Showing 12213 items
matching long-stitch
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Flagstaff Hill Maritime Museum and Village
Textile - Doily
Linen doily with orange crochet with spoke stitched scalloped edges.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, doily, doiley, doyly, doyley, haberdashery, manchester, linen, decorative napkin -
Uniting Church Archives - Synod of Victoria
Shoulder flash
Blue nylon with gold stitching shoulder flashes x 20."1978 Pages' Camp - Adekate"methodist order of knights -
Uniting Church Archives - Synod of Victoria
Shoulder flash
Blue nylon with gold stitching shoulder flashes x 20."Ct. St George - Snow Trip '78"methodist order of knights -
Uniting Church Archives - Synod of Victoria
Shoulder flash
Blue nylon with gold stitching shoulder flashes x 20."Ct St George - Snow Trip '79"methodist order of knights -
Uniting Church Archives - Synod of Victoria
Shoulder flash
Blue nylon with gold stitching shoulder flashes x 20."Ct. St George - Snow Trip '80"methodist order of knights -
Uniting Church Archives - Synod of Victoria
Shoulder flash
Blue nylon with gold stitching shoulder flashes x 20."Ct. St George - Snow Trip '81"methodist order of knights -
Wangaratta Art Gallery
Textile, Clare McCracken, Thread of a conversation Yuemin Huang, China
Wangaratta Art Gallery CollectionA black and white cross stitched portrait of a woman on a laptop screen.clare mccracken, cross stitch, portrait, textile -
Whitehorse Historical Society Inc.
Clothing - Knitted Cardigan
Hand knitted by Frances WarrenFancy stitch (chain) Pink wool cardigan. Adult sizehandcrafts, knitting -
Australian Lace Guild - Victorian Branch
Textile - Tape lace, Late 19th or early 20th Century
Fashion accessory. Collar of Machine made tapes with needle made filling stitches. -
Australian Lace Guild - Victorian Branch
Textile - Tape lace, Late 19th or early 20th Century
Home made or hobby laceHandkerchief Machine made tape with needle made filling stitches -
Ballarat RSL Sub-Branch Inc.
Bayonet & Scabbard
Bayonet and scabbard in tan leather, white stitched belt holderweapons, ballarat rsl, ballarat -
Harcourt Valley Heritage & Tourist Centre
A set of seven decorative white silk IOR sashes with red embossing
The Independant order of Rechabites "Hope of Australia Tent No. 109" was formed in Harcourt in July 1869 and celebrated its centenary in 1969. With a strong -minded core of Methodists and members of the Church of Christ the group provided moral leadership and social framework to a wide area for a long time. At first they met in a small hall but, the lodge having inflamed partisan passions, the hall was deliberately burnt down in 1877. Undeterred the Lodge rebuilt the hall in the same year and thus provided the only district public hall. The Hall was sold by the lodge in 1937.; The Independent order of Rechabites, a temperance and social organsiation, was particularly strong in the Harcourt, Barkers Creek district, due to the high proportion of Methodists in the population, a demographic phenomenon resulting from the courage, prevalence and influence of Wesleyan lay preachers on the Mount Alexander Goldfields. Ribbon/collar sashes,white, with red longitudinal stripe (Chief Ruler & Deputy Ruler only) and red border, red machine embroidery, angle stitched at lower front to form a fitted collar."CHIEF RULER"," DEPUTY RULER", "TREASURER", "GUARDIAN", "LEVITE" plus IOR triangle - "Truth, Fortitude, Justice" plus three heraldic shields with background foliage, Plus "Independant Order of Rechabites" plus a further decorative sheild surmounting a swage-like motto " Peace & Plenty the reward of Temperance" and "Rechabites Salford Unity" all in red on white background -
Flagstaff Hill Maritime Museum and Village
Clothing - Corset cover, Eliza Towns, Mid to late 19th century
This corset cover is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. This corset cover is an excellent example of an everyday clothing item with the decorative trim favoured by women in the late Victorian era. Eliza Towns has added pintucks, embroidered feather stitch and a highly decorative hand crocheted lace trim to the neckline, sleeves and front of the bodice. Corset covers (sometimes called camisoles) began to appear in women's fashion around 1840 and continued through the late Victorian decades into the Edwardian era. The long chemise was considered too bulky to cover the corset and so the corset cover was developed to be short and light and was worn over the corset and under the bodice of the outer garment. A woman would dress into her chemise and drawers first, followed by her corset and finally her corset cover as a final layer under her dress. Corset covers served several purposes. They provided protection against sweat (and the need to regularly wash the corset), helped smooth the lines of the corset and increased a woman's modesty.This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery and crochet to embellish an item of personal underclothing. It is also significant as an example of a practical solution to the difficulty of hand washing a corset in the Victorian era.A short (waist length) corset cover of fine cotton. Short sleeves fall from a square neckline and are gathered into a wide crocheted lace trim with a band of embroidered feather stitch. The same crocheted lace design and feather stitching are also on the square neckline which is finished with a drawstring ribbon. The bodice has a front opening with five buttons and is bordered on each side with four pintucks. It has a drawstring ribbon at the waist and an extra layer of fine cotton lining has been added to strengthen the corset cover under the arms. The back has two bands of three pintucks running vertically from the neckline to the waist.flagstaff hill, flagstaff hill maritime museum & village, warrnambool, great ocean road, shipwreck coast, nhill, wimmera, eliza towns, underclothing, corset cover, camisole, machine sewing, hand sewing, crocheted lace, pintucks, feather stitch, embroidery, underwear, victorian era underclothing, victorian era corset cover -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, baby's calico nightgown, c1900
This long calico baby's nightdress is an example of the dressmaking skills of the women of the families of the pioneer settlers and market gardeners of the Moorabbin Shire.The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of many items that exhibit the skill and craftsmanship of the women in these families.A short-sleeved, long calico baby's nightgown. There is extensive hand-embroidery and pin-tucks on the bodice. Waist ties embroidered at the front. Crochet edges to neck and sleeves. The garment opens at the back.clothing, brighton, moorabbin, pioneers, dendy henry, market gardeners, dressmakers, craft work -
Whitehorse Historical Society Inc.
Craft - Sampler
Example of embroidery stitches.Hand embroidered sampler Various designs worked by Embroider. Green and yellow Red and Silver threadspersonal designs, green, yellow, red and silver stitching -
Whitehorse Historical Society Inc.
Article, Helping needy youth find their niche in life, 1990
Article regarding Youth for Christ organisationArticle regarding Youth for Christ organisation, a non profit organisation providing a range of support services for young people including medium to long term accommodation for young homeless people.Article regarding Youth for Christ organisationyouth services, youth for christ, green brae, lobbe, brenda -
National Wool Museum
Textile - Quilt, Harry Walter Hewitt Wilton, 1885 - 1915
The quilt, alternatively known as a wagga due to its improvised nature of creation, was made by Harry Walter Hewitt Wilton (great grandfather of donor), b.1872, d.1950. Harry joined the Essex Regiment and served in the British Military in India, as well as seeing action in the Boer War. Married wife Mary Elizabeth in India in 1895, she was a seamstress. Harry was injured during a battle and made this quilt as part of his rehabilitation. Quilt was made using woolen army singlets. Harry and Mary moved to Victoria, near Orbost, in 1914. Patchwork style quilt with coloured pieces of dyed woolen singlets stitched together over a backing. Features feather stitching between pieces and around border edges. Size of a double bed.wagga, harry walter hewitt wilton -
Bendigo Historical Society Inc.
Clothing - CREAM WEDDING DRESS WITH EXTENDED TRAIN, 1930's
Long lily-pointed sleeves, fastened at the wrist with six X 0ne cm covered buttons and loops. A firm padded roll 19cm long, and eleven cm circumference sits at the shoulder at top of sleeve. A gathered panel on either side of the neckline forms a sweetheart neckline. Gathering under the bust, and a A shaped centre front panel - with V shape at lower edge-panel 33cm long. Two semi-circular panels 28 X 19cm from side seam to the centre front, and defining the shape of the peaked centre panel. A small inverted pleat comes from th ebottom peak of the centre panel. Skirt is circular and extends into a sweeping train.29 covered buttons with loops extend from the back neckline to the curved join at the hipline of bodice and skirt. A one cm band of fabric has been machine stitched around the hemline, and hand rolled and hand stitched to give weight and finish at the hemline. Two X 2.5cm loops, hand stitched are at the left and right sides, to slip over the fingers to hold the train above the ground.costume, female, cream wedding dress with extended train -
Kew Historical Society Inc
Clothing, Floral Crepe Georgette Summer Dress, 1930s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.The V&A's history of fashion describes 1930s dresses as characterised by '... a slinky femininity... Parisian couturiers introduced the bias-cut into their designs, which caused the fabric to skim over the body's curves. Long, simple and clinging evening gowns, made of satin were popular. Often the dresses had low scooping backs'. This dress was made for an aunt of the donor, who was the daughter and sister of well-known male Melbourne architects in the Smart family.Long cream and orange floral crepe georgette evening dresswomen's clothing, australian fashion - 1930s, fashion and textiles collection, rosemary smart -
Bendigo Military Museum
Container - STOCKING, 1940 - 43
Item received by John EDWARDS VX3857 2nd AIF. Refer Cat No 536 for his service details and Miss McLURE.Christmas stocking made from a Hessian bag. The bag is edged with red, white and blue wool threads. "AIF" is stitched in large large letters same colours. A large red, white and blue possibly silk letter "V" is also stitched in. A piece of white cloth is stitched on with address details hand written. "VX3857 L/Cpl J Edwards Gaurd Coy 2nd Aus Gen Hospital AIF Abroad". "from A McLure 40 York St Prahran Vic".handcrafts- sewing, manchester, fabric/trimming, xmas -
Flagstaff Hill Maritime Museum and Village
Clothing - Skirt, before April 1874
THE SKIRT The skirt has a gentle, soft, feminine design which keeps it in good shape and condition, preserving it from soiling and prolonging its life: - the satin fabric is softly pleated at the waist and falls gently to almost floor length - the opening is concealed at the back within one of the folds and closes with hooks and eyes underneath the bow at the back of the jacket - the horizontal stitching at the base of the skirt joins the lining to the skirt, and the firmness it creates allows it to gently flare out at the base without the need of hooped petticoats - a removable fabric lining at the hem protects the front and back of the skirt from friction and soiling from the wearer’s footwear THE SKIRT This evening outfit is significant for its connection with colonial Australia, Victoria and Warrnambool. It is a fine example of female fashion of the mid to late 1900s. The outfit is significant for its connection with a wedding uniting two colonial families from Northern Ireland who immigrated to Australia in the mid-1850s. The families had a significant role in the history of Warrnambool and district. The outfit is significant too for connecting the colonial families to the indigenous culture of the district and the contact between the native and European people. The lined, floor-length, amber satin skirt has gentle folds that gather into a fitted waistband. One of the folds at the back conceals the opening of the skirt that fastens using metal hooks and eyes. The bow at the back of the jacket covers the top of the closure. There are metal hooks distributed around the top of the waistband. The skirt is stitched horizontally around the hem in several rows. There is a removable fabric lining at the base of the skirt.evening skirt, ladies 1h century skirt, satin skirt, antique satin skirt -
Kiewa Valley Historical Society
Ski Skins - Pair
Ski skins and webbing were introduced into the Victorian Alps by European skiers. Enthusiasts travelled to enjoy the snow and to explore the Victorian Alps including the Bogong High Plains. This equipment enabled them to travel over snow without slipping when going up hills. They took the skins off when they wanted to slide down hills. In later years waxes were used for cross country skiing and then 'fish tail' markings on the back of skis to enable skiers to travel distances up and down mountains. Later developments also included motor transport (replacing horses to get to the snow line) and roads to take skiers to the ski fields and mechanised tows to take skiers up mountains so they could ski down (downhill skiing).Skiers visited the Bogong High Plains especially during the years of the State Electricity Commission of Victoria's construction of the Kiewa Hydro Electric Scheme from the 1930's onwards. Tourists to the area increased during this time and influenced the development of Falls Creek.Long cream strips with soft short 'fur' on one side and a type of strong hessian on the back with the length of the middle and sides stitched. At one end an adjustable strap is attached to a steel, hinged clasp and at the other end is a loop that fits over the ski. A quarter of the way from each end is a steel attachment for fastening over the ski - the 'toe' end with a rubber embossed flap and the other with a short and long strap each with a steel ring at the end.On the rubber attachment: 'vinersa/pat uno'ski skins; bogong high plains; falls creek -
Wangaratta RSL Sub Branch
Photograph - Framed Photograph
Photograph of Dinah Lee, Wayne Stephens and Ash Power taken at the Vietnam Veteran's Motorcycle Clubrooms at the unveiling of a commemorative wall to honour the 521 personnel who died during the Vietnam War on the 50th Anniversary of the Battle of Long Tan in August 2016. Dinah LEE - Lee entertained troops in Vietnam in the late 1960s on Australian Broadcasting Commission-sponsored tours and was awarded the Vietnam Logistic and Support Medal. Wayne STEPHENS - Vietnam Veteran and Victorian President of the Vietnam Veteran's Motorcycle Club. Ash POWER - Lt. Gen (Rtd) President of Wangaratta RSL Sub BranchBlack frame and mount containing colour photograph of two males either side of a female - all wearing jackets with colour badges/patches.50th Anniversary of the Battle of Long Tan 2016 Lt Gen (Rtd) Ash Power, Dinah Lee, Mark Stephensvietnam war -
The Beechworth Burke Museum
Uniform - Protective Boots
These protective over-boots were compulsorily worn in the Powder Magazine so as not to induce static electricity.The Beechworth Powder Magazine was constructed in 1859, and was used as a storage room for large amounts of black-powder used in mining and quarrying. By law, miners were required to leave bulk black-powder in this building overnight.Pair of brown over-boots. Large, lighter leather foot with polished harder leather back and sole, stitched at sides, four lace holes. Stitched leather insole and pull tab at back.burke museum, beechworth, mining, powder magazine, footware -
Montmorency/Eltham RSL Sub Branch
Uniform - Sam Browne Belt, Sam Browne Belt (brown leather)
The Samuel Browne belt is named after Sir Samuel James Browne VC. In 1858, Browne lost his left arm in battle (as a result of a sword cut) and as the dress regulations of his regiment required officers to wear their waist belts under their tunics, Browne found this ungainly and devised an external belt supported on the left-hand (sword) side by a shoulder strap. The belt had two shoulder straps when a holster was worn. In the Australian Army, a brown leather version is worn on ceremonial occasions by officers and Warrant Officers Class One of all corps, except those who wear silver dress embellishments (Armoured, Aviation and Nursing Corps). These members wear a black Sam Browne belt. Wide brown pattern stitched brown leather belt with adustable shoulder strap, brass buckle and brass loop fittings (4 at the top and 2 at the bottom) attached to the belt by stitched leather straps.Nonesam browne, belt, clothing -
Red Cliffs Military Museum
Shaving Mirror, Steel Shaving mirror and Case, (estimated); 1914
This is part of the F. W. Tickle Collection. Case and mirror has bullet damageStainless steel shaving mirror, bottom section damaged heavily on lower end.Case is canvas and leatherette, stitched om two sides, stitching going. Both mirror and case damaged from bullet.On Case: 'Gift from the /Australian/Comforts Fund'australian, ww1, lt, frank, tickle, william, collection, shaving, mirror, comforts, fund, stainless, steel -
Churchill Island Heritage Farm
pair ladies gloves
Belonged to Churchill Island Heritage Farm volunteer Jeff Cole's Aunt May Hart, a very stylish woman of the 1920s, keen on horse racing.One pair dark brown rabbit skin (?) gloves. Scalloped, overlocked edge. Three "S" shaped stitching decorations with small punched holes along thumb side of stitching on each gloveCAPE LAMB (?)/ MURRAY GLOVES/6 1/2/ MADE IN AUSTRALIA stamped inside left glove. $15 hand written inside left glove. "721" stamped inside left glove. "20"stamped inside right glove.gloves, fashion, ladies gloves, churchill island heritage farm, may hart -
Stawell Historical Society Inc
Clothing - Costume and Accessories
Half Length Evening Slip in Cream Pure Silk. Spoke stitched hem machine stitched. Floral pattern above hem line. Button closed opening at waist. McClure Family Collection.stawell clothing material -
National Wool Museum
Ribbon
Ribbon awarded to Mr Charles Wilson Peel of 'Callenondah' at Gnawarre. Mr Peel ran a superfine merino stud. This ribbon is from the Geelong Agricultural & Pastoral Society Show in 1960 and was awarded Champion for Sample of Merino Lambs Wool.Red, white and blue wool ribbon with yellow tassels on short ends. Yellow stitched/stamped text. Text divided over the three coloured panels which are stitched together with a white thread. -
National Wool Museum
Ribbon
Ribbon awarded to Mr Charles Wilson Peel of 'Callenondah' at Gnawarre. Mr Peel ran a superfine merino stud. This ribbon is from the Geelong Agricultural & Pastoral Show in 1977 and was awarded Most Attractive Merino Fleece.Red, white and blue wool ribbon with yellow tassels on short ends. Yellow stitched/stamped text. Text divided across the three coloured panels which are stitched together with white thread.