This wooden mushroom-shaped darner was commonly used as an aid in darning socks and similar items.Two pieces, "mushroom" and handle.darners, sewing equipment

Early settlers in Moorabbin Shire had to be self reliant and the women made their own clothes, bed linen and tableware as they established homes and farms for their familiesThe Family of Mrs Nance Blackburn were early settlers in Moorabbin Shire c 1880A polished wood tray used by women to hold pins when dressmaking, crocheting or mending clothes and linen c1920 dressmaking, crochet work, metal pins, pioneers, early settlers, moorabbin, bentleigh, cheltenham, blackburn nance

Anthony Hordern sen. (1788–1869) came from Staffordshire, as a free immigrant in 1823, and the business was originally established as a drapery store in Pitt Street by his wife Ann. The family moved to Melbourne and remained there but a son Anthony junior purchased land in George Street Sydney in 1842 and set up business with his brother Lebbeus. They broke their partnership in1855 and Anthony took his sons Anthony and Samuel into partnership as they became old enough. Anthony Hordern & Sons was the largest department store in Sydney, New South Wales, Australia. with 52 acres (21 hectares) of retail space, and was once the largest department store in the world . It also operated one of the largest mail order businesses in Australia. One of their advertising slogans was that they sold "anything from a needle to an anchor". A strip of blue cardboard with 95 small, white 2 hole buttons . The cardboard folds into 3 for easy storage with each section holding 36 buttons. 7 buttons are missing - used. The buttons are sewn onto the card with a running thread that is covered by backing paper.on backing of card a picture of an 'Anchor and Rope , Needle and Thread' / FROM A NEEDLE / TO AN ANCHOR / TRADE MARK / MADE IN ENGLAND. inside ' MADE IN 14 LINES ENGLAND 'horden anthony senior, horden and son pty ltd, sydney, new south wales, moorabbin, department stores, market gardeners, pioneers, dressmaking, craftwork, sewing needles, clothing, buttons

This teacosy provides an example of handmade, domestic objects held within the collection and was constructed in 1930 by Miss Beatrice Symons of Creswick and Ararat. The lining is of newspaper enclosed in cotton, with each part handstitched including the joining of the hexagonal patches. The templates for the hexagonal-shaped patches were made of metal. Handstitched teacosy, featuring hexagon patchwork in multi-patterned cotton. Padded, pink lining with mauve flowered frill over the top of joining seam. Loop sewn to inside.handicraft, patchwork, sewing, teacosy, beatrice symons, creswick, ararat, 1930

This pin cushion was in use when home spun "fashion" clothing was manufactured or altered. When this item was used it was in a period when distances from haberdashery stores was too far and mail ordered clothing would take weeks to arrive.The ability to make and alter clothing for families within the Kiewa Valley and its regions was a domestic requirement up until the later period(1960's onwards)This pin cushion, although rarely used in the 21st Century, with the availability of "cheap" throw away clothes, was very important to a well run rural household. The emphasis for girls to be able to sew and repair clothing was generated by mothers and continued at high schools. Part of the role of women(in this time frame) within the family was to manufacture children's clothing and adjust the growing waistline of their men folk. This item is very significant to the rural households in the Kiewa Valley because of the relative isolation of the region and the amount of wear and tear that clothes go through in a typical rural environment.This pin cushion is "home" made, circular and covered in a blue floral material, encircled with a light blue ribbon (glued on) for extra adhesion. The material encloses a padded surface(allows pins to be safely inserted for storage(future use).sewing, pin-cushion, haberdashery

Patch work quilts were made by women to decorate a cot or bed and to use left over material. They were backed to increase the warmth of the bedding. It was a leisurely occupation sometimes done in the home or with a group. These two quilts are of a decorative nature using scrap material and do not have a theme or particular pattern to them. These two quilts were made by women in the Kiewa Valley and were hand stitched.1. Hand-made cotton patchwork of varying colours and shapes of squares and rectangles. Back by a flannel sheet of flowers on beige or blue background. Suitable for a cot. No filling and slightly damaged with a small tear. 2. Handmade cotton patchwork of a square whose sides have been extended with rectangular strips of material. The back is a coarse wool with a greenish tinge and thin colored strips along its length on the sides. Suitable for a cot. No filling.patchwork quilts, home sewing

With 3 left over cloth badges belonging to the Mt Beauty High School, the idea of making a cushion was born. Possibly to be sold at a fete or as a momento.Created by a member of the Mt Beauty High School. Square orange cushion with 3 Mt Beauty High School pocket cloth badges sewn diagonally across the cushion from the top right to the bottom left. The rest of the cushion is made up of predominantly orange squares sewn together. There is a zip across the top.cushion, mt beauty high school cloth badge, sewing

Dressmakers used patterns to make clothes. Companies included 'Simplicity, Butterick and Vogue etc. The packet would contain transparent paper shapes with printed lines and instructions. These were pinned onto the material, cut, then sewn together as per the lines and the included instructions.In the 1950s and 1960s women sewed the clothes for the family. In the Kiewa Valley dress shops were not available and a journey to the bigger cities was less frequent than it is today.Coloured pictures showing the finished garment. Patterns were in sizes. eg. size 10 1. Fashion - lady's dress 2. x3 Simplicity - lady's clothes 3. x3 Butterick lady's clothesdressmaker, simplicity butterick, ladies fashion

Pleated ruffles were a fashionable trimming for ladies’ clothing in the late 19th century - early 20th century. Dressmakers and classy laundries offering “fancy” ironing services both had plenty of use for a pleating machine. Pleating machines were sold for home use too.This item is an example of a machine not commonly used today.Metal and wood pleating machine, still in working order. Handles are carved wood.textile-machinery sewing pleating-machine

Pincushions or pin pillows date back to the Middle Ages in Europe. The tomato shaped pincushion grew from a Victorian Era superstition that tomatoes were good luck and so they were often given to newly weds as charms and placed on the mantle. When there were no actual tomatoes a fabric token was made and later used for pins. Some pincushions were stuffed with abrasive materials designed to sharpen the pins. This one would have a needlework accessory for an Orbost local.This item is a common sewing accessory reflecting the needlework skills of women in the first half of the 20th century.A soft padded fabric pin cushion. Material is a black background decorated with colourful flowers. It is divided into eight sections by red stitched lines and holds 3 needles and a bent pin.

A sailmaker's hook is also called a sail hook, bench hook, stretching hook or third hand. It is used to hold the canvas of a sail or similar object while pulling tight with the left hand. This ensures the canvas is tight while stitching, keeping the sewn seam straight. This tool is still in use today wherever a canvas sail requires stitching. it's design has not changed since it was invented centuries ago as a sailor's third hand, helping to keep canvas sails taught during edge stitching or repairs.Hook; sailmaker's bench hook. Metal rod with a hook at one end and a flat head at the other end. This tool would be used in conjunction with a brass swivel and a lanyard.warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, sailmaker's hook, sail hook, bench hook, stretching hook, third hand, sailmaker's tool, sailmaking, canvas sewing, maritime trade, sailmaker

The thimble was recovered from the wreck of the vessel, Schomberg. The Schomberg was a large three-masted full-ship rigged wooden ship built in 1855 by Alexander Hall and Co in Aberdeen, Scotland for James Baines' famous Black Ball Line at £43,103. The vessel was 288 feet (88 meters) in length, with a beam of 45 feet (14 meters), a depth of 29.5 feet (8.99 meters) of 2,284 tons. The mainmast was 210 feet (64 meters) high and she carried 3.3 acres of sail. The vessel was constructed with three skins. One planked fore and aft, and two diagonally planked, fastened together with screw-threaded trunnels (wooden rails). The Schomberg is one of only three clipper wrecks in Victorian waters that operated the England to Australia run. While the other two, Empress of the Sea and Lightning, were built by the famous American shipbuilder, Donald Mac Kay. Schomberg was an attempt to build a faster ship than Mac Kay and a vessel fast enough to break the sailing record to Australia. The Schomberg sailed on her maiden voyage from Liverpool on 6 October 1855, under the command of Captain James Forbes, on its maiden voyage to Australia with general cargo, jewellery, spirits, machinery, and 2,000 tons of iron rails and equipment intended to build the Melbourne to Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. She also carried a cow for fresh milk, pens for fowls and pigs, plus 90,000 gallons of water for washing and drinking. She also carried 17,000 letters and 31,800 newspapers. There were approximately 473 passengers and a crew of 105. It was hoped that Schomberg would make Melbourne in sixty days, setting a record for the voyage, but light winds at the equator dashed those expectations. The ship sighted Moonlight Head in southwest Victoria on Christmas Day but through a deadly combination of wind, currents and unmarked sand spits, the vessel gently ran aground on 26 December 1855 on a spit that juts into Newfield Bay, just east of Curdies Inlet, and the present town of Peterborough. Fortunately, the SS Queen was nearby and managed to save all passengers and crew. The steamers Keera and Maitland were dispatched to salvage the passenger's baggage and the more valuable cargo. Other salvage attempts were made, but deteriorating weather made the work impossible, and within two weeks the Schomberg's hull was broken up and the vessel abandoned. The wrecking of the Schomberg caused quite the public stir particularly in light of the fact the vessel was supposed to be, the most perfect clipper ship ever built. Captain Forbes was charged in the Supreme Court under suspicion that he was playing cards with two female passengers below decks when his ship ran aground. Despite a protest meeting, two inquiries and the court proceedings, he was found not guilty and cleared of all charges. In 1975, divers from Flagstaff Hill, including Peter Ronald, found an ornate communion set at the wreck. The set comprised a jug, two chalices, a plate and a lid. The lid did not fit any of the other objects and in 1978 a piece of the lid broke off, revealing a glint of gold. As museum staff carefully examined the lid and removed marine growth, they found a diamond ring, which is currently on display in the Great Circle Gallery at the Flagstaff Hill Maritime museum that also displays ship fittings and equipment, personal effects. Most of the artefacts were salvaged from the wreck by Peter Ronald, former director of Flagstaff Hill.The Schomberg has historical significance as one of the first luxurious ships built to bring emigrants to Australia to cash in on the gold rush era. And is included on the Victorian Heritage Register (VHR S612). The collection of Schomberg artefacts held at Flagstaff Hill Museum is primarily significant because of the relationship between these recovered items having a high potential to interpret the story of the Schomberg and its foundering during a storm. The shipwreck is of additional historically significance for representing aspects of Victoria’s shipping history and for its association with the first passenger ship, which was designed not only to be the fastest and most luxurious of its day but foundered on its maiden voyage to Australia. Thimble, metal, some of the dimples are corroded through. flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, schomberg, shipwreck coast. schomberg, 1855, peterborough shipwreck, artefact, thimble, sewing accesdory, sewing equipment, haberdashery, finger protection

An apron is an outer protective garment worn over clothes to cover the front of the body. In Victorian and Edwardian times, women were using aprons for both utility (they were easier to wash than dresses) and fashion and women's magazines and pattern companies were offering patterns to allow women to be to sew their own aprons at home. There are different styles of aprons including bib aprons, waist or half aprons, pinafores, tabards and pinner aprons. The word "apron" comes from the old French word "naperon" which means a napkin or small tablecloth. This apron is one of two similar aprons that were donated from the estate of Susan Henry nee Vedmore (1944 - 2021). It is in very good condition and appears to be more decorative (and possibly used only on special occasions) rather than everyday wear. Susan's family (Harold and Gladys Vedmore) immigrated to Australia from Wales in 1955 and settled in Warrnambool. Susan was well known in the Warrnambool community for her work supporting children and families across the district - particular those with disabilities, or those who were homeless, unemployed or isolated. Susan was the founding trustee of the "Vedmore Foundation" - a Warrnambool philanthropic trust set up in 2010 to support a range of charitable and not-for-profit causes by providing grant assistance. In 2021, she was awarded a Medal of the Order of Australia for services to the community.This item is an example of clothing worn by working women in the late 19th and early 20th century Long white cotton apron featuring gathering along the waist band and a gathered frill with scalloped edging along the bottom. The scalloped trim is repeated on the edge of a single pocket on the right hand side. It has ties attached to both ends of the waist band and the main body of the apron is made of of three rectangular pieces of cotton joined with french seams.warrnambool, great ocean road, ladies' garment, apron, half apron, waist apron, domestic clothing, domestic work, parlour apron, waitress apron, handmade, sewing, vedmore foundation, susan henry oam

This patchwork cushion was handmade in 1898 by Sarah Jane Jones (nee Emerson). It is an example of needlework created in the late 19th century.The cushion is significant for is example of handmade craft and needlework used in the late 19th century for home decor.Round patchwork cushion. Handmade by Sarah Jane Jones (nee Emerson) in 1898.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, cushion, soft furnishing, 1898, victorian, handmade, patchwork, craft, handcraft, sewing, hobby, needlework

This patchwork cushion was handmade in 1898 by Sarah Jane Jones (nee Emerson) and donated by her Great-Granddaughter. It is an example of needlework created in the late 19th century.The cushion is significant for is example of handmade craft and needlework used in the late 19th century for home decor.Round patchwork cushion with irregularly shaped patches of a variety of design and fabric. The pieces are roughly joined together with visible cross stitches. Handmade by Sarah Jane Jones (nee Emerson) in 1898.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, cushion, soft furnishing, 1898, victorian, handmade, patchwork, craft, handcraft, sewing, hobby, needlework

This patchwork cushion was handmade in 1898 by Sarah Jane Jones (nee Emerson) and donated by her Great-Granddaughter. It is an example of needlework created in the late 19th century.The cushion is significant for is example of handmade craft and needlework used in the late 19th century for home decor.Bolster or sausage shaped patchwork cushion with irregularly shaped patches of a variety of design and fabric. A flower and stem are embroidered on one patch. The pieces are roughly joined together with visible cross stitches. Handmade by Sarah Jane Jones (nee Emerson) in 1898.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, cushion, soft furnishing, 1898, victorian, handmade, patchwork, craft, handcraft, sewing, hobby, needlework

This patchwork cushion was handmade in 1898 by Sarah Jane Jones (nee Emerson) and donated by her Great-Granddaughter. It is an example of needlework created in the late 19th century.The cushion is significant for is example of handmade craft and needlework used in the late 19th century for home decor.Round patchwork cushion with irregularly shaped patches of a variety of design and fabric. The pieces are roughly joined together with visible cross stitches. Handmade by Sarah Jane Jones (nee Emerson) in 1898.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, cushion, soft furnishing, 1898, victorian, handmade, patchwork, craft, handcraft, sewing, hobby, needlework

This patchwork cushion section was handmade in 1898 by Sarah Jane Jones (nee Emerson) and donated by her Great-Granddaughter. It is an example of needlework created in the late 19th century. It is believed that the note was added to the cushion at a later date and incorrectly refers to a different item.The cushion section is significant for is example of handmade craft and needlework used in the late 19th century for home decor.Patchwork; a square and a rectangular shape of p patchwork prepared for making into a cushion. Shaped patches of a variety of design and fabric. The pieces are roughly joined together with visible cross stitches. Handmade by Sarah Jane Jones (nee Emerson) in 1898.Pinned to the underside is a note on a piece of fabric.Handwriting reads "Patchwork done by my mother in 1898" flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, soft furnishing, 1898, victorian, handmade, patchwork, craft, handcraft, sewing, hobby, needlework, cushion

Early settler women in Moorabbin Shire c1900, were skilled in crochet and made these doilies to cover milk jugs, and other food containers, to protect the contents from flies and other insects while on the kitchen table.The women of the early settler families in Moorabbin Shire c1900, were very skilled with craftwork, crochet, knitting, sewing, needlework.A crocheted cotton doily with raised decoration of a cup and saucer. Coloured beads anchor the points to add weight to keep the doily in place when protecting contents of a cup or jugpioneers, earley settlers, haberdashery, craftwork, crochet, doileys, kitchen equipment, moorabbin shire, bentleigh, moorabbin, ormond, cheltenham,

A cotton reel with a little black cotton by 'Brook's'BROOK'S PATENT GLACE THREAD

'SINGER'

Darning 'mushrooms' were used to repair any woollen garment, such as socks, jumpers and ladies cotton or Lyle stockings. This darning tool was an essential item in pioneer household as the early settlers had to make and repair all their clothing.A timber 'mushroom' shaped darning tool sewing, dressmaking, craftwork, early settlers, pioneers, moorabbin, brighton

Sad-irons or "solid" irons were made by blacksmiths and used to smooth out material by pressing the hot iron over it. A piece of sheet -iron was placed over the kitchen fire and the irons placed on it could be heated whilst remaining clean of ash.. The women used 2 irons - one heating while the other was used. Thick cloth or gloves protected their hands from the hot irons. The handle was removed from the cool iron and re- attached to remove the hot iron from the fire. The cool iron was replaced on the fire or stove to heat again. These irons were cleaned with steel wool to prevent them marking the material. If the iron was too hot the material would scorch. Most homes set aside one day for ironing and some large households had an ironing room with a special stove designed to heat irons. However, most women had to work with a heavy, hot iron close to the fireplace even in summer.The Curtis family were early settlers in Moorabbin Shire c1880 and used sad ironsA small, curved, flat iron, with attached handle, used for cuffs, collars and frillsSILVESTER'S/ PATENT/ SALTERS / No 3 with the pretzel & a arrow going through the centresad iron, kitchen equipment, pioneers, early settlers, market gardeners, sewing, craftwork, clothing, moorabbin, brighton, bentleigh, fireplaces, stoves

A Bi-Centennial Dress Pattern 0001 made by Lindie Ward for Power House Museum . It is a copy of a dress belonging to Isobel Hovell, the wife of the explorer William Hovell. Isobel died 1837. The original dress was made from yellow, satin -striped, cotton voile, printed with sprigs of flowers in lilac and greenThis Dress Pattern was made for the Bi-Centennial Celebrations at Power House Museum, Sydney in 1988c1988 A large paper envelope with printed design of dress c1837. Dressmaking tissue pattern pieces for dress are enclosed and a measurement scale is on the backFront of packet : BICENTENNIAL DRESS PATTERN / POWERHOUSE / 0001dressmaking, craft equipment, dress patterns, craftwork, sewing, hovell isobel, hovell william, ward lindie, bi-centennial celebrations, melbourne, moorabbin, victoria, new south wales, market gardneres, power house museum

This pair of gloves was made in France and purchased by a Moorabbin residentA pair of cream, chamois leather lady's gloves with stitch detailing on back . Size 7 Made in France Size 7craftwork, sewing, gloves, early settlers, market gardeners, moorabbin, bentleigh, mckinnon, ormond, cheltenham, personal effects, evening wear

The City of Moorabbin Historical Society was formed c 1960 by a group of Moorabbin area residents who were concerned that the history of the area should be preserved. A good response to a call for items related to the historical area of Moorabbin Shire brought donations of a wide variety of artefacts which are now preserved by the current members of CMHS at Box Cottage Museum . Helen Stanley, Secretary of CMHS, began producing a Newsletter for members in April 2007 to provide current information and well researched items of historical interestHelen Stanley has produced a bi-monthly Newsletter, 2007 - 2013, for the members of the City of Moorabbin Historical Society that contains well researched interesting historical items, notification of upcoming events, current advice from Royal Australian Historical Society , Museums Australia Victoria and activities of Local Historical Societies. The Newsletter is an important record of the activities of the CMHS. A4 paper printed both sides x1 This is the second of the bi-monthly, City of Moorabbin Historical Society Newsletter produced by Society member and Secretary, Mrs Helen Stanley in June 2007. Members are notified of the donation of household items and clothing by Judy and Alan Clark and Mrs Nancy Maggs . Mrs Maggs will give an oral history of her family. Mr Len Allnutt has provided a short history of his early settler family with a photocopied photograph of their original home in Cheltenham c 1860. Reminder for next CMHS meeting June 30th 2007.CITY of MOORABBIN HISTORICAL SOCIETY / JUNE 2007 NEWSLETTERcity of moorabbin historical society, stanley helen, melbourne, moorabbin, brighton, cheltenham, ormond, bentleigh, market gardeners, pioneers, early settlers, moorabbin shire, allnutt len, clark alan. clark judy, maggs nancy, sharpe valma, allnutt joseph, allnutt matilda, alnutt annie, caulfield railway station, sewing, dressmaking, craftwork, herbalist, medicines, pharmacy, indigenous australian, aborigines, alnutt george