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Glen Eira Historical SocietyDocument - BOX FAMILY
Extensively detailed family history from 1838 in UK to present day. Provides much local history and social history into early pioneering and market gardening families. Forty one page computer print out with numerous black and white photographs.box w.h. george, box george, box mary nee cripps, box caroline, box william, box henry, box john, box anna, box eliza, box elizabeth nee avis, box francis, box lydia, moeller a., mclean n., robilliard george james, box ester, box fanny (downard), box eleanor, philbrick richard, fairlam richard, hale jasper, dendy henry, renick mark, renick stefanie (nee riemann), brighton cemetery, ormond, east brighton, prahran, centre road, jasper road, manchester road, mckinnon road, north road, brighton, box cottage, moorabbin historical society, thomas street, elsternwick, paterson road, east bentleigh, tucker road, jasper road, harwood thomas, box violet, hordeen lebbens, augustus arthur, wattle, pioneers, ancient order of foresters, council of moorabin, elster creek, primitive methodist church, lewis’ timber yard, grape growing, paling house, wells, water wagon, market gardens, farming, aboriginal people, king billy, chinese, kayon (?), kay you (yu?), cheong ki, boxer rebellion, chinese missionary, brickmakers, midwife, corben’s monumental masons, sculptor, cottage, parlour, verandah, scullery, le man’s swamp, flower nursery, chook houses, ladies college, moorabbin roads board, western market, eastern market, victoria market, st. kilda road, nepean road/highway, mckinnon, ormond, carnegie, oakleigh, murrumbeena, moorabbin, mordialloc, heathcote, bentleigh, brighton east, manchester road, brighton council, city of moorabbin, west joseph, porter harriet, moore henry, moeller a (moller), box mary, lindsay mccurry elizabeth, lindsay elizabeth, lindsay henry, lindsay frederick, schmidt william, robilliard james cpt., beckett ida, beckett nellie, beckett martha, beckett martha maud, robinson eleanor, robinson joyce, dowling thomas, anderson william snowden, mccurry henry mr & mrs, box emily jane (nee mccurry), jorgensen justin, jorgensen dr., jorgenson bertha, ross william murray, st. kilda, merrie creek, pentridge (now coburg), murray road, wyuna dunoos st, grange road, rosstown, tucker rd, elizabeth st, common school no 213 east brighton, bentleigh, steel roads tracks, rabbits, cheltenham, brighton cemetery, cheltenham cemetery, paterson road, east boundary road, baptist church, lay preachers, missionaries- china, oakleigh tyre works, belfast hotel sandhurst (bendigo), mornington, gas street lighting, brighton historical society, moorabbin primary school, bravis road, lewis street, chalmers street, grange road, butcher shops, ormond state school, oakleigh council, wedding dress, methodist children’s home cheltenham, bentleigh baptist church, auctioneer, lindsay mark, balkham jane, balkham stephen, reitman august william, fitzwilliam catherine, quashdorf (?phonetic) mr, box violet, montford paul, reitman stephanie (renick mrs), reitman william, box ada, downard alicia (lill), downard arthur, downard edward, graham elizabeth, downard octavia rose, downard william alfred, downard arthur henry (harvey), downard fanny, thompson eliza jane, box lena caroline, viloudaki rebecca, box anna (pay), pay henry, box eliza (gurr), johnson geoffrey, rushall eleanor (nellie), gurr eliza nee box, gurr jabez henry tasman, marriot william mrs, ross william murray, box gladys (nee battersby), box dulcie (bussell), bussell samuel robert, bussell norma (hoult), bussell darren lyle, bussell craig andrew, bussell sylvia june (barry), barry j. haydon, barry rachael alexandra, barry phillipa anne, barry vanessa kate, bussell joan lorraine (millie), millie john, bussell harold leslie, euston mr, purdue edgar robert, box lydia elizabeth, wilkinson coral doreen, mitchell donald, centre road, court pride of st george aof, dunoon street, vickery street, darey street/ave., oakleigh state school, methodist church, mill street, koornang road, regent street, marriage road, box olivia christina, box ernest charles, box walter william, lawson robert, lawson nancy eunice (curtis), box walter stanley, box eleanor (nellie) rushall, box martha, box john, box nellie gladys, andrews william (bill), box ray, mccurry mrs elizabeth, box william henry george, schreiber family, jorgensen family, downward arthur, downward alicia – lill, downward octavia rose, downward william alfred, downward arthur henry/harvey, cummings ida, cummings william, downward alice (nee cleary), downward ada, downward lucy (mrs bailey), downward alice, downward arthur harvey, bailey lawrence, bailey ian, bailey carol viola (bartlett), bailey colin harvey, bailey julie alison (hardware), bailey val, bailey adina, bailey david, bartlett brian, bartlett bradley grant, bartlett clayton lawrence, hardware michael, hardware dion michael colin, hardware jevon michael bailey, box elanor, box alice amelia (dale), dale george, dale elizabeth, dale lilly, dale john, dale thomas, dale rose, dale ethelbert, dale george, dale elsie, box thomas henry, box annie lavinia (rogers), rogers annie elizabeth, rogers william richard, box arthur walter, nelson dagma marie (box), box walter kingston, box marie, box cecilia eliza (ainger), ainger james, box ida may, cumming william george, cumming wendy (nee mansell), cumming susan, cumming paul, cumming felicity (steel), cumming shane, cumming melissa, cumming angel, box harold, box dorothy may (jackson), jackson frederick, jackson margaret (walker), jackson judith, walker david, walker michelle (neville), neville andrew, walker darren, walker rebecca (coyne), walker joshua, walker bradley, johnson steven, johnson carl, johnson judith (jackson), johnson peter, johnson melissa (hamid), johnson craig, ely johnson/jackson judith, ely steven, linham arthur, box thelma elizabeth (eagle), eagle keith, eagle nancye elizabeth (harpin), harkin john, harkin mary anne (howe), howe barry, howe samuel, harkin michael, harkin christopher, harkin elizabeth, eagle roddan, eagle carolyn (mansell), eagle gerard, eagle kerri – lee, box avis ann (eldridge), eldridge alf, eldridge robert, eldridge sandra, eldridge adam, eldridge nicholas, eldridge patric, eldridge john, eldridge carol (biggs), eldridge robert james, eldridge catherine elizabeth, eldridge meredith, box william john, box maud (nee hanchette), box malcome, box sandra (ede), box stephen, box nicolle, box andrew, box christine (dormer), box corrina, box jennifer (turpin), turpin phillip, box herbert, box olwyn (richard), box elaine henry, henry bruce, henry james, henry robin, henry david, box richard, box nerida (bowen), box duncan, box john, box cerwiden, box ewan, box bryan, box collen (malony), box kieran, box eden, box christopher, box pam (smith), box sue (tirchett), box thomas, box william, box george frederick, box olive (cameron), box eliza jane (thompson), box francis george, box lena caroline, box-hembrow mable alma, box charles francis, clinch mr., box robinson jessie melinda, box clay edith florence, north brighton, waun alex, waun robert, marquis peter, sheppard w., warnbach mr, marriott william mrs, box dorothy (seabrook), box hazel, box jessie, box frank (francis), seabrook len, box henry, seabrook albert, seabrook stanley allan, barry j. haydon, barry rachel alexandra, millie john, bussell harold leslie, bussell sue, bussell leanne melinda, bussell benjamin leslie, bussell lynette, box george, box jean (holms), box george, box alisa (hughes), hughes justin, hughes ebony, hughes tasman, box robin, box veronica (roman), box andrea roman, box lisa roman, box jodi roman, box malcome, box sue (kerrison), box amanda, box anthony, clay john (jack) francis, clay lynda blanche (nee sibte), clay vivien, clay majory joy, lipman vernon (vern) ronald, clay kenneth graham, clay laura jean -
Federation University Historical Collection
Booklet, University of Ballarat Degree and TAFE Course Guide, 2003
University of Ballarat was renamed Federation University Australia.An 80 page soft covered booklet with courses offered at the University of Ballarat, 2003.university of ballarat, tafe, kerry cox, bricklaying, childcare, visual arts, geology, horticulture, nursing, physical education, plumbing, psychology, rural operations, sound and lighting, theatre, tourism, engineering, fine arts, arts, automotive, ceramics, ararat campus, smb campus, camp st campus, arts academy, mt helen campus -
Bendigo Military MuseumEquipment - TORCH, Made in England, C. 1950’s on
Torch, plastic right angled, green, belt clip, glass globe, 2 spare glass gloves in base (did have red, green & yellow lens).lighting - batteries, military equpment - army, passchendaele barracks trust -
Federation University Historical CollectionBooklet - Annual Report, Greater Ballarat Association Annual Report 1952-1974, 1952-1974
The first presedent of the Greater Ballarat Association in 1938 was Robert J. Cooke. Eighteen annual reports of the Greater Ballarat Association. Each one discussed the work of the association and lists the subscribers. greater ballarat association, annual report, edgar bartrop, g.b. richmond, a.w. nicholson, g.e. deeble, r.g> caddell, l.j. fraser, t.u. haymes, a.w. lynch, keith rash, tourist bureau, botanical gardens telepone booth, pryor park tree planting, ballarat zoological gardens, centenary window dressing competition, soldier settlement, proposal for university for ballarat, caravan park, ballarat common, ballarat common development, t.t. hollway, housing commission, wendouree housing commission, industrial development, s.s. ballarat, begomia festiva, r.g. caddell, w.gordon smith, f.h. menzies, olympic rowing, royal tour decorations, begonia float, widening of railway bridge, j. chatham, l.g. chester, s.v. playsted, n. ellis, langi kal kal, langi kal kal training centre, migrants to victoria, flood lighting of the arch of victory, olympics holidays, ballarat's projected olympic pool, ballarat fish hatcheries, olympic hostel, town planning, murray byrne, titles for residence areas, service club signs, railway level crossing, traffic, ploughing competition, w. fraser, young australia league, removal of raaf from ballarat, renumbering of streets, renumbering of streets to the block system, miners' racecourse reserve, historical museum, ballarat historical society, c.m. canty, mavis canty, university status, ballarat university college, j.w. murray, p.r. gray, b.c. mcorist, n.c. ellis, w.h. heinz, save the lake campaign, lake wendouree, weed, home host scheme, b. walker, develop victoria council, eureka development, victorian decentralization league, r.h. ramsay, allan c. pittard, w. gordon smith, c.h. davis, b.c. hedgcock, les kennedy, p.j. rice, a.f. waddington, john p. cook, historic markers, maze, traffic lights, bungal dam, camera clubs, sunraysia way, map, centre of road parking, paddle steamer, wendouree apex, local government women's association, may nelson, wes sobey, melton foo, l.l. zilles, dulcie sullivan, m. barnes, lou zilles, john wesley sobey, e.r. ingles, herb warren, kryal castle -
Bendigo Military MuseumAccessory - LIGHT SHADE WW2, 1930's
The item was taken by J.P MURPHY VX17294, 2/29th Bn A.I.F while a P.O.W. Refer Cat No 1090 for his service history.Glass light shade taken from a cellblock in Changi Prison. The glass is clear all through. Shape is more oval than round.lighting - accessories, changi, murphy, pow -
Bendigo Military MuseumEquipment - AEOROPLANE LAMP, c.WWII
Navigators Light from a Wellington Bomber. Item belonged to Maxwell Lennox Matheson No 418447 RAAF. Refer Cat No 1959 for his service history. Adjustable lamp, metal square rod stand with black paint, metal bracket (rusted), white electrical cord, small clear globe (missing remainder of stand), bakelite electrical socket, metal light shade, grey paint.lighting-electric, military history - air force -
Bendigo Military MuseumEquipment - LIGHT, C.WW2
Signal light from a Wellington Bomber consists of the light section circular blue colour. Attached to is a plate holds a plastic handgrip black with trigger and button from the base of the handgrip is an electric lead brown in colour with a section of black protectiv cord. “Lamp electrical Signalling Daylight Mark M1918 65686 CAV”lighting-electric, military equipment, wellington -
Bendigo Military MuseumArtwork, other - LAMP - TRENCH ART, Post WW2
Possibly made by the donor.This object is an example of trench art. .1 The lamp base consists of a chrome plated deactivated mortar bomb attached to a turned brown wooden base. A globe and switch socket are attached to the tip of the bomb. An electrical cord with power plug is threaded through the base of the bomb. .2 The lampshade is made of stiffened brown paper laced to a wire frame with dark brown cord. Handpainted coloured flowers decorate the outer surface of the shade. The shade is attached to the globe via a wire clamp.On the base of the mortar bomb: ' ?LB, IM, MF, 1940'ornaments, lighting - electrical, trench art, souvenir -
Flagstaff Hill Maritime Museum and VillageWeapon - Harpoon, Early to mid 19th Century
A harpoon is a long spear-like instrument used in fishing, whaling, sealing and other marine hunting to catch large fish or marine mammals such as whales. It accomplishes this task by impaling the target animal and securing it with barb or toggling claws, allowing the fishermen to use a rope or chain attached to the projectile to catch the animal. The earliest known harpoons, have been recorded as having been made and used 90,000 years ago. In the early whaling industry the two flue harpoon was the primary weapon used around the world. This two fluke harpoon tended to penetrate no deeper than the soft outer layer of a whales blubber. Thus it was often possible for the whale to escape by struggling or swimming away forcefully enough to pull the shallowly embedded barbs out backwards. This flaw was corrected in the early nineteenth century with the creation of the one fluke harpoon. By removing one of the flukes, the head of the harpoon was narrowed, making it easier for it to penetrate deep enough to hold fast. In the Arctic, the indigenous people used the more advanced toggling harpoon design and by the mid-19th century, the toggling harpoon was adapted by Lewis Temple, using iron. The Temple toggle was widely used, and quickly came to dominate the whaling industry around the world.A hand forged harpoon demonstrating the blacksmiths art for fashioning an item used during the early 19th century in the significant industry of whaling. Used during a time when the world depended on the natural resources derived from whales, oil for lighting, lubrication, margarine, candles, soaps and cosmetics as well as the use of the whales bones for various other items such as corsets, umbrellas,fertiliser and animal feed. The item is significant as it was probably made between 1820-1850 after which a single fluke and toggle harpoon began to be use extensively in the whaling industry. Also coming in to general use was a black powder gun to fire the harpoon rather than the early type that had to be manually thrown by a mariner from a row boat of which the subject item is an example.Hand forged double fluke steel whaling harpoon with an arrowhead tip atop a square shank that tapers to a narrow round shaft with a split metal cone to accommodate a wooden harpoon pole.Noneharpoon, whaling, whaling harpoon, fishing industry, whales, flukes, lewis temple, marine technology, flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road -
Mission to Seafarers VictoriaPostcard - Postcard, Sepia, Valentine & Sons Publishing Co. Ltd, In the Billiard Room, Seamen's Mission, Melbourne, Victoria, c. 1920
The photograph on the front of the postcard depicts a game of billiards being played in the Billiard Room of the Mission to Seafarers Melbourne. The Flinders Street extension building opened for use in 1917 after relocating from Australia Wharf. The billiard pool was likely made by the Alcock company.The scene on the postcard shows the typical use of the Billiard Room at the Mission to Seafarers Melbourne as well as what is presumably the original layout of the room and gives an insight into men's fashion of the time.Sepia toned postcard with photograph of a man in shirt sleeves taking a shot on the billiard table with a second man standing to the left and rear wearing a hat and watching the shot. There are two seated men to the right of the photograph. The man on the left is wearing a suit including hat, the man on the right is wearing a cap and sitting with his arms crossed. There are three pendant lights above the billiard table and bench seating in front of the window.Printed on the bottom of the front of the postcard: "IN THE BILLIARD ROOM. SEAMEN'S MISSION. MELBOURNE, VICTORIA. REAL PHOTO SERIES M.826" Printer's logo on rear of postcard: "VALENTINES/REAL PHOTO SERIES POSTCARD" Printed sideways on left hand rear of postcard: "Published by the Valentine & Sons Publishing Co. Ltd/Melbourne, Sydney & Brisbane" Printed in right hand corner rear of postcard: "BRANCHES/SYDNEY/LONDON/DUNDEE/DUBLIN/CAPETOWN/MONTREAL/TORONTO" postcard, windows, floorboards, valentine-and-sons-publishing-co-ltd, billiard room, pool table, billiard table, billiard cue, seamen's mission, mission to seafarers, melbourne, flinders street, bench seat, pendant lighting, bentwood chairs, coat rack, valentines postcards, real series postcards, real photo series, m.826, vienna chairs -
Mission to Seafarers VictoriaPhotograph - Photograph, Black and white, c. 1950
Seafarer playing snooker in the Billiard Room.This photograph shows that the room marked "Billiard Room" in gold lettering on the door, was once used exclusively for that purpose, although no longer. Billiards was once a very popular pastime for visiting seafarers. The billiard table has long since gone and the room is now used as a karaoke and music room. There is still the option of playing pool or table tennis but these have been moved out in the main hall.Black and white photograph of a man leaning across the billiard table in the Billiard Room of the Mission to Seafarers Melbourne. The man is aiming to take his shot. There are curtains covering the windows in the background and pendants lights handing down over the table. There is a couch against the rear wall of the Billiard Room.Pen on reverse of photograph: "2" enclosed in a circle.couch, curtains, pendant-lighting, billiard, billiard room, balls, pool, seamen, sailors, seafarers, seamen's mission, mission to seafarers, flinders street, melbourne, billiard table, billiard cue -
Greensborough Historical SocietyPhotograph, Approach to Greensborough, 1947c
A vista of the top end of Greensborough in the late 1940's.Shows the development of Greensborough looking from the Melbourne approach side. Features the early power lines and post and wire fences along Grimshaw Street also dirt edges of the road, early street lighting and no footpaths.A black and white photograph of the approach to Greensborough in the late 1940's.Written in pen on back of photo: "Looking down Grimshaw St from the cutting near William St and Adeline Sts."greensborough, grimshaw street, post war era -
Eltham District Historical Society IncPhotograph, Eltham Ridge complex, 256 Bolton Street, Eltham, September 2009, 2009
Colour photographbolton street, eltham ridge, industries, classic fireplaces and bbqs, creative lighting, eltham baptist church, loanworx, pfa victoria -
Kiewa Valley Historical SocietyMould Candle Making, Circa mid 1900's
Candle stick manufacturing moulds were extensively used throughout the Kiewa Valley and its regions to provide rural homes and businesses with illumination during times of limited light e.g. night time. These candles were used before the Kiewa Valley was placed of the electrical grid. The candles were made from parrafin wax. Before the 1920"s electricity was in limited supply due to the inability of the private electricity suppliers to service isolated rural regions. It was not until the Victorian State Government passed legislation (1920) to improve electricity supplies by forming the State Electricity Commission of Victoria (S.E.C.V.) Isolated rural communities could not meet the higher costs to have electricity supplies connected and therefore it was not until the 1950's that adequate domestic electrical power could be supplied.The isolation that the Kiewa Valley provided was of a greater hindrance to any utility (power,roads & telephone) where the cost per instillation was beyond the rural population's ability to pay either directly or indirectly. One of the benefits that the "closed" community of Mount Beauty had, when it was administered by the SECV was that some utility costs were a lot lower than that of the other settlements in the Kiewa Valley. This disparity led to a conference in 1928 of the rural and regional councils to demand from the Government an equality of electricity tariffs. This equality did not take place until 1965. The demand and usage of cheaper and affordable lighting that wax candles provided was for some rural families a way of life until the mid 1900's.This candle making mould is made from mild rolled sheet steel(tin). The top basin is rectangular in shape with beveled edges(facing in on all sides. There are six holes in the top basin for vertical hollow tubes to feed off. The six tapered cyclindrical tubes running from the top basin to the bottom raised platform base. All connections are welded together. The bottom of each cylinder has an opening for the candle wick. The wick is positioned in place before the molten wax is poured into the cylinders. A positioning ring has been welded to one bottom ring for stability.parrafin wax, candles, domestic household ighting -
Kiewa Valley Historical SocietyLighter Lift Arm, Circa 1930's to 1940's
This cigarette or pipe lighter was in use in the mid 1900's when the majority of users were men. Ladies did smoke but mainly not in "public" The activity was still regarded as a male activity. Middle to Upper "Class" of women nearly always had a gentleman "at hand" that would "light up" her cigarette. This was seen as a "social" activity only but later in the mid 1900's onward it was quite acceptable for both sexes to "smoke" at anytime.This type of lighter was male orientated due to the degree of lighting the flint with the horizontal movement required a strong thumb action across the lighting wheel. It is significant to rural areas such as the Kiewa Valley as the majority of men (especially during and after World War II) regarded smoking as a way to ease off the "tension" of hard work. The socio-economics of the Australian work place changed after the emancipation of women in the "workforce" after the World War II depleted the male workforce for the duration of the War and changed the Australian ethics of women in all aspects of both city and rural working "so called" male only occupations.This Polo Swift lift arm cigarette/pipe lighter has a chrome plated shell and is fueled by petrol. To operate this lighter you lift the "snuffer" arm exposing the wick, then scrape the flint wheel to create a spark from the adjacent flint(resting on the brass ignition wheel).At the bottom of the lift arm station "POLO". Each side of the lighter are "Art Deco line running from the top of the lighter to the bottom. Between these is a rectangular box with "diamond crossed lines"early hand lighters, smoking in the 1930's, cigarette lighter, tobacco, cigerettes, lighter -
Kiewa Valley Historical SocietyLighter Lift Arm, circa early 1900s
This cigarette or pipe lighter was in use in the mid 1900's when the majority of users were men. Ladies did smoke but mainly not in "public" The activity was still regarded as a male activity. Middle to Upper "Class" of women nearly always had a gentleman "at hand" that would "light up" her cigarette. This was seen as a "social" activity only but later in the mid 1900's onward it was quite acceptable for both sexes to "smoke" at anytime.This type of lighter was male orientated due to the degree of lighting the flint with the horizontal movement required a strong thumb action across the lighting wheel. It is significant to rural areas such as the Kiewa Valley as the majority of men (especially during and after World War II) regarded smoking as a way to ease off the "tension" of hard work. The socio-economics of the Australian work place changed after the emancipation of women in the "workforce" after the World War II depleted the male workforce for the duration of the War and changed the Australian ethics of women in all aspects of both city and rural working "so called" male only occupations.This Roller Beacon lift arm cigarette/pipe lighter has a chrome plated brass shell and is fueled by petrol. To operate this lighter you lift the "snuffer" arm(long roller lift arm) exposing the horizontal external flint tube, then scrape the flint wheel to create a spark (to light the wick) from the adjacent flint(resting on the brass ignition wheel).At the base to the left of the "filler" screw "PATENT No. 485037, 818155" underneath "REG. DES. N" on the filler screw "ROLLER REG" underneath "TRADE MARK". To the right of the "filler", "THE ROLLER BEACON MADE IN ENGLAND"early hand lighters, smoking in the 1930's, cigarette lighter, cigarette, tobacco -
Orbost & District Historical SocietyLamp - kerosene, first half of 20th century
This lamp pattern was originally made in USA between 1880 and 1900. The pattern is called Feathered Cartouche and generally had a painted motif on each of the panels on the front. This lamp is probably a copy of the American lamp and made in Australia sometime in the first half of the 20th century. The lamp has an English style collar rather than an American one and the pattern is not as crisp as the American ones. There were several lamp patterns made here that were copies of American patterns and that style of collar was used on most of them. (ref Oil Lamp Antiques)This item is an important example of the early technology of artificial light. It has historical significance in demonstrating lighting devices used before the widespread use of electricity.Ornate clear glass kerosene lamp. Glass chimney is missing. Base is square and patterned with raised oval shapes, as is the stem. Both base and stem are hollow. At the top, the kerosene holder is squarish with round corners.. The wick holder is of brass and has a small wick adjustor.lamp, kerosene lamp, lighting - domestic -
Orbost & District Historical Societylamp - kerosene, between 1880 and 1920
This item is an example of a lighting device commonly used before electricity was widely available for domestic use. A kerosene / oil lamp which is mostly made of clear glass. The fittings are metal.The base is ornately decorated.lighting lamp kerosene oil-lamp glass-lamp -
Orbost & District Historical Societycandlestick holder, early 20th century
Donated by Mrs Frank Richardson. Frank Richardson 1877-1950 was a sawmiller at Tabbara and helped build and run paddle steamer "Curlip"as engineer. Frank Richardson was a pioneer of the Orbost district. The candle-holder is an example of an item commonly used before electric light came to the area. Candleholder is a hollowed round, white, saucer shape with black ring around the edge and holder. In the centre there is a candle-holder, with a ring finger-grip on the side.candlestick-holder lighting candle richardson-frank enamel -
Orbost & District Historical Societylamp, Early 1800's
This lamp was used on the first coach from Cunninghame (Lakes Entrance) to Orbost. The coach started for Orbost from Roadknight's, near Cunninghame (Lakes Entrance), at 7.30a.m. The journey was 32 miles and took eight hours. The fare was 25 shillings return. This item is an example of an item used in the time of horse and carriage transport.An old black kerosene coach lamp with a large glass lens. The glass is cracked. It has a metal stack with a handle.lamp lighting kerosene coach -
Orbost & District Historical Societyslush lamp
In the days before battery powered torches many used a slush lamp to provide the light they needed to carry out their duties. It held a flammable liquid like paraffin. When the wick was lit the slush lamp provided sufficient light.Slush lamps were designed to be carried around but they could be dangerous because they have flame as a source of light. This is an example of a portable lighting device in common usage before the use of batteries.A black metal slush lamp with two glass panels and a stock. At the back is a hinged door. There is a hole on top caused by rust or being burned through. Kerosene or oil was probably the fuel used.On top of light - Serial No 339220slush-lamp lighting kerosene oil -
Orbost & District Historical Societylight switch
From the premises of Auctioneers James and Bird in the early 20th century. It was a small building beside abandoned shop on the corner of Tarra & Nicholson Streets. An early 20th century light switch from the James and Bird premises. It is painted pastel green and has large screws poking out through the mounting block. The two fuses were originally white porcelain and have been painted over. The brass fixtures have been painted over.On back -1917 electric lightlight-switch james-and-bird lighting -
Orbost & District Historical Societylantern, circa 1890
This item is an example of a lighting device used before electricity and battery power were widespread.A small brass Elfin Reflector Night kerosene lantern with a reflector plate at the back. A handle runs around the middle. It has a small canvas wick. The glass is missing.On top of fuel tank-ELFIN REFLECTOR NIGHT LAMP On back-MADE IN U.S.A. BY EDWARD MILLER & CO USA On wicker winder (left) -E. MILLER -CO.U.S.A.lamp lantern kerosene oil lighting miller-edward -
Orbost & District Historical Societylantern, Kwang Hwa, first half 20th century
This item is an example of a lighting device commonly used before electricity was widely available for domestic use.A hurricane lamp with a rounded tank and small carry handle (a larger handle is possibly missing). It has a lever to open the glass tank. It has a metal base which is filled with kerosene. On top is a metal hood with vents.Around base : Chinese characters. On top : "Made in China KWANG HWA"lighting lantern kerosene-lamp hurricane -lamp -
Orbost & District Historical Societycandle holder, early to mid 20th century
Portable candleholders were commonly in use in Australian homes in the 1800s. Candles were very expensive in Australia and often were not available in stores. However, after 1850 the price of candles was reduced and they became readily available throughout Australia. Candleholders were popular as they protected furniture from hot wax. The dish around the candle stem collected the hot wax that could be reused later. When carrying the candleholder, the dish also protected the hand from the hot wax. This one was used by Helena Warren of Newmerella.The candle-holder is an example of an item commonly used before electric light came to the area.A white enameled candleholder which is a hollowed round, white, saucer shape edged in dark blue. In the centre there is a candle-holder on a short stem. It has a dark blue finger-grip ring on the side.lighting candle-holder -
Orbost & District Historical Societyslush lamp
This slush lamp was used in the Newmerella Bakehouse ( Sederlan's Bakery) before electricity was connected. In the days before battery powered torches many used a slush lamp to provide the light they needed to carry out their duties. It held a flammable liquid like paraffin. When the wick was lit the slush lamp provided sufficient lightSlush lamps were designed to be carried around but they could be dangerous because they have flame as a source of light. This is an example of a portable lighting device in common usage before the use of batteries.A cast iron slush lamp. It is a a crude lamp or burning slush, tallow, or grease.It is a jug shaped container on a shallow dish that holds the fuel and a wick that draws the fuel by capillary action. There is some burnt hessian impregnated with fat. lighting lamp-slush newmerella-bakehouse -
Australian National Surfing MuseumPhotograph, Unknown, Jack McCoy and Lightning Bolt Surfboard, circa 1975
Jack McCoy is a famous surfer and surf film maker from Hawaii. In this photograph he can be seen holding a brand new Lightning Bolt single fin surfboard.Jack McCoy is recognised as one of the world's great surf film makers.During the seventies Lighting Bolt were one of the most famous surfboard companies in the world. The fact both 'were' born in Hawaii makes this photograph interesting and significant.Black and white photograph of surf film maker Jack McCoy holding a Lightning Bolt surfboard.Lightning Bolt logo on surfboardjack mccoy, lightning bolt surfboards, -
Flagstaff Hill Maritime Museum and VillageFunctional object - Lamp, circa 1878
This Flying Angel lamp bracket was recovered from the wreck site of the steam sailing ship, "Loch Ard", which sank near Port Campbell, Victoria in 1878. It formed part of the ship's cargo. The 'flying angel' lamp was, for a time, displayed in the St Nicholas Seamen's Church at Flagstaff Hill. The design was very appropriate to the Missions to Seamen, being associated with the emblem of the 'flying angel' on the Missions' to Seamen's flag. Brief history of the Loch Ard: The vessel Loch Ard was constructed on the Clyde River in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. She sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. A century later, despite the pounding seas and the efforts of looters, the wreck site continued to provide ample evidence of the extraordinary range of goods being imported into the Colony of Victoria in the post-Gold Rush era. Flagstaff Hill divers in the 1970s reported finds of “Bottles of champagne, window panes, rolls of zinc, barrels of cement, iron rails, clocks, lead shot, corrugated iron, lead, marble, salad oil bottles, ink bottles, copper wire, gin bottles, rolls of carpet, floor tiles, copper rivets, gas light fittings, pocket knives, toys, crystal chandeliers, beer mugs, cutlery, candles sticks, wick scissors, cow bells, and sauce bottles.” The lamp bracket is significant for its connection with the wreck of the sailing ship, Loch Ard, in 1878. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Gas lamp, brass, single burner, wall-mounting bracket, delicately crafted. Ornate decoration features bust of an angel with up-swept wings, or 'flying angel'. Recovered from the wreck of the Loch Ard.Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, lamp fitting, shipwreck artifact, 1878, shipwreck cargo, household effects, 19th century lighting, angel lamp, loch ard lamp, angelic lamp, lighting at sea, marine technology, ship's lighting, flying angel, gas lamp, maritime archaeology, port campbell -
Flagstaff Hill Maritime Museum and VillageFunctional object - Sanctuary Lamp, ca. 1944
The sanctuary lamp was part of the original furnishings of St Nicholas Seamen's Church, Williamstown, Victoria. The church was operated by the Missions to Seamen organisation. The lamp was donated by Miss C. Roberts to St Nicholas Seamen's Church, Williamstown, as a memorial to Edward Roberts, who passed away on August 7th, 1905, as stated on the plaque. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen was an Anglican charity that served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centres in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. The lamp is socially significant as a lasting memorial to Edward Roberts. It is also significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The lamp is historically significant for its connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of this lamp to the Mission to Seamen highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Sanctuary Lamp, brass six-sided lamp supported by three chains to a main disc, with single chain above. Ring on base. Ruby glass bowl on top. Inscribed glass plates on sides. Lamp bowl is lit by electric lamp. Made in England.Marked on plates "In Loving Memory of Edward Roberts who passed away 7 August 1905 Nearer My God To Thee"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, sailors rest, bethel sailors’ church, bethel floating church, ladies harbour light guild, harbor lights guild, joy club for fighters, ladies lightkeepers’ auxiliary, missions to seamen victoria, mission to seafarers, flying angel’s club, st nicholas seamen’s church williamstown, st nicholas mission to seamen church williamstown, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, sanctuary lamp, electric lamp, church lighting, pendant lamp, edward roberts, memorial plaque, 7-08-1905, c. roberts -
Flagstaff Hill Maritime Museum and VillageFunctional object - Candlestick holder, T. Gaunt & Co, circa 1944
This pair of altar lights is from the St. Nicholas Seamen’s Church, 139 Nelson Place, Williamstown, Victoria, and was used during religious services there. The Church was operated by the Mission to Seamen organisation. The par of candlestick holders was originally donated by Mrs. R.J. Ewart,as part of the furnishings for the new St Nicholas Seamen's Church in Williamstown, opened in 1944. The candlestick holders were made by T. Gaunt & Co. of Melbourne, a manufacturer, importer and retailer of a wide variety of goods including jewellery, clocks and watches, navigational and measuring instruments, dinnerware, glassware and ornaments. Thomas Gaunt photograph was included in an album of security identity portraits of members of the Victorian Court, Centennial International Exhibition, Melbourne, 1888 THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. These candlestick holders are significant historically for their origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The connection of the candlestick holders to the Mission to Seamen ighlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support.Candlestick holders or altar lights; pair of two polished brass holders. The wax cup at the top has a scalloped lip, the centre of the stem has a bulbous section, and the base has a cast floral design depicting leaves and grapes. The holders have inscriptions. They were made by T. Gaunt & Co. This pair of Altar Lights is part of the St Nicholas Seamen's Church Collection. Stamped "T GAUNT & CO."flagstaff hill maritime museum and village, flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, great ocean road, religion, religious service, st nicholas seamen’s church, williamstown, missions to seamen victoria, religious worship, candlestick holder, altar light, r j ewart, church furnishing, church lighting, t gaunt & co
