Small trophy featuring round medallion with image of a ship"INDIA/ VARUNA" "Tall ship Australia 1986/ Australian Bicentennial Celebration" "PMA 0283"

Silver medallion with inscription featuring image of the city of Melbourne verso is blank. Sits in black box with black felt.on medallion: "SPORT/ MUSIC/ ART/ DRAMA/ CARNIVAL/ LITERATURE/ MELBOURNE MOOMBA FESTIVAL" "PMA 0279/1" on box: "STOKES (A'ASIA) LTD, MELBOURNE AUSTRALIA/ ESTB. 1856" "PMA 0279/2"

Included in the G W Duncan collection this item of memorabilia from 1948 may have been acquired quite early in the donor's career as a ship's engineer. The menu provides a glimpse of shipboard diet and especially celebratory food.Mariner Duncan had a particular regard for the Mission to Seafarers. This plate for display on a commissioned new table at the MTSV chapel acknowledges his bequest and the material donated. Collectively the G W Duncan material includes: photographs, professional data memorabilia and written and commercially printed resources. The memorabilia relates to his career at sea and in particular the role of an engineer, including a handwritten manual of notes and references relating to the mechanical and engineering aspects and areas of responsibility for maintenance. Single fold heavy card menu with colour cover featuring birds of Australia: King parrot, Rifle bird, Leadbetter's cockatoo. Inside cover typed sheet of paper with menu listing adhered to card.see imagesmenu, birds, australian, christmas, ss athenic, shaw savill line, george winfield duncan (1922-2017), ship engineer

Several items were given by a seafarer, Mr Nicholas Garlick (1926-2009) into the care of Father Brady who retired from St Pauls Cathedral, Melbourne in 2018. Father Brady later donated the collection of; objects, documents and an extensive collection of cruise ship menus (1937-end of 20thC) to the Mission via the intermediary William Hastie, volunteer at the Mission for Seafarers.One of the reasons the gift has been accepted is because there are a number of items that relate to images or records of visits in the collection. Crews of ships such as the Orontes and the Orsova were regular donors to the Mission in the 20th century.A square silver ashtray with an undulating edge and indentations for four cigarettes.Upper side: 'Commonwealth Line of Steamers' encircling an Australian flag is stamped in the middle of the ashtray. On the underside: 'Triple dipped'/ over a 3-legged symbol/ 'Mappin & Webb's/ Princes Plate/ London & Sheffield'/ the letter S in a shield/ the number W18372.ashtray, silverware, mappin & webb, commonwealth government line of steamers, nicholas garlick (1926-2009), seamen, seafarers, sailors, smoking

Several items were given by a seafarer, Mr Nicholas Garlick (1926-2009) into the care of Father Brady who retired from St Pauls Cathedral, Melbourne in 2018. Father Brady later donated the collection of objects, documents and an extensive collection of cruise ship menus (1937-end of 20thC) to the Mission via the intermediary William Hastie, volunteer at the Mission for Seafarers.One of the reasons the gift has been accepted is because there are a number of items that relate to images or records of visits in the collection. Crews of ships such as the Orontes and the Orsova were regular donors to the Mission in the 20th century. Launched in 1929, the Orient Line passenger ship SS Orontes was one of the longest serving on the England to Australia route, carrying tens of thousands of British and European migrants to new lives in Australia from 1948 to 1962 and Nicholas Garlick may have worked on the ship during that time. During World War II, Orontes became a troopship, serving that role from 1940 to 1947.Glass ashtray or trinket dish with black and white printed transfer image of the RMS Orontes at sea.S.S.ORONTESss orontes, nicholas garlick (1926-2009), father brady, william hastie, nick garlick, ship engineer, passager ship, ship liner, orient line, migrant ship, troopship, ww2, smoking

A song composition by Helen Ellis, of Kew, first known to have been performed in 1942 at the BBC for the 'Shipmates Ashore Programme it was then published 1943. A copy of this song and one other composition the composer Helen Ellis is held by the National Library of Australia. Promotional text also indicates that the song was performed by the notable Australian singer Peter Dawson. The song "The M.N. ships get through" carries an important acknowledgement of the oft forgotten vital role of the Merchant Navy as carrier of goods and supplies, and especially so in wartime. The publication is of special significance to the MTSV as an example of the many skilled and creative women who have supported the Missions to seafarers.Commercially printed single fold music score for a 2 verse song and chorus. Front cover with blue band at top and lower edge features the Merchant Navy insignia at top left with depiction in half tone blue of a Merchant ship convoy and at right a sketched depiction of head and shoulders of a Merchant Navy officer with binoculars in hand. Music score and full text printed on p.2 and 3. The back cover features text of chorus and a handwritten notation in blue ink with reference to performance of the song on a BBC programme, 'Shipmates Ashore'.Back cover-handwritten notation in blue ink: "Sung by Raymond ?(indecipherable) in the B.B.C. London / 'Shipmates Ashore' programme,1942." This inscription is found after the printed sample of chorus words accredited to Helen Ellis, Central Club, Victoria, Mission to Seamen. See images for design and printing.peter dawson, music, sheet-music, composers australia, merchant navy, mn, helen ellis, ww2, shipmates ashore, bbc, 1942

This document one of several papers and objects from the estate of Mr Arthur O. Dixon, an ex-master mariner and later smallhold farmer. Other correspondence and papers gifted to the Mission indicates the year 1919 (post his service in World War 1) was a time of some changes for Mr Dixon, possibly leading to his subsequent re-location to Australia show that he served as a crew member on the Merchant vessel "Hororata" a vessel which is noted in the MTSV records including an image of the crew in the early 1920s. (see VC record ).This vessel is also mentioned in a narrative poem by a de-mobbed Soldier of WW1 as the transport for a number of returning servicemen and families. The poem is held in the National Library of Australia.Unusually for the early 20th C. era of Mr Dixon's service at sea two images of Mr Dixon were included in the gift of papers. Personal objects included an unusual small travel size New Testament (see VC record ) heavily annotated provide further insights into the experience of early 20th C. seafarers. Officially printed document, and official copy of an original certificate of competency issued by the office of the Register General of Shipping and Seamen recognising Arthur Oswald Dixon as an Extra Master. At right angles to the certificate is a small margin at left indication the current document is an approved copy in 1919 of the original certificate issued in 1904. See image for both sides of the document for extensive text.certificate of competency, master, captain, sailor, arthur oswald dixon, seamanship, sailors, seamen, seafarers, officers, 1904

In November 2001 Australian SAS troops joined the war in Afghanistan under the operation name "Operation Slipper." Australia's military contribution to the International Security Assistance Force mission in Afghanistan ended in 2014, making Operation Slipper Australia's longest running operation. According to the Department of Defence, "the ribbon is khaki representing the dominant ground colour of the terrain, edged with light blue and white stripes representing the sky above the mountains and the snow on the mountain peaks with central stripes of purple and red representing the ADF and the conflict in Afghanistan." This commemorative medallion features the Afghanistan Medal ribbon colours encircling the figure of an ADF member holding a weapon. The image is in relief. The reverse features a number of service personnel pictured in front of a vehicle, encircled by the motif of the Australian national flag.commemoration, operation slipper, afghanistan, australian army, middle east, international security assistance force

This printed tinplate candle holder appears to have been made in Australia from the middle of 1915 and was available for private purchase to Australian troops (including Light Horse) prior to their departure overseas in WWI. The purpose of the tin was to ensure the contents were kept dry and readily available. The lid also aided in shielding the direct flame of the candle.Used by Australian troops in WWIRectangular tin with hinged lid. The lid is illustrated with a coloured image of three Australian soldiers at camp (WWI era) with the words 'Camp Pocket Candlestick - A Soldier's Friend'. The border of the lid is decorated in a daisy pattern. The body of the tin is decorated in a monotone green tartan, with the base displaying a small panel entitled 'Patented 19-7-15 No 16856'. Inside the tin is coloured olive green, with a fitted pressed tin circular candle holder, located over a hole in the base, and a folded tin match holder. A half used white wax candle is contained within.Camp Pocket Candlestick - A Soldiers Friend Patented 19-7-15 No 16856candlestick, soldier's friend, camp pocket, wwi

2246 Pte, Clive Terril Rowe Born Melbourne. Enlisted 17th March 1916 in Sale Victoria, aged 18 years 5 months Pte. Rowe went from the 19th Depot Battalion to the 46th Battalion AIF. Departed Australia 16th August 1916 and returned to Australia 8th April 1919. He was discharged 15th June 1919. While overseas Pte. Rowe suffered trench feet, was wounded (shellshock) and chronic eczema. Pte. Rowe was awarded the British War Medal and the Victory Medal.British War Medal 1914-1920 Instituted by King George V in 1919 to mark the end of WW1 and record the service given.The circular medal is made of cupro nickel with the effigy of George V on the obverse. Around this are the words GEORGIVS V BRITT. OMN:REX ET IND:IMP: The reverse image has St. George on horseback trampling underfoot the eagle shield of the Central Powers and a skull and crossbones, the emblem of death. Above this is the risen sun of victory. The years 1914 and 1918 are contained on the outside edge of the medal. The ribbon has a wide central watered stripe of orange, flanked by two narrow white stripes which are in turn flanked by two black pinstripes, flanked by two outer stripes of blue. The colours have no particular significance. Along the rim of the medal is stamped 2245 PTE.C.T. ROWE. 46-BN. A.I.F.

See link above. Widely distributed by sale to school children and general public in 1918.Circular medal with an eyelet (4 mm OD) to carry a loop for a ribbon (loop and ribbon not present). Obverse ... Bust of uniformed soldier (facing left) wearing slouch hat Reverse ... Scroll, on olive branch, with stamped inscription (see below) The reverse image of a bust of an Australian soldier was adapted from a drawing by H.Harvey, an assistant in the Victorian Education Department.Obverse ... around circumference: HONOR TO THE A.I.F. Reverse ... On scroll ... GALLIPOLI FRANCE PALESTINE At top ... EVD Around bottom circumference ... ANZAC DAY 1918

This badge was issued to Mrs M Deacon (mother) of 67 Cramer St, Preston to commemorate her son Flying Officer Stanley Alfred DEACON (255057) who was lost in a Consolidated Catalina A-24-22 of No. 20 Squadron RAAF, on the night of 08/09March 1943. The aircraft flown by the Commanding Officer of No. 20 Squadron W.Cdr Francis Bloomfield Chapman (271349) with Flying Officer S.A.Deacon as R.D.F. Operator (ie. radio officer) and 7 other crew members departed Cairns, and later reported being on fire, probably force landing 30 miles south east of Gasmata. A 3-4 day air search failed to find any sign of the aircraft or survivors. Gasmata is located in New Britain, Bismarck Archipelago, Bismarck, New Guinea. Stanley Alfred Deacon is commemorated at the Australian War Memorial and the Rabaul Memorial. https://www.awm.gov.au/collection/P10307635 Obverse: Circular metal (silver-coloured) badge with raised image of woman with floral bouquet. Raised lettering (see below) Suspended from badge, a rectangular metal strip (suspended by two rings) with small star held by split pin. Reverse: Hinged metal pin clasp Engraving (see below)Obverse: FOR AUSTRALIA Reverse: ISSUED BY THE C'WLTH GOVT A.F. 3713 AMOR SYDNEYww2., mothers and widows badge

HMAS AustraliaHMAS Australia has been a significant link with and factor in the history of the Mission and staff. Padre Frank Oliver Chaplain from 1930-60 served on the ship in WW2. Cadets and officers also regularly visited the Mission. The pier also played a significant role in the development and life of Melbourne.Small landscape sepia image depicting 3-funnel stack battleship moored at a pier, an ships ensign flies at far right of frame.handwritten inscription below photograph adhered to album page.battleship, hmas australia, ww1, fan album, ships, piers, port melbourne

The ship was originally requisitioned by the RAN as a collier and supply ship. It was decommissioned from RAN service in 1915 which may have required a caretaker. This image is one of several attached to loose album pages which include some images with miscellaneous undated and handwritten inscriptions. This ship served in WW1. As an Australian ship may well have visited Melbourne and the Mission staff may have made ship visits and made this image.A sepia image of an older gentleman with moustache in a long jacket and a flat cap stands on a ship deck near a cargo hatch. An inscription / title is drawn from an album page. (see image)hmas koolonga, caretaker, ss koolonga, fan album, ships

Reverend Weller succeeded the senior chaplain role after Rev Gurney Goldsmith in the mid 1920s until the end of the decade. He was a keen photographer himself. Freda Kathleen Oxley (1882-1969) pictured here holding a camera took pictures during a voyage to Melbourne on S.S. Persic via Cape Town in 1925. An album of 126 photographs is now held at the National Library of Australia in Canberra., containing views of the Mission to Seamen, Melbourne, with visiting sailors and clergy; family groups, gardens, ships, church picnics, a wedding, some views of Portsea. She seems to have been a childhood friend of Mrs Weller as she was like her born in Windsor, UK. She lived in the chaplaincy for 3 years and became a volunteer; she can be seen in a few photographs of picnics. She left in 1929 shortly after the Wellers (see Jottings Easter 1929) and went back to the UK.Provides early 20th C. records of MTS senior personnel and images of LHLG supporters and members.small black and white photograph mounted on an album page depicting clerically dressed male figure flanked by two females in 1920s dress posed in front of a large palm tree. on page 12On album page handwritten: "Reverend JR Weller, Mrs Weller, Mrs Orley (holding a Kodak Brownie camera)"alexina weller (nee caley), reverend john reginald weller, finhaven, kew, mr john inerrarity buchan, cup day, freda oxley, 1928, ss persic, fan album, annie alexandrina caley (known as alexina) 1885-1934, freda kathleen oxley 1882-1969

Louise Hearman used the Norla Dome and painted a mural painted which had taken her around a year to complete. The exhibition called Elephant Room was shown from June 1988. The work was vandalised in 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that time.Black and white copy of a newspaper article, printed on A3 paper.It’s Louise’s masterpiece, come heaven, hell or high water Report: SARAH TURNER PICTURE: LEIGH HENNINGHAM When her Little Bourke St studio was pulled down to make way for a carpark, artist Louise Hearman, above, contacted The Seamen’s Mission in Flinders St to see whether she could use their cottage. They agree. But neither knew what it was going to lead to. When Hearman saw ‘the Elephant Room’ at the mission, a big domed room, she felt she “just had to do something with it”. She applied for and was granted a $3250 grant from the Australia Council, with which she was able to buy the necessary scaffold and paint, and then set about transforming the room. Now, a year later, her masterpiece is complete. Hearman emphasised the the mural doesn’t represent “heaven and hell”. Rather, she said, “people should make their own interpretations”. She said it was “not particularly heaven and hell, it’s not particularly anything”. And there is “no narrative” to the mural. It “just developed with the building”, out of whatever images and feeling Hearman had at the time. Sadly though, Hearman said the mural was likely to fall off the walls and domed ceiling unless the room was waterproofed - water damage is a serious problem at the mission. louise hearman, norla dome, exhibitions, 1988, elephant room, flinders street, melbourne, leigh henningham, cultural events

A4, hardcover, 349pp, 300 illustrations, index, flags, funnels, hull colours, bibliography, full ships lists. Howard Dick, Iain Steverson, Mike Carolin, Barry Pemberton, Lindsay Rex, Rex Cox, Russell Priestnon-fictionAustralian National Line (ANL) began operations on 1 January 1957. It operated the largest fleet in coastal trade, ran passenger ships such as Princess of Tasmania and Empress of Australia that became household names, and from 1969 carried the Australian flag into international trades. ANL was at the forefront of innovation in bulkships, RoRo vessels and containerization, also in the redesign of ports and terminals. Many of its 110 ships were built in Australia. This impressive record of achievement eventually became overshadowed by financial woes, poor industrial relations and a difficult relationship with government that culminated in the sale of 1998-99. This fleet history, written and informed by the knowledge, experience and insight of those who sailed on and worked with the ships, weaves the stories of a complex forty-year transition from conventional shipping to modern bulk handling and containers, along with the nation-building role of the ANL, whose flag still flies proudly across the region as a subsidiary of the French CMA CGM. The book is lavishly illustrated with over 300 images, mostly in colour, and will become an essential source on Australia's 20th century maritime history.naa, anl, australian national line, interest group, shipping companies

The earliest example of this newsletter published two to three times per year issued by the Mission to Seamen and LHLG. The Mission holds a photograph of this publication being packed in calico by the members of the 'Ladies Harbour Lights Guild' for distribution to branches and supporters.Published for some 30 years by the Victorian Missions to Seamen issued to supporters the series contributes to the history of the organisation. It is a key cross reference supplying many details and dates of Chaplain and LHLG activities in both Melbourne, Port Phillip and other States where Missions were gradually established and information not able to be included in Annual Reports. It is also a source of images.newsletter, victorian seamen's mission, melbourne misson to seamen, jottings from our log, lhlg, rope, flying angel, seagull, advertising, port melbourne, williamstown, sailors' home, australian wharf, seamen's institute, sailors' rest, services, concerts, events, socials, deaths, captain press, w.h.c. darvall, motor boat, geelong, boat builder, manx king, glenlui, dovenby, marion woodside, ainsdale, robert reid, bagatelle board, billiard table, sir wilmot fawkes, lady fawkes, book bags, woolies, michaelmas, 1906, quarterly, ladies harbour lights guild, captain strickland

The photograph shows a ship visit. It is historically significant and thought to be one of a series of photographs linked to a publicity campaign circa 1955-1956 promoting the work of the Mission. The campaign partly inspired by the Centenary year of the Mission in Australia (1956) also resulted in the production of a black and white short film "The Flying Angel", featuring and Padre Oliver and the work of the Mission was deposited in 2016 with the Australian Centre for the Moving Image, (ACMI) Federation Square, Melbourne.Padre Frank Oliver, Chaplain to the Mission to Seafarers 1930 - 1960 led the Mission through a period of significant changes through the mid 20th C. This image is one of a series of key images showing the work of the Mission Chaplain in the Post WWII period. Father Frank Oliver wearing uniform including officers cap walking up a gangway and being met by a group of four men. There is a fifth man standing slightly to the left of the photograph.Discolouration on the bottom left and top centre of the photograph.uniform, machinery, ship, crew, gangway, deck, handshake, chains, rope, buoy, pulleys, rivets, padre oliver, frank leslie oliver, mission to seafarers, mission to seamen, seamen's mission, robin kent, kerr bros studio

The "letters to Lillie" show the international nature of the Mission to Seafarers. They are an important display of the handwriting style of the time, revealing courting attempts and give us an insight into life in 1925.Lillie Duncan was a member of the Harbour Lights Guild and this letter forms part of a collection of letters sent to her by different seafarers.Letter addressed to Miss Lillian Duncan, 11 Paxton St, East Malvern, Melbourne, Australia from J. Kokx, U.S.S. Medusa, c/o Postmaster San Francisco, 5th Div - California consisting of six parts: Part 0097.1 Envelope Part 0097.2 Small certificate Part 0097.3 Letter page 1 Part 0097.4 Letter page 2 Part 0097.5 Letter page 3 Part 0097.6 Letter page 4 The back of the small certificate reads "This is a small copy of of the big certificate we got"The envelope has three stamps, two 2 cent stamps (red) and one 1 cent stamp (green). All are United States Postage stamps. The 1 cent stamp reads Franklin under the image of a head and the two 2 cent stamps read Washington under the image of a head.uss medusa, julius kokx, lillie duncan, lhlg

It isn't about medals - it was completely about each person's journey to get behind the blocks. That's the winning attitude of Yarra Plenty Swimming Club coach Paul Schindler, who took charge of Australia's team in the pool for the Invictus Games in Sydney late last month.News article 1 page, black text and colour image .yarra plenty swimming club, paul schindler, invictus games, swimming, coaching

Published as 6 supplements to the Herald Sun in 1996, each has a different focus: Memorable moments, The big grabs, The tough men, Glamor and the glory, Changing the game, and, The medal winners.Six 16-page supplements to the Herald Sun. Black and white text with some colour images.australian rules football

"Homefront" is the name of the group of chainsaw statues in Greensborough's War Memorial Park. Banyule Council initiated the project. The sculptures were designed by Amanda Gibson, carved by Hikaru Kodama and Leigh Conkie. This sculpture "Modern Warfare" shows two soldiers standing back to back. These soldiers are a symbol of strength and the ability to focus. And a reminder that Australian soldiers are currently deployed overseas. Women have been on the front line since 2016. She wears the uniform worn in East Timor. The male wears the uniform from Afghanistan. The Homefront project replaces Leigh Conkie's original chainsaw sculptures in War Memorial Park.Digital copy of colour photographsgreensborough war memorial park, war memorials, homefront project

A team photograph of the 1966 Australian Rules Football team from the Greensborough Football Club, C-Grade. Includes players and support staff.This photograph is a record of those people involved in the Greensborough Football Club C-Grade team in 1966.Digital copy of black and white photograph of the Greensborough Football Team C Grade 1966. Includes name of players and support team. Mounted on brown card.greensborough football club

Group of well-dressed men pose with plane. Plane “Loila” (DeHavilland) operated by Holyman’s Airways Pty Ltd., based in Tasmania. “Loila” was operational in 1935, which helps to date the photographs. Holyman’s Airways became Australian National Airways in 1936 following a merger with Adelaide Airways. .An interesting collection of photographs, the connection to Greensborough remains a mystery. Digital copy of black and white photograph, one of 30 photos of mining operations.Photos have no markings or dates. Donor unknown.mining, tasmania, holymans airways

A group of Labor supporters enjoy a get together at Poulter Avenue Reserve in Greensborough, 1975 or 1976. Photos are not named.Digital copy of black and white photographspoulter avenue greensborough, australian labor party

A group of Labor supporters enjoy a get together at Poulter Avenue Reserve in Greensborough, 1975 or 1976. Photos are not named.Digital copy of black and white photographspoulter avenue greensborough, australian labor party

A group of Labor supporters enjoy a get together at Poulter Avenue Reserve in Greensborough, 1975 or 1976. Photos are not named.Digital copy of black and white photographspoulter avenue greensborough, australian labor party

A group of Labor supporters enjoy a get together at Poulter Avenue Reserve in Greensborough, 1975 or 1976. Photos are not named.Digital copy of black and white photographspoulter avenue greensborough, australian labor party

At 83, Maureen Gleeson has spent most of her life giving back to the community. In 2018 she received a Jagajaga Community Australia Day Award.News article 1 page, black text and colour image .watsonia, st marys catholic church greensborough, maureen gleeson, jagajaga australia day community awards