Showing 763 items
matching 'women's world
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Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: SERVICE WITH A SMILE
Bendigo Advertiser ''The way we were'' from Monday, May 6, 2002. Service with a smile: this group of women prepared the dinners and afternoon teas at the Bendigo Show in 1940 during World War 2. The soldiers changed the guard at the Park Street entrance during the day. The caterers were Cornell and Wild, of Coburg. Mr and Mrs Wild are pictured on the right with Violee, who was in charge of the staff, standing fifth from the left. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
Bendigo Historical Society Inc.
Photograph - THE BROOK AND ANDERSON FORTUNA COLLECTION: AGNES MARY PRIEST
Black and white photograph of a group of women in uniform. On the back the name Agnes Mary Priest.military, world war 2 -
Bendigo Historical Society Inc.
Newspaper - THE BROOK AND ANDERSON FORTUNA COLLECTION: AWAS GROUP PHOTOS
Bendigo Advertiser from Saturday, November 27, 1943. Two black and white photographs of women in uniform in an outdoor setting. The first is captioned: with Warrant officer Durack (third from left) are from left Cpl Nolte, Cpl Hands, Cpl P. Priest, Cpl H. Morton, Sergeant W. Sprott and Cpl G. Glover. The smiles are for the A.W.A.S. first birthday in Bendigo and for general satisfaction of barracks life. The second is captioned: Group of A.W.A.S. members taken in the garden of their barracks, where one year's residence in Bendigo was celebrated yesterday. From left: Spr. V. Edwards, Private M. Treloar, Private A. Geddes, Spr. A. Lewis, Spr. W. Hyatt. Standing from left: Spr. M. McPherson, Private M. Penton, Spr. G. Johns, Spr. M. Simonds, L/Cpl J. Murray, Pte. G. Simpson, Spr. N. Jeffrey and Spr. S. Pieydell.military, world war 2 -
Bendigo Historical Society Inc.
Photograph - THE BROOK AND ANDERSON FORTUNA COLLECTION: AUSTRALIAN MEDICAL WOMEN'S SERVICE
Black and white photograph of a group of women in uniform standing outside Fortuna villa. On the back Reg. by A.M.W.S. barracks, Bendigo, 1943. Marked with blue cross is A.M. Priest.military, world war 2 -
Bendigo Historical Society Inc.
Certificate - THE BROOK AND ANDERSON FORTUNA COLLECTION: CERTIFICATE OF DISCHARGE
Photocopy of certificate of discharge No.66699 issued by the Australian Military Forces to VF507923 Agnes Mary Anderson, Australia army medical women's service who enlisted on the 22nd day of May 1943, who served for three hundred and ninety-eight days. Dated 22/04/1944military, world war 2 -
Bendigo Historical Society Inc.
Magazine - AILEEN AND JOHN ELLISON COLLECTION: PIX, THE WAR IN EUROPE SOUVENIR ISSUE 1945
Pix magazine volume 15 no. 19 May 12, 1945. The war in Europe souvenir issue. The magazine has 31 pages, price 6 pennies. Features in this issue: Britain faced Hitler alone in 1940 - Many races united against common enemy - Allied leaders' words inspired their nations - Color maps reveal changing face of Europe - Picture diary shows five year pattern of war - Jardine paints second front landing in colors - Rise and fall of fascism - Women shared role in fight for freedom - Danger of armistice in Europe - War closes in on Japan, Pacific color map - Proud records of Australia's fighting men - Four great powers shared burden of struggle - World found time too laugh at war - Famous pictures epitomised war's tragedy.books, magazines, war in europe -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: WORLD WAR 1 CLASSES OF 1916
Bendigo Advertiser "The way we were" from Monday, October 6, 2003. World War 1 classes of 1916: White Hills Primary School grades one and two. the photo is 87 years old and shows a group of 56 students with 18 girls and 38 boys making up the two classes. The children's ages appear to be quite varied as this was 1916 and in the midst of World War 1. The two women teachers' attire reflects the austerity of the times.newspaper, bendigo advertiser, the way we were -
Bendigo Historical Society Inc.
Newspaper - LYDIA CHANCELLOR COLLECTION: 472 YEARS OF BANDING - AND NOW WOMEN ARE IN
A Bendigo Advertiser article by Amy Huxtable titled '472 years of banding and now women are in.' 472 is the total years of banding held by 12 members of the Bendigo Municipal Band. Bendigo has a history of brass bands and Scottish Pipe Bands. There are three girls in the Bendigo Municipal Band for the first time in its history. Many boys in the past are trained up and then they leave Bendigo for employment. World wars also disrupt the development of the band. 29/01/1977.organisation, band, bendigo municipal band, lydia chancellor collection, collection, bendigo municipal band, music, bands, pipe bands, oscar flight, hopetoun band, nat hallis band, james swift, history, james northcote band, southern command band, amy huxtable, clubs, clubs and associations -
Bendigo Historical Society Inc.
Book - WOMEN AT THE BENDIGO ORDNANCE FACTORY, 1982
Women at the Bendigo Ordnance Factory. During World War 2, with a critical look at the Oral History Technique.Lynette G. Cassar.bendigo, industry, ordnance factory - females -
Wodonga & District Historical Society Inc
Decorative object - Sarah Coventry Bracelet
... for women after World War II. The direct selling party-plan business ...Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s.As part of the Sarah Coventry collection, the necklace has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.A gold-plated bracelet from the Sarah Coventry range. Bracelet has a small triangular piece attached which bears the Sarah Coventry logo. The bracelet features alternating ellipses and knots with a clip fastener.On tag: ©SARAHCOV CANADAsarah coventry, sargem pty. ltd, sarah coventry wodonga, decentralised industry wodonga -
Surrey Hills Historical Society Collection
Photograph - Holy Trinity Surrey Hills Tennis Queen Carnival, 1940, 11 June 1940
Identification has been given as follows: L to R: front: Derek Manley and (?) Jeff Holland; Queen: Leila Hanslow; young women: Connie Eastwood, Mary Clucas (nee Holborn), Hazel Bodley, Olwyn Powys. Girls: L - unknown; R - Barbara Fair. The Queen Carnival was a fundraiser for the Holy Trinity Tennis Club. The Queen Carnival Coronation was held in the Canterbury Memorial Hall on 11 June 1940. Mrs F Eastwood was the trainer and the Honorary Secretary of the tennis club. The donor Mary Holborn married Geoffrey Stroud Clucas in 1946 in Surrey Hills.The photo documents a social fundraising practice common in the early 20th century. Queen carnivals were also popular in New Zealand. In both countries they were particularly common during World War I and in the years after, when they were used to raise funds for returned soldiers. The first such carnival is believed to have been held in Napier, New Zealand, in 1913. The carnivals were not always annual events, and were held in various locations throughout a year.Black and white group photo of 5 women, 2 girls and 2 boys in formal and / or mock-Elizabethan costume. The Queen is seated in the centre and the 'page boys' are seated in front and on her train. The young girls and young women are standing beside her. The photo appears to have been taken in a hall. REAR: "Holy Trinity Tennis Club Queen Carnival / June 11 / 1940 / M Clucas / 33 Jurang St / Balwyn"sport, tennis, holy trinity anglican church, 1940, clothing and dress, miss mary holborn, mrs mary clucas, miss connie eastwood, miss hazel bodley, miss olwyn powys, miss leila hanslow, mr derek manley, mr geoff holland, miss barbara fair, queen carnivals, mrs f eastwood, canterbury memorial hall -
Federation University Art Collection
Ceramic, Sarah Canham, #Fliporflop 1, 2 & 3, 2021
'Home' is a symbol of hopes, dreams, comfort, love, family and future. It is both a place and an idea, nor does it remain in time and space. It can also represent a time of sadness , fear and loss. Through the roller-coaster of the past year, I have used a series of homes belonging to family and friends. Each artwork of home tells a different story about its occupants, their story, and what home mean to them. Sarah CANHAM Sarah has had a life-long love of creative arts and a passion for nature she has pursued in her career. She has a Bachelor Applied Science degree from Charles Sturt University, a Masters of Environment from University of Melbourne, and works in natural resource management and conservation. Studying part time Sarah Canham completed a Bachelor of Visual Arts at Federation University Arts Academy in 2021. Her art is an expression of the awe she has for the natural world, and concerns for the future, including for our indigenous culture, and native flora and fauna in Australia. She also reflects on the current and past women and mother artists who have experienced the challenge of juggling art, career and motherhood, and have been under-represented in the arts community for millennia.Three handbuilt, slab construction, stoneware formsceramics, sarah canham, dvc art award, alumni -
Churchill Island Heritage Farm
Textile - Lace Piece Border on Net
This machine made net (76cm x 38) is trimmed on the edge with a tamboured design in the style of Limerick lace. Machines were so proficient in copying handmade lace that it is very difficult to tell if the trim is done by hand or by machine. Tambour lace was the earliest form of Limerick lace and was worked in chain stitch onto machine made net using a very fine crochet hook, so fine in fact that some practitioners used a sewing needle with the eye cut out and the pointed end inserted into a wooden handle.The lace industry in Limerick was started by Charles Walker in 1829 Many Irish women who learned the craft worked from home but Walker knew that he would get more consistent and cleaner work if he could oversee the work being done so he built a factory for the women. Limerick lace lost popularity after Walker died in 1842 but was revived in the late 1880s and continued to be made into the 20th century but never reached the heights of the Walker period. If this pattern is machine made it would have been made using a Bonnaz machine which was later called a Cornely machine. Antoine Bonnaz (1836 – 1915), a silk machine engineer, produced the first successful industrial chain stitch machine. His patent was finally acquired by Ercole Cornely in Paris who developed a hook shaped needle that could make a line of chain stitches. Initially these machines were only available in northern France but they were so popular that they were eventually exported to the rest of the world and are still being produced today. This lace edging is quite fine and would only be about a centimetre in width and so would be subtle in effect, perhaps to be used on undergarments or as a fichu for day wear.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was added to and refined over the course of three successive generations of women.Machine made net, trimmed with tamboured design in style of Limerick lace.Note in package "LIMERICK LACE TRIMMINGS"lace, janet amess lace collection, churchill island, amess