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Mission to Seafarers VictoriaPhotograph - Photograph, Black and white, Allan Charles Quinn, Rouen Centre, Amiens, Paris, 6 June 1949
This photograph is one of a series taken by Allan while travelling through France in mid-1949. It shows the Saint-Ouen Abbey Church from Rue d'Amiens- Rouen. Rouen, a medieval city was heavily damaged by Allied bombings during the Battle of Normandy. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph taken on the 5th of June, 1949, of Saint-Ouen church built in the 14th century in Rouen, France. The sign to the right of the foreground reads: ROUEN CENTRE / AMIENS PARIS and probably indicates the photograph was taken from Rue d'Amiens (Amiens Street). The photograph shows the level of demolition of the city during World War II.On reverse: PARIS 6-6-49 handwritten in blue ink. below this is a pencil mark, similar to "ItI".allan-quinn, photograph, rouen, france, normandy, ww2, battle of normandy, 1939-1945, saint ouen abbey, amiens, paris -
Mission to Seafarers VictoriaPhotograph, Allan Charles Quinn, Mostly from the time of Joan of Arch - Rouen, 05 June 1949
This photograph is one of a series taken by Allan while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of a narrow laneway in Rouen, France, taken on the 5th of June, 1949. There is a narrow white boarder around the image.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is a mark "ItI"in pencil, written sideways.allan-quinn, photograph, rouen, france -
Mission to Seafarers VictoriaPhotograph - Gelatin silver photograph, Allan Charles Quinn, Port of Rouen, 05 June 1949
This photograph is one of a series taken by Allan Quinn while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the port at Rouen, France, taken on the 5th of June, 1949. There is a narrow white boarder around the image.On reverse: PORT OF ROUEN / 5-6-49 handwritten in blue ink. Below this is the mark "ItI"in pencil.allan-quinn, photograph, port-of-rouen, france -
Mission to Seafarers VictoriaPhotograph - Gelatin silver photograph, Allan Charles Quinn, Rue du Gros-Horloge, Rouen, 05 June 1949
This photograph is one of a series taken by Allan while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph, taken on the 5th of June, 1949, shows one of Rouen's main sight: "Le Gros-Horloge" (Great-Clock), a fourteenth-century astronomical clock in central Rouen, Normandy, France. Rouen had been heavily damaged during World War II. Buildings of different styles and ages can be seen, as well as people walking. There is a narrow white boarder around the image.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is the mark "ItI"in pencil.allan-quinn, photograph, rouen, france -
Mission to Seafarers VictoriaPhotograph, Allan Charles Quinn, Rouen City Council, 05 June 1949
This photograph is one of a series taken by Allan Quinn while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the facade of the City Council in Rouen, France, taken on the 5th of June, 1949. There is a narrow white boarder around the image.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is the mark "ItI" in pencil.allan-quinn, photograph, rouen, france -
Mission to Seafarers VictoriaPhotograph - Gelatin silver photograph, "Downtown" - Rouen, 05 June 1949
This photograph is one of a series taken by Allan Quinn while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the down town area of Rouen, in France, taken on the 5th of June, 1949. A car is shown in the middle of the foreground, with people to the right and a road to the left. There is a narrow white boarder around the image.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is the mark "ItI" in pencil.allan quinn, photograph, rouen, france, normandy, ww2, wwii, world war two, 1939-1945, parapluies, umbrellas, chaussures, shoes, car -
Mission to Seafarers VictoriaPhotograph - Photograph, Black and white, Allan Charles Quinn, Main entrance to the Cathedral - Rouen, 5 June 1949
This photograph is one of a series taken by Allan Quinn while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the Cathedral in Rouen, taken on the 5th of June, 1949. It shows three large arched doors, and a few people walking on the street in front of it.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is the mark "ItI" in pencil.allan quinn, photograph, rouen, france, normandy, ww2, wwii, world war two, 1939-1945, cathedral, door -
Mission to Seafarers VictoriaPhotograph - Photograph, Black and white, Allan Charles Quinn, Door of an old inn - Rouen, 5 June 1949
This photograph is one of a series taken by Allan Quinn while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of an inn door, in Rouen, France, taken on the 5th of June, 1949. Two small wooden monks are have carved into either side of the eaves.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is the mark "ItI" written sideways in pencil.allan quinn, photograph, rouen, france, normandy, ww2, wwii, world war two, 1939-1945, half-timbered houses -
Mission to Seafarers VictoriaPhotograph, Inside of a house from the Middle Ages - Rouen, 05 June 1949
This photograph is one of a series taken by Allan Quinn while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of a house "from the Middle Ages". The framework of the walls are exposed, and there are two pot visible at the bottom of the photograph. There is a narrow boarder of white around the image.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is the mark "ItI" written sideways in pencil.allan quinn, photograph, rouen, france, normandy, ww2, wwii, world war two, 1939-1945, half-timbered houses -
Mission to Seafarers VictoriaPhotograph, Allan Charles Quinn, Old residential district - Rouen, 05 June 1949
This photograph is one of a series taken by Allan Quinn while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of buildings in Rouen, France, taken on the 5th of June, 1949. The building in the foreground is intact, but most of the buildings behind it have been damaged by bombing.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is the mark "It" in pencil.allan-quinn, photograph, rouen, france -
Mission to Seafarers VictoriaPhotograph - Gelatin silver photograph, Fontaine du Gros-Horloge (Great-Clock Fountain) - Rouen, 05 June 1949
This photograph is one of a series taken by Allan Quinn while travelling through France in mid-1946. There are several letters relating to this journey.This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A black and white photograph of the Great-Clock fountain (corner of Rue du Gros-Horloge and Rue des Vergetiers) in Rouen, Normandy, France, taken on the 5th of June, 1949.On reverse: ROUEN 5-6-49 handwritten in blue ink. Below this is the mark "ItI" written sideways in pencil.allan quinn, photograph, rouen, france, normandy, ww2, wwii, world war two, 1939-1945, fountain, gros-horloge, great-clock -
Greensborough Historical SocietyMap, Melbourne and Metropolitan Board of Works. Survey Division, MMBW, Yarra 2500 / 15.28. Yarrambat, 1977_10
Melbourne and Metropolitan Board of Works. Yarra 2500 [base map] 15-28. Yarrambat. Municipalities of Diamond Valley 257 and Whittlesea 239. Prominent streets include: Edward Henty Avenue, Charles Sturt Drive and Creighton Way. MMBW Map in 1:2500 [scale] series. Cream parchment with green tape reinforcing on edges and punched holes on left edge.mmbw, melbourne and metropolitan board of works, shire of diamond valley, yarrambat - maps -
Greensborough Historical SocietyArticle, The history of Greensborough Toll Gates: by W. A. Partington, 1850c
A short history of the Greensborough Toll Gates in Grimshaw Street, first erected to raise funds for road building in the area.The first Toll Keeper was Charles Partington, grandfather to the author, Alan Partington.2 typed pagesgreensborough toll gates, charles partington, alan partington -
Glenelg Shire Council Cultural CollectionPhotograph - Photograph - Portland Lifeboat, n.d
Built in 1858 at the Port and Harbour Master's yard in Williamstown Victoria, the Portland Lifeboat was overseen by Harbour Master Charles Ferguson. It is understood to have been constructed from the same moulds used to build the Port Fairy Lifeboat, designed by William White, in 1857. Both boats are similar to the lifeboats designed in England by James Peake and adopted by the Royal National Lifeboat Institution (RNLI) in the UK. The Portland Lifeboat's 9.14 m (30 ft) long hull is double diagonally planked in New Zealand kauri, and many of the planks run from gunwale to gunwale in one piece under the inner keel section. Eucalyptus and oregon were used elsewhere and the local blacksmith made the iron work. The fastenings are copper. There are two flotation or buoyancy tanks at either end, with prominent whaleback style decking. Under the thwarts is a deck with scuppers so that the craft is both buoyant and self draining whenever large waves are taken aboard in rough conditions. The lifeboat was oar-powered with a sailing rig. The original rig was a lug mainsail, but this was replaced with a lug and headsail rig taken from a fishing boat in 1903. The lifeboat was manned by volunteer crews, mostly local fishermen from Portland. They maintained this service until 1915 when the boat was replaced with a new motorised craft. The lifeboat's most outstanding service was to the steamer ADMELLA in 1859 when the ship grounded on a reef off Cape Banks in South Australia, 150 km to the west of Portland. Survivors clung to the rigging in heavy seas for over a week and 89 people lost their lives in the shipwreck. Taken to the scene by the steamer LADY BIRD, the Portland Lifeboat was unable to assist until eight days after the ADMELLA's grounding when the seas abated enough for the lifeboat to manoeuvre close to the ship and rescue the last 19 survivors. Since its retirement in 1915 the lifeboat has been a memorial to those who manned it and those it rescued. For a long period it was on display in the Portland Gardens, first in the open and then under a canopy. In 2008 it was on display inside the Portland Maritime Discovery Centre, still in original condition complete with the rig from 1915. It is one of the oldest vessels of its type in Australia, and the world.Portland LifeboatPhotograph showing the Portland Lifeboatphotography, portland lifeboat, admella -
Glenelg Shire Council Cultural Collection
Souvenir - Plate - Bicentenary of Australia, c. 1970
Ironstone is a porous earthenware, made of clay mixed with feldspar. Patented in 1813 by Charles James Mason in Staffordshire, England, it was an immediate success, and ironstone blanks were decorated with transfer patterns or hand painting to imitate Chinese porcelain.Alpine white English ironstone Wood & Sons, plate commemorating bicentenary of Australia, 1770-1970. Black and white depiction of HMS 'ENDEAVOUR', Capt. James Cook, Coats of Arms for states of Australia, Australian Coat of Arms; background of state floral emblems.Front: 'To commemorate the Bi-Centenary of the Discovery of Australia 1770-1970' - black, around inner rim Back: Short history of James Cook's voyage to Australia. History of HMB 'Endeavour'. Makers mark.celebration, souvenir, australian souvenir, 1970, 1770, bicentenary, ironstone, english ironstone -
Glenelg Shire Council Cultural Collection
Book, George L. Craik et al, The Pictorial History of England, Vol. VII, 1792-1801, 1846
History of EnglandLight brown coloured leather-bound spine and cover corners. Paper-covered board covers with greens red and ochre marbling. Gold lettering and gold graphics on spine.History of Englandenglish history, 1992 to 1801 -
Glenelg Shire Council Cultural Collection
Book, The Pictorial History of England, Vol. 1, BC55-AD1399.1, 1846
Light brown coloured leather-bound spine and cover corners. Paper covered board cover: marbling, greens, red and yellow ochre. History of England, BC.55 to AD1815. Gold texta and graphics on spine.history of england -
Glenelg Shire Council Cultural Collection
Book, George L. Craik et al, The Pictorial History of England, Vol. V, 1760-1784, 1846
Light brown coloured leather-bound spine and cover corners. Paper-covered board covers with greens red and ochre marbling. Gold lettering and gold graphics on spine.english history, 1760 to 1784 -
Glenelg Shire Council Cultural CollectionBook, The Life of Lord Russell of Killowen, 1902
Maroon coloured cloth covered spine and cardboad covers. Text in gold.lord russell of killowen, political history, social history -
Glenelg Shire Council Cultural Collection
Book, George L. Chalk and Charles MacFarlane and other contributors, The Pictorial History of England, Vol. VII1, 1802-1815, 1846
Light brown coloured leather-bound spine and cover corners. Paper-covered board covers with greens red and ochre marbling. Gold lettering and gold graphics on spine. -
Glenelg Shire Council Cultural Collection
Book, George L. Chalk and Charles MacFarlane and other contributors, The Pictorial History of England, Vol. VI, 1785-1791, 1846
Light brown coloured leather-bound spine and cover corners. Paper-covered board covers with greens red and ochre marbling. Gold lettering and gold graphics on spine. -
Glenelg Shire Council Cultural CollectionBook, The Pictorial History of England, Vol. II. 1399-1603, 1846
Light brown coloured leather-bound spine and cover corners. Paper-covered board covers with greens red and ochre marbling. Gold lettering and gold graphics on spine. -
Glenelg Shire Council Cultural Collection
Book, George L. Chalk and Charles MacFarlane and other contributors, The Pictorial History of England, Vol. IV, 1688-1760, 1846
Light brown coloured leather-bound spine and cover corners. Paper-covered board covers with greens red and ochre marbling. Gold lettering and gold graphics on spine. -
Glenelg Shire Council Cultural Collection
Book, George L. Chalk and Charles MacFarlane and other contributors, The Pictorial History of England, Vol. III, 1603-1688, 1846
Light brown coloured leather-bound spine and cover corners. Paper-covered board covers with greens red and ochre marbling. Gold lettering and gold graphics on spine. -
Glenelg Shire Council Cultural Collection
Administrative record - Deed of Sale, 1853
hurd street portland -
Greensborough Historical SocietyPhotograph - Digital Image, Charles Partington Junior, 1898c
Photograph of Charles Partington Junior. [Verified by Faye Partington who built the house at 25 Haile Street that later had a room used for the Police Station]Charles Partington and family came to Melbourne in the 1840s and moved to Greensborough where they farmed along the Plenty River. Descendants still live in Greensborough.Digital copy of black and white studio photograph.partington family -
Greensborough Historical SocietyDocument - Insurance Policy (copy), Insurance policies belonging to the Partington Family, 1894 and 1912, 04/03/1894
Copies of Insurance Policy issued to Charles Partington (1894) as mortgagee of a rented dwelling in Herbert Street Northcote; and, William J Partington (1912) for an unoccupied dwelling in Greensborough. From the Partington family archives. The Partingtons were Greensborough pioneers.Copies of two Insurance Policies.partington family, william james partington -
Greensborough Historical SocietyPhotograph - Digital image, Maria Partington at home, 1890c
Maria Partington was born in 1860 at a cottage at the Watsonia Toll Gate operated by her father Charles. The family later moved to Willis Vale. After their parent’s deaths, Maria and Prudence moved to a house in Sellars Street Watsonia in 1890. They lived together until their deaths in 1930, just two months apart.Digital copy of black and white photograph.maria partington, partington family -
Greensborough Historical SocietyPhotograph - Digital image, Maria Partington, 1880c
Maria Partington was born in 1860 at a cottage at the Watsonia Toll Gate operated by her father Charles. The family later moved to Willis Vale. After their parent’s deaths, Maria and Prudence moved to a house in Sellars Street Watsonia in 1890. They lived together until their deaths in 1930, just two months apart.A pioneer Greensborough family.Digital copy of black and white studio photograph.maria partington, partington family -
Greensborough Historical SocietyPhotograph - Digital image, Maria Partington, 1890c
Maria Partington was born in 1860 at a cottage at the Watsonia Toll Gate operated by her father Charles. The family later moved to Willis Vale. After their parent’s deaths, Maria and Prudence moved to a house in Sellars Street Watsonia in 1890. They lived together until their deaths in 1930, just two months apart.A pioneer Greensborough family.Digital copy of black and white studio photograph.maria partington, partington family
