Mouat Collection - Farming in the Wimmera. Markings; Bulk wheat trucks waiting to be weighed. 6 SEP 64M. Used as a teaching aid.Kodakagriculture, farm, crop transport

Black and white photo of young man dressed in tramways uniform, with ID disk on left breast, ticket punch hanging around neck on leather strap. Possibly Basil Miller but not named on portrait.person, individual, basil miller

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, burkes, hotel, pub, doveton st, 1872, crop?

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, edinburgh castle, hotel, dana, armstrong st sth, pub, crop?

This photograph is from the Max Harris Collection held by the Ballaraat Mechanics' Institute. Please contact BMI for all print and usage inquiries.ballarat, east, black hill, 1887

The John Bovaird Collection : Commonwealth of Australia Wheat Bounty Act 1934 State of Victoria Claim for Payment. By Errol Balfour Bovaird of May Reef PO via Avonmore. Regarding 150 bushels delivered for sale to John T Stewart of Lockington. Wheat produced on 50 acres : Allotment 25 Parish of Pannoo Bamawm. Dated 13/4/1935. Pink paper.agriculture, farm, wheat crop

The John Bovaird Collection. Commonwealth of Australia Wheat Bounty Act 1934 State of Victoria Claim for Payment. By Errol Balfour Bovaird of May Reef PO via Avonmore. Regarding 96 bushels delivered for sale to R. Anderson of Lockington. Wheat produced on 50 acres : Allotment 25 Parish of Pannoo Bamawm. Dated 13/4/1935. Pink paper.agriculture, farm, wheat crop

The John Bovaird Collection. Commonwealth of Australia Wheat Bounty Act 1934 State of Victoria Claim for Payment. By Errol Balfour Bovaird of May Reef PO via Avonmore. Regarding 96 bushels delivered for sale to R. G. Anderson of Lockington. Wheat produced on 50 acres : Allotment 25 Parish of Pannoo Bamawm. Dated 13/4/1935. Pink paper.agriculture, farm, wheat crop

The John Bovaird Collection. Commonwealth of Australia Wheat Bounty Act 1934 State of Victoria Claim for Payment. By Errol Balfour Bovaird of May Reef PO via Avonmore. Regarding 96 bushels delivered for sale to Henry Jackson of Lockington. Wheat produced on 50 acres : Allotment 25 Parish of Pannoo Bamawm. Dated 13/4/1935. Pink paper.agriculture, farm, wheat crop

One of the struggles between East and West is taking place in South Vietnam, an area whose culture has been virtually unknown to scholars. The author has used the small village of Khanh Hau, in the Mekong River delta southwest of Saigon, as a microcosm for the study of the rural physical setting, the beliefs and customs of the several religions that exist here side by side, the kinship and family pattern, the crops and agricultural methods, the economic, administrative, the legal systems, and the socioeconomic structure and mobility.ethnology -- vietnam, anthropology, cultural, mekong river, khanh hau

Ordered by Langwill Bros., & Davies Ltd Melbourne Used for saw milling, dam constructions and log haulingFoden Traction Engine This engine is a compound traction engine built by Foden Ltd of Sandbach England in 1914 – builders number 4525. This was ordered by Langwill Bros and Davies Ltd of Melbourne and was used by Mr F Orr on his farm at Bullarto South Victoria. On the farm it was used for many agricultural purposes and was used at times as a stationary engine to run a wooden thrashing machine. The unit was last used on the farm in 1947 and put aside on the farm with a “museum” of other old agricultural tractors and machinery. Mr Orr gave us the engine as an exhibit for the Menzies Creek Museum of Puffing Billy in the 1960s. At that stage he was an elderly gentleman of 97 years and maintained a great interest in his farm which had been in his family’s hands for three generations at that stage. His grandfather had cut the farm from the bush. The traction engine in its youth was used to go around other farms in the district and went as far away as the Wimmera and Mallee farms thrashing crops of wheat, barley and oats. It towed the wooden thrashing machine behind it on its trips to these farms on hire to the farmers. Foden Compound Traction Engine Built by Foden Ltd., Sandback, England in 1914 to the order of Langwill Bros., & Davies Ltd., Melbourne, it was used on a farm for sawmilling, dam constructions and log hauling. Donated by F. Orr of Bullarto South, Victoria. Foden Compound Traction Engine - made of Steel (Painted)Foden foden, traction engine, steam, puffing billy

The archway is at the entrance to the Japanese compound. The small Japanese building is a Japanese shrine. This was built at Camp 14.Black and white photograph. Two lamps on posts in the front of the photograph. There is an archway to the left and rear of the photograph. Between the 2 lamps there are three stone steps leading up to a small Japanese building.loveday, south australia, opium crops, internment camp loveday, japanese shrines, japanese internees

A5 sized hard cover book, Light grey cover with gold writing. 544 pagesDedicated to Nancy, Nicola, Anthony and Mark

The (logging) truck carries a representation of John Glover’s painted landscapes, which Cox has painted on a solid block of wood. John Glover is one of Australia’s most celebrated colonial landscape painters. Born in England, he was a highly successful water-colourist and painter of landscapes in the tradition of French artist Claude Lorrain. Arriving in Australia in 1831, Glover adapted his picturesque style and luminous technique to his new surrounds, creating naturalistic and atmospheric paintings of Australian nature, settler life, and Aboriginal culture. Working out of doors, Glover developed an understanding of the unfamiliar Australian landscape, especially the twisting forms of native eucalyptus trees. His direct experience of nature, as both pioneer settler and painter, resulted in a new approach using a subtle palette of olive greens, ochres, misty greys and intense blues, and layered glazes of mauve, grey and gold, to portray Australian light and atmosphere. Dale Cox continues the ongoing preoccupation and tradition of landscape painting in the Nillumbik area and our impact on the environment in a contemporary way. The truck creates a playful nexus between painting (representational landscape) and sculpture, purposely bluring boundaries across these traditionally distinct disciplines. ‘Ghost’ seeks to convey the idea that when we remove something significant from a location, like the landscape itself, the remaining ‘place’ changes to become a new ‘place’. This may seem self-evident until we think more deeply about location and landscape. The white truck is a ghost, an ethereal, transient being that spirits away an entire place, forever removed from itself, and forever changed. Logging wild trees can never be like harvesting a ‘crop’. Logging removes a landscape, and changes a place forever. The ‘packaging’ of this painted landscape highlights the anomaly between commodity and our environment. Dale Cox was a local artist and this work was highly commended at the 2012 Nillumbik Prize. White plastic toy (logging) truck with a landscape painting on a wooden block. The landscape painting is reminiscent of paintings by colonial artist John Glover. N/Alandscape, truck, sculpture, environment, john glover, colonial, painting, ghost, nillumbik prize