Bank of Victoria Limited (1852 - 1927) From 1852 Melbourne, Victoria To 1927 Registered in Victoria in 1852 by an Act of the Legislative Council, the company commenced operations in January 1853 as the Bank of Victoria. In 1889 the business was registered under the Victorian Companies Act and became known as the Bank of Victoria Limited. 1927 saw the company merge with the Commercial Banking Company of Sydney Ltd. https://www.gabr.net.au/biogs/ABE0224b.htm (Guide to Australian Business Records) The Bank of Victoria, Sandhurst, was in View Street on the corner adjoining Rosalind Park. Pay-in slip for gold bullion lodged with the Bank of Victoria Limited to the value of 'twenty pounds', dated 24th May 1926. Written across pay-in slip if 'bullion' on the top left hand corner, and 'duplicate' written broadly across the document. bendigo, margaret roberts, , goldmining, central red white and blue gold mine, bullion, gold, bank of victoria limited

BHS CollectionHandwritten notes from the Secy for Mines Report for 1899 General. Page 7. Report by J. Travis, Act'g Sec. Mines & Water Supply. Notes include quantity of ore treated in Victoria, gold yield and average yield. Value of gold for Victoria, N. S. W., New Zealand, Tasmania and South Australia. Yield for 1898, 1899 and dividends for 1899. Also charges for Inspecting and Testing Boilers. Also Ore treated, yield, dwts per Ton, Dividends, Capital Paid Up and Divs Per Cent for the Garden Gully United, Gt. Southern Garden Gully, New Moon, Nw Chum Railway, Koch's Pioneer, Fortuna Hustlers, Johnson's Reef, McDuff Amalgamated, South New Moon, Lansell's South R. W. & Blue, Clarence United, Great Northern, Victoria Reef Quartz, Carlisle and Ironbark for 1899.document, gold, mining reports, mines report 1899 general, j travis, mines & water supply, garden gully united, gt. southern garden gully, new moon, nw chum railway, koch's pioneer, fortuna hustlers, johnson's reef, mcduff amalgamated, south new moon, lansell's south r. w. & blue, clarence united, great northern, victoria reef quartz, carlisle, ironbark

non-fictionA history of Victoria from the time of the discovery of Australia through until 1888.melbourne, victoria, exploration, settlement, john batman, john pascoe fawkner, pioneers, colonisation, aboriginals, discovery of gold, democracy, burke and wills, agriculture, manufacturing, literature, art, music, drama, education, science, churches, history, ballarat, eureka

BHS CollectionLetter to Mr D Egan from C Duggan for Manager - Public Relations - Australia Post, dated 23 February 1983. Letter mentions the history of the Long Gully Post Office. There are many gaps in the history. Mentioned are the number of letters, newspapers, Money Orders, telegrams, mail articles, postal notes and expenditure. Values of money orders, telegrams and postal notes are mentioned. Postmasters/mistresses were P Pentreath, A Pentreath, Amelia Daniel, Mrs S A Wilcock, Mark H Webb, William J H Read, Mrs Elsie Anderson, Sydney Gordon Dawson, John Henry Bennett, Miss Margaret Mulvey, John Henry Bennett, Henry William Purchase, Mr R F Warren, Mrs Margaret Cecily Kennedy, Edward Charles Landers, Mrs Margaret Landers, Shirley Egan, Brian Matthew Egan and Shirley and Max Volk.bendigo, history, long gully history group, the long gully history group - postal history of long gully, australia post, mr d egan, p pentreath, a pentreath, amelia daniel, mrs s a wilcock, mark h webb, william j h read, mrs elsie anderson, sydney gordon dawson, john henry bennett, miss margaret mulvey, henry william purchase, mr r f warren, mrs margaret cecily kennedy, edward charles landers, mrs margaret landers, shirley egan, brian matthew egan, shirley and max volk, c duggan

Majority of Galena in Australia is found in hydrothermal deposits emplaced around 1680 million years ago which have been heavily metamorphosed. Galena is the natural mineral form of lead sulfaide. It occurs generally as fine to large crystals due to syntectonic remobilization at low temperatures and moves to a suitable location. The colour is a shining lead and silvery gray with high specific gravity between 7.2 and 7.6 gms/cm3 and contains 86.6 lead sulfaide in its purest form. Its cyrstal system is cubic with perfect cleavages, and contract penetration and lamellar twinning. This particular specimen is from the Broken Hill mine, it is one of the largest lead mines located in Western New South Wales and still has ore reserves amounting to 20.9 million tonnes of ore grading of 7.4% lead, 9.4% zinc, and 61.5 million oz of Silver. Throughout its history, it has produced over 200 million tonnes of ore throughout its 127 years of mining history dating back to 1885. Galena mineral ore found in Australia is considered rare, as it is only currently found in the Broken Hill Mine of Western New South Wales. It represents heritage value through the systematic collecting of the geological surveyers in Victoria and Australia during the early to late 19th Century. The fact that it is only found in one mining area of Australia, shows that this specimen is rare for examples of Australian Galena. This mineral specimen is one part to a larger collection, aquistion, and distribution of Garnet in Galena around Australia and parts of the world and donated to the Burke Museum between 1860-1880. While this specimen was not found by the Victorian Geological Survey, it shows the historical need for mapping geological areas around the Gold Rush region to further identify areas of precious metal and gem aquisition. Additionally, collecting these specimens was an important part of mapping the scientific make up of the earth's surface. Many were sent to institutions for further contribution to research and scientific knowledge of the specimens. A solid coin-sized lead and zinc sulphaide and zinc silicate ore mineral in shades of black and red with shiny black points. GARNET CRYSTALS in / GALENA (lead sulphide), / SPALERITE (zinc sulphide), / WILLEMITE (zinc silicate) ore. / Locality: Broken Hill, NSWburke museum, #beechworth, indigo shire, beechworth museum, geological, geological specimen, mineral, galena, galena quartz, broken hill mine, broken hill, nsw

RAEME Corps was first established in 1942 when the Ordnance Corps and the Service Corps were combined. The royal ascent was granted in 1948. The Royal Australian Electrical and Mechanical Engineers (RAEME) is a technical corps tasked with the maintenance of the Army's modern hardware and equipment. RAEME personnel are represented in most Army units. The Royal Australian Electrical and Mechanical Engineers corps motto is ‘Arte et Marte’, which is Latin for ‘With Skill and Fighting’. This item, was presented to the Council of the Rural City of Wodonga in 1978. RAEME has a long association with Wodonga due to its service at the Bandiana base just outside of Wodonga. The inscription on the side of the base reads: "Presented to the Citizens of the Rural City of Wodonga by the Commanding Officer and members of RAEME Trg Centre on the occasion of the granting of the Freedom of the Rural City of Wodonga to RAEME Trg Centre 21 October 1978RAEME Corps has a long association with the city of Wodonga through its involvement in training and logistics at the army base at Bandiana.An award featuring a small model of the cannon "Zamzama" (Captor of Forts) mounted on a polished wooden base. The award includes a plaque outlining the significance of "Zamzama" on the top and another plaque explaining the significance on this award on the front of the base.Explanation of "Zamzama" beside cannon: "ZAMZAMA (CAPTOR OF FORTS)/ The original 14' 4 1/2" long, with 9 1/2" bore, was cast in brass in one/ piece by Muslim engineers in the year 1757 on the orders of the/ emperor AHMAD-SHAH-ABDALI. It was used in several battles and/ proved its value as a great weapon of destruction. It soon became to be/ regarded as a "Tallsman of Power" and continued as such until it was/ ruined in 1818 at Multan. Today it is housed in Lahore, where it was/ placed by H.R.H. the Duke of Edinburgh in 1870."raeme, rural city of wodonga, freedom of the city wodonga, australian military, bandiana

A stapled, card-covered, fifty-two page book with loose card cover.non-fictionSchool yearbook, presenting details of the events and students at Salesian College, Rupertswood, Sunbury.salesian college, rupertswood, sunbury, yearbook, "certantes in vita", 1973

Feldspar, derived from the German word feldspat, is a group of minerals which is the most common mineral group found on Earth, making up more than half of the planet's crust. The major rock-forming minerals in the Feldspar group include albite, anorthite, orthoclase and microcline. (Mindat, Feldspar Group). Orthoclase is part of the Feldspar Group subgroup, Alkaline Feldspar, which are known to be poor in calcium, and mostly rich in potassium. It is further also considered to be a K Feldspar, a subgroup of Alkaline Feldspar that are Potassium-dominant with variable crystal symmetry and Al-Si ordering state. Orthoclase are most commonly Colorless to white, Greenish white, Grayish yellow, or Pale pink and transparent to translucent with slightly pearly cleavage. The mineral rates at a 6 on the Mohs Hardness Scale. (cannot be scratched with a knife, but scratches glass with difficulty). The stronger green colour of this particular specimen is distinctive to the Broken Hill region (where it was found), and due to a small amount of lead. (BB) Its qualities find it misidentified at times as as microcline variety amazonite. Broken Hill is one of the world’s richest lead-zinc-silver deposits. The huge, 300-million-tonne orebody was discovered in 1883 and the superb mineral specimens attract collectors from around the world. (Australian Museum, Minerals from Australia: Australian mining regions)While feldspar is not by any means rare, this particular specimen has qualities distinctive to the Broken Hill mining district, with these properties leading at times to the mineral's misidentification. This creates potential for further study and identification of these mineral deposits through methods such as microscopic twinning, or using the position of certain d values in XRD patterns to calculate the degree of disorder of a K-feldspar, as discussed on the Mindat website (Mindat.com, Orthoclase:About Orthoclase). This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A solid small aluminosilicate mineral composition which is primarily pale green and blue-grey in colour with traces of beige and white throughout. Note: green plumbian orthoclase (aka green feldspar) is an indicator mineral for the Broken Hill style lead-zinc deposits.N/Abroken hill mine, geological specimen, minerology

The photograph was taken on the 20th of June 2004 at Bob Dunnett’s place in Wooragee. Bob Dunnett is more popularly known in Beechworth as the owner of Beechworth Berries who oversees around 30,000 strawberry plants on his farm in Wooragee. He comes from a long line of fruit growers, as the son of an orchardist, who was the son of a fruit grower. Bob Dunnett provides strawberries to his fellow townspeople opting to sell his fruit at local markets. National Tree Day is Australia’s largest tree-planting and nature care event as trees, shrubs and grasses are very important in Indigo Shire. The event started in 1996 and since then more than 3.8 million people have planted 24 million trees and plants. As Wooragee community and by extension Indigo Shire value nature such as trees, shrubs and grass, this photograph is significant as it demonstrates community commitment to ensuring the continuity of nature in the region. Coloured rectangular photograph printed on gloss photographic paper Reverse: WAN NA 0ANA2N0 NNA- 1 1636/ No.24 937 wooragee landcare's collection, wooragee, tree planting, wooragee landcare

The children in the picture were students at the Greek language school which was run by the Greek Community of Melbourne and were attending the '28th October' Greek national day celebration at the Evangelismos Greek Orthodox Church in East Melbourne. The two women, Alexandra Vrachna and Nina Black were teachers at the school. The Evangelismos Church was the first Greek orthodox Church to be established in Melbourne. The foundation stone was laid in December 1900 and church services commenced in August 1902. The 28th October is known as 'OHI' DAY', translated meaning NO DAY. It is an important national day celebrated in Greece and the Greek diaspora and commemorates the anniversary when in 1940 the then Prime Minister Ioannis Metaxas said “NO” to an ultimatum made by Italian Prime Minister Benito Mussolini to allow Italian forces to occupy Greece. It marked the beginning of Greece's entry into WW2. The day symbolises values important to the Greek people - freedom, courage and 'filotimo'. The establishment of the Orthodox church in Melbourne in the early years of the twentieth century was was indicative of the number of Greek migrants who came to Australia in those early years of settlement in this country and the desire maintain their religious and cultural traditions. The early Greek migrants were anxious that their Australian born children maintain their language and religion in their adopted country. A black and white photograph of children with three adults standing outside Evangelismos Church in East Melbourne. Three children in the back row are displaying the Greek and Australian flags.Written in red underneath the photograph: 28th OCTOBER 1948. OUTSUDE THE GREEK CHURCH IN EAST MELBOURNE/PHOTO PROPERTY OF STATHI RAFTOPOULOS.wwii

The photograph is of a music ensemble from the Greek island of Ithaca, taken sometime between 1938 - 1941. Mandolin and guitar music and cantades singing was popular with the people of Ithaca and across the Ionian Islands. The preference for this style of music and song was a result of the influence of the Venetian rule of the Ionian islands for almost 300 years. The uniforms of the young men photographed suggest they may have been members of the National Youth Organization established in Greece during the years of the Metaxas dictatorship (1936–1941) with the stated goals of helping the youth in the productive spending of their free time and cultivating their national values and cooperative spirit. Membership was made compulsory, for all young people, despite the views of families. A range of coercive tactics were used for those who were reluctant to join. The youth movement disintegrated after the regime’s ending in April 1941. Many of its members joined the Greek resistance movement. Despite the regime being a right wing dictatorship, Metaxas refusal to submit to imperialist and fascist Italy resulted in Greece entering WWII on the side of allies. Many Ithacans who settled in Australia brought with them their instruments and their love of cantades and the Ionian style of music. At family gatherings and celebrations they would play their mandolins and guitars and sing their beloved cantades.A black and white photograph in postcard format of sixteen young men, members of a mandolin and guitar orchestra. They are all dressed in dark trousers and shirts with light ties. The Ithacan Historical Society has been stamped on the back.

BHS CollectionHandwritten notes from the Annual Report, Sec. for Mines & Water Supply for the Year 1904. Report mentions gold yield for the District of Bendigo and the Total for Victoria, quantity of ore treated, Value of gold per ounce for 1904 for Australian States, Yield of Gold for Bendigo Goldfield, the deep mines, winze in the New Chum Rly and Victoria Quartz, and the number of men employed in alluvial and quartz mining (gold) during 1904.document, gold, mining reports, annual report sec for mines & water supply 1904, gold yield, value of gold, deep mines, new chum railway, lazarus new chum, victoria quartz, north johnsons, lansells 180, shenandoah, new chum & victoria, new chum consolidated, gt extended hustlers, eureka extended, princess dagmar

This portrait, taken at Ainar Studios during the First World War, captures a soldier stationed at Broadmeadows Camp, Victoria—one of Australia’s primary military training facilities during the early 20th century. Broadmeadows Camp played a pivotal role in preparing thousands of recruits for overseas service, particularly during WWI. Studios like Ainar and Kitchener, often operating near or within the camp, provided soldiers with the opportunity to send formal portraits home to loved ones—a cherished tradition that blended personal memory with national service. These images now serve as poignant historical records of Australia’s wartime experience and the individuals who served.This portrait of a soldier from Broadmeadows Camp, captured by Ainar Studios during the First World War, holds enduring historical and cultural value. It represents a deeply personal yet widely shared wartime ritual—soldiers commissioning studio portraits before deployment, often to send home as keepsakes. Broadmeadows Camp was a major training ground for Australian troops, and such images document not only individual service but also the broader national experience of mobilisation and sacrifice. The photograph is significant for its ability to humanise the war effort, offering a visual connection to the identities, emotions, and stories of those who served. As both a personal memento and a historical artifact, it contributes to our understanding of Australia’s military and social history during the early 20th century.Black and white portrait pasted onto cardboard. Portrait of a soldier from Broadmeadows Camp.Below Photo Front: The Kitchener Studio/Broadmeadows Camp/Under Vice-Regal Patronage/The Ainair Studio/571 Burwood Road/Auburn, Victoria Back: Soldier posing for Portrait/from Broadmeadows/Army Camp/Taken/Ainair Studiobroadmeadows |army camp, the ainair studio, auburn

This majestic peacock embodies the technical achievement, skill and ingenuity of artisans during the 19th century. It is now known as the 'Loch Ard Peacock' and was designed and modelled in 1873 by Paul Comolera (1818-1897) and fired in one piece at the Minton factory at Stoke-on-Trent in the United Kingdom in 1875. The peacock has been portrayed in symbolic motifs and has figured heavily in folktales and fables since antiquity, and many cultures around the world see it as a symbol of beauty, rebirth and power. Wealthy Victorians loved majolica, and the large peacock would have been the ultimate home accessory as a conservatory ornament – combining their desire for nature, the exotic and vibrant colours. The peacock model was listed in catalogues by Minton & Co. for a retail price of 35 guineas or sold as a pair for 90 guineas. Minton & Co. was founded in 1793 by Thomas Minton (1765–1836) and became a famous pottery and porcelain manufacturer. Comolera was a French artist and sculptor, renowned for dramatic naturalistic forms and life-size renditions of birds and animals that won him admiration in public and artistic circles. He was employed by Minton & Co. from 1873 to 1880, and the life-sized peacock became his best-known work. Comolera kept a live peacock loaned from the nearby Duke of Sutherland's Trentham Hall Estate in his studio to create a life-size model of fine buff earthenware model, which was then hand painted in brilliantly coloured green and blue glazes to mimic the peafowl’s dazzling plumage. There are no surviving production records, but according to documents in the Minton Archive, nine peacocks were made by Comolera. However, today, some historians now believe that twelve were fired at the Minton factory; research is ongoing. These peacocks were so admired that Minton & Co. used them as exhibition showpieces at International Exhibitions in London, Paris, and the United States of America, ensuring the company had a worldwide reputation. So, when Melbourne hosted an International Exposition in 1880, Minton & Co. sent out ceramics and tiles, and in particular, this peacock was intended to be part of their exhibit in the British Court in the Exhibition Building, built in the Carlton Gardens. The early dispatch date (1878) indicates that the company may have intended to exhibit their wares, including the peacock, at the 1879 Sydney International Exhibition, but the company did not take up this option. The ship that Minton & Co. used to bring the peacock and their other wares to the Australian colonies was the ill-fated Loch Ard, which sunk after striking Mutton Bird Island near Port Campbell, Victoria, in calm foggy weather in June 1878 on the final leg of the ship's journey to Melbourne. The loss of 52 lives made it one of Victoria’s worst shipwrecks. Therefore, this peacock never made it to the grand exposition in Melbourne, as Minton & Co. had planned. Charles McGillivray dragged this peacock, still in its original packing case, onto the beach in the gorge just two days after the Loch Ard went down. The peacock was rescued unscathed apart from a chip on its beak (only repaired in 1988). After a disagreement with a Melbourne Customs Officer, Joseph Daish, McGillivray stopped his salvage operations, leaving the peacock on the beach. The second salvagers were James Miller and Thomas Keys. Miller was a member of the firm Howarth, Miller and Matthews, Geelong, who had brought the salvage rights to the Loch Ard wreck on 10 June. When Miller and Keys arrived at the wreck site, a storm had washed many of the salvaged goods, including this peacoc,k back into the sea. The two men found the peacock in its case ‘bobbing along in the water’ and pulled it back to the beach. To ensure the peacock wasn't washed out to sea again, Miller and Keys hauled the packing case containing the peacock up the gorge's cliff face to the top, ready to be transported. In an interview in 1928, Keys claimed that at the time of the rescue, the head had broken from the body. This account was proven to be true in 1988, following the birds' display in Brisbane. This peacock began its life in Australia, not in the grandeur of an International Exhibition as intended, but in the hallway of a simple domestic house in Geelong. It appears Minton & Co. did not attempt to buy this peacock back. Florence Miller, daughter of James Miller (Loch Ard salvage rights holder), later remarked that the only item of real value rescued from the wreck had been the peacock and that this had been kept by her father in the family home at Malvern for many years and became a treasured family possession. As such, this 'Loch Ard peacock' was almost forgotten and mistaken with other Minton peacocks around the world. Miss Florence Miller tried to sell the peacock due to financial difficulties in the 1930s but was unsuccessful. While attempting to sell her Loch Ard relic, it was displayed in the window of the old Argus newspaper office, which was at 76 Collins Street, Melbourne; the Argus had relocated to the corner of Elizabeth and La Trobe Streets in 1926. Between 1935 and 1939, the old Argus building was occupied by the Joshua N. McClelland Print Room, which sold not only paintings and prints but also antiques and authentic replicas, as well as hosting exhibitions. Miss Florence Miller loaned her peacock for display at the Victorian Historical Exhibition held in the National Gallery on 1st June 1935, the 57th anniversary of the Loch Ard wreck. As a result, the peacock attracted public attention in books, newspapers and magazine articles that told the story of its survival from a shipwreck. Miss Florence Miller was keen to sell the peacock, even writing overseas to Captain Blain on November 30th, 1938, about the possibility of a sale, but this became no longer possible due to the outbreak of war. Recent information points to the Loch Ard peacock being owned by John S R Heath before its sale to Frank Ridley-Lee in May 1941. Research is ongoing, but it seems likely that John Samuel Robert Heath, a leading Melbourne dentist with a practice in Collins Street, and his wife, a dental mechanic, had purchased Miss Miller’s Loch Ard peacock before its sale in 1941. They were lovers of fine arts, music, wine and food. The peacock in the window of the old Argus building could have attracted their attention as they had already purchased the old stone Presbyterian Church on Warrigal Road, Oakleigh, in 1933 and had converted its interior. The home, renamed The Studio, even included Melbourne’s first all-electric kitchen. The peacock was perfect for display in the Studio’s entrance. A magazine article published after the conversion was completed included photographs of the interior. The picture of the ‘portico’ had a caption below that stated, “Some of her [Mrs Heath’s] finest pottery was salvaged from the Loch Ard Wreck”. In 2025, Heath’s two remaining sons remember running around in the entrance with the peacock standing there, oblivious to its value. Heath was an accomplished artist, studying under Max Meldrum. He painted and exhibited his works at The Studio and in a public exhibition, and he was a finalist eight times in the coveted Archibald Prize portrait competition, including the submission of his self-portrait that is now part of his grandson’s collection. The next owner of the Loch Ard Peacock was Frank Ridley-Lee. He displayed it at his home in Ivanhoe after buying it at an auction in May 1941. The peacock remained in the hands of the Ridley-Lee family until it was offered for sale by auction in 1975 as part of an art collection belonging to Mrs Ridley-Lee's estate. The peacock was not sold at this time, as the reserve price of $4500 was not met. This news was passed on to the board of the newly created Flagstaff Hill Maritime Village. Urgent efforts were made to collect the necessary money through fundraising by the Warrnambool City Council and public donations. The Fletcher Jones Company and the Victorian Government contributed half the cost. On 9 September 1975, the Loch Ard peacock was purchased by Flagstaff Hill Maritime Village, and it found a new home at the maritime museum. Since then, it has only left Warrnambool twice. Firstly, in 1980, at the centenary celebrations of the Royal Exhibition Building in Melbourne, and secondly, in 1988, the peacock was given pride of place at the entrance to the Victorian Pavilion at the Brisbane World Expo, acknowledging that this Minton Majolica peacock is the most significant shipwreck object in Australia. The Minton majolica peacock is considered of historical social and aesthetic significance to Victoria and is one of only a few 'objects' registered on the Victorian Heritage Register (H 2132), as it is a most notable and rare object associated with the Minton factory of the 1870s and works by the celebrated sculptor Paul Comolera along with the wreck of the Loch Ard on the Victorian coastline. This Minton peacock is historically significant for its rarity; it was one of only 9-12 known to exist. The shipwreck of the Loch Ard is also of significance for Victoria and is registered on the Victorian Heritage Register Ref (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's early social and historical themes. The collection is historically significant is that it is associated, unfortunately with the worst and best-known shipwreck in Victoria's history. The peacock, resplendent in polychrome glaze, stands perched on a rocky plinth decorated with vines, leaves, flowers, blackberries and wild mushrooms. The peacock’s breast is cobalt blue; the wings and legs are in naturalistic colours. The tail is a mass of feathers coloured in green, ochre blue and brown — a fantastic display of artistry and Minton expertise. Inscribed at the base :P Comolera, and a Minton & Co. design number: 2045.flagstaff hill, warrnambool, maritime museum, shipwreck coast, loch ard, loch ard gorge, peacock, paul comolera, victorian heritage register, minton peacock, minton & co., stoke upon trent, bird figures, mintons, ceramics, international expositions, majolica, naturalistic, staffordshire, john samuel robert heath, peacock statue, loch ard peacock, majorca peacock

Malted milk powder became popular in the 1900s due to its versatility, nutritional value, and unique flavor profile. Originally developed as a health food for infants and invalids, it was later embraced by explorers, soldiers, and eventually, the general public as a delicious addition to beverages and treats. A tall clear glass jar, with no screw on lid. There is a double circular shape pressed in to the side with a bird and baby birds in a nest in the middle. The name Nestle's Malted Milk is pressed into the double circle surrounding the birds. There is a trademark each side of them. Trademark Registered. ' Nestle's Malted Milk Prepared in Australia Trademark Registered'containers, jars, domestic equipment, food storage jars