Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.'Jebb’s Pool, on the Erskine River, near Lorne’ : Views of Victoria (General Series) No.51 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘Jebb’s Pool is situated about four miles from the township of Lorne, and is so called in consequence of a gentleman named Jebb, whilst crossing the cataract, having fallen in and was swept down by the current into a whirlpool which is continually in motion, owing to the particular formation of the river and the powerful current of water. The depth of water in the pool must be considerable, as but for the timely assistance rendered his life would have been sacrificed.’nicholas caire (1837-1918), lorne (vic), erskine river (vic), landscape photography - victoria

Part of a collection of correspondence and photographs to Gladys Holmes and Byaduk residents during WW1.. War issue envelope for mail from service personnel on ACTIVE SERVICE and must be signed to certify the contents refer only to personal and family items. The Cover may have contained several letters each from the same writer and may be subject to the Censor. Cited in 'Untold Stories & Forgotten Faces' by James Affleck, 'KINGHORN,Walter Stanley, (Byaduk), born 1888, enlisted 26th August 1914. He served in 4th Light Horse Regiment, who fell at the Charge of Beersheba on 31st October 1917, buried at Beersheba War cemetery.. One of fourteen local men killed remembered in an Avenue of Honour. Original document, cover/envelope with 1917 postmark, surname of sender and full address. Portion of fourteen items comprising the Gladys Holmes collection.Buff coloured paper envelope with dark green ink used for instructions and markings. Black ink circular postmark FIELD POST OFFICE/9 JA 17 Blue ink handwritten address and sender's name.Writer: Kinghorn Address: Miss G Holmes/Byaduk/ via Hamilton/ Victoria/ Australia gladys holmes, envelope, kinghorn, ww1, byaduk

The core memory of this calculator was a #D metal box. The pin must have been attached to a card reader or keyboard to enter the programme. According to Sharp’s serial numbering scheme, which encodes the month and year of manufacture of their electronic calculators at least through the mid-1970’s, this calculator was manufactured in September 1969. The technology used in the Memorizer 30/Memorizer 60 was very typical of that of the late 1960s, with small-scale integrated circuits containing a few gates or flip-flops, and a magnetic core memory array for storing the program steps that the user keyed in using the calculator attached to the device. (with thanks to Rick Bensene, Curator of the Old Calculator Museum, Beavercreek, Oregon, USA) ISharp Memorizer 60 (Model CSA-12). The Model CSA-12, called the "Memorizer 60", was an accessory that could be connected to a Sharp Compet 22 or Compet 32 electronic calculator to allow these machines to be "learn mode" programmed. Programs were "learned" from the keyboard of the calculator, and stored within a core memory array in the Memorizer 60. Programs of up to 60 steps could be stored. The Memorizer 60 could them "play back" the stored steps at high speed, to allow relatively complex math operations to be performed. (http://www.oldcalculatormuseum.com/m-sharpcsa12.html)Serial No. 910 106 09Bcalculator, memorizer 60, computers, programmable calculator, electronic calculators

The text reads as follows: "After we had tried in vain to induce a certain gentleman to visit Talma for his photograph, the Australian Sunday School Teacher was able to present him to its readers. How came t.. ..out? Can it be that the gentleman concered likes Sunday School folks better than he loves Fellowship folks? Perish the thought! Another explanation must be found. The editor of a …. …ghtly-written magazine named has "… ..d him" which "we" cannot claim. We do … …udge him his success, especially as he is (kind?) enough to place at our disposal the excellent portrait he gave Sunday School readers of the new president. For the new president of ….." Newspaper cutting that has been too closed cut so that the text of the accompanying article is partially obscured.greenwood, w. f.

Also known as Peg solitaire or Brainvita, this one player game was a favourite in the court of Louis XIV. This board is based on the English design with peg holes in the shape of a cross. European boards are circular with peg holes placed to the edge. Regardless of shape, the game is played the same. Pegs are placed in the board, leaving an empty spot in the middle. Using this space, a player must move any peg left, right, up or down over an adjacent peg, thereby landing in the space and removing the peg that has been passed over. Pegs are progressively moved (and removed) from the board until the single remaining peg is placed in central spot initially left vacant. RNIB Catalogue no: 9197. 1 wooden board in blue box 32 black pegs, 1 green peg and 1 printed/Braille booklet. recreation, games

With Federation all but a fact Alfred Deakin is again in the Overton area but his meeting has been cancelled. While Montieth is getting some stores he and MacLough observe the drama on the bridge from the nearby Post Office verandah. Coming on top of the deaths of the O'Haras these scenes appal Deakin. In reply to MacLough he says that Federation will do away with the border, and bring free trade between the states of the new Australian Commonwealth. This will permit O'Day to come home as a free man. MacLough queries the fine and Deakin says that it must be paid, but he will have it reduced to £200. On hearing this MacLough declares he will pay the fine himself, and give O'Day a half share partnership in Gooloora as well.The album and images are significant because they document literature written by a prominent member of the Wodonga community. The presentation of this precis was supported by several significant district families and individuals.Ringer's River Album Coloured photo Plate 35des martin, many a mile, ringer's river, northeast victoria stories

Used on tramcars to advise passengers of the duty of the Conductor to collect their fares. Has the words "NOTICE It is the Conductor's duty to issues a Check for every fare received. This Check denotes the destination to which the Passenger is entitled to travel, and must produced on demand, or another fare paid.". Sign has a black enamel backing, with marks from the enamelling process and holes in each corner. On the second copy, the words "NOTICE" and "produced on" and "another fare" have been chipped off. Two copies held. On rear is a manufacturer's notice (A. Simpson and Son Limited Enamellers of Pirie St Adelaide) regarding fixing the sign and possible damage to surface. In bottom left hand of rear is words "No. 3 O?? No. 3"Demonstrates how the SEC used enamel signs to convey instructions to passengers or to confirm the advice of the conductor and how enamel signs were made.Enamel sign, black capital letters and lines on white background. Two copies held.trams, tramways, signs, sec, conductors, fares

Black and white photograph - Grade 4C & 3A, 1956"Attached to photograph" Back Row- L to R: ?, ?, ?, ?, ?, ?, Michael Bond, ?, ?, ?, Neil Clutterbuck ?. 2nd Row - L to R: Jenny Boyce, ?, ?, Karen Buchanan, ?, Judith ?, ?, Robin White, Kathleen Tozer, ?, Nira Armstrong, Judy Caughey, Wendy Rutledge, Sylvia ?. 3rd Row - L to R: Jill Oliver, Joan ?, Wendy ?, Dorothy Geddos, ?, Dianne McDonald, Roslyn Whitehead, Helen ?, ?, Fay Roach Front Row - L to R: ?, Rob Tann, Tony Hancy, Peter Spackman, ?, Ian Enting, ?, ?. Teacher:

Colour photograph - Grade 3A,1979."Attached to photograph" Back Row-L to R: Katie Walton, Stella Yiannaros, Craig Brown, ?, Kathleen Gallagher, ?, Debra Short, Edward (?), Adam Grey. 2nd Row- L to R: David Thorpe, Andrew Blackwell, ?, Jeremy Pyatt, ?, Rachel Mavroudis, Mark Blizzard, Nicole Stevens, Pauline Morrison. 3rd Row L to R: ?, Erica Gill, ?, Stephen Booth, Sandra McGibbon, Richard (?), Michelle Cook, ?, Melissa Day. Front Row- L to R: Rohan Gale, ?, ?, ?, Trina Hill, Helen (?).

Wooden framed 'Board of Examiners for Engine-Drivers' Third Class Certificate of Competency as Engine-Driver (pursuant to the FACTORIES AND SHOPS ACTS )awarded to Julius Cohn - entitling him to drive any engine used in or in connection with a factory or work room , the cylinder of which does not exceed six inches in diameter , or if a double cylinder engine is used , the combined area must not exceed that of a cylinder six inches in diameter . Certification that he had passed examination and entitled to fulfil 3rd Class Engine Driver conditions. Signed by Board on 8th November 1904. Signed by Robert Fulton, John Coats, and Benjamin Baruel members of Board.The certificate shows a crest on the top left corner with a Lion and Unicorn / crown /shield and a rural picture of sheep and pasture word Victoria underneathbendigo, industry, cohn bros brewery, julius cohn engine driver certification 1904./ 'board of examiners for engine-drivers' third class certificate of competency as engine-driver /the factories and shops acts

Demonstrates aspects of the Ballarat Tramways ticketing system for use with the daily return from Sebastopol (See Reg Item 3492 for check ticket). Printed by ESCo for a specific route and particularly historic because a weekly set of tickets has been formed.Set of six Day return (4d) tickets for travel between Sebastopol and Grenville St - one for each day of the week. Have day of month around the edge, where it would have been nipped on the inward journey. Notes condition of use and that it must be given up on the return journey for a check ticket - See Reg. Item 3492. All Printed by J. J. Miller Melb. Printing in black ink. Have been nipped or cancelled or inward journey. .1 - Monday - D0179 - purple colour - nipped for the 1st .2 - Tuesday - F 3696 - grey - 27th .3 - Wednesday - F5901 - pink - 5th .4 - Thursday - F5498 - blue - 5th .5 - Friday - E6395 - orange - 13th .6 - Saturday - D1633 - green - 23rd. trams, tramways, tickets, sebastopol, esco

The Kew Historical Society collection includes almost 100 subdivision plans pertaining to suburbs of the City of Melbourne. Most of these are of Kew, Kew East or Studley Park, although a smaller number are plans of Camberwell, Deepdene, Balwyn and Hawthorn. It is believed that the majority of the plans were gifted to the Society by persons connected with the real estate firm - J. R. Mathers and McMillan, 136 Cotham Road, Kew. The Plans in the collection are rarely in pristine form, being working plans on which the agent would write notes and record lots sold and the prices of these. The subdivision plans are historically significant examples of the growth of urban Melbourne from the beginning of the 20th Century up until the 1980s. A number of the plans are double-sided and often include a photograph on the reverse. A number of the latter are by noted photographers such as J.E. Barnes.This is a second, more complete version of the Corsewall Estate subdivision that is held by the Society. The Coreswall Estate was a subdivision, bordering on Barkers Road and Auburn Road, which created Corsewall Close. This relatively late subdivision included 29 allotments. The subdivision plan includes the dimensions of each lot as well as the width of the existing and projected roads and turning circles. The Corsewall Close Precinct is now listed on the Victorian Heritage Database (HO147) and is noted for its ‘consistent flat-type development over the entire street, which has been cleverly designed to make multi-unit dwellings appear as single buildings’. In this second version of the plan, the rarity of this late subdivision is emphasised by the auctioneers. The original plan must have contained a photograph, which is unfortunately truncated here.subdivision plans - hawthorn, corsewall estate

Joseph Butterworth COOMBS (1842-1901), was an accountant who founded a successful mercantile trading company. At the time of his marriage to Caroline Mary MICHEL in 1869, Coombs had already purchased ten acres of Studley Park. The acreage included land on the west of Fenwick Street that extended along lower Stawell Street to the corner of Yarra Street, all of it connected directly to the Yarra environs. A right of way to Studley Park Road was on the title, though Coombs went on to purchase more land, some of which faced Studley Park Road. In addition to owning the Studley Park acreage, Coombs later acquired 1,201 acres of land abutting the Acheron River. While retaining the Kew property he became a Taggerty Councillor and was Shire President for a time. J.B. Coombs died at Acheron Station in 1901 (aged 59 years). A few months after, tenders were called to repair the Kew dwelling, the Fenwick Street property now appearing in records with the name ‘Hope Mansell’. Caroline Coombs remained at Hope Mansell until she died in 1924, survived by three sons and five daughters. Not long after her death, advertisements appeared for the sale of the Studley Park land. The sale seems to have been a mechanism for distribution of the Estate, as the following year the original ten acre holding was transferred to members of the family. The eldest daughter Mabel married William Younger who, with his brother Alexander, developed Younger and Mackie Courts, both south of Studley Park Road. [Research: Kerry Fairbank]In 1961, the granddaughter of Joseph and Caroline Coombs, Mabel Isola (Younger) Grattan, donated ten 19th century dresses and parasols to the Kew Historical Society. The costumes, now known as the 'Coombs Collection', are the earliest recorded items of clothing to enter the Society's collection. Each of the items in the Coombs Collection, of which this item forms a part, is historically, aesthetically and socially significant. As a collection, the costumes includes outstanding examples of morning wear, day dresses, wedding dresses, and clothing accessories, providing evidence of outstanding dressmaker skills in Victoria during the mid to late Victorian period. One-piece, floor length blue silk day dress with a bell skirt that is slightly longer at the back. The dress is joined, centre-front with hooks and eyes. It is probable that the 19th century cream-coloured lace on the bodice and cuffs is a later addition. The lace extends in a long loop at the font of the skirt. The bodice has a high round neck, later modified to a V-shape. The dress must at one stage have been reconfigured or strengthened at the join of the bodice and skirt, as there is evidence of the use of new machine stitching. The dress is fully lined with a stiffened cotton lining fabric. Apart from minor staining, the dress is in excellent condition. The dress is the earliest complete costume in the collection. Measurements - 145.0 cm (centre back) 25.0 cm (waist, flat)Nilcoombs collection, fashion - 1860s, women's clothing, costumes, daywear

BHS CollectionHanro 100 Ordinary Shares Certificate: Cream Paper with black print. Certificate No. 1738. On the left side is perforations for tearing and a vertical repetitive design of an open book. Each certificate is for 100 ordinary Shares. At the top is printed *Hanro (Australia) Knitting Mills Limited. (Incorporated in Victoria Under the Companies ACT 1928). It gives the breakup, number and the price of the different types of shares. The registered office is 163 - 175 Hargreaves Street, Bendigo. It is a blank certificate. At the bottom is *The Common Seal of Hanro (Australia) Knitting Mills Limited was hereto affixed in the presence of...... Directors..... Secretary. This Certificate must be given up to the company on the transfer of any or all of the above shares. A box is provided for the Progressive numbers of the shares. On the back hand written in Blue biro is *Wreath $2.50. Wood Farmers 11am 2/4/68Hanro (Australia)document, certificate, share certificate, hanro

Ann Austin of Melbourne was the name of a Melbourne millinery house. Thelma Prentice was one of the partners in the house, and the chief designer/milliner. Very little information about the millinery house and the milliner are available online but there is an interesting article, published in the Brisbane Courier Mail on 8 October 1949 which describes the influence of French style on fashion and design in Australia. The article by Lucy Gough recounts the views of Thelma Prentice who had just returned from the Paris fashion shows. "Australian millinery toes line with Paris From LUCY GOUGH LONDON, October 7 (Special) Australian hats can compare very favourably with those designed in Paris, and are considerably cheaper, says Miss Thelma Prentice, partner in a well-known Melbourne millinery firm, who has just completed six months' visit to England and the Continent. An ordinary hat, Miss Prentice said, would cost at least £15 from any of the top Paris houses. Australia could achieve the same effect for a lot less money. Miss Prentice went to all the Important dress shows as well as the millinery houses in Paris, because she believes that millinery is an accessory to fashion and to obtain the best idea of new trends hats must be shown with frocks to get a complete follow-through and tie-up between the two. At their packed shows, with standing room only, Path and Dior were selling hats they designed, faster than many well known Paris millinery houses, Fath's favourite line was the becoming 'wing treatment,' which he achieved by a profile flattering side swing of material jutting out almost 10 inches from the face. This was completely different to the side drape already seen in Australia. Dior, as a direct contrast, was specialising in skull hats, which almost followed the hair line, to show very little hair at the back of the head. His cocktail hats were heavily sequinned and beaded. Every model was designed exclusively for short hair, and Miss Prentice, whose own hair is beautifully short cut by a Paris hairdresser, said that French mannequins' hair was so abbreviated at the back it was almost a semi-shingle. Hats generally she found were plain, with sharply angled self trimming, and black one of the most popular colours." The hat was donated by Kathleen Gervasoni, a resident of Kew, and during the 1970s a Mayoress of the former City of Kew. The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.High crowned hat made of burgundy felt with decorative pink jersey turban folds attached to the side by clusters of pink beads. The hat was designed by Thelma Prentice of the ' Austin of Melbourne' millinery house. Label, inside centre crown, woven in black on white polyester: *ann austin / OF MELBOURNEmilliners, hats, ann austin of melbourne, thelma prentice, australian fashion - 1960s, kathleen gervasoni

Anchors are used to stop boats from moving and today are usually made of metal, and they are made to catch the ocean floor (the seabed). There are two main types of anchors: temporary and permanent. A permanent anchor is called a mooring block and is not easily moved. A temporary anchor can be moved and is carried on the boat. When people talk about anchors, they are usually thinking about temporary anchors. An anchor works by either weight (mass) or shape. Shape is more important to temporary anchors, and design is very important. Anchors must resist wind and tide, and also the up-and-down movement of waves. The subject item is a foundry produced item made specifically for marine use, at present there is no history or manufacturing provenance currently available as the item is unmarked.The subject item at this time cannot be associated with an historical event, person or place, provenance is unknown, item is believed to have been produced in the first half of the 20th century by an unknown manufacture and its design is known as the "Kedge Admirality" pattern.Kedge Admirality design anchor metal with double bent hook & Halibut. Stock, eye, loop and shackle at top of anchor. Stock held in position with pin. Anchor painted black.Nonewarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ships anchor, marine eqipment

Anchors are used to stop boats from moving and today are usually made of metal, and they are made to catch the ocean floor (the seabed). There are two main types of anchors: temporary and permanent. A permanent anchor is called a mooring block and is not easily moved. A temporary anchor can be moved and is carried on the boat. When people talk about anchors, they are usually thinking about temporary anchors. An anchor works by either weight (mass) or shape. Shape is more important to temporary anchors, and design is very important. Anchors must resist wind and tide, and also the up-and-down movement of waves. The subject item is a foundry produced item made specifically for marine use, at present there is no history or manufacturing provenance currently available as the item is unmarked.The subject item at this time cannot be associated with an historical event, person or place, provenance is unknown, item is believed to have been produced in the first half of the 20th century by an unknown manufacture and its design is known as the "Kedge Admirality" pattern.Anchor, Kedge Admirality design galvanised metal with shackle and rope hole at top of anchor Halibut is missing (bar at top) and two curved flat pointed metal hooks at the base of the anchor.Nonewarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ships anchor, marine eqipment

The Boyds brought this vitamiser from their Camberwell home. Mandie Boyd, Robin and Patricia's eldest daughter, has very vivid memories of this gadget. "It made everything from milkshakes for us to mayonnaise, stuffing for chicken, soups, but especially I remember Robin in the kitchen using it to make daiquiris, endless ice, rum and lemon juice crushed and blended in the good old Vitamiser. He was wearing an amazing pale grey suit. American fabric beautifully cut, must have been synthetic, and had flecks of a darker grey through it, sounds hideous and was “of the time”. His American cotton business shirts were also beautifully tailored, with loads of room to move your arms unlike the daggy Aussie shirts." "Semak" Vitamiser, with a white plastic base, with 'on/off' switch at front of base. 4 black holders. Glass jug with black plastic lid. Black power cord. 3 black rubber stoppers at base.SN 7-81. 50 CYCLE 240v 120Wcookware, walsh st appliances, robin boyd

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.33 / ‘Interior of the crater at Mount Franklin’ / Albumen silver photograph mounted on cardOn Reverse: ‘Mount Franklin is situated near Malmsbury, about ten or twelve miles distant. The most remarkable and interesting part of this Mountain is its Crater, which, from its immense size and great depth, denotes that a volcanic eruption of considerable magnitude must have taken place at some period in the past. Looking down from the summit, the large gum trees growing at the bottom of the Crater appear but small saplings.’nicholas caire (1837-1918), mount franklin, victoria - landscape photography

(Kangaroo Ground-St Andrews Road) “Rymers” Corner – shifting Hawthorn hedges on Tompkins property Council’s Drott 6 Woods Drott 9 August 1960 Showing hedge in rear already transported EDHS_05569-55 (EDHS_05577-3/4) and EDHS_05569-56 (EDHS_05577-5/6) - Hawthorn Hedges, Kangaroo Ground 50-50 ELTHAM, CUT THE HEDGES! While all of us are talking about the road toll, Eltham Council must have been in long recess. Around Kangaroo Ground are farmers’ hawthorn hedges shrouding dangerous corners on busy roads. If the council does not insist on their removal for a distance clear enough for safe driving, then it must be held culpable for the accidents that are bound to happen. – WAKE UP (Melbourne) ELTHAM, CUT THE HEDGES! 50-50 (1960, 6 January), The Sun (News clipping held in SEA_74-1_007) ‘BAD HEDGES’ WILL GO “We know there are some bad hedges on corners in the Kangaroo Ground area, but roadworks this year will eliminate them,” the Eltham Shire secretary, Mr Maxwell B. Watson, said yesterday. A reader in 50-50 yesterday complained of farmers’ hawthorn hedges obscuring drivers’ views at bad corners on busy roads in the Kangaroo Ground district. Mr Watson said the roadworks were deviations to remove the sharp turns, and the road would cut back into paddocks. The hedges would go at the same time. Meanwhile, the shire had power to require owners to cut back hedges, and this would be done if specific instances were reported and found justifiable. ‘BAD HEDGES’ WILL GO (1960, January 7), The Sun (News clipping held in SEA_74-1_007)Record of various Shire of Eltham infrastructure works undertaken during the period of 1952-1962 involving bridge and road reconstruction projects, sometimes with Eltham Shire Council Project Reference numbers quoted. It was during this period that a number of significant improvements were made to roads and new bridges constructed within the shire that remain in place as of present day (2022). In many situations, the photos provide a tangible visible record of infrastructure that existed throughout the early days of the Shire. The album was put together by or under the direction of the Shire Engineer, J.A. McDonald.infrastructure, shire of eltham, 1960-08, garden hill, kangaroo ground, kangaroo ground-queenstown road, kangaroo ground-st andrews road, rymers corner, bulldozer, drott

(Kangaroo Ground-St Andrews Road) “Rymers” Corner – shifting Hawthorn hedges on Tompkins property Council’s Drott 6 Woods Drott 9 August 1960 Showing method of lifting clumps of Hawthorn EDHS_05569-55 (EDHS_05577-3/4) and EDHS_05569-56 (EDHS_05577-5/6) - Hawthorn Hedges, Kangaroo Ground 50-50 ELTHAM, CUT THE HEDGES! While all of us are talking about the road toll, Eltham Council must have been in long recess. Around Kangaroo Ground are farmers’ hawthorn hedges shrouding dangerous corners on busy roads. If the council does not insist on their removal for a distance clear enough for safe driving, then it must be held culpable for the accidents that are bound to happen. – WAKE UP (Melbourne) ELTHAM, CUT THE HEDGES! 50-50 (1960, 6 January), The Sun (News clipping held in SEA_74-1_007) ‘BAD HEDGES’ WILL GO “We know there are some bad hedges on corners in the Kangaroo Ground area, but roadworks this year will eliminate them,” the Eltham Shire secretary, Mr Maxwell B. Watson, said yesterday. A reader in 50-50 yesterday complained of farmers’ hawthorn hedges obscuring drivers’ views at bad corners on busy roads in the Kangaroo Ground district. Mr Watson said the roadworks were deviations to remove the sharp turns, and the road would cut back into paddocks. The hedges would go at the same time. Meanwhile, the shire had power to require owners to cut back hedges, and this would be done if specific instances were reported and found justifiable. ‘BAD HEDGES’ WILL GO (1960, January 7), The Sun (News clipping held in SEA_74-1_007)Record of various Shire of Eltham infrastructure works undertaken during the period of 1952-1962 involving bridge and road reconstruction projects, sometimes with Eltham Shire Council Project Reference numbers quoted. It was during this period that a number of significant improvements were made to roads and new bridges constructed within the shire that remain in place as of present day (2022). In many situations, the photos provide a tangible visible record of infrastructure that existed throughout the early days of the Shire. The album was put together by or under the direction of the Shire Engineer, J.A. McDonald.infrastructure, shire of eltham, 1960-08, garden hill, kangaroo ground, kangaroo ground-queenstown road, kangaroo ground-st andrews road, rymers corner, bulldozer, drott

(Kangaroo Ground-St Andrews Road) “Rymers” Corner – shifting Hawthorn hedges on Tompkins property Council’s Drott 6 Woods Drott 9 August 1960 Showing method of lifting clumps of Hawthorn EDHS_05569-55 (EDHS_05577-3/4) and EDHS_05569-56 (EDHS_05577-5/6) - Hawthorn Hedges, Kangaroo Ground 50-50 ELTHAM, CUT THE HEDGES! While all of us are talking about the road toll, Eltham Council must have been in long recess. Around Kangaroo Ground are farmers’ hawthorn hedges shrouding dangerous corners on busy roads. If the council does not insist on their removal for a distance clear enough for safe driving, then it must be held culpable for the accidents that are bound to happen. – WAKE UP (Melbourne) ELTHAM, CUT THE HEDGES! 50-50 (1960, 6 January), The Sun (News clipping held in SEA_74-1_007) ‘BAD HEDGES’ WILL GO “We know there are some bad hedges on corners in the Kangaroo Ground area, but roadworks this year will eliminate them,” the Eltham Shire secretary, Mr Maxwell B. Watson, said yesterday. A reader in 50-50 yesterday complained of farmers’ hawthorn hedges obscuring drivers’ views at bad corners on busy roads in the Kangaroo Ground district. Mr Watson said the roadworks were deviations to remove the sharp turns, and the road would cut back into paddocks. The hedges would go at the same time. Meanwhile, the shire had power to require owners to cut back hedges, and this would be done if specific instances were reported and found justifiable. ‘BAD HEDGES’ WILL GO (1960, January 7), The Sun (News clipping held in SEA_74-1_007)Record of various Shire of Eltham infrastructure works undertaken during the period of 1952-1962 involving bridge and road reconstruction projects, sometimes with Eltham Shire Council Project Reference numbers quoted. It was during this period that a number of significant improvements were made to roads and new bridges constructed within the shire that remain in place as of present day (2022). In many situations, the photos provide a tangible visible record of infrastructure that existed throughout the early days of the Shire. The album was put together by or under the direction of the Shire Engineer, J.A. McDonald.infrastructure, shire of eltham, 1960-08, garden hill, kangaroo ground, kangaroo ground-queenstown road, kangaroo ground-st andrews road, rymers corner, bulldozer, drott

(Kangaroo Ground-St Andrews Road) “Rymers” Corner – shifting Hawthorn hedges on Tompkins property Council’s Drott 6 Woods Drott 9 August 1960 EDHS_05569-55 (EDHS_05577-3/4) and EDHS_05569-56 (EDHS_05577-5/6) - Hawthorn Hedges, Kangaroo Ground 50-50 ELTHAM, CUT THE HEDGES! While all of us are talking about the road toll, Eltham Council must have been in long recess. Around Kangaroo Ground are farmers’ hawthorn hedges shrouding dangerous corners on busy roads. If the council does not insist on their removal for a distance clear enough for safe driving, then it must be held culpable for the accidents that are bound to happen. – WAKE UP (Melbourne) ELTHAM, CUT THE HEDGES! 50-50 (1960, 6 January), The Sun (News clipping held in SEA_74-1_007) ‘BAD HEDGES’ WILL GO “We know there are some bad hedges on corners in the Kangaroo Ground area, but roadworks this year will eliminate them,” the Eltham Shire secretary, Mr Maxwell B. Watson, said yesterday. A reader in 50-50 yesterday complained of farmers’ hawthorn hedges obscuring drivers’ views at bad corners on busy roads in the Kangaroo Ground district. Mr Watson said the roadworks were deviations to remove the sharp turns, and the road would cut back into paddocks. The hedges would go at the same time. Meanwhile, the shire had power to require owners to cut back hedges, and this would be done if specific instances were reported and found justifiable. ‘BAD HEDGES’ WILL GO (1960, January 7), The Sun (News clipping held in SEA_74-1_007)Record of various Shire of Eltham infrastructure works undertaken during the period of 1952-1962 involving bridge and road reconstruction projects, sometimes with Eltham Shire Council Project Reference numbers quoted. It was during this period that a number of significant improvements were made to roads and new bridges constructed within the shire that remain in place as of present day (2022). In many situations, the photos provide a tangible visible record of infrastructure that existed throughout the early days of the Shire. The album was put together by or under the direction of the Shire Engineer, J.A. McDonald.infrastructure, shire of eltham, 1960-08, garden hill, kangaroo ground, kangaroo ground-queenstown road, kangaroo ground-st andrews road, rymers corner, bulldozer, drott

Farnell Mardling is believed to have been a Councillor and Mayor of Rutherglen Borough, and was on the committee that was responsible for the building of the Common School in 1872. Persons identified in the photograph are: Back row (left to right): John Brennan (Father Jack - Redemptionist Order), John Mardling (Son of Farnel), Mary Anne Mardling (nee Hayes - sister of Catherine, wife of H.O.), Henry Oliver Mardling (Son of Farnel), William Mardling (Son of Farnel), James Mardling (Son of Farnel), Nell Mardling (Wife of William). Centre Row: Michael Brennan, Sophie Brennan (nee Mardling - daughter of Farnel, Wife of Michael Brennan), Farnel Mardling, Mary Mardling (nee Purtell, Wife of Farnel), Thomas Purtell Mardling (son of Farnel), Catherine Mardling (nee Hayes - Wife of T.P., sister of Mary Anne. Front row: Hynes Henry Mardling (Son of H.O. & M.A.), James Patrick Mardling (Son of H.O. & M.A.), Kathleen Mardling (Daughter of T.P. & Catherine), Thomas Mathew Mardling (Son of T.P. & Catherine, Wilfred Mardling (Son of T.P. & Catherine).Black and white photograph of a large family group, posing in front of a veranda with iron lace. Caption of separate piece of paper identifies the people in the photograph.Written at bottom of photo: "Photo. 2. Farnel's House, Springhurst" Written on the left of the caption: "Photo.2." At top of caption paper: "Winter time. 3rd June 1912" mardling family, brennan family, purtell family, john brennan, redemptionist order, john mardling, mary anne madling, henry oliver mardling, william mardling, james mardling, nell mardling, michael brennan, sophie brennan, farnel mardling, mary mardling, thomas purtell mardling, catherine mardling, hynes henry mardling, james patrick mardling, kathleen mardling, wilfred mardling, thomas mathew mardling, farnell mardling

Black and white group of eight adults in a line. Men (four) wear dinner suits (white ties and tails) and are holding monkey masks to resemble the :Monkey Brand: appliance cleaning product they are advertising or using in a theatrical performance. The four women wear black, knee length dresses and are dressed as maids, with white 1/2 length aprons and white caps. They have the 'Monkey Brand' advertisement pinned onto their aprons and are holding another cardboard ad. (the same one) suspended from a block. Four clean saucepans on floor at men's feet. Inscriptions: in image - the same advertisement seen eight times - Monkey Brand Won’t Wash Clothes. On board: front - Kalma 57 & 59, Pall Mall, Bendigo. Back - (hand written, J Dean, Joe Borrell, John Borrell, F Donaldson. Second line of names on back - A Hurst, Kathleen Dixon. In lower LH corner, brand indentation (photographer?)/Kalma, 57 & 59 Pall Mall, Bendigoperson, group, theatrical group?, see also 2001.334.01

Bendigo Operatic Society '' Camelot'' Commencing 9th June 1976 for an 8 Night Season At the Capital Theatre, View Street Bendigo. Producer: Max Collis - Assistant Producer, Ballet and Wardrobe Mistress: Madge Welch - Stage Manager: Malcom Cannon - Musical Director: Gwen Grose - Society Pianist: Dianna Cohn. Cast of Characters: David Castles as Sir Dinadan - Ian Glanville as Sir Clarius - Max Rule as Sir Lionel - David Daenke as Sir Sagramore - Michael tonti Filippini as Merlyn - Fred Trewarne as Arthur - Patricia McCracken as Guenevere - Barbara Potter as Lady Anne - Lois Semmens as Lady Sybil - Kathleen Rogester as Nimue Bernard Nolan as Lancelot Du Lac - Noel Thomas as Squire Dap - James Watson as Pellinore - Kenneth Deutchman as Mordred - Phyllis Downing as Morgan Le Fey - Russell Theodore, Luke Delacca as Tom (Alternating) - Dorothy Kennedy as Ballad Singer.program, theatre, bendigo operatic society

Bendigo Advertiser '' The way we were'' from Tuesday, March 9, 2004. Former class: pictured here is a former class photograph of the Long Gully School 2120. Bendigo Advertiser '' The way we were'' from 2004. Rollcall: yesterday this photo had no names. Today, the names, thanks to Long Gully reader George Ellis. Back row from left: George Ellis, Alan Bray, George Ennor, Martin Neiman, Theo Saunders, Niven Neyland. Next row down: Aileen Simmons, Dorothy Kitt, Kathleen Hughes, Norma Roseworne, Elaine Bruhn, Mavis Evans, Alison Gray, Daphne White, third row down: Elaine Ellis, Joyce William, Lucy Waterman, Shirley Jack, Rae Bool, Hazel Pollard, Eunice Hester, Winnie Hall, Seated: Harold Salter, Geoff Trembath, Bill Thomeson, Jeffrey Hovender, Keith Higman, Bill Spicer. The clip is in a folder.newspaper, bendigo advertiser, the way we were

This early tobacco tin was manufactured in England and imported to the "colony" Australia at the beginning of the 1900s. This manufacturer had won the Gold Medal at the Liverpool International Exhibition in 1884. This tobacco would have therefore been very expensive to purchase making it a must for the wealthier client of the Kiewa Valley. The Golden Flake Cavendish smells of the man of wealth and position. In this era the type of dress and the brand of tobacco smoked showed everyone at first glance where the man using it was on the social ladder and his pecking order. With the demise of tobacco smoking in the early 2000s clothes themselves do not show the pecking order in that quickly visualised manner, as at the time of manufacture of this tobacco tin. In the 21st century the level that men are in the socio economic field is realized on "the social information" available on the internet.This tobacco tin relays a long ago era, when personal contact, and not something that has been written down by some "unknown", was valued as the true appraisal of a member of the community. This was especially relevant in a small regional area such as the Kiewa Valley. Although social networking was not as fast then as the internet provides now, appearances, manners, fashion and etiquette with first impressions high on the order of evaluating someone in the community. Pointer such as the brand of tobacco smoked was part of the rural assessment method. Up until the demise of the Australian Tobacco Industry, circa 2004, the Kiewa Valley and surrounding district was part of a vibrant producer of tobacco leaves. The remnants of this industry still remain today but the drying sheds (for tobacco leaves) are now used to store hay for the valley's dairy and beef cattle industries.A dark metal tobacco tin covered in a bright metallic gold fleck pattern with a black frame on the lid around a drawing of a woodsman with a musket and axe sitting on a stump overlooking a valley that reads "Pioneer Brand", next to a company seal incorporating a wreath, eagle and shield. The front side reads "Richmond Cavendish Co./ Limited/ Liverpool." and the right and left side "Golden Flake Cavendish". The bottom has the same woodsman feature as the lid. The back side is an elongated diagram featuring tobacco leaves and plant summit. Inside lid surface has a half torn coloured (red, black and green) sketch on paper of the woodsman scene depicted on the top lid.The following inscriptions are displayed on the top and inside lid and on the bottom tobacco tin: "PIONEER BRAND" and to the left of the scene the "SEAL OF THE COMPANY TRADE MARK" Both side of the ens have the following words in large thick print "GOLDEN FLAKE CAVENDISH" and each is contained withih a black boarder.pipe tobacco, cigarette tins, smoking accessories, personal effects, tobacco containers