Use: Domestic: Household trimmingBobbin lace edging

WW1 Historical significanceWWI Australian Imperial Forces 'AFSA' binoculars with leather case.On the cover of the case ETABLISSMENTS 'AFSA' PARIS. On the binoculars engraved A.M. Boswell C.'Coy' 60th Bn. A.I.F.

Silk postcard.From George. Silk embroidered "To my mother"

Maps and details of battles for VerdunSoft cover 116 pagesIllustrated Michelin guide

Black and white image of Australian soldiers s Studying a model of the terrain of Messine Ridge during World War One. messines, messines ridge, world war one, world war 1, australian imperial forces

Kaiser inspecting the troops on the Somme 1917. The film that this print is from, was confiscated from a prisoner of war.Rare photograph of The Kaiser inspecting troops at the Somme. Of historical significance.Black & White photographic print.On reverse is written: Ñ'oublions jamais! ( "Never Forget") Somme 1917the kaiser, somme, ww1, german, soldiers, pickelhaube, helmet, military, inspection, somme, 1917, world war 1, war

The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. Pair of silver leather women’s shoes with two glass studded buttons at the front. The shoes were designed by Charles Jourdan of Paris expressly for Georges, Collins Street, Melbourne women's shoes, footwear, charles jourdan -- designer -- paris

The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. Pair of brown leather court shoes with deep tan leather uppers, designed by Yves Saint Laurent, Paris.YVES SAINT LAURENT / Pariswomen's shoes, yves saint laurent, footwear, court shoes

World War 1 1917 embroidered postcard from nephew of Jim Purcell to his aunt and uncle.Embroidered post card from 1917 WW1 'Home Sweet Home'. Additional small Christmas card included in an inside pocket.To Mr John Purcell / Clearview / Birregurra / Victoria / Australia All well from your ever loving nep (sic) (nephew) Christmas card reads A Merry Xmas to all Jim postcard, world war 1, birregurra

Upright Wooden Shipboard Piano stawell

The donor, Mrs Verona Cresswell, was given the parasol in 1941 by a friend, Mrs Teppa, who had purchased it many years earlier in Paris. It was part as an outfit worn to the Melbourne Cup in the 1940s.Coral pink silk parasol with black lace overlay. A lace design is painted in black on the end of the polished wooden handle. parasol, melbourne cup, 1940s, verona cresswell

These shoes were worn by Emily Cock (nee Smith), the daughter of wealthy early settler John Matthew Smith. From 1856 until 1931 the Smiths lived at 'Castlefield', a mansion on a vast estate that at one time stretched along South Road from Bluff Road to Hampton Street. The land was gradually subdivided, and the house is now a part of Haileybury College.Pair of flat black kid leather indoor shoes decorated with pale blue silk, cut-away applique and embroidery.shoes, embroidery, applique, castlefield, emily smith, brighton

Altar frontal made in 1960s for St Thomas Aquinas church Clunes using 19th century motif was accessioned to the Ballarat Diocesan Historical Commission of the Catholic Diocese upon the closure of the church at Clunes in 2017.Altar frontal with appliqued orphery in cloth-of-gold.

One of several 16th-19th century editions of the Summa in the collection. This work of Aquinas was a landmark of medieval western thought. It is regularly consulted by scholars of theology to this day and underpins much Catholic philosophy.An early folio of a landmark of medieval western thought.Folio size, Rag paper bound in Vellum. Binding cracked and broken.Guillaum McCormack, Middensis; Summa Theologae

Large white photo album with picture of elegant lady in oval frame with gold embossed pattern on front cover. "Presented to Grace from Ethel". No. 45 for 240 postcards.postcards

Cast iron and tinplate whisk/mixer/butter churn with glass jar. Hand-cranked with wooden knob on handle.'Modelle Bepose'butter churns, whisks

The original owner was Louis Kolling.An antique thick rectangular photograph album made of dark tan leather with an elaborate embossed floral and leaf design on the front and back covers. The brass clasp on the side is in working order but is broken. It contains 24 thick double sided cardboard pages which have sepia family photographs inserted. There are several missing photographs. Each picture has the name of the photographic studio printed at the bottom of it. Some photos have names written beneath them in blue writing. Each page has beautiful hand painted coloured flowers and leaves decorating them. At the front is a highly coloured decorative floral title page with the word - Album. On the back of this page is a blank Index with 100 spaces to write the names of those in the photographs. The whole album as quite worn and damaged with several inscriptions.'On the front right side endpaper is handwritten on the textured page in blue ink 'Mrs Kelling, a present from Mrs Bond'. Painted ornately in colourful paints is 'Martha Bond' There is a strip of paper included on this page handwritten in blue biro 'Donated posthumously by Louis Kolling, a first cousin and neighbour of Edmund L. Burgi'. On the back endpaper handwriitten in grey pencil ''Via Lilydale' On the last page of photographs on the opposite page is handwritten in blue ink 'Mrs Kolling Clifton Hill.' which is underlined.photographs, albums, photograph albums, photographic accessories

Actual photo of the condition on the Somme in 1917UniqueActual Photo showing the depth of mud on the Somme in 1917See Photo, note the burial cross in the mud behind the wounded digger.

View of Ypres in October 1917 showing damage to the Market Square and Church.Unique photo Photo in Wooden frame' Moving up for the Attack' Australian Infantry passing thru Ypres October 1917

9.5mm home projector - circa 1925

Source Ebenezer Gray.Christmas card. 1918 from 24th Australian Infantry Battalion. Has red ribbon bow on left.Lietu. Col. W.E. James Officers, NCO's and member of 24th Australian Infantry Battalion. Sent greetings for Xmas and New Year.christmas cards, greeting cards

The phosphoroscope was invented by Alexander Edmund Becquerel and used to measure the amount of time that a phosphorescent substance will glow after being irradiated by a brilliant source of light.The phosphoroscope consists of a round metal chamber with a pair of rotating discs inside, arranged so that no light can pass directly through the chamber. The discs have cut-out windows spaced equally at regular angular distances and are turned by the hand crank linked to a gear mechanism. The sample is placed in a specially designed holder into the small opening near the gearing, and it is exposed to the light source through the large rear condensing lens.Engraved on chamber: 'Phosphoroscope de E. Becquerel / J. Duboscq a Parisbecquerel phosphoroscope, phosphoroscope, optical instruments, phosphorescent, alexander edmund becquerel, jules duboscq, france

The development of a fetus in utero is represented in eight stages. The papier mâché is painted in great detail and finely lacquered and coloured plated cord represents the umbilical cord. Each model has an internal and external view; a lid to the uterus can be lifted off. allowing an interior view. Parts on the models are numbered in black ink and correspond to a guide that accompanies the models.Black ink numberinfg

Ted Cannon studied art at the Ballarat School of Mines. He enlisted during World War One, and was killed by a sniper while drawing enemy positions. The area where he is killed is known as 'Cannon's Post'.An ink drawing with red watercolour highlight on the face. The caricature was completed on the Western Front by a member of the Australian Infantry Force and sent back to Ballarat. ted cannon, edwin cannon, western front, artist, artwork, world war one, skinny, clogs, caricature, alumni