Index, bibliography, notes, ill, p.349.non-fictionSurprisingly, as we near the 100th anniversary of the legendary Gallipoli campaign, this is the first book solely dedicated to one of its key battles - that at Lone Pine, where Australian and Turkish soldiers fought an ultimately futile battle that claimed thousands of lives in incredibly close quarters. Seven Victoria Crosses were earned by Australia's Anzacs in the intense four days of fighting, in pursuit of a flawed strategy to distract Turkish forces from larger incursions, which themselves failed. David W. Cameron has pulled together first-hand accounts from the men and women involved (including from the Turkish army) to detail what transpired and to follow some of their personal stories throughout the ordeal. By including the stories of non-combatants, such as engineers, nurses, sappers, commanders and more, he not only gives due credit to those who labored in support of the troops, but provides a wider understanding of the mammoth undertaking of such warfare. Many Australians travel to the Lone Pine Memorial and Cemetery each year to commemorate Anzac Day and remember the fallen - this work of popular history highlights the fate of those who fought on the very ground where they gather. Most Australian have heard of Lone Pine. Too few know why. Over four days in August 1915, Australians and Turks were thrown into some of the fiercest fighting of the war, on a small plateau in Gallipoli known as Lone Pine. Thousands of lives were lost. Seven of Australia's nine Gallipoli VCs were earned during brutal hand-to-hand combat in dark tunnels and in trenches just metres apart, bombarded by terrifying volleys of grenades. The Battle for Lone Pine is the first book devoted to this cornerstone of the Anzac legend, drawing on unforgettable first-hand accounts scratched into diaries and letters home. The stories of the diggers, as well as the engineers, nurses, sappers, commanders and more, provide an invaluable record of the battle and serve as moving testimony to their courage in appalling conditions. Today, pine trees are planted in remembrance around Australia. In Gallipoli, the Lone Pine Cemetery and Memorial attracts large crowds to commemorate Anzac Day. David W. Cameron's absorbing history reveals the fate of those who fought on the ground where they gather. 'David Cameron not only leads the way for the battalions of books on Australia in World War I to come in the next six years, he sets a standard for authors to emulate'world war 1914-1918 - campaigns - gallipoli, gallipoli campaign - battles - lone pine

Index, bibliography, ill, p.393.non-fictionJohn Hamilton, bestselling author of Goodbye Cobber, God Bless You and Gallipoli Sniper, has written an extraordinary account of Throssell's life: winner of the Victoria Cross, due to his bravery on Gallipoli; husband to novelist and committed socialist Katharine Susannah Pritchard; and fallen hero, thanks to his public denunciation of the war. The Price of Valour details the battles in Gallipoli and Palestine, and a provides a compassionate and intimate portrait of a real Australian hero.gallipoli campaign - personal narratives, hugo throssell - biography

Index, ill, maps, p.731.non-fictionThis volume continues to use the approach of previous "Chronicles" and details the events of the war from September 1939 to August 1945, week by week and even hour by your for certain key events such as the D-Day landing. It contains black and white and colour photographs, some of them full page size and the content has been checked by senior British military chiefs: Lord Lewis, Sir John Stanier and Sir Michael Armitage. Topics range from "My War", which gives personal war memoirs from well-known public figures including Spike Milligan, Dr Robert Runcie, Denis Healey and Vera Lynn, and "The Technology of the War", which details machinery as it developed in all waring nations for the war in the air, on land and at sea, to "The Heroes of the War", which contains details of every individual who won the Victoria Cross or the George Cross during the war.world war 1939-1945 - history, world war 1939-1945 - pictorial works

Object. CD in white paper sleeve. Yellow label "Cornish Association of Victoria Inc. Members' Research Interests 2011". Two shield emblems, one brown and orange with "One and All" below one blue with Southern Cross.history, australian, cornish

Bendigo Advertiser "The way we were" from 1999. City hub: the Bendigo Cenotaph, in Charing Cross next to the fountain, is a replica to scale of the famous Cenotaph in Whitehall, London and was the brainchild of Bendigo's own Sir George Lansell. It was unveiled on Sunday, June 2, 1957, by the then Lieutenant-Governor of Victoria, Sir Edmund Herring.newspaper, bendigo advertiser, the way we were

Article titled The Bendigo Post Office, compiled by L C Bennetts. Mentioned is the history of the Bendigo Post Office and postmarks, some information on mining, Bendigo foundries, Underground connections of mines, expenses and shaft sinking costs. Also mentioned is Bendigo and Eaglehawk - 60 years ago and the role the pubs played in daily living. They were where theatres, concerts and dances were held, and the meeting rooms for clubs and lodges, even church benefits. Listed is a number of Bendigo hotels. Some even had a few names. Names of the pubs are: The Freemasons, The Courthouse, The Commercial Law Courts, The Hamburg, The European, The Prince Bismark, The Lord Kitchener, The Bendigo, The Rosalind Park, The Showgrounds, Atheneum Club, Olivers, Bridge Hotel, Bourkes, The Globe, The Hibernia, Albert, Albion, Abbotts, Australian, Belvidere, Beehive, British Queen, Black Eagle, British and American, Brian Boru, Bakers Arms, Butchers Arms, Brick Layers Arms, Bull and Mouth, Cresent, Clarence, Back Creek Bridge, Cape Clear, Crooked Billet, Cambridgeshire Arms, Camp, Coach and Horses, Cricketers Arms, Diggers Rest, Ellesmere, Five Lions, Franklyn, Golden Square, Golden Gate, Golden Gully, Golden Age, Golden Vine, Gumtree, Glasgow Reef, Great Britain, Haymarket, Daniel O'Connell, Half Way House, Fleece Inn, Ironbark, Johnsons Reef, Lancashire, Live and Let Live, Manchester Arms, Gold Mines, Metropolitan, Crown, National, New Chum, Honeysuckle Street, Pavilion, Napier Arms, Quartz Miners Arms, Retreat Inn, Rainbow, Rose of Australia, Lake View, Robin Hood, Fountain, Southern Cross, Bath, Berlin, Spring Gully, Star, Sir Charles Hotham, Silvermines, Royal Oak, Suburban, Town Hall, Temperance, Ship Inn, View Point, View Bend, Victoria, Exchange, American, Arcade, Belfast, All Nations, Union, United Kingdom, Union Jack, Westend, Washington, Waterloo, Wellington, Whitehorse, Wheat Sheaf, Yorkshire, Niagra and Noahs Ark.bendigo, history, long gully history group, the long gully history group - the bendigo post office, l c bennetts, mt alexander post office, porcupine inn, cenotaph, pike or pyke, baby health centre, sandhurst post office, government survey office, queen elizabeth oval, sandhurst trustees company, mr h b briston, savings bank, telegraph office, the sub-treasury, sir henry brougham lock kcb, sir john nimmo mla, prince of wales group of mines, the new prince of wales, eaglehawk golf links, new prince of wales no 2, the whip and jersey, mines department, lansell's big 180, new chum and victoria mine and battery, new chum railway, koch's pioneer, south new moon, catherine reef united, new moon, the virginia, south bell vue, central nell gwynne, north nell gwynne, miner's phthisis, hercules engine house, ironbark, new chum syncline, hercules energetic, roberts & sons, harkness & co, horwoods, great southern, ulster, carlisle, lansells big 180, victoria quartz, new st mungo, duchess tribute, south devonshire, hopewell mine, saxby mine, mcnair & co, shamrock, mr king, burke and wills expedition, sandhurst hotel, courthouse, hiberian, the freemasons, the courthouse, the commercial law courts, the hamburg, the european, the prince bismark, the lord kitchener, the bendigo, the rosalind park, the showgrounds, atheneum club, olivers, bridge hotel, bourkes, the globe, the hibernia, albert, albion, abbotts, australian, belvidere, beehive, british queen, black eagle, british and american, brian boru, bakers arms, butchers arms, brick layers arms, bull and mouth, cresent, clarence, back creek bridge, cape clear, crooked billet, cambridgeshire arms, camp, coach and horses, cricketers arms, diggers rest, ellesmere, five lions, franklyn, golden square, golden gate, golden gully, golden age, golden vine, gumtree, glasgow reef, great britain, haymarket, daniel o'connell, half way house, fleece inn, ironbark, johnsons reef, lancashire, live and let live, manchester arms, gold mines, metropolitan, crown, national, new chum, honeysuckle street, pavilion, napier arms, quartz miners arms, retreat inn, rainbow, rose of australia, lake view, robin hood, fountain, southern cross, bath, berlin, spring gully, star, sir charles hotham, silvermines, royal oak, suburban, town hall, temperance, ship inn, view point, view bend, victoria, exchange, american, arcade, belfast, all nations, union, united kingdom, union jack, westend, washington, waterloo, wellington, whitehorse, wheat sheaf, yorkshire, niagra, noahs ark

Document. Harry Biggs Collection. 1 sheet yellow card folded . Welcoming visitors to Bendigo. It contains a photo of Charing Cross on the front & inside shows the evolution of Bendigo Tramways. Printed for the Preservation Committee in Co-operation with the Royal Historical Society of Victoria (Bendigo & District Branch).organization, public utility, transport, harry biggs collection, welcome to bendigo: evolution of bendigo tramways

Photograph - black and white. The new SEC building is surrounded by scaffolding and building workers. The new building is almost complete. Truck backed to the footpath unloading building materials by two men. Light post with three cross bars and street light, ladder leaning on verandah, freestanding ladder, lady in black crossing the street, portion of scaffolding still attached on side of the building. rear of photo has SEC 1940 printed with biro and number 02 written in pencil.organization, public utility, electricity company, s.e.c. victoria. 1940. bendigo.

Photograph - black and white. The new SEC building still under construction. The 'old market building' can be seen to the left of the photo. Man on bicycle in dark clothing, man in black clothing walking to the right, lady in dark clothing walking to the left, light post with three cross bars and street light, advertising material displayed on corner section of fence, man in black standing over bhis bicycle to right of tree, dark colour utility vehicle parked in williamson street, twin power poles connected with 5 or six cross bars, vehicle angle parked in front of utility. Rear of photo has stamped name of the developer of the photo printed by Oliver's Bendigo. Number 79 witten in pencil.Printed by Olivers, Bendigo.organization, public utility, electricity company, s.e.c. victoria. 1939. bendigo.

Black and White Photograph of the Lansell's 180 Mine, Pictured in the Centre of the photo are 4 towers numbered 1-4 with Lansell's 180 written as well on tower 2, 'Piece of Paper contained with Photos could be the details of the possible donor reads 'Sandra McLachlan, 5 Chaple Cross Crt, Delecombe 3556, 0432 718 315, [email protected], 5336 1220'photograph, mining, lansell's 180 mine, mining, marong road, eaglehawk road, victoria hill, lansell, george lansell, christopher ballerstedt

Ill, maps, p.76.A listing and description of Victorian Victoria Cross recipientsvictoria cross, australia - military - personal narratives

"The fine structure of St. Peter's, with its prettily-decorated interior, which holds crowded congregations at Holy Mass on Sundays, is alone an eloquent testimony of the piety and devotion which permeates the whole parish. Attached to the church is a circulating library, and Catholic papers and other literature are distributed at the church door. Branches of the H.A.C.B. Society and Catholic Federation are doing much good work. (Melbourne Advocate, 17 January 1914) "OPENING AND CONSECRATION OF THE NEW CATHOLIC CHURCH OF ST. PETER’S, DAYLESFORD Cross on St. Peter'sNotwithstanding the inclemency of the weather, the opening of the new Catholic Church of St. Peter’s, yesterday (Sunday), attracted a crowded congregation. Although the rain, which has poured almost incessantly for some days past, had left our roads and streets in the condition for which Daylesford is celebrated in winter weather, and although he storm and rain seemed to increase as the hour announced for the ceremonies approached, the church was filled by a large congregation, comprising all sects and denominations of Christians in and around the district. The beautiful edifice, erected mainly through the zeal, liberality and energy of the respected pastor, presented a most imposing appearance, and reflects infinite credit upon the Rev. Mr. Slattery, and the flock committed to his charge. The church was commenced in November 1863 and has been in the hands of the workmen up to the present time, work being uninterruptedly carried on. On commencing the foundations, it was necessary to excavate until solid clay was reached, which in consequence of the deep rich chocolate soil on the site of the building, had to be carried down to an average depth of 6 feet 6 inches. The foundations were laid with massive stones in courses of 12-inch, and four feet thick, reducing to 3 feet below the floor line. The style of the building is decorated Gothic, and consists of a nave, 80 feet by 30 feet in the clear, and a chancel 18 feet high; from floor line to apex of roof, 47 feet, which is elegantly constructed, consisting of six spans or frames with puncheons resting on carved corbels, low down between the windows. The north side consists of a handsome entrance, near the north-west angle, approached by nine steps of cut stone, and four bays of windows on nave, and a small door on side of chancel, intended as an entry from the sacristy. The south side presents a very handsome view to Victoria street, a beautiful porch entrance giving access to the building on the south-east end of nave; and on the south-west angle a handsome octagonal spire, terminating in an iron cross, with gilt floriations; the height of top of cross, from floor line, is 88 feet. A stone stairs gives access to the organ gallery and the belfry. The whole of the windows are of a handsome geometrical design, and carved in stone, with mullions and tracery, and glazed with amber-tinted glass, the chancel window being 15 feet high, and 8 feet wide. The chancel arch is unusually large, 27 feet St. Peter's interiorhigh and 18 feet wide, and handsomely moulded, and presents a fine appearance from the body of the church. The roof is stained a rich oak, with heavy cornice, and all the walls are smoothly plastered, and colored peach color, giving the amber-tinted glass a beautiful soft cathedral appearance to the interior. The altar is of a very chaste design, the panels being moulded with Gothic heads, and finished in white and gold; the altar rail was not completed, but is intended to be of polished cedar, with carved pillars. The interior fittings will be proceeded with immediately, and to complete the design, an organ gallery, with sittings for about 100 persons besides the choir, will be constructed on the west end. It is intended also to place pillar gaslights on each side of the main entrance, for lighting during vespers in winter. The style of architecture has been strictly carried out, and in the best and most substantial manner. The building has been erected under the superintendence of the architect Mr. John Townsend Brophy, a member of the congregation, and who has discharged his duty with great ability and care. The hour of half-past eleven has scarcely passed when from the sacristy entered His Lordship the Right Rev. Dr. Gould, Bishop of Melbourne, preceded by the Very Rev. Dean Hayes (Sandhurst), the Rev. P. J. Slattery, and a number of boys dressed in white surplices. The Right Reverend Prelate proceeded to the foot of the altar, the Very Rev. the Dean on his right, and the Rev. P. J. Slattery on the left. The prayers usual upon the occasion were read by the Bishop. A procession was then formed, and went around the church in the following order. Several youths bearing wax candles first, next the Very Rev. the Dean, then the Bishop and his train bearers, and following were the Rev. Mr. Slattery and acolytes. Having returned to the altar in the same order, the Deacon (Dean Hayes) and Sub-Deacon (Rev. P. J. Slattery) proceeded to robe his Lordship, who had taken his seat at the epistle side of the altar, for the solemn High Mass, at appropriate times wearing his mitre and bearing his crozier. The mass, which was chanted by the Bishop with touching simplicity and earnestness, was then commenced. The choir, under the direction of Mr. Meunsch, organist, was full and most effective. Mrs. Testar, of Melbourne, having generously offered her valuable services, took the leading soprano solos, and it is scarcely necessary to add, rendered them with exquisite taste and feeling – her beautiful voice being heard with great effect throughout the entire building. The choir consisted of the following ladies and gentlemen who volunteered to aid in the ceremonies upon this most interesting occasion. Ladies: Mrs. Tresar, soprano; Mrs. J.J. McCormick, alto; Miss Julia Conry, soprano; Mrs. Vincent, soprano; Mrs. Aitken, soprano. Gentlemen: H. Guthiel, tenor; Master John Murphy, tenor; James Knox, bass; J. M. Murphy, bass; Mr. Staunton, baritone; Mr. Sourby, alto; Mr. Short, bass. The chant, “Let us adore,” during the procession, was given by Mrs. Vincent with considerable power. The selection of the “Imperial Mass” (Haydn’s No. 3) was felicitous, and the highly artistic and finished manner in which the different parts were sustained, demonstrated that great and persevering care must have been bestowed on the preparation for “the opening day.” The “Kyrie” was given with the full strength and power of the choir. The swelling of the voices in complete harmony, and the pealing of the organ in the midst of incense and prayer, produced a most marked effect upon the congregation. In the “Gloria,” the solos of Mrs. Testar were really beautiful and Mrs. McCormick rendered the alto solos with considerable merit. Mr. Knox sang the part commencing with the words “Qui tolles” with much taste and power. The “Credo” than which we believe there is not a more magnificent piece of sacred music extant, was most successful in its rendering, nor do we ever remember to have heard anything more touching than the manner in which the line “Vetam Venturi in Seculi,” was given by Mrs. Testar. The offertory hymn “Come unto Me all ye that labor,” was given by Mrs. Testar with the most thrilling effect. The “Sanctus” having been sung, in which Mr. Sourby ably rendered an alto solo, the “Agnus Dei” was commenced with a solo by Mrs. McCormick and was given with great taste and feeling, Mrs. Testar, at the conclusion of the “Agnus,” taking up the soprano part. Mass being concluded, the Very Reverend Dean Hayes ascended the altar and proceeded to preach the opening sermon, taking as his text Second Paralipomenon [Chronicles II], 7th chapter and 16th verse – “For I have chosen and have sanctified this place that My hand may be there for ever, and My eyes and My heart may remain there perpetually.” St Peter's manseAt the close of the sermon a collection was made by the very reverend preacher, assisted by John Egan, Esq., Corinella, on behalf of the church, and about fifty pounds were contributed. When it is remembered that 500 tickets had been issues at 10s each, and the inclemency of the weather taken into consideration, the collection may be regarded as a large one. Benediction was sung by the Rev. P. J. Slattery, assisted by Dean Hayes, the choir singing the “O! Salutaris Hostia” and “Laudate.” Handel’s Hallelujah Chorus was sung at the termination of the ceremonies. The vestments issued at Benediction, as well as at the Mass, were of the most gorgeous and beautiful character. When the Benediction was over, the Rev. P. J. Slattery, standing at the front of the altar said– “I wish to say one or two words before the congregation leave. I feel most deeply indebted to all of you who have attended here today for the honor and glory of God, not withstanding the difficulties you had to encounter from this most inclement season. I am truly delighted at such a manifestation of feeling, and will not easily forget it.” The rev. gentleman having disrobed, thanked the members of the choir for their kindness in assisting at the ceremonies, and more especially Mrs. Testar, who had braved all the storm and rain to be present at, and give the advantage of her great musical abilities on, the “opening day.” (Daylesford Mercury, 15 May 1865.)A number of photographs of St Peter's Catholic Church, Daylesford, taken at the 150th anniversary celebration. st peter's catholic church daylesford, decoration, altar decoration, anniversary, daylesford, religion, painting, interior, slattery, gough, d'alton, mcmahon

Mrs. Margot Eddy was a member of the Creswick Red Cross Society for over 40 years. Creswick Red Cross was established in 1915 after the outbreak of WWI. Mrs. Eddy received her 40 year bar in 1977; she was President of the Creswick Red Cross for 10 years up to 1975. Mrs. Margot Eddy's daughter Mrs. Lucia Stephens donated these Red Cross badges and newspaper articles and letter to the Creswick Museum August 2014. 10 badges from Mrs. Margot Eddy of Red Cross. a- round metal badge; b- round metal badge; c- rectangle metal badge; d- rectangle metal badge; e- rectangle metal badge;h- round plastic badge on pin g- round metal badge with flourish at base; h- rectangle metal badge; i- red ribbon with oval metal badge at base and rectangle metal piece at top; j- round white plastic badgea- on front- Australian Red Cross. Victorian Division - back- 38102; b- front- Australian Red Cross Society - back- Stokes; c- front- Red Cross/ Emergency Service - back- 5177;d- front- Life Member;e- front- Mrs. M. Eddy - back- stokes/melb; f- front- blue ring with white interior and red cross in middle- back- 50c; g- front- Australian Red Cross Society/ Service Award - back- Stokes/Melb.; h- front- Red Cross/ Emergency Service - back- 5178; i- front- Australian/ Red Cross/Society/Twenty Years' Service - back - c / 76/ w. o. luke/ melb.; j- front- white badge with red cross at top/ Mrs. M. Eddy/ Creswick - back - Imprint Plastic/ Myaree, West. Aust. red cross; badge;

Originally this teaching model belonged to Prince Henry's hospital library and was transferred to the Monash Medical Centre, Clayton in the 1970s.by Sister Gertrude Berger, a famous nurse-educator, who is best known for her work leading up to the transfer of nursing education in Victoria from hospitals to universities in 1986.Gerty (as she was known in the School of Nursing) bought them in Europe in the late 1940s and early 1950s . Has lables on base of stand. "Model 6A Female Pelvis on Stnd". AU 618.1/ 01 FemaleModel of female pelvis in cross-section, painted plaster on stand.teaching model, anatomy, female, pelvis

Originally this teaching model belonged to Prince Henry's hospitla library and was transferred to the Monash Medical Centre, Clayton in the 1970s by Sister Gertrude Berger, a famous nurse-educator, who is best known for her work leading up to the transfer of nursing education in Victoria from hospitals to universities in 1986.Gerty (as she was known in the School of Nursing) bought them in Europe in the late 1940s and early 1950s . Has labels on base of stand. "Model 6A Female Pelvis on Stnd". AU 618.1/ 01 FemaleModel of female uterus with partial cross-section, vagina, fillopian tubes and ovaries. Painted plaster with label "AV618.1 / 01 Female".teaching model anatomy, female uterus

Originally this teaching model belonged to Prince Henry's hospital library and was transferred to the Monash Medical Centre, Clayton in the 1970s by Sister Gertrude Berger, a famous nurse-educator, who is best known for her work leading up to the transfer of nursing education in Victoria from hospitals to universities in 1986.Gerty (as she was known in the School of Nursing) bought them in Europe in the late 1940s and early 1950s.Teaching model. Female Pelvis, cross section, flat 3D panel. Painted plaster on painted timber. Originally from Prince Henry's Hospital Nurses Library [ traces of stamp "PRINCE HENRYS HOSPITAL NURSES LIBRARY" on l.l.].teaching model, anatomy, female pelvis

Coloured postcard, grey border embellished with spray of gold wattle left side, and kangaroo in bottom RH corner. Image shows Charing Cross , Alexandra fountain in centre, Queen Victoria statue centre bottom. Horse drawn vehicles on Pall Mall and Charing Cross. City Family Hotel in background. View Point buildings on RH side. Receipt number 355/16Valentine & Sons Melbournebendigo, business, carwardine soap and candles

Object. Metal medal in the shape of a cross pattee with triangular arms almost filling the square, with a suspension bar. Centre Section: Profile picture of Queen Victoria. Top Arm: ''Crowned 1838'' Left Arm: ''Born 1819'' Right arm: ''Married 1840'' Bottom Arm: ''Jubilee 1887'' Regd No. 52773.numismatics, medals - commemorative, queen victoria jubilee medal 1887

Cigar smoking was a popular sign of maturity and/or sophistication among Dutch men until the danger to health became better known.Square metal tin with hinged lid. The four sides are colourfully decorated with pictures and words from the traditional "leesplank" or early reading board, now a nostalgia item.The lid carries an insigna picturing tobacco leaves, a starry banner and small globe with cross, surrounded by the words: Senator Sigarenfabrieken-Valkenswaard-Holland. A sticker on the underneath side of the tin reads: 50 senator riche.cigars, netherlands, valkenswaard

Dutch commemorative tile from city of Enschede in DrenteSouvenir brought by Dutch migrants on migrating.Ceramic tile, brown and black two-line border around gold, green, red and white design. Laurel leaves with red berries around coat of arms, scroll banner. Coat of arms white background with three red horizontal bars with two crossed red bars.On back two holes for hanging.Scroll inscribed ENSCHEDE. On underside: Delft with makers' mark. Coat of arms white background with three red horizontal bars with two crossed red bars.

Pewter spoon on wooden frame. Saint Peter figure top of handle, crossed keys below. Spoon bowl shows market scene with dentist.

A Photograph and document of Warrant Office Keith Payne VC signed. Below the photograph is the history of the action leading to the VC. Donated to the Vietnam veteran's Association by Ken Smith OAMphotograph, document, wo keith payne, victoria cross, vietnam veteran's association, ken smith oam

In May 1969, Warrant Officer Second Class Keith Payne was leading a company of Montagnard soldiers near Ben Het, Vietnam. The company was overrun by a superior force of North Vietnamese regular soldiers, and when the skirmish was over many of Payne's men were left behind, wounded, disoriented and at the mercy of the enemy. 1961-1975 - veterans - biography, vietnam war, 1961-1975 - psychological aspects, payne, keith, wo keith payne, victoria cross

this book is dedicated to all Tasmanians who have served, and their families.victoria cross, military decorations -- tasmania, tasmania -- history, military

this book tells the stories of Australia's 100 Victoria Cross recipients in a uniquely intimate way: in most cases with insight from the men's families themselves.victoria cross - biography, victoria cross - history, families of military personnel - australia, wheatley, kevin vc, badcoe, peter vc, simpson, ray vc dcm, payne, keith vc am ksj

A True Story...Keith Payne's citation for the Victoria Cross, the highest decoration awarded in the British Commonwealth for valour, reads like a touch of madness.australia. australian army - officers - biography, vietnam war, 1961-1975 - fiction, keith payne, victoria cross, aattv