Found at POW camp 13 site post war by war time guard. Contained in a gold coloured material covered display box.Circular Commonwealth of Australia copper coin, value one penny, dated 1945. Head and shoulders impression of George V1 on reverse side. Kangaroo on front. Latin script around circumference.Australian half penny 1945camp 13, penny coin, australian currency, murchison internment camp

Found at POW camp 13 site post war by war time guard. Contained in a gold coloured material covered display box.Circular Commonwealth of Australia copper coin, value one penny, dated 1943. Head and shoulders impression of George V1 on reverse side. Kangaroo in flight on front. Latin script around circumference.Australia Penny 1943camp 13, penny coin, australian currency, murchison camp, 1942 australian penny

Found at POW camp 13 site post war by war time guard. Contained in a gold coloured material covered display box.Circular Commonwealth of Australia copper coin, value one penny, dated 1945. Head and shoulders impression of George V1 on reverse side. Kangaroo in flight on front. Latin script around circumference.Australian penny 1944camp 13, penny coin, australian currency, murchison camp

In 1823 the membership of the Primitive Methodist church in the UK was 33,000. Forty years later, in 1863, membership had grown to half a million making it the third largest religious group after Anglican and Wesleyan Methodist. Primitive Methodism came to Australia in 1840. Source: https://www.movements.net/blog/2016/02/08/lessons-from-the-primitive-methodists-dave-price.htmlCH019.1 - Primitive Methodist white commemorative plate with grey, green, brown and gold illustrations and text. Images: Top: "First camp meeting, held at Mow Cop, May 31 1907". Right side: "Jubilee Chapel, Tunstall". Left side: "Memorial Chapel Mow Cop". Bottom:" Clowes Memorial Chapel, Burslem". Centre: "Hugh Bourne. Born April 3rd 1772. Died Oct 11th 1852" "William Cowes Born march 12th 1780 Died March 2nd 1858". The is text around the rim of the plate: "The little clouds increasing still which first arose upon Mow Hill" "The Centenary Camp Meeting was celebrated at Mow Cop on May 26th & 27th 1907". The back of the plate gives church statistics: "Truly What Hath God Wrought. Chapels & Preaching places 4,905. Ministers 1,153. Local Preachers 16,209. Church Members 210,173. Congregational ... 607,682. Sunday Schools 4,209. Teachers 61,275. Scholars 477,114. Value of Property 4,958,978 pounds. CH019.2 - Same as CH019.1 in white, blue and gold. CH019.3 - Same as CH019.1 with more gold and colour. The wording around the rim is the same but differently placed."1807 PRIMITIVE METHODIST CENTENARY 1907"primitive methodist, primitive methodist jubliee chapel tunstall, mow cop, bourne, hugh, clowes, william

Readings for morning and evening compiled by Samuel Bagster. Leather bound miniature book with gold embossing. Gilt edged pages.Inside cover: 'To Miss Edwards as a mark of appreciation of valued services rendered to Jesus Christ. The Carlton Methodist Missions 1921. Rev Dyson, Superintendent Xmas 1921.' Title page: 'Daily Light on the Daily Path for every day of the year'.samuel bagster

This certificate, drawn in a very elegant hand, contains the biographical information of Wilfred Busse. It is assumed to be a funeral or memorial card. Born in Chiltern in 1898, Wilfred Clarence Busse was educted at Wesley College and then the University of Melbourne. He became a barrister and through his time at the University of Melbourne studied with future Chief Justice and Governor of Victoria Sir Henry Arthur Winneke (1908–1985), as well as spending time in the chanbers of Sir Leo Finn Bernard Cussen (1859-1933), who was a judge of the Supreme Court of Victoria. Busse also wrote two novels, 'The Blue Beyond' and 'The Golden Plague'. In 1931, 'The Golden Plague' was awarded the T. E. Rofe gold medal by the Henry Lawson Literary Society for its ''its vivid scenes of the Ovens River [gold] rushes, in the early [eighteen] fifties".Ivory rectangular certificate with rounded corners made of thick paper with inked writing and two small photographs mountedObverse: Wilfred Clarence Busse/ 1898 – 1960 / Barrister and Author / Born in Chiltern. Educated at Melbourne / University. Studied Law with former Governor / of Victoria Sir Henry Winneke. In 1928 / published his first novel, “The Blue Beyond”. / In 1930 published “The Golden Plague” for / Which he was awarded the Henry Lawson / Literary Society’s Gold Medal. / Wilfred Busse was a member of the Chiltern / Athenaeum. He valued the historical works / In the library. / wilfred busse, wilfred clarence busse, wilfred c. busse, busse, w.c. busse, "the golden plague: a romance of the early fifties.", "the blue beyond, henry lawson society, chiltern, chiltern athenaeum, chiltern athenaeum museum, sir henry arthur winneke, sir leo finn bernard cussen, funeral card, memorial card

This flag was used by Rosbercon Girls Grammar School, which operated in Brighton from 1906 until 1941. The school was established in 1906 by the Tisdall family. The Tisdalls were a family of educators: Irish-born Henry Thomas Normanton Tisdall and his wife Lucy taught for many years at the Walhalla State School in Gippsland, along with Lucy's sisters Alice and Clara Weekes. Three of the Tisdall daughters, Ethel, Constance and Theodosia (Theo) followed their mother and aunts into the teaching profession. Constance in particular considered education her true calling and harboured a dream of one day being principal of her own school. After Henry's death in 1905, faced with financial uncertainty and several unmarried daughters to support, Lucy Tisdall decided to take a risk. She sold the family's Toorak home and, together with her sister Alice, leased 'Ashburnham', a large Victorian villa at 106 North Road, Brighton. The plan was to open a private school, with Ethel and Constance as co-principals and Lucy, Alice and Theo teaching and managing the household affairs. This came as a "joyful surprise" to Constance, who was only informed of the plan after it had been finalised. The school was named Rosbercon after Henry's home village in County Wexford, Ireland. The crest, designed by son Bert Tisdall around 1910, featured a crowned letter 'A' above the motto "amor vincit omnia" ("love conquers all"), both inspired by a verse in Geoffrey Chaucer's "The Prioress's Tale": "about her arm she bore/A paire of bedes gauded all in grene,/And theron heng a broche of gold full shene,/On which there was first writ a crowned 'A',/And after, Amor Vincit Omnia." It was a motto Constance held close to her heart, embodying her values as a teacher. Reflecting in 1961, she wrote, "In a school without punishments, a school with love and understanding between teacher and pupil - with a love of teaching on one side, and a desire to learn on the other, love would indeed conquer all." The school's opening day in 1906 proved less than auspicious, with no pupils arriving at all. The women persisted and by the end of the first week, five students had been enrolled. From here, the school grew steadily in size. A new schoolroom designed by architect Harold Desbrowe-Annear was built in the house's orchard to accommodate the increasing numbers, but by 1911 the Tisdalls began looking for larger premises. They leased the nearby property 'Hazeldean' at 124 North Road and, during the 1912 school holidays, the Desbrowe-Annear schoolroom was raised onto a lorry drawn by sixteen horses and moved down the road to what would become Rosbercon's new home. In 1923, Constance instituted a modified version of the Dalton Plan, an education model based on individualised learning. Girls in senior years were encouraged to work more independently, making regular use of the reference library and working to a monthly assignment schedule. The school performed well academically and in competitive sport, but over time was eclipsed by the nearby Firbank Church of England Girls' Grammar School (established 1909), whose institutional backing provided it with access to wider resources and facilities than those of the small family-run Rosbercon. At the end of 1933, Ethel and Theo retired and Constance became principal of St Anne's Church of England Girls' Grammar School (now Gippsland Grammar) in Sale. Rosbercon was sold to Miss Iris Hay, who served as principal from 1934 until the school's closure in 1941. Following her own retirement in 1947, Constance Tisdall settled in Erica Avenue, East Malvern, in a house named 'Rosbercon' after her former school. She continued teaching English literature, mostly to migrants, and enjoyed regular visits from former students. Well into the late 1960s, old Rosbercon girls continued a tradition of coming together for an annual reunion on the first Saturday in November, on which day Constance would fly the school flag at her home.Large navy blue flag with horizontal maroon stripe at top and bottom, and school crest in centre. Stylised maroon "A" topped with yellow crown. Yellow scroll below with motto in navy blue letters: "AMOR.VINCIT.OMNIA".flag, school flag, rosbercon girls grammar school

A black self filling fountain pen with a cap over the nib of gold coloured metal with name HASCO in gold on the cap. The pen comes in its own box of green cardboard with gold writing - 'HASCO ' Self-Filling Fountain Pen - Marvel of Value.HASCOdomestic items, writing equipment

12 x white square plastic badges made by A.J.Parkes 2 x Silver coloured with blue banner $1 value made by Swann and Hudson 5 x Gold coloured with red banner $2 value by Swann and Hudson 2 x Gold colour with a green banner $5 value by Swann and Hudson

1. Small circular white badge/red cross - bar pin 'A.N.C.M' 2. Oval medal with bar, long pin- red steward badge Royal Agricultural Show 3. Ditto - blue steward badge/brooch pin 4. AIF batch surmounted by crown 5. Oval Catholic religious medal/long chain 6. Oval badge: inscribed 7. Gold/Red/White/blue enamel badge - Free Trade 1929 8. Silver badge surmounted by crown/AP on red ground 9. Blue & gold badges: Eagle/shield/St John's Mitcham 10 & 11. Blue & gold badges: Eagle/shield/St John's Mitcham 11. Green & yellow circular on ring: Caufield Cricket Club 12. Ornate green/gold/white circular badge + pointed shaft1. Deo et Nomini Servimus A N C M 2. The Royal Agricultural Society of Victoria/Steward 3. The Royal Agricultural Society of Victoria/Steward 4. AIF - rest illegible/reverse: 4B349 5. Mostra TE ISS/Matrim/ Reverse: Congregation Des Enfants De Marie / scratched initials & date: B.Y.M 1891 6. P.J. Markham 678 Whitehorse Rd Mitcham Ringwood WNE 198 7.To promote land value, taxation and free trade. 4th International Conference Edinburgh 1929/Reverse: 50th anniversary of 'Progress & Poverty' by Henry George 8. Victoria ARP AH428 9&10. St John's Mitcham SJM Fide et Amorevinco/Reverse: scratched initials M.M. Millance 11. Caulfield Cricket Club1828-29 ccc/reverse: 20p.j. markham, mitcham post office

White community inclusion initiative recognition certificate with a watermark of the Rural city of Wangaratta symbol, framed in a black frame with a gold section along the inside of the frameCommunity Pride Awards 2010 Community Inclusion Initiative Presented to 'Youth Homelessness' Tom MeLeod, madison Muir, Sarah Wallis, Jeremy Piper, Danielle Adams, Bridget Lorenz Congratulations! valuing care, commitment & pride in our community

Loose A4 pages, enclosed in old calendar page as make-shift cover. Written on front ' Central Nell Gwynne Gold Mining Company, No Liability. Gold Book: South Shaft' Monthly entries date from January 1938 through to February 1942 and include weight advanced upon, amount of advance, weight after melting, fineness (mint and bank charges written in pen ) Eq standard weight, value, balance of assay. Blue bank deposit slip from English, Scottish and Australian Bank enclosed dated 28.11.1941 for lodgement of 13/4/- for South Nell Gwynne GM Co., relates to entry in bullion book for same date.gold, mining, central nell gwynne

Hardcover book, crocodile skin print brown cover, black spine. Written on front in black pen 'Gold Book, Nell Gwynne Reef N.L.' Monthly entries in book date from December 1941 to December 1944 and relate to bullion, weight advanced upon , amount of advance, weight after melting, value, balance of assay. . Paper clip in book holds2 City of Bendigo Municipal Weighbridge dockets,dated November 29 and December 14, 1949, indicating that pyrites for the Nell Gwynne Reef was weighed. Purchaser: Leggo, Driver Leggo. Nett Weight 1 ton, 14 cwts. And second 2 tons, 7cwt, 3qrs Toll 1/-/-. Signed U. Austin, weigher. A4 letter appended to weighbridge dockets addressed to Mr. J.J. Stanistreet, Commonwealth Bank Chambers, Bendigo, dated 28th. December 1949. re ' Nell Gwynne Reefs G.M. Coy N.L., I beg to report having attended at the …..mill and afterwards at the works of Victor Leggo Mining Coy. To sample consignments of pyrites. Moisture contents were determined and weighbridge docket checked. Etc.' Assay declarations described in letter.gold, mining, nell gwynne reef n.l.

Hardcover blue/cream book, black spine. On sticker on front 'Central Nell Gwynne Consolidated Company Gold Book' First 3 pages held together by paper clip, dated 1922, on top of page, North Blue Consolidated Co. Entries relate to bullion, weight advanced upon , amount of advance, weight after melting, value, balance of assay. . Following pages date commences 1933, July 28 entry 'Coy North shaft, weight advanced upon, amount of advance, weight after melting, fineness (mint and bank charges written in pen ) Eq standard weight, value, balance of assay. Monthly entries continue until March 1942. Blue bank deposit slip dated 13 June 1941, for 1628/8/- for Central Nell Gwynne, equates to entry in bullion book of that date. Inside front cover: slips of paper with handwritten equations.gold, mining, nell gwynne north blue consolidated

Green hard cover book, one page only has entries. Written inside front cover in grey pencil ' New Don No Liability' Entries relate to 1933, and 1934 showing tons, weight advanced upon, amount of advance, weight after melting, fineness ( bank charge written in pen ) eq standard weight, value, balance of assay.gold, mining, new don mine

Joan O'Shea collection. Buff coloured book issued by Mines Department Melbourne. Victoria Australia 1936. Information contained within refers to History, Recent developments and future Prospects, Geology, Lines of Reef for the Bendigo area, information regarding tonnage of gold and values of same at that time. The index at the rear of the book lists all of the mines in the Bendigo area.Geo. Brown, Secretary for Mines, Mines Departmentmining, business, mines department

Mr. Northcott served all through the Crimean war, and obtained three service medals. He was most fortunate, as he did not even receive a scratch. While fighting in the trenches one day he happened to glance round, and was surprised to discover that his brother was by his side. They had not seen each other for a long time, and the meeting under such circumstances can be imagined. Two of his brothers, John and William, served throughout the war. At its close he came to Victoria, the gold fever being then at its height. His stay in Bendigo was brief, as the New Zealand rush attracted his attention, but he returned in 1858 to Bendigo, and as the outlook was quiet, he went back to New Zealand in 1859. Finally, in 1860, he settled in the Bendigo district with his father and mother and brother William. They took up some land at Leichardt and remained there for some years. It was about this time that he became prominent in musical circles. He came of a musical family, as his oldest brother, John, was one of the musicians to the Royal Family, and was pensioned by the late Queen Victoria. His younger brother, William, is at the present time one of the leading cornet players in the United States. In 1867 the late Mr. Northcott married Miss Lansell, sister of Mr. Geo. Lansell, her demise having taken place about three months before. When he left Leichardt, Mr. Northcott became Mr. Lansell's general manager, and continued in that capacity for 26 years. While he was manager of the 180 Mine it is estimated that gold to the value of a million sterling was taken from the mine. It is, perhaps, in his capacity as a bandsman, that Mr. Northcott was best known, as he became a familiar figure not only in the chief centres of Victoria but throughout Australia. He first became leader of the old Volunteer Band, and he was subsequently leader of the Battalion Band at Castlemaine. It was when he became leader of the musical combination known as Northcott's Brass Band that his fame and the fame of the band became widespread, as some 25 years ago it was one of the finest bands in Australia, and held that distinction for many years. Although many changes in the personnel of the band have taken place, it still retainsits old name. Mr. Northcott was a cornet player of high ability, and in 1871 he was presented by the citizens of Bendigo with a handsome silver cornet, in recognition of his services as a musician. His home contains a great array of trophies, photographic groups of bandsmen etc., which serve to indicate in a sense the reputation he enjoyed as a bandsman. During his career in Bendigo he invested in mining a good deal, but was not very fortunate in this respect, as he lost a good deal of money on the New Chum line. Naturally he was well known and warmly respected, especially by bandsmen. He was a genial citizen, and made a large circle of sincere friends. He was a member of the Zenith Lodge of Masons, having passed through the chairs twice. He was also a member of the A.O.F., and formerly a member of the School of Mines Administrative Council. It was about this time that he became prominent in musical circles. He came of a musical family, as his oldest brother, John, was one of the musicians to the Royal Family, and was pensioned by the late Queen Victoria. His younger brother, William, was one of the leading cornet players in the United States.Black and white photograph of Northcott's City Band, Bendigo. 3 rows of men in Band Uniform. Drum centre, brass instruments.men laying in grass at front.organisation, band, northcott's city band

The Victorian Gold Jubilee Exhibition, held at Bendigo from 13 November 1901 to 14 May 1902. The courts were numbered from one, or had titles like “Machinery”, “Agricultural”, “Naval & Military Court” and “Art”. The female visitors to the Exhibition were able to view exhibits deemed suitable for the fairer sex and located within their own “Women’s Court”. There were exhibits such as “Parasols & Umbrellas”, cotton and haberdashery from Manchester and Staffordshire, “Corsets & Embroideries” from Paris. The most valuable exhibits were mining machinery such as Taylor Horsfield’s £850 “Air Compressor & Rock Borer”. “Bohemian Glassware” brought down from Sydney was valued at £600. The profits from this Exhibition were used to fund the sculpture known as the Gold Monument, which still gazes along Pall Mall (from the McCrae Street end). The Exhibition’s Cash Book shows payments, which totalled £1160, were made to then up and coming sculptor C.D.Richardson. Recently a City of Greater Bendigo staff member used both these volumes to write a detailed report about this monument, for Heritage Victoria.Etched Drinking Glass to commemorate Victorian Gold Jubilee Exhibition Bendigo 1901-2 Decorated with a scene of Bendigo and fern fronds.Victorian Gold Jubilee Exhibition Bendigo 1901-2 Jack Gordonvictorian gold jubilee exhibition bendigo, 1901-2, jack gordon, bendigo

The Victorian Gold Jubilee Exhibition, held at Bendigo from 13 November 1901 to 14 May 1902. The courts were numbered from one, or had titles like “Machinery”, “Agricultural”, “Naval & Military Court” and “Art”. The female visitors to the Exhibition were able to view exhibits deemed suitable for the fairer sex and located within their own “Women’s Court”. There were exhibits such as “Parasols & Umbrellas”, cotton and haberdashery from Manchester and Staffordshire, “Corsets & Embroideries” from Paris. The most valuable exhibits were mining machinery such as Taylor Horsfield’s £850 “Air Compressor & Rock Borer”. “Bohemian Glassware” brought down from Sydney was valued at £600. The profits from this Exhibition were used to fund the sculpture known as the Gold Monument, which still gazes along Pall Mall (from the McCrae Street end). The Exhibition’s Cash Book shows payments, which totalled £1160, were made to then up and coming sculptor C.D.Richardson. Recently a City of Greater Bendigo staff member used both these volumes to write a detailed report about this monument, for Heritage Victoria.Etched drinking glass. Bendigo Exhibition 1902 - Mother - Etched on front - Fern frond etched on back.Mother 1902, etched glass, bendigo exhibition 1902

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.Circular pressed tin button featuring the Red Cross flag. Beneath the flag is a two-tiered scroll with red text ‘Australian Red Cross Appeal 1918’, against a gold background with a white and red border."Australian Red Cross Appeal 1918"patriotic buttons, first world war (1914-18)

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.Small circular pressed tinplate badge featuring a gold-bordered art nouveau style heart within a green wreath, surmounted by a yellow seven-pointed star, all on a brown background. The words ‘Discharged Soldiers’ Fund For Our Returned Soldiers’ feature within the heart, on a buff background. A gold and white border encloses the whole design.first world war (1914-18), patriotic buttons, badges

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.World War I-era pressed tin fundraising button. The button features the French flag and a red cross over a starburst, against a gold background. Encircling the image is a white ring with the text ‘French Red Cross’ in blue."French Red Cross"first world war (1914-18)

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.‘Heart of Gold’ buttons were produced for the Homeopathic (Prince Henry’s) Hospital’s Button Day Appeal in 1921. Contemporary newspaper accounts noted that the slogan was of American origin. A variety of buttons were produced costing from 1/ to £1. In the campaign, button selling in Kew raised £77."Heart of Gold: Homeopathic Hospital Appeal 1921"homeopathic hospital, badges, fundraising buttons, prince henry's hospital - st kilda road - melbourne (vic.)

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.Small circular pressed tinplate badge featuring the words “Hospital Day 1918’ on a white heart overlaid on a red ground. The badge is bordered in gold. Hospital Day badges were sold for fundraising purposes during and after the First World War (1914-1918)."Hospital Day / 1918"patriotic buttons, hospital day, badges

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.Small circular pressed tinplate button featuring a white map of Australia on a dark blue ground with the stars of the Southern Cross surrounding, all within a gold border. The phrase ‘I Will Help Until the War is Won’ is printed in red across the map."I Will Help Until the War is Won"patriotic buttons, first world war (1914-18), badges

The Municipality of Kew (1860-1863), the Borough of Kew (1863-1910), the Town of Kew (1910-1921) and the City of Kew (1921-1994) were local government instrumentalities in the State of Victoria. In 1994, the City of Kew was amalgamated, together with the former Cities of Camberwell and Hawthorn, into the new City of Boroondara (1994- ). Like other local government entities of the period, Kew was administered by town clerks. The two notable town clerks in Kew's history were H. H. (Henry Hirst) Harrison (1868-1955) and W. D. (William Dickie) Birrell (1899-1974). Harrison was appointed to the position in 1901 and retired in 1938 after 37 years. Birrell, appointed Acting Town Clerk in 1921, became Town Clerk in 1938, following Harrison's retirement. He continued in this role until his retirement in 1966.This card is part of an historically significant civic collection, containing hundreds of separate invitations, documents, greeting cards, programmes and tickets issued and/or collected by successive town clerks. Items in the collection illuminate the political, social and cultural history of the district. As a continuous record, ranging across most decades of the Twentieth Century, they reveal changing tastes in design, values and relationships in the history of local government in Victoria.CITY OF KEW / HIS WORSHIP THE MAYOR (CR W J HAMBLY JP) AND THE COUNCILLORS OF THE CITY OF KEW EXTEND A CORDIAL INVITATION TO / ______ / TO BE PRESENT AT A / SPECIAL MEETING OF THE COUNCIL / ON MONDAY EVENING, 22ND AUGUST, 1949, AT 8 O'CLOCK AT THE COUNCIL CHAMBERS, TOWN HALL, KEW / WHEN HIS EXCELLENCY THE LIEUTENANT GOVERNOR OF VICTORIA / SIR EDMUND HERRING, KCMG, KBE, DSO, MC, ED / WILL BE IN ATTENDANCE TO FORMALLY PRESENT A / GOLD MAYORAL CHAIN TO THE CITY ON BEHALF OF THE DONORS, / INCLUDING AND REPRESENTING FORMER MAYORS OF THE MUNICIPALITY / RSVP TOWN CLERK, 19TH AUGUST / DINNER DRESScivic ephemera - city of kew, civic invitations -- kew (vic), gold mayoral chain -- city of kew

An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week. The donation value is $10. The badge was for sale in 2019 as the date is on the badge. It is in the collection to show the modern equivalent of the older style badges. The badge of Legacy is the Torch and Wreath of Laurel. The Torch signifies the undying flame of service and sacrifice of those who gave their lives for their country. The Wreath of Laurel is the symbol of our remembrance of them. The card makes a tax deductible receipt.Example of Legacy badges that were sold up to raise money for Legacy's work. Circular emerald green Legacy Appeal badge x 2 with the Legacy torch, it is made of gold coloured metal with green enamel around a torch and wreath, the word Legacy and the date 2019. It is on a white card with blue printing showing it's value. Badge has a post and a separate butterfly clutch.legacy appeal, fundraising, badge week

Badge released by Legacy in 2023 for the annual badge day.An example of merchandise released for fundraising in 2023.Badge released in 2023 for the annual badge day appeal. It is made of gold coloured metal with yellow enamel circle around a torch and gold wreath, the words 'Legacy 2023'. It is on a white card with blue printing showing it's value is $10. Badge has a post and a separate butterfly clutch.legacy appeal, badge week, fundraising

This ring belonged to Captain William Henry Bacchus who was one of the first British colonists to establish a farming property on Wurundjeri and Wadawurrung First Nations people lands 55 kilometers west of Melbourne. The land occupied by Bacchus in 1838 came to be known by the early colonists as Bacchus’s Marsh before later changing officially to Bacchus Marsh. The ring is believed to have been made to commemorate the death of Captain Bacchus’s father Wm (William) Bacchus in Somerset, England in 1788.This ring has significance because it is an object associated with a significant historical person in the history of the region of Bacchus Marsh. It is a rare, probably unique example of an 18th century mourning ring connected to the local community. It also has aesthetic value as an object and is in excellent condition.Gold ring with blue and black coloured inlay. Contains writing on the outsideWM Bacchus Esq OB: 10th JUNE 1788 Æ: 38 bacchus family, rings, william henry bacchus 1782-1849