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City of BallaratArtwork, other - Public Artwork, Peter Corlett, The Grieving Mother by Peter Corlett, 2017
The Garden of the Grieving Mother is an acknowledgement of the trauma, grief and anxiety felt by the families of Australian servicemen and women. Of the 3,801 WWI service men and women commemorated in the Ballarat Avenue of Honour, 1 in 5 made the ultimate sacrifice, giving their lives. At the centre of the memorial space is a bronze sculpture of a mother clutching a photograph of her son by sculptor Peter Corlett who has created many war memorial public artworks. The memorial was unveiled on 15 February 2017 by Governor General Sir Peter Cosgrove and Mrs Kaye Baird, mother of posthumous Victoria Cross recipient, Corporal Cameron Baird.Bronze sculpture installed in landscaped garden on lit plintha mother grieving the loss of her child at war -
Robin Boyd FoundationPainting, Tony Woods, Man on Sofa, 1967
The painting was purchased at an exhibition at Australian Galleries. This Melbourne institution was established by Tam and Anne Purves in June 1956. Robin Boyd designed the Purves family home in Kew in 1967. After hanging this artwork in the living room, Robin Boyd arranged to have the three-seater sofa in this room reupholstered in red (previously yellow) to match the Wood's painting. Tony Woods won a Harkness Scholarship in 1968 and travelled to the USA - he abandoned figuration after leaving Australia. Another figurative painting by Tony Woods, titled "In the Studio Psychologically Challenged", also hangs in Walsh Street.Man with closed eyes, with various arm positions, on a red sofa.The reverse is inscribed with Australian Galleries and the title and Woods '67.tony woods, australian galleries, purves, robin boyd, walsh st artwork, ohm2022, ohm2022_19 -
Federation University Historical CollectionBooklet, Ballarat School of Mines Students' Magazine, 1932, 1932
Editorial, Obituary, Personal, Fumes from the Lab, Arts & Crafts Gossip, Sport, Echoes of the Past, Commercial Notes, Geelong Trip, The Junior TechsRed soft covered magazine of 48 pages. Artwork * The Familiar Spirit - Lino cut - By Colvin Smith * Zipp - By Colvin Smith * Puss - By Colvin Smith * Jean - By Colvin Smith * Pen and Ink Sketch - By Don Refshauge * Alice - By Colvin Smith * Joe - By Colvin Smith * Enormous cheek shown by Walters - By James Allan * Here is a fair maiden all forlawn - By Levi Molineux * Lend us one till Monday - By Levi Molineux * The Ratter - By Levi Molineux * Silence is golden - By Jimmy Wright * Glimpse of assaying room - By Geo Crawley * Boy and Girl with umbrella and puppy - By D.W. * Vic Hunt - By Don RafshaugeSigned on front cover by H. Darbyballarat school of mines, magazine, a. e. williams, m. wilson, a. bosher, r. elsworth, dr. j. r. pound, a. w. williams, c. l. smith, k. windsor, j. curran, j. walters, j. skelton, f. whitworth, r. w. morrison, n. baker, e. h. schache, p. f. chaplin, don refshauge, corinne rockwell swain, h. maddern, a. raworth, k. jones, r. nimon, j. allan, f. longhurst, s. hillman, f. penney, f. faram, c. martin, j. muntz, a. gray, k. keith, p. mcgregor, n. graham, d. ferguson, w. usebach, j. capuano, d. flynn, e. george, o. lyons, m. kelley, e. curnow, m. bettles, j. corbett, i. davidson, c. dulfer, a. watson, j. p. elsworth, l. b. evans, w. hughes, a. collins, j. pittard, geo. crawley, edith curnow, fred longhurst, olga dulfer, nornie gude, jesse hopwood, stan hillman, levi molineux, hester darby, hector ashley, howard beanland, yallourn technical school, henry kum yuen, edwin a. brophy, r.s. russell, e.h. schache, a. perry, h. koeford, l.b. evans, w. hughes, a. colling, f. sparkman, r. falla, w. hughes, j. pittard, a. collins, a.w.steane, r. morrison, e. steane, c. ellis, k. butler, b. titheridge, a. collins -
Tennis AustraliaPrint, 1976
Framed artists proof of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. The print is mounted onto black paper, backed by corrugated cardboard, and air-tight sealed with clear plastic film. Framed under Truguard UV glass. Materials: Paper, Ink, Graphite, Paper, Cardboard, Glass, Metaltennis -
Federation University Art CollectionArtwork, Lynne Makings, 'Thirteen time eight equals one zero four zero (by two)' by Lynne Makings, 2015
Lynne MAKINGs (1950- ) Artist Lynne Makings is an instigator and member of the Soldiers Hill Artist Collective, an eclectic group of artists from all various disciplines, residing within the region of Soldiers Hill, Ballarat. When this work was undertaken Lynne Makings was enrolled in a Bachelor of Visual Arts (Fine Arts) at the Federation University Arts Academy. The work was awarded a Deputy VIce Chancellor's Award, and was acquired from the 'End of Year Exhibition' (EYE).Double sided artwork comprising of numerous Indian Bean Tree seeds (Catalpa Bignoniodes). The seeds have been placed between to sheets of perspex. Artist's Statement: 'continuity by a thread' A loose line and a tight grid Continuity by a thread, [the makings of], represents a body of work exploring the overarching grid that links a fragile thread, the mortal coil, that binds and unites the disparate forces of continual change underpinning human existence. The thread symbolises the connecting life force that has been a constant companion working within the formal boundaries and structure of living my being. and so it goes... it will take me where it may.lynne makings, artwork, artists, indian bean tree seeds, catalpa bignoniodes, dvc award, end of year exhibition, eye -
Federation University Art CollectionArtwork, Yasmin Williams, 'Spiritual Head' by Yasmin Williams, 2016
Yasmin WILLIAMS (1991 - ) B. Ballarat, Victoria This works was completed while Yasmin Williams was a student at Federation University Arts Academy in the Bachelor of Fine Arts (Visual Arts).Artist's Statement: Through-out life we have our own different realities of the world we exist in. From childhood to adulthood our perception of the world is reshaped constantly in every way. These pieces of ‘found object’ and earthen artworks are surreal and re-purposed reflections of the reality I have a grasp of, and each found item creates its own narrative, balance and connection with its surroundings. When viewing these works I hope that the viewer is grounded by the earth and stone and helps to create a personal link or relationship with the abandoned objects that once belonged to another person, therefore creating their own narratives and perception of the world.yasmin williams, artwork, available -
Geoffrey Kaye Museum of Anaesthetic HistoryPainting, portrait, Jude Rae, 2013
Dr Leona Willson was the first female to be elected president of ANZCA (2008 - 2010) and the first New Zealander to hold the position. In 2011, Dr Wilson was awarded the New Zealand Order of Merit in which she is proudly wearing this medal in the portrait. The portrait was commissioned by ANZCA to mark the presidential term of Dr Leona Wilson which was unveiled at the ANZCA Council meeting June 2013. The artist, Jude Rae, is a Sydney based artist primarily known for her still life paintings, portraits and architectural interiors. Her artwork is held in major public and private collections in Australia, New Zealand, UK and USA. Dr Leona Wilson was the first female ANZCA President and first President from New Zealand to hold the position.Oil on canvas portrait of Dr Leona Wilson wearing the Presidential medal without the Presidential gown. She is wearing the New Zealand Order of Merit medal on her left lapel. She has her hands clasped in front of her and is seated on an angle in a chair in front of a plain grey background. The painting is mounted in a thin black frame and sits in a box frame coloured brown and gold.painting, wilson, leona, rae, jude, new zealand order of merit -
City of BallaratArtwork, other - Public Artwork, Home by Chris Mether, 2014
Home is a collection of birdhouses on floating islands using the iconic form of the human house - a pitched roof, square walls, windows and doors. This minimal form is often drawn by children; a dolls house, a cubby house, a letter-box or a chook house. Home creates a safe refuge for birds with the plants acting as a water filtration system. The exposed roots draw out pollutants, such as nitrogen, phosphorous and toxic metals, which have entered the waterway through urban run-off. The result is a beautiful sculptural experience and a healthier water system for all to enjoy. The artwork was funded by The City of Ballarat and The Victorian State Government.The work is of aesthetic significance to the people of BallaratHome is a collection of birdhouses on floating islands home, chris mether, studio mether, public art, ballarat, delecombe, wetlands -
Federation University Art CollectionPainting, 'Road to Tallangatta' by Max Middleton, 1956
Max MIDDLETON (1922-2013) Born Melbourne In a career spanning 60 years, Max Middleton is known as a 'plein air' landscape painter the artist loved to paint sunrises, aiming to capture what he saw on the spot in paint. Capturing the light was crucial to his artworks. Max Middleton studied Drawing at the National Gallery School under William Rowell in 1938, and painting under Harold Septimus Power in 1940. The first of Middleton's 68 professional exhibitions took place in 1946. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed oil painting of a landscape near Tallangatta.art, artwork, max middleton, landscape, tallangatta, available, middleton, oil on canvas -
Vision AustraliaBooklet - Text, The Australian tactile art prize exhibition, 1999
An annual tactile art exhibition held by the Royal Blind Society of New South Wales encouraged artists to create artworks that were meant to be touched by admirers. In 1999, more than 230 artists submitted entries, with then 66 finalists showcasing their work at Customs House. This program provides information on each of the 66 works selected for exhibition, as well as an information and advertising leaflets from Robert Mac G Design, who created the three prizes for the winning artists. Most works were available for purchase, as indicated on the 'Opening bid for silent auction' sheet, with all proceeds going towards providing services to the 15,000 clients of RBS.1 v. unpaged with list of opening bid prices and three leaftletsroyal blind society of new south wales, fundraising -
Federation University Historical CollectionMagazine, Ballarat School of Mines Students' Magazine, 1947, 1947
The Ballarat School of Mines was a predecessor institution of Federation University Australia. Yellow front page soft cover of 55 pages with green and blue inscriptions on front cover Artwork Mr Bryan - By Peter Wilson Original book illustration - By Peter Wilson Hammerhead - By Peter Wilson Yank - By Joan Parker Herb - By Peter Wilson Tex - By Stanley Butson Rex - By Marjorie Gray Pen and Ink rendering - By Norman Whittaker Bet - By Evelyn or John Robinson Original Book Illustration - By William Ross Spud - By Marjorie Gray Dell - By Evelyn or John Robinson Fay - By Marjorie Gray Hazel - By Maurice Collins Thelma - By Ian Cooper Mickey - By Peter Wilson Wardy - By David Daykin Tiny - By Joan Parker ballarat school of mines students' magazine, staff, sports, james rogers, dr pound, mr procter, mr r. w. richards, mr h. j. edwards, mr r. p. flower, ken palmer, joan walter, mr john leslie burt, mr fisher, mr pattenden, mr scarfe, mr a. m. richards, mr j. woolcock, mr p. marxsen, obituary, mr david maxwell, a. f. heseltine, dorothy spence, p. wilson, n. whitaker, william ross, peter wilson, joan parker, stanley butson, david daykin, ian cooper, june baker, hazel barry, lesley bearup, winifred beckwith, david berlyn, william bolitho, daniel brazil, lawrence burchell, william bates, ronald cairns, leslie coburn, maurice collins, kenneth cowell, john dixon, francis eckermann, rexford fraser, elizabeth freeth, eric goon, marjorie gray, doreen hehir, joyce hicks, john lannen, stanley lawrie, charles layfield, ethel lloyd, robert looney, eileen maloney, gwendoline mcdonnell, ian mclenehan, colin nicol, mervyn oddie, john procter, shirley ross, frederic reeve, evelyn robinson, john robinson, graeme ross, ronald rosser, jean scott, lawrence sedgwick, john shergold, margaret sim, clifford skurrie, norma stafford, barbara strachan, iris sherritt, robert tantau, anthony tunbridge, clive venables, dorothy waller, wesley walters, harold ward, john willis, norman whittaker, ballarat school of mines football team, j. rogers, j. willis, hans fumberger, dave jelbart, j.mccoy, m. heatherington, mr hillman, r. rosser, bob davis, r. kibby, c. edmonds, j. blainey, w. brown. r. cairns j. morrish, k. whiter, a temby, b. tantau, n. rees, b. murrel, l. veale, robert davis -
Federation University Historical CollectionMagazine - Book, Ballarat School of Mines Students' Magazine, 1938-1944, 1938-1945
Red hard covered book holding seven volumes of the Ballarat School of Mines Students' Magazine. The cover of the 1938 magazine was designed and executed by Robert McHutchison. Includes original linocuts, including work by Max Coward. 1940 magzine includes a list of full course students; W.H. Middleton Obituary, artwork by C. Sargeant, Joe Wilkenson, Sheila Moss, Bessie Sargeant, Fifi Malseed, Isobel Boustead, Adeline Hulm, Audrey Janetski, Maureen McRae, Bettin George, Ernest Gribble, William Rowe, Jessie Daniel, Pat Martin, Jean Fisher, Gladys Wakeling, Max Coward. Images include the SMB Magazine committee.ballarat school of mines, white flat, linouts, max coward, robert mchutchison, dorothy woolcock, maureen mcrae, bessie martin, patsy walsh, gladys bilney, elva brimacombe, gilda gude, norma tatlock, audrey janetski, jay martin, betty delima, jeff wilkinson, gordon yorke, g. day, w. edward, a. janetski, ernest gribble, iris leviston, n. roberts, j. pittard, sylvia wyres, e. fisher, a. helm, a. nye, bena lamb, ela brimacombe, thelma morton, verna lynch, yarowee creek, bridge, fruit vendors, h.r. murphy retirement -
Bendigo Historical Society Inc.Postcard - GLADYS DEAN COLLECTION: POSTCARD, 1906 - 1908
Printed coloured postcard with wedding artwork against a multicoloured background. Image depicts a wreath of white flowers supporting four gold bells, a horseshoe and two bluebirds are amongst the flowers. The words Ring out ye bells and tell the joy, We wish these two fond hearts to-day, Peal out and say we wish them luck And happiness their whole life's way are printed in black. On reverse, card is addressed to Miss G H Dean St Heliers 4 Andrew St Windsor. A one penny stamp is affixed and the words Series 1779 Printed in Saxony are printed along the bottom left hand edge.Series 1779 Printed in Saxonypostcard -
Bendigo Historical Society Inc.Newspaper - PETER ELLIS COLLECTION: AUSTRALASIAN SKETCHER 1877, 1st September, 1877
Copy of the front page of the Australasian Sketcher No. 58 - Vol. V, dated Saturday, September 1, 1877. The top third of the page has the name and decorative artwork. The bottom two thirds has two sketch drawings of fancy ball characters. On the left are two ladies, dressed in long dresses and hats and a man dressed in very early dress and a hat. The right hand side shows a man with very long hair sitting on a box with old time clothing with long leggings, bows on his shoes and a wide brimmed hat. He also has a sword and broad carry strap. On the right of the picture is a camera. There is also a vase and a pot plant in the picture.By Courtesy Ern Williams, Bendigo. Argusnewspaper, argus, news items, peter ellis collection, australasian sketcher melbourne saturday september 1- 1877, ern williams. the australasian sketcher with pen and pencil was a monthly magazine published in melbourne by the argus between 1873 and 1889. the sketcher appeared once a month, starting april 1873. the proprietors were named as edward wilson, lachlan mackinnon and others. -
Tatura Irrigation & Wartime Camps Museum
Folder, Ludwig Hirschfeld-Mack, 2012
Content of folder include: 1- Transcribed (German to English) copies of letters written by Ludwig to his daughter Marga and others, whilst interned in UK and Australia. Original letter are in the hands of Ludwig's son. Transcription done by Resi Schwarzbauer and donated by him to the Museum. 2 - A print of a wood cut done by Ludwig in Tatura in 1941 and donated to the Museum by Albert Meyer. 3 - Art school notes of Geelong Grammar during Hirschfeld-Mack time. 4 - copy of magazine "The Library" which contains an article on the Dunera Boys and Ludwig's artwork. 5 - email from "Friends of Hirschfeld-Mack" 6 - copy of "The Bauhaus Legacy" (C8304). 7 - 2 emails from ResiWhite four ring folder containing plastic sleeves which have typed information regarding Ludwig Hirschfeld-Mack whilst interned on the Isle of White, on the Dunera and internment camps at Hay and Tatura. dunera, hay internment camp, albert meyer, resi schwarzbauer, ludwig herschfeld-mack, internment letters, douglas camp isle of man, tatura internment camp 2, marga hirschfeld-mack, the library magazine -
Federation University Art CollectionPainting - Poster, Gilda Gude, 'It Pays To Read' by Gilda Gude, c1935
Gilda GUDE (1918-1996) Gilda Gude worked in various media throughout her career, favouring figure and flower studies. She attended the Ballarat Technical Art School during the early 1930s, and later the George Bell School. In 1938 Gilda Gude and Betty Brown, another Ballarat Technical Art School student, designed the flora carpet for the Ballarat Begonia Festival. This artwork was completed for a competition sponsored by the large art supply company Wiltshires. In 1952 Gude won the Royal Art Society Drawing Prize, and began lecturing at RMIT in 1861. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, gude, gilda gude, journal, poster, agriculture, farmer, reading -
Merri-bek City CouncilMarker and pastel on paper, Adrian Lazzaro, Untitled, 2018
Primarily working across painting and digital art, Lazzaro’s artworks are characterised by figures of wrestlers, vampires, zombies, toys and subjects from imaginary worlds. Often using gouache, acrylic and paint pen, Lazzaro’s imagery blends sinister interpretations with a quirky sense of humour. Lazzarro’s works usually depict historical figures, pop-culture icons or people he has met or seen. This work depicts two women holding hands. Lazzaro has been a regular studio artist at Arts Project Australia since 2004. Arts Project Australia supports artists with intellectual disabilities through their studio and gallery, promoting artists’ work and advocating for their inclusion in contemporary art practice. -
Bendigo Historical Society Inc.Painting - JACOB PERRY'S RESIDENCE JOBS GULLY
Watercolour and black pen, painted by Alf Perry 1954. Painting shows elevated weather board house, two brick chimneys. Stairs up to front verandah. Written across the top :'The late Jacob Perry's residence. Jobs Gully.Written on bottom of artwork ' As it was 1920, Alf Perry 1954. Written by Alf Perry, in pencil on the back, is the following: ' Drawn from the house in March 1954 but as I knew it in 1920. A verandah is built at the right hand side of the house now. The window below floor level at the right let in light to the little workshop my grandfather used. I used to go up and make (?) little bone knives and forks out of ordinary bones. Alf Perry 1954'.house, private, jacob perry, jobs gully -
Bendigo Historical Society Inc.
Document - FOSTER AND WILSON COLLECTION: PIANO CERTIFICATE
Large cream, green, brown & pink certificate awarded to Miss K Foster for First Prize in the Piano Solo (under 10) in the Austral Literary and Debating Society's Bendigo Competitions 1901. Certificate is signed by Luke Murphy, President and Frederic A. King, Hon. Sec. Certificate has 2 angels at the top, 1 writing and 1 with a harp. At each side and the bottom are ladies dressed in robes. Certificate is decorated with leaves and scroll work. Certificate is framed in a dull green frame with gold painted raised flowers and artwork. There is a gold inner frame 1.5cm wide. There is no glass. Label on the back: D. G. Coope & Son Fine Art Gallery Mitchell Street, Bendigo.document, certificate, music, foster & wilson collection, piano certificate, miss k foster, luike murphy, frederic a. king, austral literary and debating society's competitions bendigo -
Melbourne Tram MuseumPamphlet, Yarra Trams, "Melbourne Art Trams", "Trams Moving Pictures", 2012 - 2014
Melbourne Art Trams On the rear is a photo of the SW5 731 Lindsay Dumbrell Transporting Art Tram. Brook Andrew Jon Campbell Bindi Cole Rose Nolan David Wadelton Joining forces Luke Cornish Frey Pitt.1 - pamphlet, folded sheet to give a DL size, blue background titled "Melbourne Art Trams" - Oct. 2013 to April 2014, vote for your favourite tram in the People's choice awards! - part of the Melbourne festival. Notes the Transporting Art trams. Inside the pamphlet are images of the artwork on 8 different trams including the artist names and title of the work if any. Has Yarra Trams, PTV, Arts Victoria and Victorian Govt. logos. .2 - pamphlet, DL size on white paper, featuring W2 602, advertising the Old Treasury Building exhibition titled "Trams Moving Pictures" - 17/12/2012 to mid August 2013. Details the exhibition, has contact details logos.trams, tramways, yarra trams, transporting art, decorated trams, exhibitions -
City of BallaratSculpture - Public Artwork, Akio Makigawa, Point to Sky by Akio Makigawa, 1999
Point to Sky is one of Akio Makigawa’s final works, the commission was completed posthumously. It is the only public artwork by the celebrated Australian-Japanese sculptor of this scale located in regional Victoria. You will see two stainless steel forms, a smaller more rectangle form and the towering geometric form, with seed pod shapes at the peak. These forms represent the house, the artist is expressing that home is a shelter and also a place for gathering. The house form grows into a tower to symbolise the achievements of mankind and the action taken to protect the rights of the community during the Eureka Stockade. The top seed pod is gold, referencing Ballarat as the centre of the gold rush in Victoria, as well as representing the sun as the source of life. The paving of the forecourt was designed in bluestone, typical of the work of Makigawa. Stainless steel panelling and shaping on armature. Set into raised platform of bluestone pavers.Point to Sky, 1999 / Akio Makigawa (1948-1999)/ stainless steel/ Born in Japan, Akio Makigawa arrived in Australia in 1974. He worked as a sail maker in Perth before studying sculpture at the Claremont School of Art and WAIT (now known as Curtin University). He moved to Melbourne in 1981 to do post graduate studies in sculpture at the Victorian College of the Arts and set up his studio. From 1984 he was involved in many public commissions in Victoria and interstate and Japan. / Commissioned by the Victorian Government and the City of Ballarat in 1999. point to sky, akio makigawa, modern, australian sculpture -
Queen Victoria Women's CentreRe-purposed Quilt, Patsy Coverdale, The Century Bedspread, c.1975
Patsy Coverdale wrote on about the artwork which is found with the bedspread "This trousseau bedspread commemorates a century of our daily living, of four generations, a bedcover where many loves and lives have begun and ended. Once immaculate, its years of service, of blood, sweat and tears, have seen so many building washes that today's embroideries would shrink from. I rescued it, patched its tears and wears with needlework from ancestors and aunties to celebrate the International year of Women in 1975. It symbols include the IYW to the left, women's work and its rhythms and cycles, a pearl button for our pleasure centre. The male phallic symbol illustrates the organ's early development and its natural power with the energy of relativity behind it all."A quilt made for the centenary of the Hospital made for the International year of women 1975. Re-purposed from a quilt used at the hospital. Given to QVWC in 1997 for the grand opening. textile art, centenaries, hospitals -
Merri-bek City CouncilFour-colour lithographic offset print on Fabriano Artistico 300gsm traditional white hot-press paper, Gracia Haby and Louise Jennison, Turning the Tables on Alfred Court, 2013
Gracia Haby and Louise Jennison have been creative collaborators since 1999, working together to make artist books, zines, collages, drawings, prints and stories. In this artwork, the animals have the upper hand. They are turning the tables on French acrobat, circus owner, and animal trainer, Alfred Court (1883-1977). In 1925, Court's menagerie boasted a collection of 25 lions, 8 tigers, 9 hyenas, 7 wolves, 3 cougars, 12 polar bears, 16 panthers and leopards, 5 jaguars, 2 cheetahs, and an extensive assemblage of exotic animals, including antelopes, llamas, and camels, alongside several monkeys, porcupines, and mongooses. Haby and Jennison’s collaboration explores their mutual fascination with the adaptable possibilities of paper and found images. -
8th/13th Victorian Mounted Rifles Regimental CollectionPhotograph - Magyar portrait
Lieutenant Colonel Leslie Cecil Maygar, VC, DSO, VD (27 May 1868 – 1 November 1917) was an Australian recipient of the Victoria Cross, the highest award for gallantry in the face of the enemy that can be awarded to British and Commonwealth forces. He was awarded the VC for facilitating the rescue of a dismounted man while under severe rifle fire in 1902 during the Second Boer War. He later served at Gallipoli during the First World War, and died of wounds after being strafed during the Battle of Beersheba as part of the Sinai and Palestine campaign. The Maygar Club was the Other Ranks club at firstly Buna Barracks Albury, later at North Bandiana and currently at Latchford Barracks Bonegilla. The framed artwork was removed from the Club at Buna Barracks when the regiment relocated to Bandiana and placed in the Heritage Collection.Framed black and white reproduction of a photograph of Lieutenant Colonel Leslie Magyar together with a interpretive panel and a donor's plaque.Presented to Maygar Club by Sgt C Bruce Dec 97-Dec 99maygar, wwi, world war one, boer war, victoria cross -
Bendigo Historical Society Inc.Book - FOUR BENDIGO WATERCOLOURISTS
... artworks ...A white catalogue titled ' Four Bendigo Watercolourists : Arthur T. Woodward 1865 - 1943, R.W. Bugg 1853 - 1937, T.H. Bone 1901 - 1953, Madge Freeman 1895 - 1977.' The exhibition at the Bendigo Art Gallery 7th March - 30th March 1985. Bottom left corner of front cover is a number sticker, 0414 ART.person, individual, watercolourists, arthur t. woodward, r.w. bugg, t.h. bone, madge freeman, artists, bendigo artists, watercolourists, bendigo art gallery, male, female, person, individual, australian art, artworks, painting, art. bottom left corner of front cover is a number sticker, 0141 art. -
Bendigo Historical Society Inc.Painting - BANK OF NEW SOUTH WALES EAGLEHAWK
Watercolour and black pen painting of the Bank of New South Wales, Eaglehawk. Written on bottom of art:' Note room with high chimney where gold was melted into ingots to be sent to Melbourne. This bank was closed about 1920 and has been used as a shop since' Artwork signed by Alf Perry 1954. Two punch holes on LH side. Written on back in pencil : Only 3 banks in Victoria had a smelting room with tall chimney. The gold was bought and refined and melted into ingots. The three banks were at Eaglehawk, Castlemaine and Bendigo (from publicity officer Bank of NSW Melbourne). I have established that the Castlemaine Bank NSW definitely did not have a chimney stack as in this picture. My information came from an old member of Castlemaine Bank of NSW staff in 1962.'eaglehawk, commercial, bank of nsw -
Bendigo Historical Society Inc.Document - FOSTER AND WILSON COLLECTION: PIANO CERTIFICATE
Large cream, black and red certificate awarded to Mary Foster for Pianoforte Playing from the London College of Music Great Marlborough St. W. At the top is the London College of Music Coat of Arms. It was founded in 1887. Listed at the top are the Patrons, Board of Examination, Examiners and Examiners (Colonial and Foreign Centres). Certificate dated 26th May 1909. Ernest Wood, Examiner and T. Weekes Holmes, Secretary. Decorative artwork consisting of leaves, scrolls, angels and flowers around the edge. A red College seal is in the lower right corner. A black border around the edges. Certificate printed by McCorquodale & Co. Ld. London. On the back is a label: From D. C. Coope & Son, Picture Frame Manufacturers. The Fine Art Gallery. Mitchell Street, Bendigo. Established 1871.document, certificate, music, foster & wilson collection, piano certificate, london college of music, mary foster, ernest wood, t weekes holmes -
Bendigo Historical Society Inc.Painting - NORMAN PENROSE COLLECTION: ARTWORK
Artwork. Norman Penrose collection: (A) Crayon or pencil (coloured) drawing of a building and fence. A man is walking in an archway in the distance. The buildings are yellow and orange. The picture illustrates perspective. (B) Coloured crayon drawing of a one legged man carrying a parrot on his arm, walking along the cliff top beside the sea. A sailing ship is on the water. (C) Coloured crayon drawing of a green fire breathing dragon above the waves of the sea. The moon and stars are shining in a dark sky. The drawing has a blue paint wash. (D) Coloured crayon drawing of Robinson Crusoe. He is on the beach and has a large trunk open. He is looking in it. A number of coconuts and bowls are around the trunk. It is beside a palm tree. A ship with two masts is just off the shore.(C) N. Penrosedrawing, crayon, norman penrose collection, artwork, crayon drawings -
Bendigo Historical Society Inc.
Document - Amy Huxtable Memorial Committee - Correspondence, 1991-1993
Amy Huxtable was born at Cheltenham in 1918, to Robert Henry Huxtable and Violet A Dagg. Her father was an installer for an oil company and travelled the State. taking his family with him. She completed her education at the Bendigo High School and later attended the Bendigo Business College, becoming an expert shorthand writer. Her first position was as a copy writer with Radio 3BO, in the mid 1930s. She worked with an advertising agency in Melbourne and then with the Age,newspaper. In 1953, Miss Huxtable was appointed temporarily to succeed Miss E B Millane as social editress of the Bendigo Advertiser, during the latter's absence abroad. In 1956, Amy travelled abroad and on her return in 1957 was appointed permanently as Women's editor, a position she held for twenty-three ears. During her early years with The Advertiser she wrote under the name Toora, but in later years her own name became widely known. Miss Huxtable was well known both in her professional capacity and through a interest and involvement in community activites. She was life governor of the Bendigo Hospital, the Bendigo Home for the Aged, and Mirridong Home for the Blind, she was a member of Soroptimist International and the Business and Professional Women's Club. Amy was also a tireless worker for the spastic society and a strong supporter of the YWCA. When Amy Huxtable died at Mt AJvernia Hospital on 16 January 1980 Mayor Campbell ordered the city flag to be flown at half-mast. "Lowering the flag is the least we can do for such a lady" Cr Campbell said. Douglas Lockwood, editor of the Bendigo Advertiser said, "She was a devot d colleague who gave her craft and her newspaper the kind of service which identified a rare and generous spirit." She was a true professional who decided to make Bendigo her home. More than 300 people packed St Paul's Church for her funeral ervice the bell tolled as the casket was carried from the church. At a ceremony in the Conservatory Gardens on No ember 22 1981 The Amy Huxtable Memorial Committee presented to the City of Bendigo, a garden seat in memory of the late Miss Huxtable. This Bendigo manufactured seat was a fitting tribute to one ofBendigo's most loved and esteemed citizens. All Miss Huxtable's Advertiser articles were microfilmed and presented to the Library by the above committee. Amy Huxtable Memorial Committee - Correspondence - 10 Pages Page 1 Letter to Mr David Thomas, Director, Bendigo Art Gallery 5/7/1991 asking for information on the repair of the Ola Cohn on the Curnow Fountain in Rosalind Park, and offering money left over before the Amy Huxtable Committe is wound up. Page 2 Another Letter to Mr David Thomas, Bendigo Art Gallery 5/7/1992 - expressing a desire to finalise a possible donation of remaining committee funds Page 3 Letter to the committeee from the Bendigo Art Gallery, 9/7/1991, advising process on Ola Cohn's Curnow Fountain. Page 4 Letter to the Art Gallery 22/1/1993, expressing a desire to place a memorial artwork in the Art Gallery using the leftover funds. Page 5 Letter from the art gallery to the committee 27/1/1993 expressing delight that an artwork honouring Amy Huxtable will be presented to them. Page 6 Receipt to the committee for $4457.29 from the art gallery 21/7/1993 - donation for the Ola Cohn Acquisitions. Page 7-8 Letter to the committee from the art gallery 20/7/1993, thankyou for the aquisition of three works by Ola Cohn in memory of Amy Huxtable. The works are: Behold the Man, Woman with Two Children and Women with Owl (Bookends). Page 9 Bendigo Art Gallery signage on the "Amy Huxtable Memorial Fund Ola Cohn (1892-1964) works: Master Pigeon,1923, Behold the Man, c.1940 Women and two children, c.1940 Women with Owl, c.1933history, amy huxtable, bendigo, amy huxtable memorial committee, bendigo art gallery ola cohn works -
Yarra City CouncilSculpture - Public Art, Anderson Hunt, The Final Siren, 2011
Anderson Hunt vividly remembers the hard-core, hard-working supporters. "I see The Final Siren as a homage to those hard-working Collingwood fans who stood in the outer and barracked their hearts out. Without the hard-core supporters, the club would be nothing. I hope the sculpture gives Collingwood fans a sense of pride; pride that’s like wearing a tight footy jumper with big numbers on the back. I feel honoured to have had the chance to create this sculpture, knowing that what was there beforehand stood for so much.”Victoria Park, the former home of the Collingwood Football Club, was transformed into a major community recreation space in 2011. Yarra City Council and the Australian Government jointly funded the $7.2 million redevelopment of the Abbotsford ground. As part of the redevelopment, Council commissioned multiple works of public art. The intention of these artworks is to recognise the park’s important history and to provide interesting and educational focal points for park. visitors. This work by Anderson Hunt is in place of the original scoreboard which was demolished on 10 February 2011. Anderson Hunt remembers going to Collingwood games as a boy and wondering how the numbers on the scoreboard appeared and disappeared. He remembers being in awe of the size of the scoreboard. “It was like a huge monolith,” he recalls. He remembers a story of how the scoreboard operator, Bob Hill, would change the scores quick as a flash when the Magpies kicked a goal.Large black and white steel sculpture inspired by the form and imagery of the ground’s former scoreboards and clocks. Stylised wing and colours acknowledge the Collingwood Football Clubsport, collingwood football club, afl, history, victoria park, collingwood
