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Marysville & District Historical Society
Map (Item) - Tourist map, Mystic Mountains Tourism, OFFICIAL VISITORS' MAP MARYSVILLE LAKE MOUNTAIN, Unknown
A visitors' map of Marysville and Lake Mountain produced by Mystic Mountains Tourism for Visit Victoria.A visitors' map of Marysville and Lake Mountain produced by Mystic Mountains Tourism for Visit Victoria.The Marysville and Lake Mountain Visitor Map and Touring Guide has been compiled and/ published by Mystic Mountains Tourism Inc. Copyright./ Production and artwork Graph Attack P/Lmarysville, lake mountain, victoria, australia, visitor's map, official visitors' map marysville lake mountain, buxton, narbethong, taggerty, visit victoria, mystic mountains tourism inc, graph attack p/l, mystic mountains, marysville triangle, marysville visitor information centre, marylands country house, black spur, steavenson falls, lady talbot drive, cambarville, cathedral ranges, wirreanda festival, lake mountain summit walk, summit walk loop, leadbeaters loop, day loop walk, buxton hotel, igloo roadhouse, karmann waters, silverstream b&b cottages, buxton trout and salmon farm, the niche wine bar, buxton post office & general store, choppers buxton roadhouse, woodlands rainforest bungalows, chestnut glade, black spur inn, wombat cottage, abbey lake luxury b&b spa cottages, mystic mountain ski hire & outdoors, pnl 4wdriving, blue views holiday units & ski hire, marapana agistment park & farm stay b&b, danico design, things of sand & stone, mantirri blueberry farm, allawah country cottages, amberview cottages, ashlar cottage b&b, black spur motel & caravan park, blackwood deluxe cottages, blackwood courtyard b&b, dalrymples guest cottages, delderfield, el kanah guest house, fruit salad farm, kerami guest house, keppels hotel, lake mountain-snow gum lodge, lomatia lodge, lyell guest cottages, magnolia house, keppel waters, lyrebird apartments, marysville caravan park, all view spa apartments, riverside cottages, maryton park b&b country cottages, melina cottage, mountain lodge, mystic mountains holiday cottages, nanda binya lodge, rendezvous luxury cottages, scenic b&b motel, the cumberland, south cathedral farm, tower motel, willowbank at taggerty, woodlands rainforest retreat, marysville & district country club inc, mystic mountains ski hire & outdoors, rubicon valley horse riding, marysville trout and salmon ponds, gallipoli park, keppels lookout, cambarville-yarra ranges national park, lake mountain-yarra ranges national park, lady talbot drive-yarra ranges national park, cathedral range state park, steavenson river, taggerty river, acheron river, lake mountain alpine resort, bruno's art and sculpture garden, manical mechanicals, uncle fred & aunty val's old style lolly shop, carmyle farm boutique, crossways historic country inn, fraga's, gilberts restaurant, heights licensed bistro, the old woolshed cafe, cathedral view natural therapies, crystal journey -
Clunes Museum
Artwork, other - PAINTING, Karolina Artist, Untitled, Unknown
This artwork was gifted to Catherine Jenkins (the donor) by KarolinaKAROLINA ARTISTPainting depicts a montage of the elements of Clunes history, including Chinese people, a coach, gold mine, water fountain, church and nature. Painted on art board, unframedNILkarolina artist, clunes history -
Robin Boyd Foundation
Work on paper, Dorothy Braund, Sheet of Nine Studies - Figures in Boats, 1974
This artwork was purchased by Patricia Davies (previously Boyd). Nine frames of boats on the sea in blues and brown tones. Signed and dated DOROTHY BRAUND '74 in lower right.dorothy braund, patricia boyd, robin boyd, walsh st artwork, ohm2022, ohm2022_36 -
Frankston RSL Sub Branch
Framed Artwork, Sketch of Frankston RSL Clubrooms, Davey Street, 1972
Framed artwork produced by artist Marie Minton, dated 1972. The artwork is an ink drawing with watercolour tonings and depicts the Frankston RSL Sub Branch clubrooms of the time. The artwork is mounted with a gold coloured wooden frame and glass front. Artist, Marie Minton was apparently the daughter of a member of the time, Laurie Minton. This scene is of a Frankston landmark building on the corner of Davey Street and Young Street, Frankston locally known as the 'Plowman Residence'. Prior to being the clubrooms of the Frankston RSL Sub Branch this building was the family home of Dr Sidney Plowman. In Dr Plowman's time the building was known as the 'The Lofts' and was his residence and operated as a private hospital, the building was constructed ca 1900. Dr Plowman died in May 1932. Title 'Frankston RSL' and the artist's name 'Marie Minton '72' appear on the front lower area of the sketch. The rear has the following note inscribed "Sketch of RSL clubrooms Davey St. by Marie Minton daughter of member (Laurie)" -
Australian National Surfing Museum
Book, Frederick Kohner, Gidget, June 2001
GIDGET was written by Frederick Kohner the father of the real Gidget, Kathy Kohner Zuckerman. The book is based on Kathy's experiences as a 15 year old girl at Malibu Beach, Southern California during the summer of 1957 discovering Moondoggie, the Big Kahuna and surfing. The book was made into a highly succesful feature film of the same name, released in 1959 with Sandra Dee playing the star role of Gidget.GIDGET is socially and culturally significant because it was one of the first mainstream books to explore the surfing sub-culture of Southern California. The book was made into a feature film which played a significant role in popularising the surfing sub-culture around the world.Soft cover book, aqua wash artwork featuring colour photograph of Kathy Kohnner Zuckerman (aka the real Gidget) wearing an orange one piece swimsuit holding a malibu surfboard on cover.Main title GIDGET on cover. One line testimonials at the top of the book cover. Publishers logo on spine. Barcode on back of book. Inside cover personally signed by Kathy Kohner Zuckerman.gidget, kathy kohner zuckerman, frederick kohner, moondoggie, the big kahuna, malibu beach, surfing, sandra dee, -
Flagstaff Hill Maritime Museum and Village
Craft - Scrimshaw, Late 20th century
The ship “Ellis” started life as the Clementina, launched in America in 1781. The vessel was first listed in Lloyd's Register in 1784 and under this name began serving as a slave ship sailing out of Liverpool. A Lloyd’s database records of slave-trading voyages by vessels from Liverpool makes it clear that Clementina was a slave trader. The next year Captain J. Elworthy sailed her to West Central Africa and St Helena. He transported his slaves to South Carolina. Then in 1785 Elworthy gathered slaves in the Bight of Biafra and the Gulf of Guinea Islands for delivery to Jamaica. In 1786 Bent & Co. purchased the Clementina and renamed her Ellis, presumably after the then owner Ellis Bent. She remained in the slave trade and In 1788 Captain John Ford sailed the now renamed Ellis to the Bight of Biafra and the Gulf of Guinea to gather slaves. He delivered this batch of slaves to the island of Grenada. The next year, 1789 the Ellis was almost completely rebuilt, and from the change in subsequent reports of her cargo loading or (burthen), she was enlarged. In 1791, Captain Joseph Matthews became master and sailed the Ellis to the Gold Coast then delivering his consignment of slaves to the island of St Vincent. During this voyage, some misfortune may have befallen Matthews because records show the Ellis command was transferred to Thomas Given. In 1792, Given sailed to the Bight of Biafra and the Islands in the Gulf of Guinea, again collecting slaves for delivery to Jamaica. There is a parallel record, also for 1793, that the Ellis under the command of Thomas Heart, undertook the same journey and with the same itinerary and cargo. In 1793, Bent & Co. decided to use the Ellis as a privateer with John Levingston as the master. After receiving a letter of "marque” on the 3rd of June 1793, that allowed any armed vessel to commit acts on the high seas which would otherwise have constituted piracy. Thus the Ellis began to operate as a combat ship under the endorsement of the British navy. The Ellis was three times captured first by the French frigate Gracieuse, under the command of Captain Chevillard on 22 July 1793. The French took her into service and renamed her as ”Elise”. Later that summer the Spanish captured her and in November ownership returned to the French who then renamed her the “Esperance”. On the 8th of June 1794, Esperance arrived in Jacmel, Saint-Domingue (present-day Haiti), from France with the official proclamation of the abolition of slavery. Leger-Felicite Sonthonax was one of the Civil Commissioners of Saint-Domingue and he had already unilaterally proclaimed the island for the French colony the year before amid a slave rebellion and attacks from British and Spanish forces. Ironically, Esperance also brought the news to the Civil Commissioners that the National Convention of France had impeached them on 16th July 1793 and ordered them to return promptly to France. On 8 January 1795, HMS Argonaut, under the command of Captain Alexander John Ball, captured Esperance while she was on the North America station. At this time the Esperance was armed with 22 guns (4 and 6-pounders) and had a crew of 130 men. She was under the command of Lieutenant de vaisseau De St. Laurent and had been out at sea for 56 days from Rochfort, bound for the American Chesapeake Bay area. The French ambassador to the United States registered a complaint with the President of the United States that Argonaut, by stating that by entering Lynnhaven bay, either before she captured Esperance or shortly thereafter, had violated a treaty between France and the United States. The French also accused the British of having brought the Esperance into Lynnhaven for refitting for a cruise. The British Consul replied that the capture had taken place some 10 leagues offshore as the bad weather had forced Argonaut and her prize to shelter within the Chesapeake area for some days, but that they had left as soon as practicable. Furthermore, Argonaut had paroled her French prisoners on arrival at Lynnhaven, and if she had entered American territorial waters solely to parole her French prisoners no one would have thought that objectionable. Royal Navy Service: Because the Esperance was captured in good order and sailed well, Rear Admiral George Murray, the British commander in chief of the North American station, put a British crew aboard and sent the Esperance out on patrol with HMS Lynx, under the command of John Poo Beresford, on 31st January. On 1st March the two vessels captured the Cocarde Nationale (or National Cockade), a privateer from Charleston, South Carolina, of 14 guns, six swivel cannons and a crew of 80 men. Esperance and the lynx went on to recaptured the ship Norfolk, of Belfast, and the brig George, of Workington. On 20 July, Esperance, in company with frigates Thetis and Hussar, intercepted the American vessel Cincinnatus, of Wilmington, sailing from Ireland to Wilmington. They pressed many men on board into service, narrowly missing the Irish revolutionary Wolfe Tone, who was on his way to Philadelphia. Esperance was formally commissioned in 1795 into the Royal Navy in August under the Command of Jonas Rose. On 4 May 1796 Esperance was sailing in company with HMS Spencer and Bonetta when they sighted a suspicious vessel. Spencer set off in chase while shortly thereafter Esperance saw two vessels, a schooner and a sloop, and she and Bonetta set off after them. Spencer sailed south by south-east and the other two British vessels sailed south-west by west, with the result that they lost sight of each other. Spencer captured the French gun-brig Volcan, while Bonetta and Esperance captured the French schooner Poisson Volant. The Esperance eventually arrived at Portsmouth on the 3rd of November 1797, the crew was paid off and on 31st May 1798 the Admiralty listed the Esperance for sale and she was sold in June 1798 for £600.The subject scrimshaw is a modern reproduction crudely done of a historic vessel and the scene is believed to be engraved onto a synthetic substance. Scrimshaw art crudely carved into non-natural material in the shape of a tooth. The line artwork is an image of a three-masted sailing ship with a poop deck, and anchors, are coloured black. Inscription is engraved into tooth.Engraved "Man o War Ellis" warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, scrimshaw, ellis, esperance, clementina, elise, hms ship, man of war, leter of marque, privateer, slave ship, slavery, ellis bent, american war of inderpendance, marine art, marine artifact, whale tooth, ivory tooth, resin, plastic, craft, engraving, carving -
Ringwood and District Historical Society
Book, Cover by Greg Jones, Marlborough Primary School, The Ringwood Colouring Book, 1984
Sub title: A Children's Drawing Book. Soft covered book containing a combination of blank pages, hand-drawn artwork and creative activity suggestions compiled for schools in Ringwood area, Victoria, Australia.Foreword By Kevin K. Speer, District Inspector of Schools. Introduction by Kate Hart, C/o Maroondah Region - "This book is merely a starting point. It allows Children to "color-in" but it also challenges them to produce their own ideas. There is no limit to the "starting points" you can give children. Children themselves will produce more for you." First Print May 1981, Reprint June 1982, Reprint December, 1984. -
Bendigo Historical Society Inc.
Document - STAMP BULLETIN ANZAC CENTENARY
Brochure from Australia Post showcasing stamps relating to the Anzac Centenary 1914 - 1918. gold artwork, two soldiers in uniform standing in front of trench. Issue No 333/March-April 2015event, war, post office stamp booklet, anzac, world war 1 -
City of Ballarat
Artwork, other - Public Artwork, Boer War Memorial by James White, 1906
The Boer War Memorial was created by sculptor James White in honour of Australian Soldiers who fought in the South African War (1899-1902). White used the electrolytic copper deposit method to produce this large statue, which is sometimes mistaken for a cast bronze work. The Foundation stone was laid on 18 May 1901 by H.R.H The Duke of York (George V). The sculpture was unveiled on the 1st November 1906 by His Excellency Baron Northcote G.C.I.E., C.B. Governor General of Australia and then Mayor of Ballarat, J. J. Brokenshire. Bravery and mateship are beautifully captured in depiction of a scene taken straight from the battlegrounds. Today the memorial is a much-photographed tribute and exploration of the friendships and struggles of men at war. A proud cavalry horse bears the weight of two men in the chaos of the battlefield. The Boer War in Africa was an early example of the Australian Colonies sacrificing men and equipment for Britain to defend it’s Empire against colonial insurgence. The memorial is of historical and aesthetic significance to the people of Ballarat.Horse and figures, bronze mounted on bluestone base and granite plinth, plaques list the war dead. The artwork depicts two soldiers and a horse. A British soldier is being succoured by an Australian mounted rifleman. In honour of Australian Soldiers who fought in South Africa 1899-1902. Foundation stone laid 18th May 1901 by H.R.H The Duke of York (George V). Unveiled 1st November 1906 by His Excellency Baron Northcote G.C.I.E., C.B. Governor General of Australia. J. H. Barker Chairman. J. J. Brokenshire Mayorboer war, south africa monument -
Bendigo Historical Society Inc.
Document - MERLE HALL COLLECTION: CAPTION DETAILS FOR PHOTO OF PETER MINKO ARTWORK
Caption details for photo of Peter Minko artwork ''Tarnagulla'' - presentation to the City of Greater Bendigo from AB to mark the 150 Years of Gold Celebrations and the 31 years of AB arts activities in the community. -
Queen Victoria Women's Centre
Photograph, c.1997
Colour photograph. Ind the dining area of the cafe ground floor of the QVWC building. Groups of unidentified women in frame. Black and white artwork on the wall. Taken from the building looking east into the annex. art exhibitions, cafe, historic buildings -
City of Ballarat
Artwork, other - Public Artwork - Temporary, Briony Galligan, Open Every Door by Briony Galligan
“The painted works are very intricate to make as I work in various sized brush strokes to make the images appear hand-drawn" This artwork by artwork by Briony Galligan was installed from Friday 20th November 2020 to 1 November 2021. Open Every Door consists of two wall paintings, each will remain at the site for 6 months, and a website publication. In April 2021 Briony installed the second artwork A Lover not a Fighter. Each abstract wall painting references queer histories and art makers, as well as abstract drawings made by Deakin’s Spiritualist contemporaries, such as Georgiana Haughton (1814-1884). The work was part of a City of Ballarat annual commission program to create temporary public artworks in Alfred Deakin Place, Ballarat. The artwork featured on a prominent site near the Art Gallery of Ballarat Annex. Currently a destination for art lovers and students from Federation University’s Arts Academy, Alfred Deakin Place is actively programmed as a space for new and innovative, contemporary public art. painted wall -
Nillumbik Shire Council
Sculpture: Joseph Scott COWCHER, Passionately Packaged, 1987
This artwork was a finalist in the 1987 Shire of Eltham Art Awards. The materials Cowcher has chosen constitute different transformations of earth - stone, sand (fired into glass), bamboo and dried grass. The work is a sign of the artist's passion in working with these materials and 'packaging' them into an aesthetic composition that connect and dance with one another.Three purple glass objects in the form of pine cones, held together by raffia, resting on a large slab of white stone. N/A -
Vision Australia
Photograph - Image, Jason Morgan, Seeing Eye Dog van, 28/2/2023
Wraparound artwork on yellow van used at Maroochydore office. 3 digital images taken of yellow van with VA logo and Seeing Eye dog in harnessvision australia, seeing eye dogs australia -
Federation University Art Collection
Painting - Original poster, 'Molly Bushell Toffees' by Gilda Gude, c1935
Gilda GUDE (1918- 1996) Born Ballarat Died Melbourne Gilda Gude worked in various media throughout her career, favouring figure and flower studies. She attended the Ballarat Technical Art School in the early 1930s. This artwork was completed for a competition run by a large art supply company. In 1952 Gude won the Royal Art Society Drawing Prize. She started lecturing at RMIT in 1961. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, gude, gilda gude, ballarat technical art school, toffee, available, lollies -
Federation University Historical Collection
Photograph - black and white, Geoff Phillips and his Ceramics Platters, 1991
One of the platters in this photograph is a part of the Federation University Art Collection. Black and white photograph of a man sitting behind a table with two ceramic platters. Written on back: "Associate Diploma of Arts (Ceramics) student Geoff Phillips with his artwork commemorating different phases of the moon and times for planting vegetables. " Ceramics Exhibition 12-11-92ceramics, pottery, geoff phillips, moon, vegetables -
Bendigo Historical Society Inc.
Painting - NORMAN PENROSE COLLECTION: ARTWORK
Artwork. Norman Penrose collection: (A) Crayon or pencil (coloured) drawing of a building and fence. A man is walking in an archway in the distance. The buildings are yellow and orange. The picture illustrates perspective. (B) Coloured crayon drawing of a one legged man carrying a parrot on his arm, walking along the cliff top beside the sea. A sailing ship is on the water. (C) Coloured crayon drawing of a green fire breathing dragon above the waves of the sea. The moon and stars are shining in a dark sky. The drawing has a blue paint wash. (D) Coloured crayon drawing of Robinson Crusoe. He is on the beach and has a large trunk open. He is looking in it. A number of coconuts and bowls are around the trunk. It is beside a palm tree. A ship with two masts is just off the shore.(C) N. Penrosedrawing, crayon, norman penrose collection, artwork, crayon drawings -
Bendigo Military Museum
Book - BOOK, PICTORIAL, Robert Nelson, Frank Morgan, Peter Breen, Stuart Reid, "A Pictorial History of Australians at War", 1970
Owner and donor details - see Cat No. 5836.3.Hard cover book with dust cover. Cover - cardboard, with yellow buckram. Gold print on spine. Dust cover - paper, cream colour print on front and spine. Illustrated in black and white, a collection of ten photographs and artwork. 323 pages - cut, plain, white paper, Illustrated - colour and black and white photographs, posters, drawings and artwork. Front and back end papers - illustrated sepia tones photograph of troops and barbed wire in silhouette. Front end paper - handwritten name.Front end paper - handwritten blue ink signature "Ron Bollard".books, military history, pictorial books -
Nillumbik Shire Council
James NGUYEN, The Camelia Economy, 2019
When I first returned to our family plantations in Bảo Lộc Vietnam, I was given a handful of tea seeds by my late grandmother. Returning to Australia, my family managed to propagate a line of tea plants and seedlings which they still swap and trade with family friends and neighbours; maintaining a culture of storytelling, care and entrepreneurship that has helped them survive both war and political exile. Nillumbik Prize Contemporary Art 2021 winning open artworkMoving Image -
Nillumbik Shire Council
Painting, Nusra LATIF QUERSHI, Remnant Blessings - I, 2020
REMNANT BLESSINGS-I reflects on the assortment of memories acquired over the years. We rarely remember events in their entirety; we are left with the remnants from the past. These fragmented elements make up the structure of this work. Nillumbik Prize Contemporary Art 2021 local winning artwork -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Plaque - NZ Scottish Regiment
Plaque, Silver coloured art work 23 x 15 mm affixed to 18 x 25 mm rectangular wooden board./ Artwork de[picts badge of 1 NZ Scottish RegimentMakers label on backplaque, plaque -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Plaque - NZ Scottish Regiment
Plaque, Silver coloured art work 23 x 15 mm affixed to 18 x 25 mm rectangular wooden board./ Artwork de[picts badge of 1 NZ Scottish Regimentplaque, officers mess -
Federation University Historical Collection
Ephemera - Invitation, Eureka 160 Invitation, 2014, 2016
Two invitation cards featuring the artwork 'Mount Warrenheip and Eureka Stockade' by Marlene Gilson. .1) Invitation to Eureka 160 Commemorative Events .2) Invitation to the Peter Tobin Oration presented by Ron Knowles. eureka stockade, eureka 160, kaaran koomen, marlene gilson, peter tobin oration -
National Wool Museum
Clothing - Jumper, 1993
Stanley Couzens of the Wathourong community was commissioned by Geelong Wool Combing Ltd to create a painting of the You Yangs and Corio Bay to be reproduced on a jumper. The jumper itself was designed by Jeni McMahon using Merino wool from her property McMahon Farm Pty Ltd. Jumper was presented as a gift at the opening of the Geelong Wool Combing LtdWoolen Jumper containing red, mustard, green and cream depicting Indigenous artwork. Sold colour cuffs and collar of black. Size XL, label stitched to inside neck with paper swing-tag attached. jumper, indigenous, wool, geelong, 1993, geelong wool combing ltd, stanley couzens, jeni mcmahon, woolmark, you yangs, corio bay, wathourong, snake, fish -
Wangaratta High School
WHS Yearbook -Korrumbeia, 1981
Black and white bound photocopy of the 1981 yearbook, with a white cover page and a black curly tree artwork along the left side and top, with text near the middle reading WANGARATTA HIGH SCHOOL 1981WANGARATTA HIGH SCHOOL 1981 -
Queen Victoria Women's Centre
Photograph, c.1997
Colour photograph. Taken in the dinning area of the cafe, annex ground floor of the QVWC building. Groups of unidentified women in frame. Black and white artwork hang from the wall. Taken facing north east. cafe, historic buildings, art exhibitions, cultural structures and establishments -
Tatura Irrigation & Wartime Camps Museum
Folder, Tatura Revitalisation Committee, The Tatura Heritage Mosaics Art Work, 2010
Information on the Mosaics artwork in Francis Street, Tatura. Ref. L1058, L105918 x A4 pages describing the content of the mosaics in Francis Street. Includes colour photographs and notes on some of the people pictured.Colour pictures of the mosaic art. History of its implementation. Some brief biographies of those pictured.tatura art work, tatura mosaics, francis street tatura victoria -
Ringwood and District Historical Society
Book, River of Mists - Warrandyte's beautiful Yarra and native wildlife, 2023
Soft cover 104-page book of photographic prints of local Warrandyte scenery featuring flora and fauna with descriptive captions. Photography by Bill McAuley, Denise Illing and Bill Sandel; Artwork: Stephen Freeman, Fox Hole Design; Printed by: Courtney Colour Graphics; Proofreading: Cherie Moselen; Digital Imaging: Rob Kas. -
Bendigo Historical Society Inc.
Document - NORMAN PENROSE COLLECTION: LETTERING AND NOTES
Artwork. Norman Penrose collection: 3 pages of notes on lettering. 1 page on lettering for a purpose. 2 pages of an example of Modern Half Unical lettering. All notes written on various pieces of creamy paper.person, bendigo, norman william penrose, norman penrose collection, notes on lettering, modern half unical lettering -
National Vietnam Veterans Museum (NVVM)
Booklet - Periodical, Army Journal, No. 232, September 1968, 1968
Green cover has b/w artwork of soldiers in slouch hats coming out of the jungle on front, and Australian Army symbol of crossed swords and kangaroo under a crown on back in white. 64-page journalmilitary – periodicals