This hand-held signalling lamp could have had a number of uses. It could have been used by groups such as the Boy Scouts or most likely was used by local air raid wardens and other military personnel in World War Two. Its large face and the reflecting mechanism would have made it useful over a long distance.This lamp is of historical interest and is retained for display and research purposes.This is a cylindrical metal lamp with a clear glass front attached to the lantern by metal screws. The lantern has been painted black. There is an electric bulb behind the glass and a reflector disc behind the bulb. A handle, attached to the metal body, has two strands of electrical wiring at its end. The handle includes a finger clip, which, when pressed, produces a signal inside the glass area.signalling lamp, world war two military equipment

Donated by Box Hill Historical SocietySmall metal ring with three pipe tools attached there is a hook attached to the ring to attach tools to belt. etc. Tamper used to push the tobacco down into the bowl of the pipe, this has a round disc on end of stem which is hinged. A knife like tool which is used to clean out the bowl of the pipe. A tweezer like tool possibly used to take the tobacco out of the pouchHallmarks on tamper and knifelike toolpersonal effects, smoking accessories

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Handel: Harp and Lute Concertos/Concerto Grosso (Alexander's Feast). LP 33RPM vinyl, Catalogue Number: SOL 60013 / OL 50181, Cardboard cover, paper sleeve, 1 Vinyl disc, cover notes by Thurston Dart, printed in England by Robert Stace. Music played by Philomusica of London, Carl Pini (Leader), Thurston Dart (Organ and Harpsichord continuo); Conductor Granville Jones.lp, sound recording

Boyd designed the exhibition for the opening of the Australian Chancery in Washington DC held in June 1969. He designed six cylindrical clear acrylic display cases. One of these exhibits used an anamorphic optical illusion, using compressed images which had normal proportions when viewed through a lens of the half-cylindrical display cases. The bookends (item F157) were designed as a small scale model for the Chancery exhibition. Placing the disc (item F158) underneath the adjacent two half-cylindrical bookends (item F157) demonstrates how the bookends behave as a lens.Photocopy of a image on a transparencyaustralian chancery, robin boyd

The basic balance scale has been around for thousands of years and its accuracy has improved dramatically over the last several centuries, the principle behind this tool remains unchanged. Its parts include a fulcrum, a beam that balances on it, a pan at the end of the beam to hold the materials to be weighed, and a flat platform at the other for the counter-balancing weights. Balance scales that require equal weights on each side of the fulcrum have been used by everyone from apothecaries and assayers to jewellers and postal workers. Known as an unequal arm balance scale, this variety builds the counterweight into the device. Counter scales used in dry-goods stores and domestic kitchens often featured Japanned or (blackened) cast iron with bronze trims. Made by companies such as Howe and Fairbanks, the footed tin pans of these scales were often oblong, some encircled at one end so bulk items could be easily poured into a bag. Seamless pans were typically stamped from brass and given style names like Snuff (the smallest) and Birmingham (the largest). Some counter scales were designed for measuring spices, others for weighing slices of cake. In the 18th century, spring scales began to appear and would use the resistance of spring to calculate weights, which are read automatically on the scale’s face. The ease of use of spring scales over balance scales. One of the most common types of spring scales was the kitchen scale also known as a family or dial scale. Designed for horizontal surfaces, these vintage kitchen scales used the weight of goods in a pan at the top of the scale to force the spring down rather than the balance system. Such scales were common in early 20th century households and were sold by many companies. Many had flat weighing surfaces but some were topped by shallow pans. Companies such as Salters, Chatillon, and Fairbanks were the most popular brands used. These scales are significant as they identify one of the basic preparation items for the weighing of foodstuff in the family kitchen to prepare everyday meals. This item is significant as it gives a snapshot into domestic life within the average home in Australia around the turn of the twentieth century and is, therefore, an item with social relevance. Black cast iron, medium weighing scales, with a fulcrum which the beam that balances on, there is as scoop at one end for the material to be weighted and a flat circular disc at the other end that holds the weights. Around the cast iron base is an embossed leaf pattern. All the weights have their weight embossed within the casting.There are 5 weights, marked 2 oz, 4 oz,8 oz,1 lb,2 lb, This scale does not have any visual markings on the arms to identify a maker or true balance. It is therefore assumed that these scales were made for domestic use only.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, spring scale, scale

This item is a bronze German MotherCross. The MotherCross was given to German mothers of pure Aryan heritage before and during World War Two. Adolf Hitler wanted to encourage population growth and keep the German mother at home. Mothers were awarded these crosses according to the number of children they had – gold crosses for eight or more children, silver for six or seven children and bronze for four or five children. The crosses were presented to mothers on 4th August, the birthday of Hitler’s mother and also on Mother’s Day. They could only be worn on special occasions around the neck on a blue cord with two white stripes. This German MotherCross is a bronze one and has on one side ‘Der Deutschen Mutter’ and on the other side ‘16 Dezember 1938’ and Adolf Hitler’s signature. The date indicates when the award was first instituted. There were at least 8 million recipients of the medal.The recipient and donor of this medal are not known but it is a very interesting and unusual memento of World War Two.This is a metal medal in the shape of a cross with a bronze ridged background in the shape of a rectangle. The cross is enamelled in blue and white and has a round bronze disc in the centre and lettering with a blue swastika on a white background. There is lettering on the back of the cross. A metal catch is attached to the top of the cross and remnants of a blue and white cloth cord are looped over the catch. One small fragment of the cord is detached. The medal is in a box which is not the original container. ‘Der Deutschen Mutter’ ‘16 Dezember 1938’ plus Adolf Hitler’s signature world war two, german mothercross

Set of two 35mm Agfa colour blue and white plastic mount slide - photo of Ballarat No. 40 reversing direction in Sturt St at the intersection of Drummond St, Hospital Corner to run out to Sebastopol. Taken Sept 1971. Note the ESCo feeder cable panel on the ground in front of No. 40 in 3025.2 All files transferred from disc to high res files 2/9/2009.tramways, trams, sturt st, drummond st, feeders, hospital corner, tram 40

35mm Agfa colour blue and white plastic mount slide - photo of Ballarat No. 42 just after turning into Drummond St south from Skipton St, with the destination of Lydiard St. North. In the background is a sign on a building "The home of Lusky Trailers". Photo taken Sept. 1971. Photos Eldon Hogan. All files transferred from disc to high res files 2/9/2009.tramways, trams, drummond st sth, sebastopol, tram 42

An 'Advantage Tennis: the Game of Singles' board game. All pieces present according to Rules booklet: playing board, two spinners, two player tokens (blue 7 green), three balls, one scoreboard, eight scoreboard pegs, and eight disc boards. Also contains Rules pamphlet, 'Shot profiles' pamphlet and game order form. Materials: Cardboard, Paper, Ink, Plastic, Gluetennis

Ernest Sewell series 'Tiddlytennis' game. Patent no.22857/35 (1935-6). Instructions sheet states: 'The game that interested H.R.H. The Duke of Kent at the/British Inductries Fair 1936'. Contains miniature net and wooden net supports, printed cotton as 'court', eight plastic discs (2 large, 6 small) and an instruction sheet. Materials: Cardboard, Ink, Glue, Wood, Natural fibre, Papertennis

'Wink Tennis' game. Incomplete according to Instructions sheet: contains two 'winks-on-a-string', four plastic discs, a plastic 'net' and a playing board. Should contain two plastic side clips - one plastic clip present, one missing. Also contains an instructions pamphlet. Three non-original metal clips contained in box. Materials: Cardboard, Paper, Ink, Plastic, Glue, Metaltennis

The HD range replaced the Holden EH series which had been in production since 1963. The HD had a completely new body, which was wider and longer than that of the EH and offered significant increases in passenger space, load space and equipment level. Body styling exhibited strong similarities to Vauxhall's FC Victor of the previous year, including that car's unusual concave rear window. Disc brakes were offered for the first time on a Holden mode and the optional Hydramatic three–speed automatic transmission as used in the EH was replaced by a Powerglide two– speed unit. Three versions of the inline six cylinder Holden Red motor were available. The 100 bhp 149 cu in (2.4 L) six was standard in all models except the Premiers and a 115 bhp 179 cu in (2.9 L) six was standard on Premiers and optional on all other models.[Blue body with white roof , 4 door HD sedan. 63457-H179 Badge on boot Holden across boot lidvehicle, holden, 1965, car

The booklet shows important aspects of the Shrine, 'one of the greatest of the war memorials erected in various parts of the world'. 'The purpose of this imposing structure is set out in the simple words quoted on the eastern wall of the Shrine of Remembrance itself- "This memorial was erected by a grateful people to the honoured memory of the men and women of Victoria who served the Empire in the Great War of 1914-18." The booklet outlines parts of the Shrine including the Battle Honour Discs, the Porticos, the Stone of Remembrance, the Inner Shrine, the Crypt and the Ray of Light. The document was in a file with other documents concerning the Shrine and it's history (01181 - 01190).A record of the Shrine of Remembrance. There was an effort to record historical events for the "Archive Committee" which collected this and other documents relating to the Shrine together in a file (see items 01181 - 01190)A 16 page of booklet of buff paper in a dark grey brown cover describing the Shrine in photos and black print.memorial, shrine of remembrance

In November 1985 a monument was installed near the corner of Main Road and Pitt Street in Eltham, within the gardens at the front of what is now the Eltham Community and Reception Centre. This monument commemorates Victoria's 150th anniversary and the former location of the Eltham Town Centre, which existed along this section of Main Road, then known as Maria Street. Beneath the site is a time capsule to be opened in the year 2035. A plaque was also erected at this site in October 1987 to commemorate the Shire of Eltham Historical Society's 20th anniversary. The main feature of this monument is a ?tyring disc?, a blacksmith?s implement that was found on this site. This consists of a large iron disc that was used as a platform for fitting iron tyres (like the one shown on top of the platform) to wooden spoked cart wheels. The local blacksmith and wheelwright worked together to assemble the wheel, which was clamped to the platform placed close to the fire. The red hot iron hoop, previously forged to the correct size was lifted with tongs by the blacksmith over the outside of the rim, then hammered down amid flames from the scorching timber. The wheelwright drenched the tyre with cold water as soon as it was in position. A clamp placed on the naff (hub) and screwed down tightly kept the spokes at a constant angle as the tyre cooled. An even pressure from the contracting tyre tightened the joints at each end of the spokes and formed a vice-like grip, which would last for the life of the wheel.Four colour photographs (laser printed on paper); two showing the fitting of the time capsule into the monument and two showing Joh Ebeli during the dedication presentation.eltham, joh ebeli, time capsule

In November 1985 a monument was installed near the corner of Main Road and Pitt Street in Eltham, within the gardens at the front of what is now the Eltham Community and Reception Centre. This monument commemorates Victoria's 150th anniversary and the former location of the Eltham Town Centre, which existed along this section of Main Road, then known as Maria Street. Beneath the site is a time capsule to be opened in the year 2035. A plaque was also erected at this site in October 1987 to commemorate the Shire of Eltham Historical Society's 20th anniversary. The main feature of this monument is a ?tyring disc?, a blacksmith?s implement that was found on this site. This consists of a large iron disc that was used as a platform for fitting iron tyres (like the one shown on top of the platform) to wooden spoked cart wheels. The local blacksmith and wheelwright worked together to assemble the wheel, which was clamped to the platform placed close to the fire. The red hot iron hoop, previously forged to the correct size was lifted with tongs by the blacksmith over the outside of the rim, then hammered down amid flames from the scorching timber. The wheelwright drenched the tyre with cold water as soon as it was in position. A clamp placed on the naff (hub) and screwed down tightly kept the spokes at a constant angle as the tyre cooled. An even pressure from the contracting tyre tightened the joints at each end of the spokes and formed a vice-like grip, which would last for the life of the wheel.Four colour photographs (laser printed on paper); two showing the fitting of the time capsule into the monument and two showing Joh Ebeli during the dedication presentation.eltham, joh ebeli, time capsule

In November 1985 a monument was installed near the corner of Main Road and Pitt Street in Eltham, within the gardens at the front of what is now the Eltham Community and Reception Centre. This monument commemorates Victoria's 150th anniversary and the former location of the Eltham Town Centre, which existed along this section of Main Road, then known as Maria Street. Beneath the site is a time capsule to be opened in the year 2035. A plaque was also erected at this site in October 1987 to commemorate the Shire of Eltham Historical Society's 20th anniversary. The main feature of this monument is a ?tyring disc?, a blacksmith?s implement that was found on this site. This consists of a large iron disc that was used as a platform for fitting iron tyres (like the one shown on top of the platform) to wooden spoked cart wheels. The local blacksmith and wheelwright worked together to assemble the wheel, which was clamped to the platform placed close to the fire. The red hot iron hoop, previously forged to the correct size was lifted with tongs by the blacksmith over the outside of the rim, then hammered down amid flames from the scorching timber. The wheelwright drenched the tyre with cold water as soon as it was in position. A clamp placed on the naff (hub) and screwed down tightly kept the spokes at a constant angle as the tyre cooled. An even pressure from the contracting tyre tightened the joints at each end of the spokes and formed a vice-like grip, which would last for the life of the wheel.Four colour photographs (laser printed on paper); two showing the fitting of the time capsule into the monument and two showing Joh Ebeli during the dedication presentation.eltham, joh ebeli, time capsule

In November 1985 a monument was installed near the corner of Main Road and Pitt Street in Eltham, within the gardens at the front of what is now the Eltham Community and Reception Centre. This monument commemorates Victoria's 150th anniversary and the former location of the Eltham Town Centre, which existed along this section of Main Road, then known as Maria Street. Beneath the site is a time capsule to be opened in the year 2035. A plaque was also erected at this site in October 1987 to commemorate the Shire of Eltham Historical Society's 20th anniversary. The main feature of this monument is a ?tyring disc?, a blacksmith?s implement that was found on this site. This consists of a large iron disc that was used as a platform for fitting iron tyres (like the one shown on top of the platform) to wooden spoked cart wheels. The local blacksmith and wheelwright worked together to assemble the wheel, which was clamped to the platform placed close to the fire. The red hot iron hoop, previously forged to the correct size was lifted with tongs by the blacksmith over the outside of the rim, then hammered down amid flames from the scorching timber. The wheelwright drenched the tyre with cold water as soon as it was in position. A clamp placed on the naff (hub) and screwed down tightly kept the spokes at a constant angle as the tyre cooled. An even pressure from the contracting tyre tightened the joints at each end of the spokes and formed a vice-like grip, which would last for the life of the wheel.Colour photograph (one of four)eltham, joh ebeli, time capsule

In November 1985 a monument was installed near the corner of Main Road and Pitt Street in Eltham, within the gardens at the front of what is now the Eltham Community and Reception Centre. This monument commemorates Victoria's 150th anniversary and the former location of the Eltham Town Centre, which existed along this section of Main Road, then known as Maria Street. Beneath the site is a time capsule to be opened in the year 2035. A plaque was also erected at this site in October 1987 to commemorate the Shire of Eltham Historical Society's 20th anniversary. The main feature of this monument is a ?tyring disc?, a blacksmith?s implement that was found on this site. This consists of a large iron disc that was used as a platform for fitting iron tyres (like the one shown on top of the platform) to wooden spoked cart wheels. The local blacksmith and wheelwright worked together to assemble the wheel, which was clamped to the platform placed close to the fire. The red hot iron hoop, previously forged to the correct size was lifted with tongs by the blacksmith over the outside of the rim, then hammered down amid flames from the scorching timber. The wheelwright drenched the tyre with cold water as soon as it was in position. A clamp placed on the naff (hub) and screwed down tightly kept the spokes at a constant angle as the tyre cooled. An even pressure from the contracting tyre tightened the joints at each end of the spokes and formed a vice-like grip, which would last for the life of the wheel.Colour photograph (one of four)eltham, joh ebeli, time capsule

In November 1985 a monument was installed near the corner of Main Road and Pitt Street in Eltham, within the gardens at the front of what is now the Eltham Community and Reception Centre. This monument commemorates Victoria's 150th anniversary and the former location of the Eltham Town Centre, which existed along this section of Main Road, then known as Maria Street. Beneath the site is a time capsule to be opened in the year 2035. A plaque was also erected at this site in October 1987 to commemorate the Shire of Eltham Historical Society's 20th anniversary. The main feature of this monument is a ?tyring disc?, a blacksmith?s implement that was found on this site. This consists of a large iron disc that was used as a platform for fitting iron tyres (like the one shown on top of the platform) to wooden spoked cart wheels. The local blacksmith and wheelwright worked together to assemble the wheel, which was clamped to the platform placed close to the fire. The red hot iron hoop, previously forged to the correct size was lifted with tongs by the blacksmith over the outside of the rim, then hammered down amid flames from the scorching timber. The wheelwright drenched the tyre with cold water as soon as it was in position. A clamp placed on the naff (hub) and screwed down tightly kept the spokes at a constant angle as the tyre cooled. An even pressure from the contracting tyre tightened the joints at each end of the spokes and formed a vice-like grip, which would last for the life of the wheel.Colour photograph (one of four)eltham, joh ebeli, time capsule

In November 1985 a monument was installed near the corner of Main Road and Pitt Street in Eltham, within the gardens at the front of what is now the Eltham Community and Reception Centre. This monument commemorates Victoria's 150th anniversary and the former location of the Eltham Town Centre, which existed along this section of Main Road, then known as Maria Street. Beneath the site is a time capsule to be opened in the year 2035. A plaque was also erected at this site in October 1987 to commemorate the Shire of Eltham Historical Society's 20th anniversary. The main feature of this monument is a ?tyring disc?, a blacksmith?s implement that was found on this site. This consists of a large iron disc that was used as a platform for fitting iron tyres (like the one shown on top of the platform) to wooden spoked cart wheels. The local blacksmith and wheelwright worked together to assemble the wheel, which was clamped to the platform placed close to the fire. The red hot iron hoop, previously forged to the correct size was lifted with tongs by the blacksmith over the outside of the rim, then hammered down amid flames from the scorching timber. The wheelwright drenched the tyre with cold water as soon as it was in position. A clamp placed on the naff (hub) and screwed down tightly kept the spokes at a constant angle as the tyre cooled. An even pressure from the contracting tyre tightened the joints at each end of the spokes and formed a vice-like grip, which would last for the life of the wheel.Colour photograph (one of four)eltham, joh ebeli, time capsule

In November 1985 a monument was installed near the corner of Main Road and Pitt Street in Eltham, within the gardens at the front of what is now the Eltham Community and Reception Centre. This monument commemorates Victoria's 150th anniversary and the former location of the Eltham Town Centre, which existed along this section of Main Road, then known as Maria Street. Beneath the site is a time capsule to be opened in the year 2035. A plaque was also erected at this site in October 1987 to commemorate the Shire of Eltham Historical Society's 20th anniversary. The main feature of this monument is a ?tyring disc?, a blacksmith?s implement that was found on this site. This consists of a large iron disc that was used as a platform for fitting iron tyres (like the one shown on top of the platform) to wooden spoked cart wheels. The local blacksmith and wheelwright worked together to assemble the wheel, which was clamped to the platform placed close to the fire. The red hot iron hoop, previously forged to the correct size was lifted with tongs by the blacksmith over the outside of the rim, then hammered down amid flames from the scorching timber. The wheelwright drenched the tyre with cold water as soon as it was in position. A clamp placed on the naff (hub) and screwed down tightly kept the spokes at a constant angle as the tyre cooled. An even pressure from the contracting tyre tightened the joints at each end of the spokes and formed a vice-like grip, which would last for the life of the wheel.Four colour photographs (laser printed on paper); two showing the fitting of the time capsule into the monument and two showing Joh Ebeli during the dedication presentation.eltham, joh ebeli, time capsule

This item is an attractive one and has belonged to someone who was a more affluent member of society. It is an item that would have been kept in a bedroom on a dresser or table. It is surmised that the ‘H.D’ stands for Hope Dickson, a member of a prominent Warrnambool family. She was the daughter of Mary Glass Cramond and James Dickson. Her grandfathers, John Cramond and James Dickson, established a clothing and drapery store in Warrnambool in the 1850s and it continued as a major business in Liebig Street, Warrnambool until 1973. As an elderly woman in the 1970s, Hope Dickson donated many household and personal items to the Warrnambool and District Historical Society and this perfume bottle may be one of them. This item is significant because it is a high-quality household item that dates back 100 years. If it belonged to Hope Dickson then this local provenance gives it added importance. This is a glass bottle with a covering silver holder. The bottle body is round with two straight pieces on either side. The neck is rounded and short and the opening has a cork stopper that extends down the neck. The silver folder, which is cylindrical, covers the entire base of the bottle and is open at both ends. The silver holder has impressed silver patterns (chains, bows and discs).The bottle slides into the folder which is slightly rusted inside.‘H.D.’women’s boudoir items, perfume bottle, history of warrnambool

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Richard Strauss: Seven Songs; Mozart: Four Concert Arias. LP 33RPM vinyl, Catalogue Number: ASD 2493, Cardboard Cover, Paper sleeve, 1 Vinyl disc, lyric sheet inside with translations by William Mann (c) 1969, made in Great Britain. Singer: Elisabeth Schwarzkopf (British Soprano); Conductor: George Szell; Music: London Symphony Orchestra, Edith Peniemann (Violin), Alfred Brendel (piano).lp, sound recording

Compact Diskette with video (DVD), titled ""Yarra Trams Christmas 2004 Family Day", printed on disc, contained within a clear front, black plastic base CD case. Event held Sunday Dec. 5, 2004 - at Royal Exhibition Buildings, Carlton. Has scenes of people arriving, games, the tramways band, the inside of the building, food, the CEO of the time, Hubert Guyot, welcoming people. Length - 3mins.trams, tramways, yarra trams, exhibition buildings, christmas, employees

The wooden pattern is part of a set that are stored in a strong wooden crate. It was used at Briggs’ Brass Foundry for making sand casts. It may fit together with one of the other patterns with a similar outline. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century.Pattern; thick square mostly unopainted wooden block with a solid half-cylinder added to the top, which has rounded shoulders. A disc is added to the front, aligned with the curve at the top. The top curve has orange paint and the dial is pink. Three holes are drilled in the back, in a triangular configuration. It is similar in shape to a mantle clock or an early-style radio. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912

310 Black & white reproduction of photograph of opening tram No. 1 on 1st day of ESCo Electric trams in Ballarat. Has details on rear.- see inscription. Photo is believed to be taken in Wendouree Parade. 310.1 - as for 310, print from George Netherway collection - 9/1998. 310.2 - as for 310 - newspaper print of same photograph, contained within Reg. Item 2526, page 9, with title "Thirty-Year-Old Episode / Official Opening of Electric Trams" - indicating printed 1935 - see image 310. Newspaper clipping of Photo 310 is housed in album in AS Box 34. 310.3 - copy print arranged by William F Scott from Harris House of Photography scan - on Kodak Xtralife paper. Item updated 1/10/2003. 310.2 not formally numbered. See Reg. Item 2794 for another similar print of this photograph. Hi -Res Image available for this photo, on CD ex Harris House of Photography see Reg Item - 4459 See Reg Item 7148 for a framed print of the opening tram. 310.4 - Digital scan of image of this photo added from the Wal Jack collection added as 310i4.jpg Photos re-imaged 18/7/2019 and images updated - use image i1 only.'T29 Ballarat Tramways. No. 1 on opening day 18-08/1905, Cr. J.M.Barker, then Mayor of the city driving first electric tram. With him are the late Mr. B. Deakin, manager of the Electric Supply Co. and Major General R.E.Williams. Photo taken in Wendouree Parade. W.Jack.' 310.3 - in ink on rear "Ballarat pic 21 on disc"trams, tramways, esco, ballarat, opening, first tram , tram 1