1951 Commemorative Plaque (Centenary of Government in Victoria and Centenary of the Discovery of Gold) THE obverse side of this Medallion represents the three qualitities of democratic Government which makes the citizen's life worth living. Freedom, Justice and Equality. But the basic quality, through which Equality and Justice can be achieved or which results in Equality and Justice is FREEDOM. So the artist, in agreement with the sub-committee, selected a beautiful horse, gallantly bounding forward, his broken shackles still on his foreleg, carrying a woman representing Justice and a man representing Equality on its back. Without Freedom there is no Justice and Equality, but if there is Freedom, Justice and Equality are its natural results. The Stake on the reverse side represents strong democratic Government. Supported by it society grows and blossoms freely.Medal: OBVERSE: Depiction of a bucking horse with two nude riders. The first rider is a man wielding what appears to be a torch. The second rider is a blind folded woman wielding a sword. The horse has a broken shackle on the left foreleg. Information sheet in case. Case: Black leather, white satin lining and green velvet insert. Top bears gold coat of arm of Government of Victoria.Front: Equality and Justice through freedom. Back: CENTENARY OF THE GOVERNMENT OF VICTORIA 1851-1951 (edge) Presented to THE TOWN OF PORTLAND 1951 (engraved, centre)medal, commemorative, centenary, victoria

Newspaper article: Our Beautiful Parks, Diamond Valley News, 8 March 1983, describing Eltham Lower Park and Diamond Valley Miniature Railway. Newspaper article: Diamond Valley News, 8 March 1983, Election of the ALP, Peter Stables member for Diamond Valley. Flier for Diamond Valley Miniature Railway with photograph and map. Photographs of Miniature Railway at former location at Chelsworth Park Ivanhoe. Newspaper article: New BBQ at Eltham Park, The Advertiser, 9 July 1996, about a joint project between Nillumbik Council and Eltham Rotary (On same page an article about the showcasing of indigineous plants around Nillumbik Shire offices at Civic Drive and on p4 an article about redevelopment works at Elis Cottage).main road, parks, miniature railway, chelsworth park ivanhoe, bbq facilities, civic drive, eltham lower park, eltham rotary, landscape, nillumbik shire council, ellis cottage, eltham (vic), chelsworth park, ivanhoe, diamond valley railway

This is a velvet covered book with gold edged pages beautifully written in fine calligraphy depicting the history of all the pupils who offered for War service in the 1914-1918 war. Nurse Alice M Byrne, William Thomas Byrne, Richard Cummins, George Delaney, William George Elliot (Military Medal), Stanley William Grossman,29th Battalion; Alexander Cluny McDonald, Albert Arthur Perkins,KIA 1/10/1917; Harry Perkins,37th and 38th Battalions; Frederick Perkins,37th Battalion; Sydney Spencer Plum, Leslie George Richardson,trained at Wangaratta before contracting menigitis and died 25/6/1916; John Claude Smith,18th Battalion KIA 18/4/1916; This is a velvet covered book with gold edged pages beautifully written in fine calligraphy by Docker's Plains Head Teacher Mr Thomas Kidman, recording the military history of all the pupils at Docker's Plains State School who offered for War service in the 1914-1918 war. . Fixed inside the book's back cover are four original newspaper articles, two relating to the unveiling of the Honour Roll and Book at the children's annual picnic held on 17/10/1921 and dated 19/10/1921. The other two articles relate to the death and funeral of Albert D Lowerson VC of Myrtleford in 1946.The school was closed in 1949 and no longer existsA brown velvet covered book with gold edged pages written in fine calligraphy depicting the history of past pupils who served in the 1914-1918 war.Docker's Plains Honor Bookdocker's plains, ww1, honour book

Black and white photo of a finale of an Annual Demonstration. Children in costumes, some in military style costumes, some holding Australian flags, other flags and signs before an audience. Signs include ANZAC, Tobruk, Kokoda, HMAS Sydney, HMAS Perth, HMAS Australia, and theatres of combat, Europe, and Asia. The year is not known. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. A record of a Junior Legacy DemonstrationBlack and white photo of the finale of an Annual Demonstration.junior legatee, legacy demonstration

Ashbourne was the village of an historical event. At Ashbourne on 3 December 1745 Charles Edward Stuart declared his father James King of England, Wales and Scotland. Ashbourne is one of Derbyshire's fines and most vibrant market towns. It combines a wealth of historic buildings and shops. The Market Place is cobbles with hidden alleys and yards that lead to the carparks behind the main street. The wide and elegant Church Street is considered to be the finest street of Georgian buildings in Derbyshire. Tissington Hall and Village are in the nearby vicinity. Built by Francis Fitzherbert in 1609 Tissington Hall has been lived in by the Fitzherbert family ever since. The estate village has a number of micro businesses and a beautiful duck pond. Reference: Information from the Ashbourne Tourist pamphlet

This work was purchased from the exhibition "Original French Lithographs in Colour' held at the Joshua McClelland Print Room in 1963. The foreword noted "The twentieth century revival of lithography had its source in Paris, and in this exhibition, the second held in Melbourne, the catalogue includes some beautiful prints by various younger French artists as well as those by the "old masters" of contemporary lithography, Braque Picasso,, Chagall and Dufy. ... These prints form an interesting section of the regular art auctions in Paris and London, and they are eagerly sought by buyers who want an original work of art by artists whose paintings are far beyond their purses. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, garzou, pierre garzou, lithograph, coloured lithograph, colored lithograph, printmaking, edition, available

Photos of junior legatee boys demonstrating trampolining, gymnastics, basketball and judo/martial arts at the Annual Demonstration. Melbourne Legacy, Junior Legatees conducted Annual Demonstrations/Parades from 1928 through to the late 1970's, usually at the Melbourne Town Hall. These photos are at the Olympic Swimming Stadium, which was used in 1959 to 1962. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Was found in a brown bag marked '1962' in blue pen.A record of a Junior Legacy Annual Demonstration. Black and white photo x 5 of the Melbourne Junior Legatees Annual Demonstration held at the Olympic Pool Stadium on Friday, 28th September and Saturday, 29th October, 1962. junior legatee, annual demonstration, boys classes

Black and white photo of a group of girls in elaborate costumes on the stage of the Melbourne Town Hall for an Annual Demonstration. It shows a girl dressed as a spider in a large spiderweb with other girls dancing below. This routine was done multiple times over the years. The year is not known but it is in the 1940s or 1950s as the album was a collection of press photos taken during dress rehearsals from that time. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo in an album of girls on stage with a large spiderweb as a background.junior legatees, demonstration, annual demonstration, girls classes, costumes

Black and white photo of a massed group on the Melbourne Town Hall stage during an Annual Demonstration. The boys and girls are either side of a Legatee W Perrin. The year is assumed to be 1945 as the Legatee making the speech is William Perrin who was President in 1945. It is in an album that was a collection of press photos taken during dress rehearsals from the 1940s and 1950s. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo in an album of a massed group on stage during a Demonstration with President Perrin.junior legatees, demonstration, annual demonstration, girls classes, boys classes, perrin

When E. Whitehead's New Map of Victoria was released in 1869, an advertisement in the Bendigo Advertiser (16 July 1869) noted that: "This beautifully engraved Map has been revised and brought down to the present time; and, with the Alphabetical Key, is the most complete and the cheapest Map ever published; Price, 6d plain; 1s colored; 2s 6d in case; on linen, post free, 2d extra. E.. WHITEHEAD and CO, Publishers, 67 Collins-street east." The following year, 1870, Whitehead's promoted the edition in the Portland Guardian and Normanby General Advertiser (3 January 1870), advising that: "WHITEHEAD'S NEW MAP OF VICTORIA, 1869 ... is corrected to the latest date, and around is arranged an Alphabetical Key, with Post Towns and Money Order Olffices marked. The Map being divided into squares and numbered, by reference to the Key any place can be found immediately. Price Is beautifully colored, or mounted on linen in case, 2s 6d. Post free, 2d extra, in Victoria. B. Whitehead and C0., Puolishers, 67 Collins-street East, Melbourne". In the same edition of the Portland Advertiser, they also promoted their business generally, saying: "E WHITEHEAD and Co., Stationers, Engravers, Lithographers, 67 Collins street East, execute every description of Lithographic PRINTING, BILL-HEADS. NOTE Headings. Business Dies Engraved and Embossed on Envelopes &c. ARMS, MONOGRAMS, AND CRESTS Engraved and Embossed in Colour, superior to any other house in the Colony. Specimens, post free, 2d. Lithographers, &c, to H.R.H. the Duke of Edinburgh, and Die-inkers and Embossers to His Excellency Sir J. H. T. Manners-Sutton, K C.B. Orders executed for the Trade". Whitehead’s New Map of Victoria 1869 is is an important record of region created towards the end of the Victorian Gold Rush (1851-1869). In addition to its historical significance, this is a rare map, of which the only known copies in Australian public collections are those held at the National Library of Australia, the State Library of Victoria, State Library of New South Wales and the University of Queensland Library.Map of Victoria with gold mining areas, notes on topography, transport routes. Relief shown by hachures. List of towns with distance from Melbourne in map margin. [Melbourne] : Printed & Published by ... E Whitehead & Co ... 67 Collins Street East, 1869 1 map : col., mounted on linen ; 38.4 x 55.4 cm, folded to 18 x 12 cm.Cover "WHITEHEAD'S NEW MAP OF VICTORIA 1869"maps - victoria - 1860s, e whitehead's new map of victoria 1869, whitehead's map of victoria with alphabetical key 1869, cartography, gold rush

A novelty postcard with pull-out strip of 9 miniature photographs that was produced by the Valentine Publishing Co as a souvenir of Marysville.A novelty postcard with pull-out strip of 9 miniature photographs that was produced by the Valentine Publishing Co as a souvenir of Marysville.Having a High Old Time at MARYSVILLE KEEP WELL/ AND BRIGHT/ KEEP SMILING/ AND WRITE 1902 VALENTINE'S/ MAILING NOVELTY From VALENTINE'S "MAIL NOVELTY" POSTCARD. COPYRIGHT/ PRINTED IN GT. BRITAIN To Dear Mrs Bannan, I was expecting/ you down to meet "my folks" while they/ were over. Sorry you couldnt fit it in/ They went back last Tuesday & we came/ up here on Wednesday. Weve settled in/ to have a restful holiday. its a lovely/ place spotlessly clean & beautiful meals/ Ive never eaten so much for years. We/ will be here for 10 days so I should put/ on at least a stone the way Im eating/ love & best wishes to you all from Wm Staceymarysville, victoria, postcard, souvenir, valentine publishing co, crossways cabaret (image 1), taggerty river (image 2), acheron way (image 3), blacks spur road (image 4), nicholl's lookout (image 5), main street marysville (image 6), sugarloaf bay eildon (image 7), steavenson falls (image 8), cumberland falls (image 9)

Gramophone record used in the mending room of the Foster Valley Mill.Gramophone record housed in a brown paper sleeve bound in a orange folder with a blue spine. One of a collection of 12 gramophone records housed in the folder.[printed] "HIS MASTER'S VOICE" / TRADE MARK / MANUFACTURED SPECIALLY FOR THE GRAMOPHONE CO LTD, SYDNEY, NSW / BETTER NOT ROLL THOSE BLUE, / BLUE EYES / (At Somebody Else) / Quick Step / (Twomey Goodhart) / JOE LOSS & HIS ORCHESTRA / Dance / Orchestra / (OER713) / Speed 78 / Cat. No. / E.A. / 3104 / CHAPPELLS / SYDNEY / MUST NOT BE USED FOR RADIO / BROADCASTING, NOR PUBLICLY PERFORMED [Hand written on sticker] 51/7 [printed] "HIS MASTER'S VOICE" / TRADE MARK / MANUFACTURED SPECIALLY FOR THE GRAMOPHONE CO LTD, SYDNEY, NSW / YOU RHYME WITH EVERYTHING / THAT'S BEAUTIFUL / Slow Fox Trot / (Stoner-Reisfeld) / JOE LOSS & HIS ORCHESTRA / Dance / Orchestra / (OER719) / Speed 78 / Cat. No. / E.A. / 3104 / CHAPPELLS / SYDNEY / MUST NOT BE USED FOR RADIO / BROADCASTING, NOR PUBLICLY PERFORMEDtextile mills staff, valley worsted mill, gramophone, record, textile mills - staff, his masters voice (hmv), gramophone co ltd, dickson's geelong, music, audio

Clothing. Beautiful deep cream silk bodice, fully lined with cream tulle/net. Elbow length sleeves have a semi-circle of embroidered silk, and an embroidered tulle ''flounce'', edged with cream cord - 17 cms long. The bodice has seven pin-tucks, angled from the shoulder to the waistline on each side of the front and back. Between the pin-tucks at centre front panel is an extensive cream silk, floral embroidery. A rounded neckline at front and back, is in-filled with embroidered tulle - small 1 cm diameter flowers, in a 3 cm diameter circle, defined by 12 small (3mm) embroidered circles. The tulle infill extends to a 7 cm high stand-up collar-supported by seven plastic ''bones''. The collar also features the same, circular, floral embroidery, and is also edged at the throat with cream cording. The bodice while in good condition, has been cut at the hemline, and a 10.5 cm strip of fabric has been added but unfinished. 18 metal hooks, and hand-stitched loops fasten the back of the bodice. Sleeves are an extension of the bodice.costume, female, cream silk and tulle bodice

Shows views of Ballarat city, tourist attractions, Lake Wendouree in the 1950's, with some distance views of the trams in the streets. Demonstrates production of souvenirs of the era - folded postcards.Set of 9 coloured views of Ballarat printed with all photos on one side of a folded strip of paper glued within an colour printed light card folder. Published by The Valentine Publishing Co. Pty Ltd of Melbourne and Sydney., titled "Beautiful Views in Color of Ballarat Vic". Front cover has a image of the Arch of Victory on the left hand side with space for title, address area and stamp. Rear of Cover has printer name and a slit for the envelope to be closed over and sealed. 1. The Avenue of Honor and the Arch of Victory 2. The Eureka Stockade Memorial 3. The Old Curiosity shop 4. Town Hall Sturt St. (with trams in distance views, note Myers verandah still there) 5. Sturt St showing Mt. Warrenheip in the distance 6. Picturesque scene in the Gardens 7. The Boat shed and basin, Lake Wendouree 8. Sturt St. (from Greville St and large Robur Tea advertisement on building) 9. The Conservatory in the Gardens. From the motor vehicles in the photograph would say early 1950's. trams, tramways, ballarat, postcards, sturt st, bridge st, gardens, grenville st, lake wendouree

Edith (Alice) WATSON (1914–2010) Murtoa | Australia Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. Her folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family.Twelve drawings undertaken for the 'Drawing the Human Figure from Casts' class at the Ballarat Technical Art School. The works were undertaken by Edith Alice Watson. The full folio of work undertaken while Alice Watson was a student at the Ballarat Technical Art School is held by Federation University Australia.most are signed A.Watson 1932.edith alice watson, alice watson, ballarat technical art school, plaster cast, artwork, alumni, drawing the human figure from casts, visual arts

Edith (Alice) WATSON (1914–2010) Murtoa | Australia Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. Her folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family.A series of drawings undertaken by Alice Watson when she was studying "Drawing From the Plaster Cast" at the Ballarat Technical Art School. Some drawings are double sided.plaster casts, drawing, ballarat technical art school, alice watson, edith alice watson, alumni, visual arts

Edith (Alice) WATSON (1914–2010) Murtoa | Australia Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. Her folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family. commercial artSeven paintings undertaken by Edith Alice (Alice) Watson at the Ballarat Technical Art School, a division of the Ballarat School of Mines. ballarat technical art school, edith alice watson, ornament, flora, alumni, composition, composition of form and colour, general design, australian flora, light and shade, commercial art

THE MANNEQUIN The included wooden mannequin made by J.A. Walker of Melbourne has been very well used, as can be seen from the pin marks and split and torn fabric in areas where pins would have been used many times. The painted wood of the bodice is wearing away. The top of the neck is very rough in the centre, indicating that it possibly had a knob, handle or even a head shape on top. The mannequin could have been used for storing and cleaning of the evening outfit and even in the process of making it. It is made to match the measurements of the outfit beautifully and would be close in measurement to Mrs. Isabella Mitchell. Isabella’s sister-in-law Eliza Russell made her own wedding dress and perhaps she or Isabella herself made the evening outfit using the mannequin for fittings. The mannequin is significant as its size gives an image of the shape of the evening outfit’s owner. It is also significant as an example of the process and skills to create garments of fashion during the period, with many people making their own garments. The mannequin is also an example of an item manufactured in Melbourne in colonial times. This wooden display mannequin is from neck to floor length. It has a round pedestal. The mannequin’s bodice has been painted black. It is padded then covered in black fabric. The maker of the mannequin was J.A. Walker of Melbourne. It dates to the mid-late 19th century.Mannequin maker’s fabric label “J.A. WALKER / MANUFACTURER / MELBOURNE”mannequin wooden, mannequin made in melbourne, dressmaker’s mannequin, 19th century mannequin, dress form, display mannequin, custom made mannequin, dressmaker’s dummy, andique mannequin, clothing display, j.a. walker manufacturer melbourne, j.a. walker mannequin manufacturer, evening outfit

Vol. 4, No. 1, Jan-Feb 1999 CONTENTS LEGACY OF WILLIAM WESTGARTH Beginnings of German culture in Victoria 3 POSTCARD FROM VIENNA Soni Stecker in the coffee capital of Europe 6 SMALL IS BEAUTIFUL Poets Christen the Montsalvat barn 9 NEW BLOOD FOR ARTS OF ELTHAM 11 HILARY JACKMAN IN PROFILE An artist examines her motives 12 POETRY 14 VOLUMES 1ST BIRTHDAY Celebrating a new chapter in the story of Nillumbik 16, 17 NEW HEIDE EXHIBITION Luna Park and the Art of Mass Delirium 18 SONGLINES A dream takes shape for Nerida Kirov 20 THEATRE WITH CAROLYN PICKETT 23 BOOK REVIEWS 24 - 28 CD REVIEWS Coco's Lunch -Wally Wombat Shuffle; Hooray! for Mr Whiskers 29, 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, john borrack, ziebell farmhouse, sumer in the parks, william westgarth, westgarthtown, yarra valley country club, llobex image wizards, soni stecker, vienna, victorian artists supplies, adams of north riding, pool & spa care centre, montsalvat, eltham arts council, hilary jackman, st andrews hotel, jordie albiston, ian mcbryde, city of whittlesea community festival, volumes, clive dickson, luna park, museum of modern art at heide, art in public places, songlines, nerida kirov, manningham arts centres, carolyn pickett, women's circus, edna walling, trisha dixon, jennie churchill, gwen ford, eltham library community gallery, roberta sykes, soni silvan strecker, dymocks booksellers, wintyre recital gallery, carolyn morwood, anne delaney, coco's lunch, bulleen art & garden centre, franciscus henry, monty deli & catering services

The mid 1900's provided the start of "the body beautiful" revolution. The cosmetic industry, with the help of quasi scientific selling advertising slant targeted those "customers" that needed the "extra care" factor that only their product could offer. At this period in time their advertising power was based on in store, radio and newspaper media channels with saturation levels relatively low. In the later years of the 1900's saturation levels and a wider range of products and increased competition further increased the product saturation levels available to the buying residents. With the introduction of television the advertisements become more elaborate and "catchy" words, phrases and comedy type situations helped boost the advertising "pitch" and subliminal undertones to effective levels required for a highly competitive health related market place. 'sellingThis subliminally,"medically" endorsed product was one of many during the great "spin" revolution of product marketing and selling. This item is significant in that it demonstrates that greater infusion of product awareness throughout rural areas was highly successful through a greater variety of advertising media. It also demonstrates that in a highly competitive marketplace there are no physical boundaries that impinge upon the distribution of products and services. The rural sector is a highly lucrative region for any product that helps protect the body from all the "nasty's" that become more noticeable in a rural environment. This rectangular box which had contained cuticle soap is constructed from cardboard and reinforced by a black nylon impregnated sheeting. This impregnation was required to keep the box from soaking up any water from the user's hands. The top section of the box(lid) has and in large print "KELSEY'S" top line followed by "CUTICLE" off to the right and underneath and to the right "SOAP". Below this and in smaller print is "MEDICINALLY..." below this and in smaller print "EMOLLIENT AND REFRESHING, REDOLENT, CLEANSES, CURES, PRESERVES, PURIFIES." and last line underneath "SPECIALLY ADAPTED FOR TENDER SKIN" On each of the sides of the top lid are, side 1 "INVALUABLE FOR THE NURSERY." underneath in smaller print "JOHN M. KELSEY CO." to the left of this and on a green backed highlighter "No. 1744 - Guaranteed under Pure Food Act, 1908, N.S.W. by John M. Kelsey Co. - No. 1744. Melbourne, Victoria." On the right side and in large print "KELSEY'S CUTICLE SOAP" on the next side and also a similar sign on the opposite side "SPECIALLY ADAPTED FOR TENDER SKIN." below this "JOHN M. KELSEY CO." "Registered" and on the other long side in large print "SPECIALLY ADAPTED FOR TENDER SKIN" underneath in smaller print JOHN M. KELSEY CO. Registered"specialised soap, toilet requisites, nursery health., bathroom, domestic

The model of the horse and spring cart was made by Mattaeus (Martin) Schaefer. Martin was awarded a Silver Medal for the model at the Bendigo Juvenile Exhibition in April 1879. At the Melbourne Intercolonial Juvenile Industrial Exhibition, 1880, Martin was awarded a gold medal for the 'woodwork of model spring cart' (Bendigo Advertiser 6 March 1880) 'Mr. Schafer (sic) is certainly entitled to the gold medal awarded to him for his very beautiful model of a spring cart. It stamps him as a workman of the highest order' Bendigo Advertiser, Saturday 20 March, 1880, page 1 ‘ Our Excursion trip to Melbourne” In 1882, he was awarded a first prize for the cart at the Grand National Show, Bendigo. 1885: first prize County of Bendigo Agricultural and Horticultural Society Spring Show.Gold wooden frame, dark mottling on surface. Dark grey mount board, edged in royal blue, cream background behind certificates. Three certificates in frame relating to awards presented to Matthaeus (Martin) Schaefer for his horse and spring cart model. Top certificate: handwritten on buff heavy card background ''1879. Bendigo A. and H. Society, Silver Medal, recommended by the Judges, Model Spring Cart, Martin Schaefer'. Middle certificate: printed on blue card 'Agricultural and Horticultural Society, Grand National Show 1882, Class Jn. Section Extra, First Prize, awarded to Mr. Schaefer. H.M. Marks, Secretary'. Bottom award in frame: light buff card, printed on top 'County of Bendigo, Agricultural and Horticultural Society, Spring Show 1885, First Prize, Wooden Horse and Spring Cart, awarded to Mr. Schaefer. H.M. Marks Secretary'. martin schaefer, model, woodwork, bendigo, gold medal, silver medal, spring cart

Victoria is not noted for its waterfalls but in fact there are many hundreds of beautiful waterfalls scattered throughout the state. Each waterfall is different from the next, some remarkably so. Consider the amazing Hopetoun Falls surrounded by lush rainforest ferns near Beech Forest, compared to the often snow-covered Piemans Falls crashing down to the bottom of Bryce Gorge. This publication documents many of the more accessible waterfalls of Victoria, some for the first time, and many close to Melbourne. Ideal for bushwalkers, photographers, campers, or those who are interested in a healthy walk or looking for somewhere to enjoy a pinic lunch. There is nothing better than doing so at the base of a majestic waterfall with the spray drifing across the rock face and the unique sound of the water tumbling into the drop pool below.250 Victorian waterfalls. Ray Barber. Ian Wacey. 1st ed. Ian Wacey; Eltham North (Vic); 2011. 320 p.; illus., map, references, index. Soft cover. ISBN 978 0 646 54331 4waterfalls; ray barber; ian wacey;, victoria;

New York: Reporter Publications, 1953-1983. Hardcover. A broken run of this remarkable publishing venture, providing insight into the fashion of the day, fabric swatches, history of textile design, interviews with designers, etc.18 unique magazines containing multiple years. An invaluable reference tool for researching American lifestyle, tastes, fashion, style and fabrics as they evolved from the end of World War II to the dawn of feminism. With real vintage fabric swatches in each issue. Each issue is profusely illustrated with color photography and fashion illustration, as well as with beautifully designed covers by important artists. Such design magazines were utilised by Australian designers to help inspiration for the upcoming season's fashion. Such magazines were not cheap, compared to an international business trip however, they are seen as affordable to the point of being invaluable. 18 unique magazines from American Fabrics. First issue is from 1948 with latest from 1968. Colourful external covers with internal pages containing a mixture of black & white pages, colour pages and fabric swatches. Images of front and back cover are visible within media as well as contents of all 18 copies, particular articles of interest are obtainable by contacting the National Wool Museumtextile design, 1940s-1960s

The Old School in Funtington (near Chichester, West Sussex) operated from 1839 until it closed as a primary school in 1967. The former schoolhouse and adjoining teacher's residence have since been beautifully restored into private properties and bed and breakfast accommodations. Established in 1839, the small village school provided elementary education for local children, including surrounding hamlets like East and West Ashling. The substantive part of the Westhampnett village school was built in 1839, paid for through the patronage of the fifth Duke of RIchmond and the Goodwood Estate. Its foundation was connected with a concern for social improvement at the time. The school provided for the basic educational requirements of local working families who were mainly in the employ of the Goodwood Estate, and orphans from the nearby Westhampnett Workhouse. Beige linen with cross stitched alphabets and borders in brown, blue and black. A virtuous woman seeketh wool, and flax, and worketh willingly with her hands. Prov XXX1 13. Eliza Ann Girdler. Huntington National School. 1839embroidery, sampler, cross stitch, early 19th century, england

Two photos from the 1970 Annual Demonstration. One is the Governor of Victoria - Sir Rohan Delacombe shaking hands with Ivan Layton (executive officer of Melbourne Legacy) with President Simonson watching. The other is of two Junior Legacy performers in costumes presenting flowers to Lady Delacombe. One of the girls is Carmen Ellul, the other's name is not known. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of a Junior Legacy Demonstration being attended by the Governor of Victoria and his wife.Black and white photo x 2 of the Governor and his wife at a Legacy Demonstration.00389.1 Handwritten on reverse '1970 Sir Rohan Delacombe / DJ Simonson Pres / Ivan Langton Ex Officer' in blue pen; '29' in pencil; stamped with photographer's Leslie Thompson details in purple ink 00389.2 Handwritten on reverse: '23' in pencil; 'Legacy on Parade 1970 / Lady Delacombe presentation / Jnr L'tees' handwritten in blue ink; stamped with photographer's Leslie Thompson details in purple ink.legacy demonstration, legacy on parade, governor of victoria, lady delacombe

1860: Kew's first library was the Kew Literary and Scientific Society, which opened on 6 August 1860. 1884: Kew Town Hall was extended and the library transferred to a room on the upper floor. This was not an ideal arrangement as the room was required for Council purposes. 1904: A cottage adjoining Kew Town Hall was purchased for use as a library. 1937: The library was closed for a major overhaul of stock and renovation of the building. It reopened in December 1937 and remained there for more than 35 years. 1973: When the Civic Centre opened in Charles Street, Kew, the library moved in. 1987: Kew Library moved to its current location in the converted city hall, overlooking the beautiful Alexandra Gardens. The library was officially opened at this site on Friday 23 October 1987 by the Mayor of Kew, Cr James Tutt. (Source: Boroondara Library Service)Early original photograph of a children's library service taken by a notable Melbourne photographerOriginal photograph, in original frame, of the Junior Section of the Kew Public Library in Walpole Street, Kew. The photograph was taken by Stuart Tompkins who was the photographer of choice by the City of Kew from the 1930s to the 1960s. The details of the photograph are inscribed on the water-damaged mount, with the photographers signature at lower right. . "Junior Section, Kew Public Library, May 15th 1945"kew public library, photographers - c. stuart tompkins - camberwell (vic), children's libraries

1860: Kew's first library was the Kew Literary and Scientific Society, which opened on 6 August 1860. 1884: Kew Town Hall was extended and the library transferred to a room on the upper floor. This was not an ideal arrangement as the room was required for Council purposes. 1904: A cottage adjoining Kew Town Hall was purchased for use as a library. 1937: The library was closed for a major overhaul of stock and renovation of the building. It reopened in December 1937 and remained there for more than 35 years. 1973: When the Civic Centre opened in Charles Street, Kew, the library moved in. 1987: Kew Library moved to its current location in the converted city hall, overlooking the beautiful Alexandra Gardens. The library was officially opened at this site on Friday 23 October 1987 by the Mayor of Kew, Cr James Tutt. (Source: Boroondara Library Services)Historically and socially significant set of regulations governing the use of the children's library in Kew in the early 1950sOriginal framed rules and regulations of the junior section of the Kew Library, dated 16.6.1953, authorised by the Mayor (W.E.R. Hope) and Town Clerk (W.D.Birrell). The document also lists opening hours of the Kew and East Kew branches.kew public library - kew (vic), kew public library - east kew (vic), city of kew - library guidelines

A photo of senior girls in costumes from an annual demonstration with Miss Enez Domec Carre. Also a photo of them on stage during the performance. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979s, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Miss Enez Domec-Carre was the supervisor of girls classes and instrumental in the Annual Demonstration for many years. She joined Melbourne Legacy in 1932 and became the chief instructor of girls' physical education until she retired aged 65 in 1970.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo of junior legatee girls in costume back stage with Miss Carre at an Annual Demonstration and a photo of them on stage during the performance.annual demonstration, junior legatee, girls' classes, enez domec carre, costume

A group of junior legatees dancing as ballerinas on stage at the Melbourne Town Hall. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Whilst the cost to Legacy was very small, the quality of the work produced was truly professional. This photo was stored in an envelope with two other demonstration photos with ballerinas and dancers, two photos of girls club outings and a girls class posing. Perhaps they were donated by a former junior legatee. Photos are 02052 to 02057.A record of a Junior Legacy Demonstration and of the work that the Legacy Wives' Association and Junior Legacy Mothers' Club produced over the years.Black and white photo of a troupe of ballerinas dancing on stage.Stamped on reverse copyright of The Herald in purple ink with a handwritten negative number in pencil 'R4128'.annual demonstration, costumes, ballet, junior legatees

A group of junior legatees performing on stage at the Melbourne Town Hall. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Whilst the cost to Legacy was very small, the quality of the work produced was truly professional. This photo was stored in an envelope with two other demonstration photos with ballerinas, two photos of girls club outings and a girls class posing. Perhaps they were donated by a former junior legatee. Photos are 02052 to 02057.A record of a Junior Legacy Demonstration and of the work that the Legacy Wives' Association and Junior Legacy Mothers' Club produced over the years.Black and white photo of a dancers on stage.annual demonstration, costumes, junior legatees