In the early 1970s, Arthur Boyd bought and restored a large, two-storey traditional farmhouse called Il Paretaio. Situated on the crest of a hill and surrounded by fields and olive groves, it is five kilometres from the village of Palaia in the province of Pisa, Tuscany. Boyd established this farmhouse as a residency programme, (which was later managed by the Australia Council). The residency program ended in 1990. Anthony Pryor undertook an Australia Council residency at Paretaio in 1984. This work is one in a series made during his time there. This work was entered into the Shire of Eltham Art Award in 1985.Pryor is an artist of national significance. This work is an example of his series of 'boxes' made principally for his own pleasure and often swapped with artists and other friends as soon as they were finished. The 'box' series was part inspired by Japanese techniques of wooden construction. Pryor first visited Japan in 1975 and was immediately drawn to Japanese methods of working with stone and wood. Many of these boxes are based upon the principles of the Japanese Zen Buddhist monk Sengai Gibon (1750-1838). This work relates to Sengai's famous hanging scroll Circle, Triangle and Square in which the circle can be read to stand for the cosmos, the square for the individual, and the triangle for aspiration. A heavy, box-like (cube) structure created from huon pine, with bronze, brass and stone elements. Within the cube is an eastern inspired, rear lattice wall in combination with bronze domestic fittings, and symbols (cube, pyramid and circle). Metal lightning, clouds and wooden rainbow hover over an asymmetrical bronze bed floating within the cube. A chair leans and a tilting ladder reaches towards the sky. Stamped into wood: lower right 'ANTHONY PRYOR PARETAIO'huon pine, pryor, brass, bronze, stone, cube, paretaio, italy, eastern, japan, sengai gibon, symbols, zen buddhism, sculpture, personal

Sue Ford (1943-2009) was an important practitioner in the wave of 1970's Australian feminist photographers. Ford regularly took intimate and candid pictures of artist friends, such as 'Neil Douglas Research 1964', documenting a time in Eltham when Montsalvat and Dunmoochin played an important part in the early attraction of artists to the Nillumbik area. Artist, conservationist and activist Neil Douglas (1911-2003) is best known for his garden at the Bend of Islands, Kangaroo Ground where he formed a co-operative for like-minded people who wished to live in harmony with the bush and wildlife. His love of nature and the beauty and fragility of the bush are constant themes that often run parallel in his ceramic works and paintings.Sue Ford and Neil Douglas were artists of national significance who both lived in the local Nillumbik area in the mid to late twentieth century. They were part of a community of artists integral in forging a dynamic artistic spirit, heavily inspired by the region's landscape and its people. Black and white silver gelatin photographic print of Neil Douglas plein-air painting in his rose garden at Research. Ed.1/3N/Aford, douglas, silver gelatin photograph, bend of isles, research, kangaroo ground, garden, environment

Landscape painting of a pine in the Australian bush landscape. Painted just after the devastating Victorian bushfires of 1962. Two figures run down the hill in the foreground. There are hills in the background and the sky is shades of pink and violet. Painted in warm earth tones in a painterly, tonal realist style.Lower right, grey paint, signature: 'Sonia Skipper'

Reinis Zusters OAM was born 15 October 1918 in Odessa, Ukraine, of Latvian parents. Zusters’ father died before he was two years old and he was raised in an orphanage from an early age. He had one sister. He studied Art at the Riga Technical College, Latvia, from 1935 to 1940. He married Aldija Kapteinis, and they had a daughter, Rudite (born 1942 in Riga). After World War II the Zusters family were refugees. They reached Western Australia in 1950, where they stayed for 6 months before moving to Canberra, ACT. In 1952, Zusters moved from Canberra to Pennant Hills in Sydney with his second wife, Arija Biks. Their daughter Laura was born in Sydney in 1956. In 1966, Zusters met his future third wife, Venita Salnajs. In 1969, Zusters bought a house in Greenwich, Sydney. He married Venita on September 17, 1976, and they moved to Wentworth Falls in the Blue Mountains. Zusters died on 8 October, 1999 at Wentworth Falls, and was cremated at Rookwood Crematorium, Sydney. His ashes are buried in the Latvian section of Rookwood Cemetery. Zusters studied at the Technical College of Riga (Latvia), and at East Sydney Technical College, Australia. He was influenced by his Latvian cultural heritage, and admired the artist Voldemars Tone (1892-1958). Shortly after arrival in Australia, Zusters became a draughtsman with the Department of Works and Housing in Canberra. Later he was appointed chief designer with the Australian-American architectural firm Austin-Anderson, at St. Leonards, Sydney. Zusters practised as a full-time professional artist from 1968. Zusters was a prolific painter, predominantly in oils. He produced many large landscapes, including triptychs of the Blue Mountains. His landscapes were mountain scenes prepared in the manner of Jackson Pollock and completed with washes and pale glazes of colour. His cityscapes featured a rich paint surface and sharp-edged thickness of paint applied with a palette knife, layer upon layer. He painted urban scenes of Sydney, inland Australian scenes, and several major portraits including Sir Winston Churchill’s gardener (purchased by Art Gallery of NSW). He made many small informal portrait-drawings of friends. His usual signature was “Zusters”. His work is represented in numerous public and private collections in Australia and abroad. He won numerous prestigious awards in Australia, Japan and USA and was honoured with the Order of Australia Medal in 1994.

Lesley Sinclair studied art at the National Gallery School in Melbourne in the 1920s, and lithography at the Royal Melbourne Institute of Technology. She became a member of the Melbourne Society of Women Painters and Sculptors, but rarely exhibited her work. She was a student of Justus Jorgensen and a founding member of the Montsalvat group in Eltham. She lived at Montsalvat and taught painting until her death.

Glass studied at the Swinburne Technical College under Max Meldrum.

Ian Bow studied at the Melbourne Technical College. He is best known both as a painter and as a sculptor. His works are represented in several state and provincial galleries.

Alan Martin studied under Max Meldrum, at the National Gallery School and the Royal Melbourne Institute of Technology. He later established his own art school. He has won several prizes and is represented in several provincial collections. Alan Marshall was the author of more than fifteen books, and lived much of his life in Eltham. He became a central figure in the area's arts community of writers, artists, sculptors, film makers, actors and musicians. He contracted polio when he was young is considered one of Australia's most successful and loved authors. His most famous book, 'I Can Jump Puddles' is based on his life story and the obstacles he faced as a child in trying to overcome his disability. The portrait of Alan Marshall was exhibited as a finalist at the 1956 Archibald Prize.

Honour Board recording the names of the annual monthly medal winners from 1997 onward.Significant as it records the winners over the years. Winners are: 1997 M. Magilton, 1998 D. Roberts, F. Carlin, 1999 ---- 2000 F. Carlin, 2001 W. Dumesny, 2002 L. Deppeler, 2003 P. Deppeler, 2004 L. Deppeler, 2005 G. Drake, 2006 L. Deppeler, 2007 B. Flanders, 2008 L. Deppeler, 2009 B. Hesketh, 2010 R. Edge, 2011 O. Reid, 2012 O. Reid, 2013 O. Reid, 2014 J. McKenzie, 2015 M. Tribe, 2016 V. Beekman, 2017 P. Sinnott, 2018 B. Hesketh, 2019 J. Costin,m 2020 D. Delaney, 2021 P. CashmoreRectangular wooden honour board with individually engraved name plaques with name and date of the annual winner.Peterborough Golf Club Monthly Medal Captains Trophypeterborough, peterborough golf club, golf, monthly medal

It is traditional for sporting clubs to recognise their sporting champions and this board maintains that tradition. It lists the Men's club Champion from 1968. It list the life members from 1974.Significant as it records the annual club champions and lists those honoured with life membership of the club. LIFE MEMBERS 1974 Mrs N. R. Calvert; 1977 Mrs F. Calvert; 1981 D.C. Moore; 1983 M.J. Murnane; 1985 J.S. Irvine; 1987 f. Hughes; 1988 A.W. Moore; 1989 H.W. Ryan; 1990 Mrs J. Neville; 1991 Mrs K.D. Irvine; 1993 D.W. Rogers; 1994 Mrs L. Cumming; 1994 F. Moore; 1998 Mrs E.M. Brown; 1999 A.N. Calvert; 2001 H.M. Gillespie; 2006 D.H. Bradshaw; 2011 R.W. Hesketh; 2013 W.A. Wood; 2017 J. Leishman; 2020 B. Dumesney CLUB CHAMPION 1968 B.J. Cook; 1969 J.W. Wilson; 1970 B.J. Cook; 1971 B.J. Cook; 1972 D.H Bradshaw; 1973 K. D. Boyd; 1974 K. D. Boyd; 1975 B.M. Clarke; 1976 K. D. Boyd; 1977 B. Ellis; 1978 R.K. Patterson; 1979 R.K. Patterson; 1980 T.L. Austin; 1981 B.R. English; 1982 P.G. Clarke; 1983 L. Scott; 1984 A. Sanders; 1985 P. Bayne; 1986 B. Clarke; 1987 M. Beer; 1988 B. Clarke; 1989 B. Clarke; 1990 P.T. Plozza; 1991 P.Brown; 1992 S. Trounce; 1993 B. Dumesney; 1994 M.R. Beer; 1995 S. Rowe; 1996 J. O’Shea; 1997 S. Craig; 1998 B. Dumesney; 1999 B. Dumesney; 2000 S. Craig; 2001 B. Dumesney; 2002 d. Whitehead; 2003 g. Crake; 2004 D. Gloster; 2005 C. Brooks; 2006 M. Hayden; 2007 M. Hayden; 2008 C. Brooks; 2009 M.R. Beer; 2010 A. Presnell; 2011 M. Fisher; 2012 G. McGorlick; 2013 M.R. Beer; 2014 L. Elmer; 2015 W. Couch; 2016 D. Smith; 2017 H. Huffadine; 2018 M. Ryan; 2019 M. Bell; 2020 Covid 19; 2021 L. Smith Rectangular shaped wooden honour boardDates and names engravedpeterborough, peterborough golf club, sporting honour boards