Christmas card which was sent to a family in Australia by Australian Army serviceman, Lewis Jones who served during World War 2. The card is in the form of a small folded card. The front cover has the Australian 'Rising Sun' badge printed above the following words "Christmas Greetings from 2/11 Battalion A. I. F.". There is some ornate artwork on this cover and a small illustration which appears to be of a middle east village scene. The inside cover page has the following (apparently written by the serviceman) "To Alice & Family Wishing You all a Merry Xmas and a Happy New Year With best of luck From Lewis"christmas, middle east, 2nd aif, army, aif, ww2, world war 2, 2nd 11th battalion

Leading surgeon and academic Sir Albert Coates (1895-1977) is one of Ballarat's most celebrated sons. A medical orderly during WWI, he returned home to become a pioneering neurosurgeon. A medical man in the worst of circumstances, Coates is often mentioned for his compassion and care in his role as a doctor in the Burma-Siam Railway POW camps. The bronze statue by Louis Laumen captures his down-to-earth nature. Laumen is a Melbourne sculptor who has completed many commissioned bronze public artworks around Australia.The statue is of aesthetic and historic significance to the people of BallaratBronze figure mounted on granite, amid garden plantings and plaques.Inscription details the life of Albert Coates.albert coates, medicine, pow camps

The French Collection was donated to the Society in 2022. This collection includes documents, artworks, books, costumes and artefacts belonging to two families. A number belonged to, or were made by the grandparents of the donor: Vera May Wing and her husband Hubert Charles McDonald. [Other items belonging to Vera and Hubert are in the collections of the Australian Performing Arts Museum and Museum Victoria.] A second significant group of objects were gifts made to the donor's family by Lucy (Jean) Hornby of Queen Street, Kew whose family had been early settlers in the district.Meerschaum pipe, with fitted brown leather case. The stem of the pipe is shaped like an arm with a carved hand supporting the bowl. The pipe is believed to belong to Joseph Wing (1812-95) or John Wing (1841-1914). The pipe has been passed down through the Wing, McDonald and French families.wing family, pipes, meerschaum

The French Collection was donated to the Society in 2022. This collection includes documents, artworks, books, costumes and artefacts belonging to two families. A number belonged to, or were made by the grandparents of the donor: Vera May Wing and her husband Hubert Charles McDonald. [Other items belonging to Vera and Hubert are in the collections of the Australian Performing Arts Museum and Museum Victoria.] A second significant group of objects were gifts made to the donor's family by Lucy (Jean) Hornby of Queen Street, Kew whose family had been early settlers in the district.Souvenir metal hat pin, commemorating the visit of the 'Great White Fleet' to Australia in 1908. Text with British and American flags"1908 / Australian Souvenir"great white fleet, souvenir hat pins

Peter GEORGAKIS Peter Georgakis completed his secondary education in Colac. He completed a Bachelor of Fine Arts at University of Ballarat (now Federation University). The following year he successfully completed an Honours, Creative Fine Arts. He was the recipient of the 2012 Martha Pinkerton Award. This artwork was purchased at the University of Ballarat End of Year Exhibition for the collection by Vice Chancellor David Battersby. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Abstract ArtPeter GEORGAKIS Peter Georgakis focuses on exploring the concept of cognitive distortions and their relationship towards the physical and figurative. By utilising and relating a variety of figurative and physical imagery, he depicts the fragmentation and explosion of an interior visual landscape within distorted thought processes. This work portrays a wide array of distorted cognitive responses in a very visceral and disordering application. His works convey and visualise this response by using a variety of different software, including medical imaging, sound to image and experimental visualisation techniques. With such software applications, he has been able to digitally manipulate figurative and physical imagery in an unorthodox manner. Through this lens of a variety of software applications, he has been able to experiment and explore a vast range of cognitive distortions and their relationship towards the physical image. art, artwork, printmaking, peter georgakis

Clifton Banks is the name given to a bank on the Hopkins River Estuary, about one kilometre upstream from Proudfoots Boathouse. It is at the foot of the property, Clifton which dates from the 1850s. There are several works of art and photographs depicting Clifton Banks which date from the 19th and early 20th centuries. This oil painting is believed to be the work of Emma McGeorge, the wife of Canon Samuel McGeorge, the Vicar of Christ Church, Warrnambool form 1899 to 1905. It is surmised that Emma McGeorge was encouraged by the artist Mary Norman to take up painting as a pastime or to continue with her art interests. Emma McGeorge may have been a pupil of Samuel Pearce Fuller and Mary Norman. She was successful as an exhibitor and entrant in art exhibitions in Warrnambool in the early 1900s. She died in Warrnambool in 1933. This is a highly significant art work as it has artistic merit and is one of the depictions of Clifton Banks on the Hopkins River and so has historical value. It is an example of the high standard of art work that was being produced, especially by women, in the late 19th and early 20th centuries in Warrnambool. It was bought at an auction sale in Camperdown by Les O’Callaghan in 1997. This is an oil painting, probably by Emma McGeorge, on art board of Clifton Banks on the Hopkins River. It has a gilt wooden frame with multi-tiered highly-ornamented outer frames in a gold colouring. The lower frame is discoloured (perhaps by smoke from a fire place) and there is a small piece of wood missing on the lower frame. All the gilding is slightly discoloured. The back has been sealed with pasted paper and there are old tacks and old wire for hanging the picture. There is a label on the back from W. Hickford, the Warrnambool picture framer and handwritten information on the artist and the artwork by Les O’Callaghan.Front: ‘E.Mc.G.’ Back: ‘W. J. Hickford, Picture Dealer, Framer and Gilder, Liebig Street, Warrnambool, Mounting and Repairing, Old Frames Re-gilt, Oakley Printer’ ‘603’ clifton banks, emma mcgeorge, warrnambool, hopkins river estuary

Artwork. Norman Penrose collection: (1) Coloured pencil drawing of a homestead on a hill. Two people in front of the house. In front of the house is a bucket sitting on a box or a well. The house has another building beside it. They both look like log construction. Drawn on grey paper. (2) Tan drawing on light blue paper with a two story building in the background. A man on a ladder is working at the window. Two people are at the other window. There is a tall tree beside the building. In front of the building is a motor car. Three people are having a picnic on the grass beside the car.drawing, pencil, bushmans homestead, norman penrose collection, bushman's homestead

Resource book developed by Aboriginal woman in consultation with local Kurnai community of Gippsland, Victoria; includes advice on story telling, involving community and parents, Koorie parents view of schooling , how Koories learn, strategies and activities for classroom, shows symbols used in art, making animal tracks, Kurnai stories include the first man and woman, the Southern Cross and the moon, the talking dog, the echidna, robin redbreast, Tidda-lick the frog, origin of fire, Kur-bo-roo the koala bear, how the sun was made; artwork in planning lessons is copyright free.b&w illustrations, games, classroom activitiesgunai, kurnai, gippsland, lake tyers, koorie studies, dreaming stories, storytelling, koorie education

Diggers & Mining: The Diggers. Slide of ANZAC BULLETIN, London August 7, 1916 (on left of slide). Ride side of slide is the back cover of a Bulletin dated April 4, 1918 with artwork on it, main section has a soldier with the word Aussie across it, the head of the soldier is the map of Australia the wording 'The Australian Soldiers' Magazine' along side the soldier. Markings by hand: This may ease a smile be\fore the bell goes at quarter to one SCR. Dated April 4, 1918. Markings: VISAR COPYRIGHT SET - THE DIGGERS, 13. Used as a teaching aid.Visaireducation, tertiary, war

Number 443/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. The print is mounted onto black paper, backed by corrugated cardboard, and air-tight sealed with clear plastic film. Materials: Paper, Ink, Graphite, Paper, Cardboard, Plastictennis

Number 204/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. The print is mounted onto black paper, backed by corrugated cardboard, and air-tight sealed with clear plastic film. Materials: Paper, Ink, Graphite, Paper, Cardboard, Plastictennis

Number 442/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. The print is mounted onto black paper, backed by corrugated cardboard, and air-tight sealed with clear plastic film. Materials: Paper, Ink, Graphite, Paper, Cardboard, Plastictennis

Number 244/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. The print is mounted onto black paper, backed by corrugated cardboard, and air-tight sealed with clear plastic film. Materials: Paper, Ink, Graphite, Paper, Cardboard, Plastictennis

Number 245/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. The print is mounted onto black paper, backed by corrugated cardboard, and air-tight sealed with clear plastic film. Materials: Paper, Ink, Graphite, Paper, Cardboard, Plastictennis

Number 444/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. The print is mounted onto black paper, backed by corrugated cardboard, and air-tight sealed with clear plastic film. Materials: Paper, Ink, Graphite, Paper, Cardboard, Plastictennis

Number 446/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. The print is mounted onto black paper, backed by corrugated cardboard, and air-tight sealed with clear plastic film. Materials: Paper, Ink, Graphite, Paper, Cardboard, Plastictennis

Number 442/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. The print is mounted onto black paper, backed by corrugated cardboard, and air-tight sealed with clear plastic film. Materials: Paper, Ink, Graphite, Paper, Cardboard, Plastictennis

A large 1959 calendar with a print titled 'Telling the Tale.' The print depicts 9 gentlemen enjoying a dinner in the late 18th century. The room has a carved stone fireplace, oak panelling and many shooting trophies. The clothes being worn are typical of the 1770's Coats of velvet, elaborate waistcoats and lace ruffles at the throat and wrists. The artist is Vine Lerche. A Bemrose Gravure Reproduction. Morgan Fairest Ltd. Sole manufacturer of the 'Banks' Labellers. Sheffield 4 England.drawing, reproduction, calendar, lydia chancellor, collection, calander, history, print, 18th century history, 'telling the tale, ' vine lerche, art, artworks, 18th century clothing, drawing

The diorama of mounted specimens of seaweed was framed by Richard Foster Norton for Thomas Watson and is dated 1860. Watson was the Warrnambool District Surveyor at the time (1860). The inscription on the back of the frame links the artwork to the Pigeon Hill property, which was located on Allansford Road (corner of Staffords Road – north side of the Princes Highway-A1). In the 1860s, the property known as Pigeon Hill was owned by William Wall who was a publican who ran several hotels in Warrnambool and district. In 1860 Wall, was running a hotel in Wangoom, near Pigeon Hill. Further research is required to determine the exact location, but Pigeon Hill could also have been the name for that area and may have had other people living there. Thomas Watson was a member of the local horticultural society. Another possible creator of the artwork is Samuel Hannaford, a biologist with a particular interest in collecting marine flora. Hannaford left Warrnambool in 1857 and went to Geelong, so it is possible he collected the specimens had them framed in Geelong, and then arranged for their return to Watson. The other known seaweed collector was Henry Watts, who lived in Warrnambool in the mid-19th century. The seaweed collection in this box was possibly one of Watts' and could have been prepared for the Victorian Exhibition of 1861, Richard Foster Norton, also known as R.F Norton, was one of only a handful of picture framers in 1850s Melbourne. Norton was born on the 24th of July 1822 in Yelvertoft, Northamptonshire and prior to his arrival in Australia, Norton is listed in England as having the occupation of a painter. It appears that he established his business in Melbourne in 1854 or 1855. Between 1855 and 1865 he operated from 87, then 83, and later 80 Collins Street. In the Argus newspaper, Norton advertised his business as a Print seller, Carver, Gilder and Picture Frame manufacturer, supplying the growing demand for artworks and decorative furnishings in the colony during the Gold Rush. Norton also had a Geelong branch in Market Square, where this work was produced. This framed work is highly significant. Previous research has found that only six frames are in existence that can be attributed to be made Norton, dating from the late 1850’s to the mid 1860’s. Moreover, Thomas Watson the owner of the artwork, is one of the government surveyors of the region during the mid-19th century.Diorama in deep wooden frame, behind glass. Seaweed specimens have been mounted within the frame. The back of the frame has handwritten inscriptions including the framer's label (portions missing). The diorama was framed by Richard Fraser Norton. Printed label; "RICHARD FOS --- Picture Framer and -- MANUF -- CARVER, GILDER, ---- PAINTINGS CLEANED, LINED AND --- GLASSES RESILVERED, FRAMES --- Architectual Decorations created to any design in Paper Mache, Carlton Pierre, or Composition, Country Orders promptly attended to, The Order Suppl ---, BRANCH ESTABLISHMENT, MARKET SQUARE, GEELONG" flagstaff hill, warrnambool, maritime museum, richard foster norton, r.f norton, picture framers, melbourne, geelong, artwork and decorative furnishings, gold rush, seaweed, botanical specimens, 1860, pigeon hill, district surveyor, thomas watson, william wall, wangoom, samuel hannaford, henry watts, victorian exhibition, 1861, yelvertoft, northamptonshire, market square

Official opening, Thursday 5 December at 2.30pm of exhibition held 5 December 2019 - 6 January 2020 in the Eltham Community Gallery, Eltham Library Eltham District Historical Society is a member of the Yarra Plenty Heritage Group, which together with the Nillumbik U3A Painting and Drawing Group participated in an exhibition of historical photographs and original artworks side by side in a celebration, at the Eltham Library Community Gallery, of all things summer - picnics, swimming, boating, horsing around and enjoying nature with family and friends during long summer days. 56 Born Digital images2nd eltham sea scouts, andrew ross museum, eltham district historical society, eltham library, exhibition, greensborough historical society, heidelberg historical society, museums australia (victoria), nillumbik historical society, nillumbik reconciliation group, nillumbik shire council, nillumbik u3a drawing and painting group, roving curator, st andrews/queenstown historical society, u3a, yarra plenty heritage network, yarra plenty regional library

The Campsite mural features Bunjil (wedge-tailed eagle) the creator and spiritual leader for Aboriginal people of this land. The Baarlijan (platypus) is a representation of the local Aboriginal community who have come from different Aboriginal nations and have made Ballaarat their home. The circular motifs represent campsites of different sizes located across Ballaarat, indicating that Ballaarat was and continues to be an important meeting place. Campsite (2020) is a re-commissioned artwork based on the original Campsite Mural installed in Alfred Deakin Place for the Commonwealth Games in 2006. The Campsite mural features Bunjil (wedge-tailed eagle) the creator and spiritual leader for Aboriginal people of this land. The Baarlijan (platypus) is a representation of the local Aboriginal community who have come from different Aboriginal nations and have made Ballaarat their home. The circular motifs represent campsites of different sizes located across Ballaarat, indicating that Ballaarat was and continues to be an important meeting place. Commissioned by the City of Ballarat. Painted mural on six weatherproof sheetsbunjil, baarlijan, aboriginal history, ballarat history, wadawurrung

“The artwork speaks to the historical architecture of this area, while exploring the idea of changing understanding of space. Space is bent, bulged and repeated, in this painting, like a mirror maze. In this way, it will inspire playfulness, curiosity and thought, by transforming the way we observe, move through and engage with public space”Artist George Goodnow has installed their artwork on the Annex Wall in Alfred Deakin Place from 30th November 2021 - 1 November 2022. George is a multidisciplinary artist and curator currently living in Naarm (Melbourne). Their work for the Annexe Wall will feature a fictional architectural arrangement of the Police Lane site. George utilises painting (designed through hand-drawn and digital processes) to adjust existing architecture, illuminating how spaces reflect, orientate and hold bodies. Recent work explores feelings of disorientation, binaries and queerness within suburban and urban landscapes. painted wall

Gilda GUDE (1918 - 1996) Born Ballarat Died Melbourne Gilda Gude worked in various media throughout her career, favouring figure and flower studies. She attended the Ballarat Technical Art School in the early 1930s. This artwork was completed for a competition run by a large art supply company. In 1952 Gude won the Royal Art Society Drawing Prize. She started lecturing at RMIT in 1961. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed oiginal poster advertising Nestles. LR G Gudeart, artwork, gilda gude, poster, nestles, alumni, ballarat technical art school

Gilda GUDE (1918- 1996) Born Ballarat Died Melbourne Gilda Gude worked in various media throughout her career, favouring figure and flower studies. She attended the Ballarat Technical Art School in the early 1930s. This artwork was completed for a competition run by a large art supply company. In 1952 Gude won the Royal Art Society Drawing Prize. She started lecturing at RMIT in 1961. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, gude, gilda gude, ballarat technical art school, toffee, available, lollies

Associate Professor Neville J Davis, was appointed President of ANZCA in 1995 until 1996. Professor Davis was a member of both the last Board of the Faculty and the first Council of the newly formed Australian and New Zealand College of Anaesthetists. Further information about Professor Davis can be found on Lives of the Fellows,http://anzca.online-exhibition.net/fellows/fellows-1992/neville-james-davis/ The artist Ben Joel is a Western Australian artist, well known for his commissioned portraits and contemporary pieces in most media. Joel's artworks are represented in private and public art collections. Oil painting on canvas of Associate Professor Neville J Davis, seated at an angle, wearing the Presidential gown and badge. The backdrop is plain with a mock outline of a window. Mounted in a plain gold frame with a brass plaque affixed to center of frame[plaque] ASSOCIATE PROFESSOR / NEVILLE J DAVIS / PRESIDENT 1995-1996painting, anzca president, davis, neville, joel, ben

Artwork. Norman Penrose collection: large brown folder with wide black spine containing a page from Water Life with coloured sketches of the Murray Cod, the Azure Kingfisher and the Swamp-hen. A page from the Herald-Sun, Feb 13, 1955 with ladies shoes on one side and the third article of a series of Lawrence of Arabia on the other. Notes and drawings of Ionic Order (Erectheion - Athens. North Portice). And Doric Order (Temple of Theseus. Athens. 5th Cent BC). Also Corinthian Order (Choragic Monument of Lysicrates. Athens). Plan of the Parthenon. Notes on perspective. Notes and illustrations on the Development of Buttress.drawing, pencil, norman penrose collection, water life, notes on drawings, herald-sun, ionic order, corinthian order, doric order

Dr Carl von Brandenstein was born in 1909 in Hanover, Germany. He studied oriental languages and the history of religion at Berlin University (1928-1934) and Leipzig (1938-1939). His doctoral thesis was a dissertation on the iconography of Hittite gods. He was arrested in Persia in 1941 and sent to Australia where he was interned at Loveday Camp South Australia and in Camp 1 Tatura from January 1945 until his release in August 1946.Four artworks in a dark wood frame with terracotta coloured matte. Item 1: Hospital Waranga. Tall gum trees in foreground, blue sky . Staff standing under the veranda and a red cross vehicle parked in front. A barbed wire fence surrounds the hospital. Item 2: Inside the Library. Item 3: Camp Barracks. Four huts in a row . A tree and garden in front. Item 4: Reading Room. A table in centre of the room with a single chair. Books and stationery items on the table. A lamp hangs from the ceiling. Bookshelves along the walls and paintings on the wall. Item 2: "am letzten Tage deiner Internierung dem lieben Hans Wulff fur Errinnerung an gemeinsam gebautes" (English Translation: On the last day of your internment to dear Hans Wiulff for remembrance of what we built together. camp 1, tatura, carl von brandenstein, internment camp loveday, waranga hospital, library, hans wulff

Creamy Coloured Card folded in half. Marvellous Melbourne Bicentennial Ball The Royal Exhibition Building Carlton 29th April 1988. Order of Programme. 8.00pm Arrival 8.30 Welcome to Guests Dancing. 9.30 Dinner Dancing. 10.30 Announcement of Prizes. Addresses Dancing 2.00 am Close Music provided by the Wedderburn Old Timers. Menu Hot Chicken Entrée Selection Cold Meats & Salads Tipsy Cake Dinner Mints & Coffee. Acknowledgements Artwork - The Scriptorium Patricia Barth Hose Glassware Seppelt's Wines Trustees of the Exhibition Building Melbourne Parks and Gardens Proudly sponsored by 3AK.person, individual, peter ellis oam

School Council, Members of Staff, List of Full Course Students 1948, S.M.B. Magazine Committee, Editorial, Principal's Page, News and Notes, Editor's Notes, Obituary - S. H. Mayo, Farewells to Staff Members, Alterations in Staff, Science Section, The Literary Society, S.M.B. Yesterday and Today, The Ex-Servicemen, R.A.A.F. Story, Art Section, Escape from Nazi Europe, Short Story Competition, Senior Sport, Girls Sport, Commercial Notes, The Junior Techs, Junior Technical School Students' 1948, Students' doing Trade Apprenticeship Courses Green cover with maroon and green lettering, soft covered magazine of 54 pages. Artwork Mr Ramm - By Robert Tantau Borrick - By H. McWilliam Darb - By Robert Tantau Have a chip Will - By Robert Tantau Junior - By Robert Tantau Bruce - By Robert Tantau Pen and ink Ilustration (car) - By Ron Cairns Rosemary - By Robert Tantau Maurine - By Robert Tantau Howard - By H. Tozer Mick - By Robert Tantau Lorna - By Robert Tantau Sandy - By Robert Tantau Hughes - By Robert Tantau Bautovich - By Robert Tantau Bill and Banjo - By Robert Tantau Mac - By Robert Tantau Rowy - By John Willis ballarat school of mines, magazine, h. tozer, v. lancaster, g. murdoch, m. greenwood, alan j. fenton, c. rook, b. bryan, c. g. fairbank, r. p. flower, c. sanos, eric e. marshman, r. w. richards, m. k. ashton, w. k. l. murray, g. ramm, john c. collins, f. g. procter, dr. j. r. pound, donald c. johnston, neville d. gardner, arthur c. burrow, phillip e. richards, john f. swain, hester darby, lewis huisman, betty freeth, j. williams, m. treganowan, gwenyth williams, w. archibald, maureen callahan, margaret ryan, t. downes, dawn anderson, m. rowbottom, beverley letti, l. greenbank, valerie ritchie, beryl hutchings, p. reidy, robert tantau, willis brown, wesley wilson, donald durant, geo m. hetherington, john a. wilson, maxwell f. murray, ron cairns, geoffrey j. edmonds, john k. ballinger, william n.. edwards, r. rosser, horace j. graham, kevin k. treloar, john h. boag, francis l. veal, hans fumberger, john r. jopling, william h. wray, stanley j. dunstan, john willis, robert e. davis, jeffrey m. coward, william j. scala, george r. searle, norman w. ludbrook, robert r. u'ren, rex h. hollioake, alan vinegrad, h. mcwilliam, james w.b. tippett, james w. brokenshire, frederick g. savage, ronald t. spence, john r. sawyer, terence p. lannen, e. lloyd, d. brayshaw, valerie daff, betty hearn, thelma halsall, v. henderson, netta pitcher, moira baker, betty whitford, joan ellis, pamela hay, r. b. williams, heather coad, s. shillington, b. duffer, j. a. willsher, m. mclean, j. catherall, c. beeston, e. shaw, n. silvey, d. stevens, k. adams, t. hewitt, i. lepp, j. mccormack, a. young, l. george, j. terrill, k. spalding, j. watts, w. clarke, g. hindson, d. gilbert, a. hewitt, r. plover, g. murrowood, r. cochrane, j. bethune, j. walton, r. ward, j. blain, r. gluyas, r. luke, j. daly, k. ward, i. mcconchie, p. hewitt, j. skilbeck, e. jones, c. hoffman, w. mckenzie, r. phillips, g. allen, h. saw, c. mayne, b. graham, m. tweedale, d. alexander, w. rodgers, r. norman, m. horwood, p. hains, m. coleman, g. hannah, r. bawden, r. simpson, d. ditchfield, albert bradley, w. d. ditchfield