Red canvas belt with two dark blue stripes Double buckles Leather fittings Rhodesian Core of Engineers

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Abstract painting on canvas. If you can provide information on this artist or artwork please use the email link below.art, artwork, liz turpie, turpie, available, abstract

Army Issue kit bag for carrying personal goods eg when re-posted; used by JP Redfern, National Serviceman 19** to 19** including his Vietnam Service.Personally significant to owner but with y a like significance to all soldiers who also used same type kit bag.Army issue Kit Bag, olive drab colour, made of light canvas material; with name and Service number.Name: Redfern JP; Service No. 3791313; yellow dash for colour identificationvietnam, vietnam war, diamond valley vietnam veterans sub branch, equipment

Unique Canvas and paper Australian Army Pay book issued to James Walter Healy a Ferrier Sgt in France in 1916.Full details of Pay received when on active service in France in 1916

Created for Ballarat Apron Festival to present Ballarat's Aboriginal history, to be displayed along side the Festival's Ballarat Apron. Oil painting on handmade treated canvas apron. Two large thick cotton ties at waist and loop for neck. marlene gilson, ballarat, wadawurrung, aboriginal

Portable morse code metal box with canvas shoulder strap. Case Mark II PMG Melbourne 1942

The fireplace was the main heating source for small houses before 1900, so a bellows to coax a flame from a dying fire was important. They would also be used to keep the fire going in a woodfire oven for cooking. In later cooking ranges, domestic water supply was also heated through the cooking range so bellows helped to maintaing a supply of hot water.An item of local and social signifance throughout Australia, bellows were usedin homes to coax a domestic fire into flame for heating and cooking purposes. It was probably used in late 19th to early 20th century homes.A small set of wooden and canvas bellows with metal tip commonly used in households in the 19th and early 20th centuries.bellows, domestic tools

Two folded strips of linen interfacing for use on the underside of suit and coat lapels. 9028.1 Cream interfacing 9028.2 Brown linen interfacing9028.1 Special Finish. Superior Elastic Canvas. Heavy 9028.2 Superior Elastic Duck, Specially Made for Tailoring Purposes. Warranted. Pure LInen

Queen Victoria’s appreciation of German artist Franz Xaver Winterhalter (1805-1873) began after she saw portraits by him of other European monarchs. Accordingly, between 1842 and 1861 he made fifteen visits to England and painted over 100 portraits of Her Majesty, the royal family and other friends and dignitaries. In 1843 Winterhalter was commissioned to paint matching portraits of Queen Victoria and Albert, the Prince Consort. These originals hang in the Garter Throne Room at Windsor Castle and are part of the UK Royal Collection. Many legitimate copies of Winterhalter’s portrait were produced and presented to the Parliaments of the British Empire, including the Parliament of Victoria. Such copies are referred to as “After F. X. Winterhalter” and artists responsible include William Corden and John Prescott Knight. When creating copies, artists were not restricted by the size of the original portrait. Walterhalter’s original is 2.7m x 1.7m whereas copies can reach an impressive 4.5 metres in height. The portrait that hangs in Queens Hall at the Parliament of Victoria is not signed. Comparison with other copies of the work suggest that the Parliament’s painting may have been completed by William Corden. The Government Art Collection (United Kingdom), has a Queen Victoria copy in their collection and Parliament’s portrait has similar traits. A copy by John Prescott Knight which hangs in the Legislative Council in the Parliament of Tasmania is quite different, particularly with reference to the shape of the young Queen’s face, which is rounder in the Corden portraits.This portrait of Queen Victoria was presented as a gift by the British Government to the Parliament of Victoria in April 1860. Painted on fine linen supplied under Royal Warrant by the workshop Winsor and Newton, London, the frame has been embellished with elaborate wooden carvings. Framed portrait, oil on linen, of Queen Victoria. Victoria is posed in front of a curtain partially obscuring a building (possibly Buckingham Palace) in the background. Timber frame with a layer of gesso and decorative composition ornaments. There are rose, scotch thistle, clover leaf and Acanthus ornaments. A carved wood and composition element crown, resting on a tassled pillow sits on top of the frame.Canvas unsigned. Verso printed: ‘WINSOR AND NEWTON / Rathbone Place, London’. Embossed stamp into stretcher wood, stamped ‘Winsor and Newton’ in black ink.victoria queen of great britain, 1819-1901, winterhalter, franz xaver, 1805-1873, corden, william, queens hall, parliament of victoria

A fid is a conical tool traditionally made of wood or bone. It is used to work with rope and canvas.Fids where traditionally used for working with rope and/or sails on sailing ships. They are still in use today for working with rope.Large timber fid with a metal ring attached to wide end for strength used for splicing rope or cable.fid, sail making, rope splicing

Watering horses in a collapsible canvas trough in Egypt. The horses are fitted with fly veils on their bridles. trough, egypt, watering, horses, aif, a.i.f, ww1, world war 1

MEDIUM: Acrylic and gouache on canvas. DESCRIPTION: Gold painting on blue background, no frame. Crowded luminous stick figures dominate the canvas; a dark blue midnight sky the background, the strokes rough and brushed, the crowd is captured with sparks of light, points of activity around and amongst the figures gives the work movement. Signed and dated proper left hand side of image.the, in, gouache, bove, out, crowd, acrylic

Example of the type used in WW2 It cant be ascertained this type of gas mask was used at NhillBlack rubber construction with replaceable metal canister. Includes original cardboard box and canvas carry bag with shoulder strap.BRF 6/11/41 L & BR. Co. 19 941 Lot 474A (white paint print)

Blue faded canvas cover with gold lettering on spine. No dust jacket. 189 pages, index and black and white photographs.non-fictionl.a.g. strong, flying angel, missions to seamen, reverend alfred gurney goldsmith

35056 Gnr Gavin H Williams served in the AIF during WW1, this is his Sausage Bag.This is an original Sausage Bag that belonged to 35056 Gnr Gavin H Williams.Oblong, canvas, buff coloured Sausage Bag, metal rings around the top for a tie to go through - the tie is missing. On the side - No 35056 Gnr Williams G H, 30th Bty AFA, AIF. On the bottom - VIC.ww1, knapsack, 35056 gavin h williams

Sea Anchor, canvas with metal ring and small eyelets. Rope attached at four points and joined at the top around thimble. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Plan of locomotive tank engine drawn by A. Kerr 1852. This plan is attached to canvas, and has wooden rails, top and bottom.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, locomotive tank engine, a. kerr

Framed coloured photograph of Cessna 180 parked nose into a canvas hanger fuel drums and jerry cans can be seenArmy Rondell, A98-043hanger, vung tau, cessna 180

This is a portrait of Professor Michael Cousins in his role as Dean of the Faculty of Pain Medicine at ANZCA (1999 - 2002). The portrait was unveiled at a College ceremony/meeting on 30 July 2003. The portrait was commissioned by FPM to mark the Deanship of Prof Cousins. Gary Lee Gaston is an Australian visual artist who was born in 1938. He is a painter, teacher and sculptor. He has exhibited in Adelaide and is a fellow of the Royal South Australian Art Society.Professor Michael Cousins was instrumental in the establishment of the faculty of pain medicine and was its first Dean from 1999 - 2002.Oil on canvas painting of the Faculty of Pain Medicine Dean, Professor Michael Cousins set in a plain gold wooden frame.hand written on the reverse in black ink - 762 x 632 / VM24 OIL liNen •stamped on reverse in black ink: CENTRAL ARTISTS SUPPLIES / 45 Osmond Terrace / Norwood SA 5067 / Phone/Fax: 8364 2088 •hand written on reverse in black ink: GARY LEE-GASTON / O.A.M F.R.S.A.S.A. •hand written on reverse in balck ink: PROFESSOR COUSINS 2003 / A.M. MB BS MD (SYD.) FFPMANZCA. FANZCA. FRCA. •engraved onto brass plaque on front of frame: Professor Michael J. Cousins / Inaugural Dean / 1999 - 2002 •inscribed on lower right hand side of painting: artist's signatureprofessor michael cousins, faculty of pain medicine, gary lee gaston, royal south australian art society., commissioned portrait

The Australian and New Zealand College of Anaesthetists (ANZCA) began as a faculty at the Royal Australasian College of Surgeons (RACS). Separation was achieved in 1992, when the faculty became a college in its own right. The relationship between ANZCA and RACS has been strong ever since, and on opening the new building at the rear of the property in 2002, RACS gifted this painting to ANZCA.Mixed media abstract on square canvas. The painting is an orange, grey, green and white background, with an abstracted landscape in black to the centre.Handwritten in blue permanent marker on reverse: -RETURN TO FOREVER- / T MCNAMARAHandwritten on white sticker adhered to frame: TREVOR MCNAMARA / "RETURN TO FOREVER" / 160 X 160 / MIXED MEDIA / W: 3862 BTY ZAW

Born: London, Middlesex, England 1813; Arrived: Sydney, New South Wales, Australia 1832; Died: Sydney, New South Wales 1895VictorianBennett Bequest, 1999 Oil on canvas depicting portrait of seated Caroline Johnson in grey dress. Polished timber frame with gold gesso inlayRecto: Not signed, not dated, not titled painting, portrait, colonial, woman, face, dress, flower, figure

Khaki Army Backpack used during WW2 at the battle for Tarakan by ROBERT HENRY SLOAN : Service Number - VX94408 : Date of birth - 01 Dec 1925 at WANGARATTA VICTORIAKhaki canvas bag with large pocket and two side pockets - backpack on a metal triangular frame with three leather strapsarmy backpack, ww2, robert sloan

WW2 short gaiters. Canvas with leather strapping and brass buckles.Mixed match pair with one gaiter having leather straps.G..27 L B 42

Canvas carrying pouch, rectangular with divided pockets. Khaki in colour. With shoulder strap. 50 762L2A2. MF3-2-7550 762L2A2. MF3-2-75webbing, equipment, pouch