelight

Blind Creek was located between the Abbotsford Convent and what is now the Collins Bridge in Studley Park. In an 1858 map of East Collingwood by Clement Hodgkinson, in the State Library of Victoria, one can see how the creek was originally a significant landmark in Collingwood; remaining vacant land until a barrel drain enclosed it. The area was later filled in, surveyed and developed. The position where Blind Creek entered the Yarra was in the immediate vicinity of Hodgson’s Punt, which had linked Kew to the other side of the Yarra from 1839. The Punt was purchased by the Colonial Government in 1852 and was in use until the opening of the Studley Park Road (Johnston Street) Bridge in 1858 made its continued use redundantThe point of view selected by the artist for the watercolour is from the banks of Blind Creek in East Collingwood, looking across the Yarra to the Kew side of the river.Inscribed verso 'Creek and Old Watering stage, on the Yarra East Collingwood 1854 / Trees, stage, &c have long since disappeared / [Artist Signature] / FT 110 / Creek itself now being filled in 1903.gb richardson, blind creek - abbotsford, yarra river - abbotsford (vic) - kew (vic), colonial artists, australian art - 19th century, george bouchier richardson

The actual history of this object relating to Warrnambool is unknown at this stageSome photos have been identified as local people from WarrnamboolLeather bound. Brown. Engrave with Gold and Black. Ornate scrolled, embossed work on cover with The words The Colonial Family Album on the front, back and spine engraved. Metal locking clasp is broken. 23 pages. Binding in blue tape. Each page is highly decorated changing on each page, facing pages match each other, colours used are gold, red, blue, pink and green. Photos are taken mid 1870's to late 1880's by photographers from Melbourne, Portland & Ballarat. Sepia photos, 20 large frames of men & women, 20 small oval & round topped oblong frames. Collection of Women, Men, Teenagers and children. Each photo slides in from the bottom of frame through a small slot.album. photographs. photographers. ornate art work., warrnambool historical society

Large cream, black and red certificate awarded to Mary Foster for Pianoforte Playing from the London College of Music Great Marlborough St. W. At the top is the London College of Music Coat of Arms. It was founded in 1887. Listed at the top are the Patrons, Board of Examination, Examiners and Examiners (Colonial and Foreign Centres). Certificate dated 26th May 1909. Ernest Wood, Examiner and T. Weekes Holmes, Secretary. Decorative artwork consisting of leaves, scrolls, angels and flowers around the edge. A red College seal is in the lower right corner. A black border around the edges. Certificate printed by McCorquodale & Co. Ld. London. On the back is a label: From D. C. Coope & Son, Picture Frame Manufacturers. The Fine Art Gallery. Mitchell Street, Bendigo. Established 1871.document, certificate, music, foster & wilson collection, piano certificate, london college of music, mary foster, ernest wood, t weekes holmes

Documents relating to the National Folk Festival 96 held in Canberra on 4th to 8th April 1996. Included are suggestions for activities, information for performers, Festival Shop, Emu Creek Bush Band CD Launch and Performers' Consignment Stock List. Also Australian Tradition at the 1994 National Folk Festival, Canberra with a program of events for the Friday, Saturday and Sunday. There were dances, music and a Colonial Parade. Forthcoming Events are also listed. There are some small photos. Also Suggestions for the 1994 National Folk Festival Canberra by the Bush Dance and Music Club of Bendigo combined with the Celebrated Emu Creek Bush Band. Pasted onto the bottom of the page are two sketches of kangaroos, emus and some other animals and birds either dancing or playing instruments.clubs, music, national folk festival, peter ellis collection, j williams, peter ellis, emu creek bush band, maggi kerr andrew, jo cresswell, phil wilson, alan russ, joseph jenkins, welsh swagman, bendigo bush dance and music club, 1994 national fold festival - canberra, gwen burke, graeme murray, peter ellis, wongawilli colonial dance club inc, emu creek bush band, wongacreek, rob & olya willis, gwen burke, graeme murray, crooked corner band, john warne, peter painter, stan treacy, athol & eileen mccoy, tex morton, carrie milliner, jeff brownrigg, carole garland, bruce cameron

Set of 22 digital images of Bendigo Tramways, 1972 at or before closure while on a tram tour by Stuart Lodington. .1 - No. 7 arriving at North Bendigo .2 - No. 5 departing Charing Cross along View St, with a Firestone tyres in the background. .3 - front view of a tram in View St with a blurred background image. .4 - No. 24 showing Eaglehawk destination .5 - No 26 and 3 in View St, with the Armstrong Tyre Service building in the background and signs for T&G and Cohn's Drinks. .6 - ditto .7 - No. 3 arriving at Charing Cross from Eaglehawk in View St, with a Quarry Hill destination. .8 - No. 3 and 18 at Charing Cross. .9 - No. 24 on the Quarry Hill line. .10 - No 26 in View St, with the Armstrong Tyre Service building in the background and signs for T&G and Cohn's Drinks. .11 - ditto, with fountain in view, Colonial Mutual building and a newsagent with a Herald sign on the building. .12 - No. 7 at North Bendigo terminus .13 - ditto with pole being reversed. .14 - No. 18 at Quarry Hill terminus with Northern Terrazzo sign in the background. .15 - No. 24 at Quarry Hill terminus .16 - No. 18 arriving at Charring Cross, with Fountain Plaza and Bendigo Pharmacy in the background. .17 - No. 3 and 18 at Charing Cross. .18 - No. 7 at North Bendigo terminus with pole being placed on the overhead. .19 - No. 26 in View St inbound, with Sandhurst Trustees sign in the background. .20 - No. 6 leaving Charing Cross in Pall Mall with Myer and other buildings in the background. .21 - No. 7 at North Bendigo .22 - Single trucker with two roof Advertisements crossing View St with fountain in view, Colonial Mutual building and a newsagent with a Herald sign on the building.trams, tramways, bendigo, eaglehawk, quarry hill, north bendigo, charing cross, view st, tram 7, tram 5, tram 24, tram 26, tram 5, tram 3, tram 18, tram 6

On of a class of 120 trams built at Preston Workshops between 1939 and 1951. Third tram to be converted to a Colonial Tramcar Restaurant Tram. Of the six trams converted, the only former Melbourne Restaurant tram in use currently (March 2019), trams 4, 5, and 6 having been withdrawn during October 2018.Four motor bogie tram - ex Melbourne - tram No. 939 - One of a class of 120 trams built at Preston Workshops between 1939 and 1951. Third tram to be converted to a Colonial Tramcar Restaurant Tram. Of the six trams converted, the only former Melbourne Restaurant tram in use currently (March 2019), trams 4, 5, and 6 having been withdrawn during October 2018. The tram was built by the MMTB as No. 939 in 1948 at Preston Workshops as a standard SW6 tramcar. It was resident for most of its life at Camberwell, Kew and South Melbourne depots and finally Southbank depot. Heavily rebuilt internally to give a flat floor, air-conditioned, 240V and 24V systems fitted along with changes to bulkheads and position of the passenger door and a goods door in 1994. The tram was converted into Melbourne Restaurant tram No. 3 in 1994/95, being launched on 8-2-1995. While in the later part of its use by the Colonial Tramcar Restaurant Co, it was named “Valentine” during July 2008. It was withdrawn from service in May 2012, when it was replaced by No. 935 (Restaurant No. 6). In August 2014, the Museum received a grant from the Victorian Government of $40,000 to refurbish tram – part of the Transport Investing in Regions Program. The tram was relocated to the Ballarat depot on 29/10/2014. Refurbishment work was completed during March 2016 and the tram was formally launched on 5/4/2016.. The tram is named after Sir Henry Cuthberts (1829 - 1907), the first Chairman of the Ballaarat Tramway Co (the horse tram operator). Sir Henry was a Ballarat based solicitor, member of the Legislative Council, Knighted in 1897 and strong supporter of many Ballarat institutions. Photo Warren Doubleday 5-4-2016.trams, cuthberts 939, restaurant tram, sw6 class, tram 939

This item represents one of the most important spiritual references available to a settler in countryside Australia in the period 1800s to 1900s. This is the family bible and relates to the major religious beliefs of the early settlers who pioneered British/European colonial settlements. Although the first pages are missing the family name is written on the inside cover (J.A. Fleming). Most of these bibles (of this era) showed the family genealogical record of births, baptism and deaths, however this bible has the relevant pages missing. This bible would have provided the spiritual strength needed in bad times. Throughout this bible there are copies of specially commissioned lithographic engravings, each published between March 1812 to December 1813. These photographs were provided to visualise the theme of the each chapter.This item is significant because it shows that spiritualism of a small group (family in this case) is a vital part of the cohesive forces which holds a family(the basic subgroup of society) together, against all odds, and external pressures. It demonstrates that even in isolated or sparsely populated areas, the mores of a christian community is as strong as that of the cities. Mountains (Victorian Alps) have throughout the enlightened Ages been of extreme spiritual significance and this beholds those who live in this area.The families in the Kiewa Valley fall into the "isolated rural area" when this bible was first in use. This bible contains as its introduction,scripture history starting from 4004 BC "God created all things" to 2900 AD end of the World. There is a high degree of probability that this bible belonged to a member or members of the John Ambrose Flemming extended family who resided in the Kiewa Valley. J.A. Flemming (a famous English electrical engineer and physicist) invented the first diode in 1904). He and his family were devout Christians and he helped establish the Evolution Protest Movement.Leather bound bible. Leather in some areas is in tatters revealing the thick multi-layered cardboard backing. Front and back covers are held together by the thin leather binding. The lettering of the bible is large.Hand written inscriptions are in ink on the inside front cover, " J Tangam" at the top, "J A Fleming" underneath "Tangambalanga" and below that "1900". There are penciled dates "1937 1900" which have at one point in time been scribbled over in pencil. Although not marked on cover, the bible was known as "Brown's Bible" after the Author, the Rev. John Brown. Each of the major chapters is introduced by a copy of a lithographic print detailing the relevant religious picture and all are headed by "Brown's Superb Bible" and the date of the print. bible, rev. john brown, old and new testament, christianity

This booklet was produced for Thomas Randall, the proprietor of the Ozone Hotel, Warrnambool, situated at the corner of Kepler and Koroit Streets. It was a publicity booklet given out gratis to prospective clients of the hotel. The Ozone Hotel was originally called the Grand Ozone Coffee Palace and opened in 1890 as a temperance hotel, a splendid building with over 100 rooms. In December 1891 the Coffee Palace was granted a Colonial Wine Licence and in 1895 it was re-named the Ozone Hotel. Thomas Randall was the proprietor from 1894 to 1907. In 1920 the Ozone Hotel, after being closed for some time, was re-opened as the Hotel Mansions and a full liquor licence was obtained in 1923. In 1929 the building was burnt down and the present- day Hotel Warrnambool was built on the site. This booklet is of great significance as it documents the splendor of the Warrnambool Ozone Hotel when it was at its best. This building is regarded as the finest and most elegant building ever built in Warrnambool and this booklet contains the only photographs we have of the interior of a 19th century/early 20th century hotel building in Warrnambool. This booklet is also of interest as it belonged to Henri Worland, the Town Clerk of Warrnambool from 1918 to 1949 and Warrnambool’s best-known historian. This is a soft cover booklet of 64 pages. The cover is blue-grey and has an image of a sailing ship, the logo of the Warrnambool Ozone Hotel and some ornamental scrolls. The printing on the front cover is blue. The back cover has two advertisements for Melbourne businesses. The booklet is stapled and bound with purple tape. The booklet contains black and white advertisements for Warrnambool and Melbourne businesses, an article on the town of Warrnambool and black and white photographs of Warrnambool and district and of the interior and exterior of the Ozone Hotel. Most of the pages contain some ornamental patterns. The front cover is a little ragged and torn. Signature of H.Worland on the front cover and on the first inside page. grand ozone coffee palace/ozone hotel/hotel mansions, history of warrnambool, thomas randall

For his achievements in the Battle of Omdurman and Sudan in 1898, Kitchener was made Lord Kitchener of Khartoum, becoming an Earl - qualifying peer of mid-rank. Kitchener was a senior British Army officer and colonial administrator who won notoriety for his campaigns, most especially his scorched earth policy against the Boers and his establishment of concentration camps during the Second Boer War. Awards he received include: Knight of the Order of the Garter; Knight of the Order of St Patrick; Knight Grand Cross of the Order of the Bath; Member of the Order of Merit; Knight Grand Commander of the Order of the Star of India; Knight Grand Cross of the Order of St Michael and St George; Knight Grand Commander of the Order of the Indian Empire. Individual imagae take from photographed poster of tobacco and cigarette cards.battle of omdurman, sudan, kitchener, earl, scorched earth policy, boers, concentration camps, colonial administrator, knight of the order of st patrick, knight of the order of the garter, knight grand cross of the order of st michael and st george, knight grand cross of the order of the bath, member of the order of merit, knight grand commander of the order of the star of india, knight grand commander of the order of the indian empire

Alfred Milner, 1st Viscount Milner was a British statesman and colonial administrator. He played an influential role in the formulation of foreign and domestic policy from mid 1890s to early 1920s. In 1897he became High Commissioner for South Africa and Governor of Cape Colony. He pushed the Transvaal Republic to war, oversaw the war and organised the reconstruction after the war. Milner left South Africa in 1905 after being involved in many of the changes that took place while he was there. Honours Awarded: Companion of the Order of the Bath (1894); Knight Commander of the Order of the Bath (1895); Knight GrandCross of the Order of St Michael and St George (1897); Knight Grand Cross of the Order of the Bath (1901); Knight of the Order of the Garter (1921). Individual image from photographed poster of tobacco and cigarette cardsalfred milner, 1st viscount milner, statesman, colonial administrator, high commissioner, governor of cape colony, transvaal, south africa, companion of the order of the bath, knight grand cross of the order of the bath, knight grand cross of the order of st michael and st george, knight of the order of the garter