The stereoscope was an interpretation device used to interpret aerial photography and the landscape. It was used by National Parks Victoria located at Mt Beauty to look at aerial photos so that they showed up the relief of the topography and therefore looked 3D.Used by National Parks Victoria staff located at the Mt Beauty office during the 1970's and early 1980's.Dark green wooden box with padded protection around the perimeter and on lid where 2 rectangular pieces of wood touch the stereoscope. The box is fitted with wooden dividers that fit around the stereoscope. The stereoscope is green metal with folding legs and sides attached to allow the stereoscope to sit on a surface. The instrument has 2 round glass ('mirrored viewing lens') cylinders eye distance apart, that allow light in from the side swinging doors. The amount of light is constricted by a rectangular piece of metal at the top of each leg. The box has swing clips used to close it and a metal swing handle all on the front side.The hinges are reinforced (and offer protection) by additional rubber pieces at each end. Inside the box is a brush made of bristle with a wooden handle - used for cleaning.Outside and top of box: written in black: No. 1026. On blue tape beneath: Mirror stereoscope 1026. written in black centre top of box: W10/WKA.0233. On front edge of box written in black: W10/WKA 0233. Inside box lid on silver plaque: Stereoscope Universal/ Made in / Australia / Die Casters Ltd. Victorianational parks victoria. stereoscope. aerial photographs. scientific instrument. mt beauty. 3d

This is the story of the women of the bush, women who performed more than the traditional duties of wife and mother. They worked alongside their men, through good/times and bad and they were rare to complain. Six former country women of the Portland/Heywood district provide us with a snapshot of life as it was from the 1920's through to the 1960's. They speak about their own and their mother's lives, lives which have experienced the greatest material and personal changes in history. The story of the 'Remarkable Mary Stuchbery' details the struggles of a wife and family whose husband/father contracted polio shortly after returning from WWII service. Garry Kerr has produced a series of local history stories, initially for the Heywood [history group] and more recent items privately.The material contained in these interviews provides a first-hand insight into the experiences of women who were involved in carving farms from virgin bush. Their recollections of work, social activities and opportunities for their children are an invaluable primary source.Full colour DVD cover featuring image of old hip-roof weatherboard house with front verandah and skillion roof to rear with stone chimney attached to outside. Corrugated iron roof is rusty. To the left is an outbuilding. Picket and wire fencing is in the foreground, background has large cypress tree to left and gum to right. At the bottom is a series of three black and white images showing (L-R) three women in working clothes and a woman holding a baby; woman chopping wood; woman milking cow with young boy standing beside her. The back cover is yellow with images of the seven women featured showing coloured images of the interviewees beside black and white images of the interviewees when young. DVD features the same images as the front cover.Garry Kerr's LOCAL HISTORY Series 5/On Our Selection/The/Women's/Story/Produced by Garry Kerr (front) WOMEN WERE THE UNSUNG HEROES OF THE BUSH/This is the story of the women of the bush [see historical information] ... Running time 74 minutes/Plus an additional 30 minutes of/'The Remarkable Mary Stuchbery'

This painting is one of a pair of large paintings by W. Langley-Taylor in our collection. Currently, no further information has been found about the artist but research is ongoing. The subjects of these paintings are seascapes of notable areas of the coast on each side of Port Phillip Bay, south of Melbourne, Victoria. This painting is of Eagle Rock, Warrnambool, which is on the west of Port Phillip Bay. Eagle Rock is located about 400 metres west of Thunder Point, near Shelly Beach. The painting includes the rocky cliff formations looking east towards the Warrnambool Breakwater. The walk from the Thunder Point car park westwards to Shelly Beach has been popular over the decades with residents as well as tourists. Many photographs include the rock, with varying backgrounds depending on the angle of the camera. It is a popular dive site for locals and visitors, in calm weather! The site can be approached by boat from the open sea in favourable conditions, and there is plenty of native marine to be seen in this marine sanctuary. This part of Warrnambool’s rugged coastline is unprotected from the Southern Ocean with its wild icy winds and high seas. The painting’s crashing waves and the northerly direction of the smoke on the steamship sailing north show the effect of the southerly wind. INSCRIPTIONS “Mrs M Irby” and “980/Regency” The significance of the inscription “Mrs M Irby”, on the back of each of the two paintings, has not yet been discovered. Perhaps she was connected with the ship or shipping company “Irby”. A ship named “Irby”, built in Merseyside, Liverpool in 1881 by R & J Evans, Birkenhead. It was a four-masted iron ship built for the White Star Line. Henry Wilson Hewitt bought her in 1882, then later she was owned by Chadwick & Pritchard. In 1888 she was registered under the Irby Ship Co. Ltd. (trading as J. Joyce) in Liverpool. In 1912 Galgate Co. Ltd owned her. She traded between London, England and Australia, and is recorded as being in Melbourne and Hobart. In 1919 the Irby was destroyed by a mine when on her way to England. Or perhaps her name and the inscription in pencil “980/Regency” on the Eagle Rock Warrnambool, painting could be a delivery address for the paintings, perhaps an apartment in a hotel. This painting is significant geographically for its representation of the coastal scenery of Victoria, Australia. It is also significant as one of a pair of paintings of seascape, one at sites each side of Port Phillip Bay. The painting is significant historically as an example of late 19th and early 20th methods and materials used to construct a painting’s frame. Painting oil on board in a dark wooden frame, portrait orientation. Seascape of rock formation and cliffs, two yachts, a two-masted steamboat with red funnel and smoke, flying birds, high waves breaking onto rocks, blue sky with clouds, some tinted pink.. The title is painted on lower left corner and the artist, W. Langley-Taylor, has signed his name on lower right. The inscription on the back is a handwritten script in red crayon or thick red pencil. The board is held in place inside the timber frame with small, dark metal tacks around all sides. Metal eyes join the wire to the frame. Small round, dark metal nail heads are dispersed around the frame and there is a change of colour on both the board and the wood of the frame. Painted on front “W.LANGLEY-TAYLOR.” and “EAGLE ROCK, WARRNAMBOOL, VIC.” Handwritten on back “Mrs. M. Irby” and “980 [underlined] Regency”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, eagle rock warrnambool, w. langley-taylor, oil painting, wall decoration, seascape of victoria's coast, mrs m irby, art, seascape, pair of paintings

Yellow soft covered book containing Melbourne street scene sketches, photographs, and recollections contributed in 2021 by former pupils of Ringwood High School as a tribute to their well remembered art teacher, Harry Hudson (1910-1974). The images are reproduced from a folio of drawings that Harry made as a souvenir of Melbourne at the time of the 1956 Olympic Games. Contents and contributors: Flinders Street Station - Jeanette Fry Bourke Street - Graham Edney Collins Street - Michael Anderson, Thomas Guest, Eleanore Peeler Princess Theatre - John Wood, Thomas Guest Melbourne Town Hall - Thomas Guest Princes Bridge - Jeanette Fry StPaul's Cathedral - Ian McCleave Public Library - Gavin Fry Swanston Street - Peter Fry StPatrick's Cathedral - Gavin Fry.

Large cream, black and red certificate awarded to Mary Foster for Pianoforte Playing from the London College of Music Great Marlborough St. W. At the top is the London College of Music Coat of Arms. It was founded in 1887. Listed at the top are the Patrons, Board of Examination, Examiners and Examiners (Colonial and Foreign Centres). Certificate dated 26th May 1909. Ernest Wood, Examiner and T. Weekes Holmes, Secretary. Decorative artwork consisting of leaves, scrolls, angels and flowers around the edge. A red College seal is in the lower right corner. A black border around the edges. Certificate printed by McCorquodale & Co. Ld. London. On the back is a label: From D. C. Coope & Son, Picture Frame Manufacturers. The Fine Art Gallery. Mitchell Street, Bendigo. Established 1871.document, certificate, music, foster & wilson collection, piano certificate, london college of music, mary foster, ernest wood, t weekes holmes

Pittock collection: three wood spokeshaves, metal construction * one straight spokeshave, marked 64, 230 mm L x 40 mm W * one rounded spokeshave, marked B, 250 mm L x 60 mm W * one specialised marking/shaping tool, wide guide, marked Stanley No. 66 Pat'd Feb 9.86, 300 mm L x 50 mm W x 55 mm D * variety of shaping tool blades for Stanley tool, 60 mm x 15 mm blades. Stored in Havelock Flake Cut Pure Virginia Tobacco tin, 80 mm L x 55 mm W x 15 mm D Items stored in Pittock coach builder's box, reference 13000.1.

Document. Various legal documents. 1 - 1907 - Dingee Farmers Cooperative Company Limited. General meeting minutes. Contains booklet memorandum and Articles of Association of the Dingee Farmers Co-operative Company. 1892. Printed by Bolton Bros. Williamson St. Bendigo. 2 - 1896 - Account for Canning Mrs C, administratix of the estate of Canning J N. 3 - 189? - Magee Mrs Emma. Draft copy instructions for Will. Letter from Emma to solicitors. Mentions nephews Fletcher Charles & Adams Percy Henry, sister Wood Mrs Marina, & 2 sisters in England, Adams Rosina and Brown Mary. Executors of Will are Burrowes Hon. Robert, Holmes Edward & Adams Percy Henry. Contains letters to solicitor from Holmes John dated 1888.cottage, miners, connelly, tatchell & dunlop, dingee farmers co-operative co ltd, bolton bros, canning mrs c, canning j n, magee mrs emma, fletcher charles, adams percy henry, wood mrs marina, adams rosina, brown mary, burrowes hon. robert, holmes edward, holmes john

Document. Various legal papers. 1 - 1919 - Murphy Luke, re costs owed - you to Lindsay. 2 - 1919 - Woods Fred (Prairie) re costs Coutts. 3 - 1920 - Stone D B R (Woodstock West) re costs Federal Land Tax. 4 - 1920 - Stone Bros ( D B R Stone Farmer) (Woodstock West) re costs Dissolution of Partnership. 5 - 1920 - Stone A W re costs Will. 6 - 1919 - Smith J W (Elmore) re costs Hunter. 7 - 1920 - Stone A H (Farmer Hayanmi) re costs - you to Stone A W. 8 - 1920 - Southern G B (Farmer Kerang) Re costs Haybittel. 9 - 1920 - Semmens J (Forest Department Bendigo) re costs Makepeace.cottage, miners, connelly, tatchell & dunlop, murphy luke, lindsay, woods fred, coutts, stone d b r, federal land tax, stone bros, stone a w, smith j w, hunter, stone a h, southern g b, haybittel, semmens j, forest department bendigo, makepeace

2 NAL - Rinadeena - (Mt. Lyell) O 2; 2 NBL - 1st. class saloon car (20) NAL FIRST-CLASS SALOON CAR. Four saloon end-platform cars originally built during 1901–1902 by the Lancaster Railway Carriage and Wagon Company Ltd. for the 3'6" gauge Mt. Lyell Mining & Railway Company in Tasmania and classed O. Converted for use as second-class cars on the 2'6" gauge Puffing Billy Railway during 1965–1966, these cars were reclassified NBL and numbered 1–4. The L recognises their Mt. Lyell origin, No. 1 was kept for use as the Railway's VIP car and was reconditioned to a higher standard. No. 2 was similarly upgraded in 1985 for use on special occasions. In 1989 No. 3 was similarly reconditioned with No. 4 receiving similar treatment in 1995. These cars were re-classified NAL in recognition of their new first-class nature. The Mt Lyell Railway was closed in 1963 and subsequently dismantled, but fortunately several of the locomotives and carriages passed into preservation. Purchased by the Puffing Billy Preservation Society from the Mount Lyell Mining & Railway Company in the 1960's and converted to 2' 6" gauge. It has since given many years of service on the Puffing Billy Railway. TASMANIAN CARRIAGES & GUARDS VANS No. Builder Type Year built Ex. Location Note NAL 1 Lancaster Railway Carriage and Wagon Co Saloon 1901 Mt Lyell Railway Named Mt Lyell NAL 2 Lancaster Railway Carriage and Wagon Co Saloon 1901 Mt Lyell Railway Named Rinadeena NAL 3 Lancaster Railway Carriage and Wagon Co Saloon 1901 Mt Lyell Railway Named Teepookana NAL 4 Lancaster Railway Carriage and Wagon Co Saloon 1901 Mt Lyell Railway Named Dubbil BarrilThe Rinadeena is a stunning example of a classic narrow gauge 1st Class Saloon Carriage, used as a luxury edition to train travel in the late 1800s and the 2NAL within Puffing Billy's collection was purchased by the Puffing Billy Preservation Society in the 1960s, where it underwent restoration to become part of the railway's historic transport collection.A timber and iron saloon car - painted in crimson with a name plate 'Rinadeena' attached to the centre of the carriage and the words '2 NAL' painted in white directly below. The word 'FIRST' is painted in gold at both ends of the carriage. The car has nine windows on either side of the carriage and a wrought iron ballastrade upon entry at eiether end of the carriage as well as iron steps to ascend. Inside the carriage are 10 bench seats made of wood and leather and ten tables for dining. The windows are adorned with cream cloth fabric and above each bench are wrought iron luggae racks. The ceiling is covered in cloth and features two suspended ornate glass and metal light fixtures. A wooden door with two glass panels can be found at both ends of the carriage.2 NAL - Rinadeenarailway carriages, first class saloon, narrow gauge, rinadeena, mt lyell, transport, travel, leisure, luxury

Wooden with cast iron gearing components and round butter worker is hand operated. The rotary butter worker has a round tray carved from wood. Protruding upwards from the centre of the tray is a column with arched top. The column has a small square outlet on one side near the base that provides for excess buttermilk to be drained away. Around the circumference of the butter worker protruding outwards from the sides is a thick cast-iron track. The wooden paddle has a unique curved shape that has a wave appearance. It has a slight arch which forces the butter to remain in the tray and to direct any excess buttermilk to the centre. Through the wooden paddle is an iron rod connected to a crank handle. By turning the handle the rod rotates a gear system that leads the table to rotate on the metal track.Side: CHERRY'S PATENT NO. 1 GISBORNE VICTORIA 4407 Etched into upper arm of wooden frame.cherry's patent, bubb family, evans family

A tilt-top Sphairistike lawn tennis racquet, with solid concave throat, leather crown protector, and white leather handle grip wrapped along almost the whole length of the shaft. Impressed inscription along throat and shaft on obverse: FRENCH & CO./46 CHURTON ST./LONDON/SPHAIRISTIKE. This historical racquet was literally one of the first lawn tennis racquets - sold as part of a lawn tennis set - to be produced by French & Co., upon the order of Major Wingfield, in anticipation of the patenting and publication of his game rules. Once the patent was granted, Wingfield had his rules published in two days, and had copies slipped into the already constructed French & Co. tennis sets, and from that point, the lawn tennis craze began. Materials: Wood, Lacquer, Glue, Metal, Gut, Leather, Inktennis

Coloured photograph of the Maple Street Primary School Grade 3-4 W 1999 class and the teachers. Their names are: 3rd Row L-R: Jessica Clarkson, Sathvik Kumar, Paul Carroll, Talan Sinclair, Jenna Maree Brannagan, Kerrie McDowell, Alan Clark, Lauren Hooper, Sam Rofe, Bridget Casey, Holly Fern. 2nd Row L-R: Tyson Cope, Glenn Wyatt, David Ross, Joel Hilson, Elise Watts, Thomas Goodridge, Jeremiah Oibo, Rhett Parry, Curtis Brown. Front Row L-R: Matthew Ferrari, Thomas Woodward-Hunt, Seann Fordham, Sam Vickers, Kristen Mapperson, Travis Kennedy, Nathan Green, Kin Tho, Davy Man. Teachers: G Wood, V Schavoni. Principal: Mr David Robins.Arthur Reed Photoseducation, primary, golden square laurel st p.s., golden square maple street p.s. collection - photograph - grade 3-4 w 1999, jessica clarkson, sathvik kumar, paul carroll, talan sinclair, jenna maree brannagan, kerrie mcdowell, alan clark, lauren hooper, sam rofe, bridget casey, holly fern, tyson cope, glenn wyatt, david ross, joel hilson, elise watts, thomas goodridge, jeremiah oibo, rhett parry, curtis brown, matthew ferrari, thomas woodward-hunt, seann fordham, sam vickers, kristen mapperson, travis kennedy, nathan green, kin tho, davy man, g wood, v schavoni, mr david robins, arthur reed photos

Coloured photograph of the Maple Street Primary School Grade Prep N 1999 and their teacher. Children are wearing school uniform. Their names are: 3rd Row L-R: Terrance Reeves, Tyler Davies, Chantelle Brown, Alyce Wells, Sarah Welsh, Becki Graham, Emma Tonkin, Rosa Man, Christopher Walsh. 2nd Row L-R: Jesse Goudge, Julian Ross, Jarrad Lowe, Tara Woods, Jye Healey, Sebastian Young, Mark Higginbottom, Kailin Delves. Front Row L-R: Coby Rodgers, Tia Dole, Samantha Ferrari, Sharifah Oibo, Karl McDowell, Kai Ng, Michylla Hewitt-Hill, Stephanie Brennan, Nikitah Barton-Page. Absent: Amy-Rose Howard. Teacher: M Nicks. Principal: Mr David Robins.Arthur Reed Photoseducation, primary, golden square laurel st p.s., golden square maple street p.s. collection - photograph - maple street primary school grade prep n 1999, terrance reeves, tyler davies, chantelle brown, alyce wells, sarah welsh, becki graham, emma tonkin, rosa man, christopher walsh, jesse goudge, julian ross, jarrad lowe, tara woods, jye healey, sebastian young, mark higginbottom, kailin delves, coby rodgers, tia dole, samantha ferrari, sharifah oibo, karl mcdowell, kai ng, michylla hewitt-hill, stephanie brennan, nikitah barton-page, amy-rose howard, m nicks, mr david robins, arthur reed photos

Coloured photograph of the Golden Square Primary School Year 2-3/M 1999 classes and their teachers. Children are wearing school uniform. Their names are: Back Row, L to R: Dzintra Martin (Teacher), Aleasha Burton, Rachel Tingley, Christie Harty, Casey Buck, Phelissitie Johnston, Kirby Adams, Julia Morris, Hayden Dixon, Jenny Levett (Teacher). Middle Row, L to R: Corrinne Packham, Alysia Semmens, Racheal Herbert, Jeanette Connor, Jamie Lock, Jesse Ellis, Marcus Threlfall, Henry Anderton, Troy Moser. Front Row, L to R: Lance Bennett, Chloe Boyd, Andrew Rosos, Lisa Downes, Matthew Enever, Ayden Dawkins, Ashley Kenyon, Stephanie Murphy, Jacob Wood. Oval sketch of the school on the right of the names.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph - golden square primary school year 2-3/m 1999, dzintra martin (teacher), aleasha burton, rachel tingley, christie harty, casey buck, phelissitie johnston, kirby adams, julia morris, hayden dixon, jenny levett (teacher), corrinne packham, alysia semmens, racheal herbert, jeanette connor, jamie lock, jesse ellis, marcus threlfall, henry anderton, troy moser, lance bennett, chloe boyd, andrew rosos, lisa downes, matthew enever, ayden dawkins, ashley kenyon, stephanie murphy, jacob wood

A wooden racquet with a convex throat and tilt top. The handle is framed by red leather end and stem wraps. String whipping feature at both sides towards the base of the head. The outer frame of the racquet head is sealed with a green painted cloth strip, glued and nailed to it. At the base of the throat on the obverse is a nailed silver plaque, with an engraved inscription and monogram: 30, JUNE, 83/AGF/"YOU KNOW WHO". The plaque conceals the manufacturer's details, which, from what is still legible, is definitely George G. Bussey. The model type 'THE DIAMOND' and the number 13 features on the upper throat and stem on the obverse, respectively. To highlight the model name, the gutstringing is arranged in a rare, diamond pattern. Materials: Wood, Gut, String, Cloth, Leather, Metal, Glue, Lacquertennis

A Wright & Ditson 'All American' model wooden racquet with open throat and octagonal handle. String whipping around shoulders, throat pieces and around base of throat. Leather end wrap and butt cap. On obverse, model name appears as a decal atop throat on base of head. On both obverse and reverse the trademark, patent information and country of manufacture are printed on shaft. On reverse, Manufacturer name is printed as decal on base of head, above throat. Instructions on side of throat state: BAL/FROM/THIS/POINT. On one side of shaft:'WRIGHT & DITSON/MAKERS/MADE IN U.S.A./LICENSED UNDER/PAT.NO.1664466' and further down:'STRUNG BY'. On other side of shaft:PATENTED/TOP FLITE CONSTRUCTION. Materials: Wood, Gut, Metal, Lacquer, Glue, Ink, Leather, Stringtennis

A chest (.1), housing a lawn tennis and badminton set. Black and green lithographic print features couples playing mixed doubles tennis and badminton in Cassiobury Park, with Cassiobury House in the background. Inscription: THE CASSIOBURY GAMES OF/BADMINTON AND GARDEN TENNIS/.../LONDON/DEAN & SON 160 FLEET STREET. The hourglass court used in Wingfield's version of lawn tennis is depicted in this lithograph. Contents include: racquets (.2 -.3); tennis balls (.4 - .5); shuttlecock (.6); badminton net (.7); guy ropes (.8 - .9); ornate pegs (.10 - .11); mallet (.12); and net posts (.13 - .14, 2 parts each). Materials: Wood, Metal, Ink, Glue, Paint, Paper, Lacquer, Gut, Rope, String, Velvet, Bird feather, Felt, Rubbertennis

Staff ID photographs. Identified by Ala Shtrauser and Andrew Smith. (2) Robert Smart-Tutor. (3) Hans Frederick-Admin Assistant. (6) Sue Barrett-Nursery Apprentice. (7) Margaret Wood-Admin Officer. (10) James Hitchmough-Lecturer. (13) Jim Stafford-Admin Officer. (14) Russell Benellack-Admin Officer. (15) David Curby-Handyman/Carpenter. (16) Diane Kolevas-Admin Asst. (176) Rosemary McConell-Librarian. (18) Cathryn Jaggs-Admin Officer. (19) Brian Pell-Principal. (20) Geoff Olive-Lecturer. (21) Kevin Blaze-Lecturer. (22) Darrell Gibbs-Admin Officer. (23) Johan Burnett-Lecturer. (24) Sandra Christians-Admin. (26) Ed Smart-Lecturer.staff, id photographs, ala shtrauser, andrew smith, robert smart, hans frederick, sue barrett, margaret wood, james hitchmough, jim stafford, russell benellack, david curby, diane kolevas, rosemary mcconell, cathryn jaggs, brian pell, geoff olive, kevin blaze, darrell gibb, johan burnett, sandra christians, ed smart

BHS CollectionHanro 100 Ordinary Shares Certificate: Cream Paper with black print. Certificate No. 1738. On the left side is perforations for tearing and a vertical repetitive design of an open book. Each certificate is for 100 ordinary Shares. At the top is printed *Hanro (Australia) Knitting Mills Limited. (Incorporated in Victoria Under the Companies ACT 1928). It gives the breakup, number and the price of the different types of shares. The registered office is 163 - 175 Hargreaves Street, Bendigo. It is a blank certificate. At the bottom is *The Common Seal of Hanro (Australia) Knitting Mills Limited was hereto affixed in the presence of...... Directors..... Secretary. This Certificate must be given up to the company on the transfer of any or all of the above shares. A box is provided for the Progressive numbers of the shares. On the back hand written in Blue biro is *Wreath $2.50. Wood Farmers 11am 2/4/68Hanro (Australia)document, certificate, share certificate, hanro

From Portland Town Council Art Programme. Sponsored by PTC's Art Program, the Theatre Board of the Australian Council, Portland 150th Anniversary Committee, Portland CEMA and the Myer Foundation.Poster for theatrical production. The central image is a retouched photograph of a group of people (men and women) outside a building. The building is made of wood. The people are standing in front of the building and on its roofless verandah. They are dressed in clothing of c1910's. The image is black and white with some items of clothing hand coloured in with red, orange and yellow. The entire poster is covered with approximately 61 signatures. On lower left is a reproduced newspaper clipping of paper addressing a welcome home ceremony for Gallipoli soldiers. In pale yellow in background is a map of Portland Bay. In orange mount in black and gold frame. Below image are the words: "Portland Bay Swells! Devised by Ken Harper and the Portland Community." Below this are details of performance times and ticket details. Mounted in peach matt. Black wooden frame with glass.Front: (no inscriptions) Back: (no inscriptions)

This painting was inspired by an original painting by Wilhelm Melby held at the National Gallery of Victoria. Melby is a Danish artist (1824-1882). It depicts a famous Devonshire coastal region famous now for its lighthouse and the pick up point for the pilot when entering waters approaching Dartmouth. The sailing vessels pre-date the construction of the famous lighthouse. Over the centuries the view would have been familiar to many sailors as they left or approached the English mainland and south coast ports in the English Channel. Madeline Mary Ravenna Lewellin (1854 – 24 November 1944) was born in Victoria to Dr John Henry Hill Lewellin, a physician, and Grace Elizabeth (née Danneby). She was one of five daughters, and the family lived in Prahran. Lewellin's brother, Captain Herbert Gordon Hill Lewellin, was a commander in the P. and O. fleet (apprentice on the Romanoff, Lieutenant RNR on the HMS Arethusa in 1899, RMS Mongolia in 1913 sunk in 1917, Naldera in 1920). She studied painting at the National Gallery School in 1879 under Eugene von Guerard. She's also known for collecting and painting specimens, and became a member of the Field Naturalists Club of Victoria in 1885. In 1884 she won a silver medal for her studies of fungi. She collected plants for Australian botanist Ferdinand von Mueller, and the variety of Dicrastylis lewellinii (Purple sand-sage) is named after her. Miss Lewellin, who had a love of the sea and ships as subject matter is listed in 1910 as a donor as a 10/6 member donating to the motor launch fund and in 1918 as a working member of the Ladies Harbour Lights Guild which involved regular volunteer shifts at the Mission to Seamen on canteen and other duties.Marine art, Maritime artThis oil painting has a dark polished wood and gold leaf slip. The painting depicts two masted boats. The choppy sea takes up the lower-third of the painting, and the other two-thirds of the image of made up of stormy grey clouds. A rocky cliff face can be seen on the right-hand side of the painting. A small church can be seen on the hillside. The ship on the left third of the painting sits on the horizon line of the sea. The centre ship with two masts appears to be leaning to the right and its deck is exposed to the viewer showing four men attempting to handle the masts and rigging. The left-hand ship with three masts is surrounded by two grey distant silhouetted mast ships. There are three seagulls at the upper left-centre of the image. There are another three gulls down on the lower-left of the image. Front: ENGRAVED PLAQUE: Start Point Light. Devonshire. SIGNATURE: After W. Melby / M.M.R Lewellin. 1875. Reverse: IN BLACK MARKER PEN: * Hang from two points * WHITE STICKER WITH CONSERVATOR DETAILS: Art Conservation Frames / 118 Bridport Street, Albert Park, VIC, 3206 / 9696 9066 / artconservationframers.com.aupainting, ships, mast, church, sea, storm, oil painting, seagulls, madeline r. lewellin, artwork-paintings, ngv, wilhelm melby, eugene von guerard, botanist, rms mongolia, captain herbert gordon hill lewellin (1862-1935), paddy lewellin, reproduction

A black and white photograph of 1955 Bendigo Teachers' College Group E students in front of the Lookout Tower in Rosalind Park. . They are - J. McKean, Ruth McDonald, Maureen Young, Nancy Pascall, Jean Shadforth, Ann? Sanders, Maureen Trimble, Beverley Slade, R. Rawiller, J. Walker, Roma McMillan, Beverley Parker, Jan Wood, Margaret Rodda, Ann Warman, Anne Moodie, Aileen Weeks, Brenda Tranter, Margaret Till, Margaret Rodgers, N. Neale, Nancy Smith, Lorraine Smale, Ruth? Saunders, M. Wright, L. Reid, Jessica Scoones, Dianne? Warsnop, Beverley Stewart, Margaret Speers, Yvonne Osborne, Elaine Plant, D. Wearne, M. Walsh, Fay Trengove, Pat O'Bree, Ruth Stacey, M. Peile. See 3320.100bendigo, education, bendigo teachers' college students, la trobe university bendigo collection, collection, bendigo, education, bendigo teachers' college, students, teacher training, tertiary education, photo, photos, photograph, photographs, history

This box of sampled is typical of those issued to official manufacturers of military badges, insignia, and buttons to ensure the gold colour remained consistent. These badges were held by the Third Army Quality Assurance Unit (3AQAU). The manufacturers were often local companies, where an example of a typical supplier is KG Luke who also manufactured the Brownlow Medal, the award given annnually to the Australlian Football League's best and fairest player.A rectangular wooden box with a black velvet-like cushion in one side. cushion has 10 examples - 2 of each kind - of military insignia and buttons of two different shades of gold colour. Box opens on one long side and is hinged (4cm brass hinges with 3 screws in each side). Clasps on opposite long side, also of brass. Wood has been stained a dark brown. Base off box shows 14 brass staples. Corners of base show 2 nails, possibly brass. A typed sheet of paper is attached to the inside of lid, dating from 1993, explaining usage of samples. Paper tag affixed to cushion between samples - Department of Defence authenticating samples in box. Tag attached with fabric tape and secured using a lead seal.Paper taped to inside lid - title 'SEALED SAMPLE 8455-03311' - a lengthy description of contents and box follows. Please refer ot photograoph for further details. Typed tag on cushion - 'Department of Defence/SEALED SAMPLE/Sealed sample Number 03311/Stock Number 8455/Description STANDARD OF GOLD COLOUR FOR INSIGNIA, BUTTONS AND BADGES (ANODISED) ALUMINIUM ALLOY 1150/APPROVED. The supply is not to differ from this sealed sample except as endorsed on the back hereof./D Darby [signature] 29/06/1993 /EDE VFE SCDDG [stamped].' Reverse of tag (stamped in red within a thin lined border) - 'SEALED SAMPLE/NOT TO BE/DESTROYED OR/MUTILATED' badges, military insignia, button

Handwritten notes, with typed transcript of same, on Catherine Reef United Mine Manager, J. M. Eyre Report 20/5/'72. Recommends the purchase of a new boiler. S. Jackson killed in a boiler explosion which the jury said was due to an error of judgement on his part. Recommendations, re New Winding Engine and Poppet Legs by Rbt. Coakes 18th May, 1905. Truck road from the shaft to the battery. Recommendation to call for tenders for a new changing house and a blacksmith shop. Reports about boilers, ropes, cleaning of machinery, testing of brakes, slack coal from the Powlett North Woolamai Collieries, crushings, number of batteries, low wood supply and a visit to the New Moon & South New Moon which are burning the Powlett slack coal. Albert Richardson Collectiondocument, gold, mining reports, mining reports, catherine reef united mine managers reports, j m eyre, myrtle creek coy, s jackman, rbt coakes, great northern co, virginia co, mr roberts, mr harkness, mr mcgrath, ernest mueller, roberts & sons, mr bennett, mr abrahams, mr sluyterman, j langdon, electrical supply coy, smiths, powlett north woolamai collieries, m j gwatkins, new moon, south new moon

A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it. All we known about William Bishop is that he made planes in Grey Coat St Westminster, London, around 1818. He is listed in business directories of the time but nothing before or after this date. There are many of his decorative moulding planes of all sizes and designs for sale and given that his moulding planes are vintage his wood planes are well sought after by collectors today. A vintage tool made by a little known maker, this item was made for cabinet makers and individuals who worked in wood and needed a tool that could produce a ornamental finish to timber. These profiled planes came in various shapes and sizes to achieve the required decorative finish. This item is a significant tool from the late 18th to early 19th century that today is quite rare and sought after by collectors of vintage tools. It gives us a snapshot of how furniture and other decorative finishes were created on timber by the use of hand tools. Plane Moulding Hollow type Marked Burden (Owner) also stamped JB and Iflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

The Cutty Sark sailing ship was a popular model-making ship. It was a British clipper ship built originally for the China- England tea trade and was one of the last and fastest tea clippers. From 1883 to 1895 it was used to carry wool from Australia to England and held many records for speed during that time. Since 1954 the ship has been on display at Greenwich, England. The model has an etched inscription indicating that it was made by Herman Richter and so it is presumed that he was the maker of this model. A model of the Cutty Sark was made by his father, Edward Richter using wood from the Enterprise wrecked in Lady Bay and that model was in the old Warrnambool Museum. This information was in a newspaper article at the time of Edward Richter’s death. This Herman Richter model may be a copy of his father’s model. The Richters have been prominent in Warrnambool’s history, beginning with Henry Richter who came to Warrambool in the 1850s and worked in the Western Brewery and was licensee of the Royal Archer Hotel. His son Edward who died in 1937 was a prominent Warrnambool resident for 78 years. Herman, the son of Susan and Edward Richter was well-known as a model boat maker and maker of model boats in bottles.This model boat is of great interest because the ‘Cutty Sark’ was a well-known sailing ship and was important in Australia’s maritime history as a carrier to London of Australian wool in the 1880s and 90s. It is also of interest as it was made by a member of the Richter family, a prominent one in Warrnambool’s history with both Edward and his son Herman Richter producing many artefacts connected to Warrnambool’s history – model ships, violin-making, maritime paintings etc. This is the model of a three-masted ship with a hull painted in green and black with gold bands. The ship is mounted on a wooden stand and enclosed in a wooden box with a glass front. The box is varnished and has ornamental patterns in gold and blue on the top and sides. The inside of the box is painted blue and white to represent the sea and the sky.‘Cutty Sark 963Tons by H Richter 1964’richter family, warrnambool, model boat building

This waistcoat was made for Mr Alan Vinnell by the Fletcher Jones Man’s Shop in 1946 and was worn by Mr Vinnell at his wedding in Lang Lang on 27/4/1946 to Miss Madge Ridgway. Alan was the son of Albert Vinnell and Ada Rose Wood. He attended school in Macarthur about 40 kilometres northwest of Warrnambool. The Fletcher Jones Man’s Shop was located at the corner of Liebig and Koroit Streets in Warrnambool. David Fletcher Jones (1895-1977) served in World War One and in the 1920s set up as a travelling hawker selling drapery in Western Victoria. In 1924 he leased three shops in Liebig Street and in 1928 he moved to the Koroit/Liebig Streets intersection with his Man’s Shop. He manufactured men’s clothing on site. In 1931 a new set of two-storeyed buildings was erected on the site and Fletcher Jones moved into the building. In 1946 a Fletcher Jones shop was opened in Melbourne and in 1948 a factory was established in Raglan Parade, Warrnambool with a new company, Fletcher Jones and Staff established in 1951. This company became known Australia-wide, firstly for the production of men’s trousers, and later men’s and women’s clothing. By 2011 the Warrnambool factory was sold and the company dissolved. This waistcoat is of historical interest as an example of the high quality work produced at the Fletcher Jones Man’s Shop in Warrnambool in the mid 1940s. The Fletcher Jones business became one of the most important ones in Warrnambool in the 20th century and the early 21st century.This is a sleeveless woollen waistcoat made of blue striped material with a black cotton backing. The back has two black cotton flaps with a metal buckle to allow for the tightening of the coat across the back. The inside is lined with a cream, yellow and grey striped cotton material. The waistcoat has one inside pocket with a button enclosure and four outside pockets. The waistcoat has six black buttons on the outside and a maker’s label stitched on the inside. ‘Fletcher Jones The Man’s Shop Warrnambool Mr A. Vinnell Date 15/2/46’fletcher jones man’s shop warrnambool, history of warrnambool, albert vinnell, vinnell