Many people used their spice grinders or a mortar and pestle to grind the roasted beans into a powder. Japy Freres & Co were mostly known as watch and clock movement makers, they also manufactured coffee grinders. The company ceased in the 1930s. A square wooden and metal antique hand operated French coffee grinder mill, manufactured by Japy Freres & Co (Beaucourt Paris, France). The grinder has a wooden body and an iron lid and mechanism with a metal turning handle and knob. The metal top is attached by screws. It has a broken brass knob on the pull out wooden drawer below. The moveable lid allows the beans to be poured into the funnel to be ground by the internal mechanism.'Japy Freres & Co B.E. S.C.D.G.' is stamped on a brass plate at the front top of the grinder attached by two screws.coffee grinders, coffee accessories, coffee, food processing equipment, kitchen equipment

This is a very common 'farm' style of old swinglebar. Blacksmiths and agricultural machinery suppliers made them by the thousands. They were used most commonly on heavy vehicles pulled by horses. This one would have been used on a farming property on the Orbost district.This item is an example of an early farming implement used in the Orbost district. It also demonstrates the improvisation skills of the agricultural community.Four pieces of wood connected by iron fittings. Two pieces have iron loops at both ends. The two straight pieces appear to be newer. There are two swingle trees. It appears to be a 2-horse set of swinglebars with a double-bar. which has been added to and repaired.agricultural-implement horses farming swinglebar

Harry Ingram delivered milk, bread, groceries and meat to towns between Delegate and Orbost with his eldest son. The pair generally drove a four wheeled wagon pulled by five horses along a hand carved winding track through the mountains. This is a pictorial record of transport in the early 20th century in Orbost. It is associated with the Ingram family settlers in Orbost from 1938.A black / white photograph of a man on a horse drawn cart.on back - "Harry Ingram"ingram-harry transport-c19th

This device allows easy threading of needles with ease. Place the needle in the casing then wrap the thread across the groove. Press the button down gently but firmly and pull the thread that appears on the other side slowly until the shorter end appears, and the needle is threaded.Red plastic rectangle with one insert tubes and one white push tabs, a leaflet of instructions and a white stand to place the threader on"Needle threader" in red on one side and an image of a female holding a needle threader on the reverseassistive devices, hong kong

Bob Hodgson pioneer skills enthusiast and proprietor of Lyrebird Motel Lakes Entrance Victoria .Also a black and white photograph of Bob Hodgson with four of his bullocks pulling a wooden sled number 3905.1 size 12 x 15 cmBlack and white photograph of Bob Hodgson pioneer skills enthusiast and proprietor of Lyrebird Motel Lakes Entrance Victoriabusinesses, farm, animals

A rim splitter was used on the outer rims of older vehicles to facilitate removal and replacement of tires. The tool was used to remove a tyre and replace it onto a split wheel rim. After the air was let out, the safety rim key was pulled. The swing arms were spread out and the three arms evenly spaced around the rim. The single arm with the screw gear needed to be close to the split so that the hooks fit on the rim and the rim was then pulled inward and the tyre could be be removed from the rim. After the tire was repaired or a new one was ready to be put on the collapsed rim the tool was used to push the rim back together and the safety key could be reinserted. A rim splitter were a universal type tool used for many cars of the 1920's and 1930's.A cast iron rim splitter which has two hinged side arms with hooked ends. The middle shaft has a hooked end and an inner bolt that can be screwed up or down.St Joseph Michigan Hercules Product Co Made in U.S.A. L 7motoring rim-splitter tyres tool

Black and white photograph - Grade 2C and 1A, 1964."Attached to photograph" Back Row- L to R: Eric Horneman, ?, ?, ?, ?, Peter Vinnecombe, ?, ?. 2nd Row- L to R: ?, ?, ?, ?, Bruce Pumpa, ?, David Pulling, ?, ?. 3rd Row- L to R: Meredith Nichol, ?, ?, ?, ?, ?, Linda Cook, ?, ?, ?. Front Row- L to R Margo Johnstone, ?, ?, (?) East, Elizabeth Harding, Cheryl Smilie, Josephine Trotter, Wendy Berry, ?, Wendy Thomas. Teacher:

A field ration, combat ration or ration pack is a canned or pre-packaged meal, easily prepared and eaten, transported by military troops on the battlefield. They are distinguished from regular military rations by virtue of being designed for minimal preparation in the field, using canned, pre-cooked or freeze-dried foods, powdered beverage mixes and concentrated food bars, as well as for long shelf life.Most armies in the world today now field some form of pre-packaged combat ration, suitably tailored to meet national or ethnic tastes.AMF Emergency Ration Pack ContainerOn front: To open pull ring this way. Retain portion for handling contents when cooked. Gadden container On back: AMF Emergency Ration. To be consumed only when no other rations of any kind are procurable. Consumption of this ration must be reported at first opportunity. Instructions for use are printed under cover of container and also on paper slip within can. Gadden container.ration, container, food, ring pull, emergency

Collector says: I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Fringed plaid travel rug, brown, yellow and blue Onkaparinga/washing instructions/use A.W.C. approved wool detergent/warm machine wash on short gentle cycle/or warm hand wash/DO NOT BLEACH/warm rinse well on gentle cycle/normal spin/DO NOT TUMBLE DRY/dry in shade - gently pull to shape/dry cleanable (A) - in emblems: The Woolmark pure new wool, Woven in Australia, F 472wool, blanket, blanket fever, travel rug, onkaparinga

Collector says: "I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him."Collector's note- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. "Fringed travel rug, red, blue, green and blackOnkaparinga/washing instructions/use A.W.C. approved wool detergent/warm machine wash on short gentle cycle/or warm hand wash/DO NOT BLEACH/warm rinse well on gentle cycle/normal spin/DO NOT TUMBLE DRY/dry in shade - gently pull to shape/dry cleanable (A) - in emblems: The Woolmark pure new wool, Woven in Australia, F 472wool, blanket, blanket fever, travel rug, onkaparinga

Photograph of U206 in Mount Alexander Road, with the NMETL brick powerhouse behind. The driver is hopping off the tram (to attend points) while the conductor is on the rear platform. Note the drop bars rather than folding gates as on other cars. The Cooling tower is not in the photo, indicating it has been demolished. The Power Station was demolished in 1925 (check). In the background is the St Georges Anglican church which was built during 1925. Sun angle - possibly winter.Yields information about Essendon depot and tram U 206, 1925.Black and White Copy Negative Photograph and print with details on the rear.In ink on the rear "MMTB U class 206 ex North Melbourne Electric Tramways (Essendon), outside depot in Mt Alexander Road, Ascot Vale, called Essendon, 1925. The brick building was pulled down a few years ago for a modern layout. See April Tram Tracks." Has both the Ken Magor stamp and Wal Jack stamp with "T70" written in.trams, tramways, u class, mount alexander road, essendon depot, nmetl, tram 206, mmtb

This candle holder has a sharpened point to push or hammer into soft rock and a hook to hang on a ledge or piece of rock. It is intended to be used in a mine and many residents of Warrnambool and district went to the gold mining districts in the 19th century. But it could have been used in the Warrnambool district if a small night light was required in one of the many local quarries or even in the search for coal deposits in the region. It could also have been used in a household.This miner’s candle holder has no known local provenance but it is retained as an interesting example of a candle holder used in the past.This is a thin piece of metal tapering to a point at one end and curving around in a loop at the other end to make a handle. Along the straight metal piece is attached a curved metal hook. At the end of the loop is an open-ended circular piece with a serrated top. The circular piece has a rectangular-shaped end piece which enables the hole in the curved piece to be pushed out or pulled in to make the hole smaller or bigger. The metal is much rusted. 19th century mining, history of warrnambool

After WWII demand for wheelchairs increased. The original wheelchairs were driven by the patient's hands pushing the wheels. Later a motor was added. Then the motor and battery were built into the chair under the seat. This was followed by developments in ergonomics (comfort), controls, comfort and performance.See KVHS 1796, KVHS 1797Used by Wilma Davies, a Kiewa Valley resident, who suffered from polio from the early 1950s.2 large wheels - The outer wheel is steel and the inner is rubber with metal spokes attached. The foot plates are of ribbed steel. The ribbed seat is blue made of thick canvas as is the back of the chair. Some plastic has been glued on the back. The arm rests are also covered with old torn plastic. There is a metal stick on the side used to brake the chair by being pulled enabling it to touch the wheel and slow it down or stop it from turning."Sibbing / Melbourne" on the foot platespolio, wheelchair, pandemic

Textiles, pink cotton lingerie or stocking bag with fold over envelope style flap at back over opening. Front has overlay of cream coloured tapestry fabric with pulled thread work embroidered with pink cross stitch and line patterns. Three decorative 2 cm pink satin ribbon bows in three corners. Fourth ribbon detached (stored in bag). 4 cm gathered cream lace edging on four sides.textiles, domestic, pink cotton lingerie bag

Used to unload stores at Number 5 Brace stores area. Found near Number 5 Brace August 1985. A wire rope would lift hook from top. A cord through cross piece of hook could be pulled to release the load.Crane hook with catch to keep load held.

A horse collar is a part of a horse harness that is used to distribute the load around a horse's neck and shoulders when pulling a wagon or plough. The collar often supports and pads a pair of curved metal or wood pieces, called hames, to which the traces of the harness are attached.The horse collar is oval, rather than circular and it is not very flexible. It is padded with a straw- like fibre and the shape conforms to the shape of the horse's body. A strap and buckle is attached to adjust to the horses' neck and shoulders. The other buckle on the opposite side of the collar has no complementary strap to attach to it.

In the late 1800's early 1900's transporting goods by road was difficult and at times impossible because roads as thoroughfares did not exist.The means of travelling along the roads in the 1800's was by bullock wagon, horse pulled dray, pack horse or simply by foot. This is a pictorial record of transport in the mid 18th - early 19th century. Pack horses were vital for the delivery of goods, responding to emergencies as they could travel in country inaccessible to larger horse - drawn carts or wagons.A black / white photograph on a black buff card. It is of a group of pack horses being guided across a waterway with a man on horseback on either side of the river.transport pack-horses

A sailmaker's hook is also called a sail hook, bench hook, stretching hook or third hand. It is used to hold the canvas of a sail or similar object while pulling tight with the left hand. This ensures the canvas is tight while stitching, keeping the sewn seam straight. This tool is still in use today wherever a canvas sail requires stitching. it's design has not changed since it was invented centuries ago as a sailor's third hand, helping to keep canvas sails taught during edge stitching or repairs.Hook; sailmaker's bench hook. Metal rod with a hook at one end and a flat head at the other end. This tool would be used in conjunction with a brass swivel and a lanyard.warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, sailmaker's hook, sail hook, bench hook, stretching hook, third hand, sailmaker's tool, sailmaking, canvas sewing, maritime trade, sailmaker

The whippletree consists of a loose horizontal bar between the draught animal and its load. The centre of the bar is connected to the load, and the traces, chains or straps on each side of the harness, attached to its ends. Whippletrees are used when pulling a dragged load such as a plough, harrow, or log. The whipple tree was attached to a scoop, which was used for building the 'Puffing Billy' railway and also for scooping out Emerald Lake.Wooden bar with metal hook at each end and a metal ring attached to the centre.

This calf yoke is a wooden beam used between a pair of calves to enable them to pull together on a load when working in pairs. This item was made for John Mundy as a child. The original Mundy family moved to a land "selection" at Betebolong in the early 1880's from Buchan. This is an example of a hand-made item commonly used in Orbost on dairy farms in the first half of 20th century.A hand-made wooden yoke painted brown. It has two iron neck pieces and a piece of chain attached in the centre. There are two different locking devices for the necks.calf-yoke rural

Photo taken at P.A. & E.M. Cooper's front paddock of their weekender at Sherbourne Rd, Greensborough. The drag was pulled by two horses and was hired for the day by Marjorie Cooper's class at Merton Hall. Copy of the original image contained in a photo album belonging to Marjorie North (nee Cooper).Roll of 35mm colour negative film, 1 strip (3 frames) - copy of original photo in private album Colour print of negativeAgfa XRG 200p.a cooper, e.m. cooper, sherbourne road, greensborough, merton hall, horse drawn vehicles, marjorie north, phaeton, school groups

The box is cleverly designed to give quick access to the parts inside, having a lift-up lid and a pull-down front. The components within appear to be a portable radio, power supply or power converter with batteries and a charger. The attached leather strap makes the equipment easily portable. The portable power supply is significant for representing part of the evolutionary change in communications. The unit connects the use of power and radio for communication with the ability to save the power in power packs or batteries, or to convert the power from one form to another.Power supply, portable, electric; circuits can be Parallel or Series. Batteries (6) fitted into a square wooden box. Box has two catches to secure the lid and two catches to secure the drop-down front. Holes have been drilled around the edges of the lid and the top of the base. Inside the front panel are two copper coils, switches and connectors. Leather carry strap attached. Stamped into the vertical panel are "parallel", "P", "H", "SERIES", CAVERTY", "LIGHT" :WEAK", "CHARGING" Stamped into the vertical panel are "parallel", "P", "H", "SERIES", CAVERTY", "LIGHT" :WEAK", "CHARGING" flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, portable power supply, power supply, battery box, battery, communication, radio, portable radio, battery powered radio, electronic instrument

A woman perches on the edge of a chair as she fingerspells on the palm to an older, deaf-blind woman who is seated. In the second picture, an older female pulls a thread taut as she sits in front of a long table. It is unknown where these images were taken, however assumed to be at Elanora.2 black and white photographs of elderly female residentselanora home (brighton), recreation, association for the blind

General anaesthesia relaxes muscles around the airway which can result in the airway becoming obstructed. Holding the jaw open or keeping the tongue out of the way were crucial. Often, brutal devices were used to open the jaw or pull the tongue forward to clear the airway.Set of four chrome plated metal tongue depressors of different sizes. Each depressor has been engraved with a number (1 - 4). Numbers 2 - 4 also have a metal tube that could be used to administer anaesthesia simultaneously. Numbers 2 - 3 also have cross-hatched grooves in the depressor and all have finger grips engraved into the handles.boyle-davis, airway management

This camera, made by the American firm of Eastman Kodak, was the best-selling folding camera during the first half of the 20th century. This is the ‘autographic’ model as there is provision at the back of the camera for note-taking. This model was made between 1915 and 1926 and it is called the soldier’s camera because of its compact size. Over 1,000,000 cameras of this type were sold during World War One. This camera belonged to C.C. McNeil of Caramut, a town 55 kilometres north of Warrnambool. This camera is of interest as it belonged to a person from the Warrnambool district and it is a good example of a pocket camera with note-writing facilities. This is a black metal camera in a rectangular shape with rounded edges. It has three glass apertures and a metal winder. It also has an opening shutter at the back of the camera where notes can be written on to the paper backing of the film. The front of the camera opens and a concertina-like metal attachment affixed to the back of the camera can be pulled out to reveal the lens. This is covered in black leather. Printed information etched into the surface can be found in various locations around this camera. Vest Pocket Autographic Kodak U.S. Patents – Mar 4 1902, May 6 1913 Eastman Kodak Co. Rochester N.Y. U.S.A. Celia C. McNeil Caramut 20th century photography, history of warrnambool

Used to cut down trees and to saw the trunks to length. Used to clear the land.Used by the residents of the Kiewa Valley.A. Combination Tasmanian Pattern and Peg Tooth Cross Cut Saw B. Tasmanian Pattern Cross Cut Saw C. Peg Tooth Cross Cut Saw A crosscut saw is a saw designed for cutting wood perpendicular to (across) the wood grain. It cuts when pulled in both directions. The two man crosscut saw has wooden handles that fit into a steel socket at each end. The Tasmanian has a different tooth pattern to the Peg Tooth saw.crosscut saws, two man saws