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University of Melbourne, Burnley Campus Archives
Album - Colour prints, Plants
Photograph Album. Bound, with plastic pockets for photographs. 155 colour photographs of plants for ID purposes, wide variety. Photographs taken at Burnley, some in the Gardens and some in classrooms. Some photographs of trees have been scanned. Presumably Student work.First page, handwritten, "Indoor Plants 1st Year."indoor plants, burnley, plants, plant id, trees -
Melbourne Tram Museum
Photograph - Colour Print, Earl Ewers, 1/10/2011 12:00:00 AM
Colour print of a photograph of the mock-up or model for consultation purposes at the Melbourne Show 1/10/2011 of the E class tram - tram in basic white colour scheme as it would be delivered. Photo on Kodak Royal paper, taken by Earl Ewers.in green felt tip pen on rear - Model of new E type tram Melb. Show 1 Oct 2011"trams, tramways, e class, showgrounds, models, tram e -
Warrnambool and District Historical Society Inc.
Accessory - Umbrellas, Early 20th Century
These umbrellas are typical of the ones women would have used early in the 20th Century. It was important to keep the rain from damaging their clothing as washing facilities were limited. .These umbrellas are charming and retained for display purposes..1 An umbrella with a wire frame and a wooden handle. The frame is tipped with ivory coloured composite material. The handle has a red tassel. The covering is a multi coloured cloth with a pink edge. The inner section has a cream background with pink and light brown leaves, branches and flowers. The outside is faded. .2 An umbrella with a black wire frame and a wooden handle. There are tips on the end of the frame. The handle is varnished and ornamented red and black. It has a string tassel in red, white and blue and a corded wrist band. There is writing on the frame. The covering is corded rep with a multi-coloured floral pattern and has a faded, wide navy edging..2 BRITISH MADEumbrellas, vintage clothing -
Greensborough Historical Society
Photograph - Digital Image, Diamond Valley Tree Protest 2019 - signs, 25/07/2019
A redevelopment of the Diamond Village area included a multi storey apartment block which required the removal of this tree (Tree 10) on the plans. A VCAT decision ruled that the development be no higher than 4 storeys, and a maximum of 15 dwellings. This photograph shows local residents placing protest signs at the base of the tree in July 2019.Digital copy of colour photographsdiamond village shopping centre, diamond village, nepean street watsonia -
Port Melbourne Historical & Preservation Society
Book - Greek publications, Donations to City of Port Melbourne from Limni, Greece, 02: Nicholas K Bellare, .03: James Thathitis, 1980s
These publications reflect the period when Greek people were the largest ethnic group in Port Melbourne. During his tenure as Mayor, Cr WHITE fostered a strong ethic of multi-culturalism in Port Melbourne and set up a city relationship with Limni which donated these books. Perce made trip(s?) to Limni.Four Greek publications donated to the City of Port Melbourne by our sister city in Greece, Limni. .01 'Panagia y Limnia' - illustrated history and guide to Limni church(es), softcover 70pp. 1985. .02 'To Elumnion - (limni) 1969 green softcover 260pp. Appears to be a scholarly work by Nicholas K BELLARA about Limni, dedicated on fly leaf to Mayor Perc WHITE. .03 'Omorphis Tis Aimnis' - softcover B&W picture book of the town. 48pp includes historic photos. .04 'Limniotiki Phoni' - Limni newspaper 8pp. May/June 1987..02 - in ink on fly leaf. Athens July 4 1987 To the Mayor of Port Melbourne Mr Perc White - The Athinian Club of Limni sends its best wishes for teh happy event +name + Address. .03 - on the title page. To the Honourable Members of the Port Melbourne Town Hall with much esteem and appreciation for the work they have been doing for the promotion of the LIMNI - PORT MELBOURNE friendship etc. etc. 5.6.1989.migrants, perce mcguire white, perce white -
Port Melbourne Historical & Preservation Society
Postcard - Limni, Greece, sister city, 1980s
These publications reflect the period when Greek people were the largest ethnic group in Port Melbourne. During his tenure as Mayor, Cr WHITE fostered a strong ethic of multi-culturalism in Port Melbourne and set up a city relationship with Limni which donated these items. Perce made trip(s?) to Limni.Set of 8 picture postcards of Limni, our sister city in Greece.local government - city of port melbourne, migrants, perce mcguire white, perce white -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, Living and Partly Living. The Neighbourhood, 1971
A discussion of Australia's bland suburbs, and the rise in brick home-building, and the alternative of urban high-rise living. Alternative leisure lifestyles associated with each are outlined. Multi-storey flats, European migration, the unplanned ghettoisation of different groups are discussed. What are the needs for a new era of Australian housing? New initiatives are outlined.Original manuscript of the chapter titled 'The Neighbourhood' (pp32-43) by Robin Boyd in the book "Living and Partly Living", by Ian McKay, Robin Boyd, Hugh Stretton and John Mant, published by Nelson, Sydney 1971.Typewritten (c copy), pencil, quarto, 29 pagesChapter in a book.neighbourhood, neighborhood, suburbia, planning, conformity, brick home, timber home, flathouses, housing commission, european immigration, swinger hill, ian mackay, merchant builders, landscaping, robin boyd, manuscript -
Warrnambool and District Historical Society Inc.
Booklet, Hampden League, 2005
This is a publication with information on the Hampden Football Netball League at the time of its 75th anniversary. The Hampden Football League was established in 1930 as a breakaway competition in response to the Western District League’s abolition of sectional competition. The League went into recess during World War Two. In 1987 netball became part of the League’s administration. The Hampden League is one of the important rural football and netball leagues in Victoria. This publication is of interest as an important source of local information on the history of the Hampden Football Netball League. Football and netball are the two major winter sports in the Western District.This is an A4 size booklet of 36 pages. It contains black and white and colour photographs, information on each of the member football and netball teams, the Hampden League logo, advertisements and a multi-coloured front and back cover with collages containing the images of many footballers and netballers. The pages are stapled.Front cover: ‘Hampden Football Netball League 1930-2005, 75th Anniversary, A Special Publication presented by My Town, My Paper, the Standard’. hampden football netball league, warrnambool -
Ringwood and District Historical Society
Pamphlet, G.A. Green, Auction Sale Brochure - Garden Farms Estate, Ringwood, Victoria - 1919, 1919
Multi-fold brochure advertising public auction of one-acre, 2-acre, 5-acre and 8-acre allotments in Ringwood and Bayswater on Saturday 12th April, 1919. Brochure includes terms of sale, description of subdivision features and local facilities, and photographic images of the area.Subdivison includes Canterbury Road Heathmont, Armstrong Road Heathmont, Armstrong Road Bayswater, Bungalook Road Heathmont, Bungalook Road Bayswater, and Orchard Road Bayswater. Road shown as Bayswater Road to Bayswater became Mountain Highway Bayswater. Vendor: H.E.B.Armstrong, Auctioneers: Coghill & Haughton, 79 Swanston Street Melbourne, Telephone Central 2793, in conjunction with J.B. McAlpin, Ringwood, Opposite Station, Telephone Ringwood 7. (Map) Woodcock & McCormack, Civil Engineers Architects & Surveyors, 430 Little Collins Street, Melbourne, Phone 3241 Central. MOST OF THE MONEY COMES OUT OF THE LAND. And more money can be obtained from anb acre of fruit than from an acre of any other produce. But you do not have to grow fruit on Garden Farms Estate. You can go in for - Outer Suburban Home - Market Garden - Orchard - Pig Raising - Poultry Farm - Small Dairy Farm - Small Fruits - Floral Culture - Scent and Bee Farm - Or just for a Week-end Home. RINGWOOD - THE PLACE TO LIVE. The Beautiful Ringwood District has so many natural attractions, that half a Land Agent's work is done in just showing a prospective buyer round and about. Ringwood has a pull of its own that attracts folk, proved beyond doubt by its rapid development within the last decade (spite the war). First, it is high and healthy, picturesque and undulating, convenient of access, sufficiently close to the Metropolis for City and Business folk to live at Ringwood. Its development is solid, because most of its people are industrious husbandmen, real producers, who have turned idle hills into smiling gardens. These are the kind of real people to live amongst; ones who wear out their spades. The rapidly-developing town has excellent Stores, Trade and Repair Shops Churches, Banks, Telephone Exchange, Weekly General Market, Cool Stores, and good Private and State Schools, etc.; is Electrically lit, has Metropolitan Water Supply, and generally provides so that practically all shopping can be done locally. WHY RINGWOOD MUST GROW. Ringwood is a great centre and must be a greater. Two rapidly-developing railways junction here. The passengers from Ringwood Station cityward, in one year, number 250,000. Ringwood will be the terminus of the Outer Suburban Electric Eastern Railway. Its natural boundaries are the River Yarra on the North, Dandenong Creek on the South, the popular town of Croydon on the East, and the suburb of Mitcham on the West. This is a large territory that is steadily being converted from intense culture, and then it might be called (as regards its gardens) "The Devon Territory of Victoria." ARMSTRONG ROAD. This new road traverses Garden Farms Estate from its northern boundary on the main Canterbury Road, across Dandenong Creek, to its southern boundary on the main Bayswater Road, and will provide a long-desired additional link of communication between Bayswater and Ringwood. The 1-acre building sites on Bayswater Road are within 8 minutes' walk of the Bayswater Railway Station, and the Canterbury Road frontages are only 1-1/2 miles from Ringwood Station, and 1/2 mile from the Railway Station site of Canterbury Road; therefore, the whole Estate is easy of access and there should be a large demand for land so favourably placed. (Image) Cultivation Field - Potatoes on Lot 28 (Image) Picture of Bayswater Creek Flats. (Image) View from "Korumbeen" where Mr. Armstrong lived on Garden Farms Estate. Estate outlined in white ring. (Image) Site of New Bridge over Dandenong Creek. (Image) On one of the timbered lots adjoining railway. (Image) This Dandenong Creek traveres the Estate. (Image) Main Fern Tree Gully Line bisects the Estate. -
Federation University Historical Collection
Photograph, Australian Band Championship Bandmasters and Officials, Maryborough, Queensland, Easter 1932
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a group of 27 men, some in suits and some in band uniforms, standing on the steps of a brick building with 4 large columns. The building contains a number of multi-paned windows.Some of the men are holding cornets and another is holding a trumpet. The building is in Maryborough, Queensland.Written in pencil on the back - Meeting of bandmasters & officials at the Australian band championship contest Maryborough, Q, Frank Wright, Adjudicator, Easter 1932frank wright, band uniforms, cornet, trumpet -
National Vietnam Veterans Museum (NVVM)
Photograph
Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of assembled Diggers at 1 Australian Task Force Base, Nui Dat, Phuoc Tuy Province, attending an open air multi - denominational church service conducted by Padres, from three religious donimations: Church of England, Catholic and other denominations.photograph, padre, 1 atf base, nui dat, phuoc tuy province, non demoninational chapel, church of england, catholic, gibbons collection catalogue, denis gibbons, photographer, vietnam war -
Tennis Australia
Racquet, Circa 1976
Multi-part object of 3 identical racquets (parts are numbered from 2008.990.1 to 2008.990.3). Each racquet is: a Dunlop 'Maxply Austral' model with black and clear net strings. Plastic wrap on handle. Materials: Wood, String, Adhesive tape, Nylon, Leather, Paint, Plastictennis -
Tennis Australia
Racquet, Packing cover, Circa 1960
Multi-part object of 6 identical racquets (parts are numbered from 2008.991.1 to 2008.991.6). Each racquet is: a Dunlop 'Californian' model with clear net strings. Racquet in clear plastic factory bag with Dunlop branding. Materials: Wood, Plastic, Adhesive tape, Paint, Leathertennis -
Tarnagulla History Archive
Copy of application for new school at Tarnagulla (1869), 1869
Donald Clark Collection. Copy of documents constituting an application for new school at Tarnagulla (1869). Includes a letter from Charles Randall to the Board of Education, a list of furniture and requisites needed, and multi-page application form including a list of parents and their children who wish to attend the school. Copy, not original.tarnagulla, school, state school, education, students -
Flagstaff Hill Maritime Museum and Village
Photograph - Coastal Scene, Foyle Photographic Studio, Loch Ard Gorge Port Campbell, 1889-1919
The photograph shows the popular tourist attraction, Loch Ard Gorge, which is located along the Great Ocean Road in Victoria, near Port Campbell. The gorge is named after the famous sailing ship, the LOCH ARD, that was wrecked there in 1878. Only two of the 54 passengers and crew survived. FOYLE “Foyle” written on the photograph is the name of Foyle’s Photographic studio. At the time of the photograph, the studio was owned by both Charles and Lilian Foyle (sometimes known as Lillian or Lily), either of whom could have taken this photograph. They also worked together at a later date on the photographs, sketches and paintings of the famous and historical Pioneers’ Honour Board, which is currently on view in the Warrnambool Library. Foyles Photography was the studio of James Charles Foyle. He owned “Foyle’s Photo Card Studios” in Liebig St, Warrnambool, which operated between 1889 – 1919. A letter to the editor (by Mr Edward Vidler) in the Melbourne Argus, 3rd August 1907, mentions that in that year Warrnambool would celebrate the 60th anniversary of its proclamation as a town, and that talented local artist Miss Lily Foyle would paint 200 portraits in watercolour of the pioneers who settled in the district prior to 1860. The Pioneer Honour Board can still be seen on display in the Warrnambool Library. In the Warrnambool Standard, Dec. 1917, “Mr Foyle’s studio was awarded the contract to decorate rail cars on newly opened Trans-Continental railway, assisted by his sister, Miss Findlay.” HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built-in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square-rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29-year-old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3 am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke and opened the case of brandy, which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged, and some of it was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register.Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best-known shipwrecks in Victoria’s history. Foyle's photographs date from the late 19th century to the early 20th century, representing a time of growth in the Warrnambool district and a time when the still relatively new technology of photography was more available to the community.Photograph of Loch Ard Gorge. This sepia coloured rectangular photograph is mounted on a brown cardboard backing that has a wood grain pattern. The photograph has an inscription above it, below it, and in the bottom left corner. It was made for the purpose of a presentation by the Port Campbell Progress Association. Printed above the photograph "PRESENTED BY THE PORT CAMPBELL / PROGRESS ASSOCIATION". Printed below the photograph "LOCH ARD GORGE / PORT CAMPBELL". Hand written on bottom left corner "Foyle". flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, photograph, port campbell, port campbell progress association, foyle photograph, foyle photographic studio warrnambool, warrnambool photo studio -
Bendigo Military Museum
Badge - BADGE, COPPER
The origin of the badge is not clear.This is an oval shaped copper badge. The front has the outline of Australia with a styalised version of a Frill Necked Lizard n it. Under the map of Australia is the word “Australia”. It has been pressed into thin copper. On the rear are two lugs bent down for mounting purposes.badge, accessory -
Warrnambool and District Historical Society Inc.
Book, Index of Drafts Chambers, Late 19th century
This ledger contains an Index to Drafts for Mortgages, Conveyances and Deed of Covenants etc (1896 to 1913) which was in use by the Warrnambool solicitor, Ernest Chambers. He had offices in Warrnambool, Koroit and Port Fairy in the late 19th century and early 20th century and Thomas Goodall was his manager in Warrnambool until 1899 when Chambers took up permanent residence in Warrnambool. The ledger was found in the old Mackay Taylor offices in Kepler Street and presumably came into the possession of this law firm at a later stage when Ernest Chambers was no longer operating in Warrnambool. The firm of Mackay Taylor was originally established in 1898 from the amalgamation of the law firms of George Mackay and James Fletcher. In the 1920s the firm became Mackay and Taylor when J. Taylor joined as a partner and this business was prominent in Warrnambool until the 1990s.This ledger has some significance as it contains the names of many Warrnambool and district residents of the late 19th and early 20th centuries and gives some indication of what type of legal transaction they were involved with. It therefore has some historical and social connotations useful for researchersThis is a ledger with a black cover and red bindings on the spine and corner reinforcements. There are 273 pages with printed red lines for accounting purposes. The entries are written in black ink. The inside front and back covers of card paper material have a red and blue mottled pattern. Front cover: ‘Index to Drafts, E.T.H.Chambers’ Spine: ‘8-4-96 to 14-9-15 Index to Drafts’ ernest chambers, solicitor mackay taylor legal firm -
Kiewa Valley Historical Society
Photograph Tobacco seedlings, Pulling tobacco seedlings for Planting, Circa mid to late 1900s
This promotional photograph by the Tobacco Growers Association was in response to a 1935 meeting of tobacco growers from Victoria, South Australia and Queensland which produced four major resolutions for the industry covering the remainder of the 1900s. These four resolutions were: (1) Adequate tariff protection (2) Control of pests and diseases (3) Orderly marketing (4) The formation of an advisory council of growers. History has produced the following results. (1) adequate tariff protection was never achieved,(2) control of disease through benzol vapour (CSIRO) breakthrough, was later identified as carcinogenic, (3) orderly marketing was achieved through (4) the establishment of the Tobacco Growers Association(19840. In October 2006, by way of Government buy back of tobacco leases from growers, resulted in the end of Tobacco farming in Australia (after 136 years of planting the first crop). It was also significant that the major tobacco companies such as Philip Morris and The British American Tobacco Australasia advised the industry that it would source its tobacco requirements overseas by 2009.The death of the tobacco industry(2006) resulted in the expansion of the dairy , sheep, beef cattle, venison and lama wool producers in the Kiewa Valley and surrounding regions. The remnants of the Tobacco Industry can still be viewed throughout the Kiewa Valley and adjacent regions on the former tobacco farms which still have the tobacco drying sheds and now converted into hay sheds. The problems from the large quantities of carcinogenic infused soil of farmlands in the region, still remains a problem now and for future generations. This particular photograph shows the lack of understanding by farmers and the contracted labour, at that time, and is demonstrated by the lack of protection of hands when handling seedlings and attached soil. Hand and foot protection was rarely used, even when later warnings were issued of the carcinogenic toxicity of the soil. The majority of farm owners, up until Health authorities stepped in the later stages of 1900s, were skeptical of city scientists' "carcinogenic" health warnings and it was only after the younger generation of farmers, who had graduated from Agricultural colleges, encompassed the scientific approach to farm management. The "she'll be right mate" attitude of the farming/rural community has since the 1970s been slowly dissipating. Stricter controls of herbicides and pesticides used in agriculture are now in force.Coloured photograph pasted onto a thick wood chip backing. Two galvanised eyelets at the top of the frame, 50mm from each end, with a twine cord stretch from each, for hanging purposes. See also KVHS 0054A, KVHS0054C to KVHS 0054FA sign, which has been removed from the picture at some previous point in time is "Pulling seedlings for planting"tobacco, farming, rural industry, licences, ollie mould, blue mould, benzol vapour, photograph -
Federation University Historical Collection
Photograph, Corporate Gifts from International Visitors and Visits, 2020
Photographs of corporate gifts that were removed from a large showcase in the Mt Helen Council room, and were surplus to requirements. They have been photographed for documentation purposes. Most were collected whole David Battersby was Vice-Chancellor and Chancellor Paul Hemming.Glass horses - "To Dr Paul Hemming Chancellor of Federation University Australia from Dr Tie Zhao Novemnber 2015" Celadon medallion, by Hanxin ZHOU, 2011, 17 cm diameter, paper label on reverse "Guandong Celadon." Wheel thrown disk with chattering decoration and celadon glaze made from local mineral source (China). Hand carved inscription on front face in Chinese characters (no interpretation available), disk shape denotes luckiness and achievement, made for the School's 20th anniversary (2011).international visitors, international visits, souvenirs, gifts, swan, liu-li, guanglong school, guanlong celadon, zhou hanxin, halcyone days, elephant tray, jade dragon ship, glass horses, tie zhao -
Port Melbourne Historical & Preservation Society
Photograph - HMAS development, Beach Street, Port Melbourne, 2012
Photographic images of properties in Port Melbourne. Image may have been taken by a PMHPS member or scanned from a past resident or taken for real estate sale purposes. Beach Street - Windows and balconies detail from HMAS development (January 2012) built environment - domestic, beach street, hmas -
Port Melbourne Historical & Preservation Society
Photograph - Derham Street, Port Melbourne, 15 Sep 2016
Photographic images of properties in Port Melbourne. Image may have been taken by a PMHPS member or scanned from a past resident or taken for real estate sale purposes. Homes in Derham St Numbers 1, 8,10, 12. Photos taken 15.09.2005built environment - domestic, derham street -
Port Melbourne Historical & Preservation Society
Photograph - Esplanade East, Port Melbourne, 2009
Photographic images of properties in Port Melbourne. Image may have been taken by a PMHPS member or scanned from a past resident or taken for real estate sale purposes. Homes in Esplanade East. Numbers 220 (December 2009) ; 326 (November 2014)built environment - domestic, esplanade east -
Port Melbourne Historical & Preservation Society
Photograph - Properties in Graham Street, Port Melbourne, 2011 - 2015
Photographic images of properties in Port Melbourne. Image may have been taken by a PMHPS member or scanned from a past resident or taken for real estate sale purposes. Graham Street numbers 123, 125 (August 2011),132 (March 2015)built environment - domestic, graham street -
Port Melbourne Historical & Preservation Society
Photograph - Properties in Lyons Street, Port Melbourne, 2011
Photographic images of properties in Port Melbourne. Image may have been taken by a PMHPS member or scanned from a past resident or taken for real estate sale purposes. Lyons Street Number 14 November 2013; Number 18 approx 2011built environment - domestic, lyons street -
Clunes Museum
Administrative record - MINUTE BOOK, 22-8-1933 - 1949
ROYAL VICTORIAN INSTITUTE FOR THE BLIND AUXILIARY CLUNES WAS FORMED 9TH AUGUST 1933. PATRONES. LADY PEACOCK PRESIDENT. MRS. FOULKES (MAYORESS) VICE-PRESIDENTS. MRS. OWENS, MRS. J.S.ANDERSON MRS. BARRY AND MRS TROUP. HON. SEC. MR. MILLSEN. HON. TREASURER. REV. T.S.ANDERSON ANNUAL MEMBERSHIP 1/- (TEN CENTS TO-DAY)BLACK COVERED BOOK CONTAINING THE MINUTES OF PUBLIC MEETING HELD IN CLUNES TOWN HALL AUGUST 9TH, 1933 FOR THE PURPOSE OF FORMING AN AUXILIARY FOR THE ROYAL VICTORIAN INSTITUTE FOR THE BLIND. MAYOR COUNCILLOR W.C.FOLKES PRESIDED AND TWENTY TWO LADIES AND GENTLEMEN WERE PRESENT.local history, books, documents, clunes blind auxiliary -
Bendigo Historical Society Inc.
Document - IAN DYETT COLLECTION: AUCTION CATALOGUE - GERMAN REPARATIONS AND OTHER MACHINE TOOLS
Three blue/grey auction catalogues for a sale, German Reparations and other Machine Tools (Not Required for Government Purposes) on 24 May, 1951 at Maribyrnong. Catalogue contain s descriptions of the lots. J. H. Curnow & Son Pty Ltd were the auctioneers.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - german reparations and other machine tools, j h curnow & son pty ltd, department of supply, the academy press -
Kew Historical Society Inc
Badge - Fundraising Button, Italian Red Cross, 1916-1919
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.Fundraising badge for the Italian Red Cross (Croce Rossa Italiana) from World War I. The Italian Red Cross worked throughout the war to support sick and wounded Italian servicemen. Badges like these were designed for fundraising purposes during the war.I"talian Red Cross"patriotic buttons, first world war (1914-18), badges -
Friends of Westgarthtown
Board, information, Geoffrey Borrack, The German Immigrant Ship "Pribislaw"', Ship Materials 1847
History of the PribislawThe two timbers on display are salvaged from the wreck of the ship 'Pribislaw' which transported the Ziebell family and the other Westgarthtown settlers from Germany to Australia. The model of the 'Pribislaw' was handmade by Geoffrey Borrack, a Ziebell family descendantFree-standing display board containing diorama in centre of shipwrecked Pribislaw. Information given of the ship itself. Attached to the bottom are 2 wooden sections of the Pribislaw ship with brass nails. Wooden sections have been fitted to a wood stand for display purposes.As per photomaritime technology, ship relics, information, board, drawings, documents, pribislaw, 1849, 1850, german migration, ship -
Wodonga & District Historical Society Inc
Album - Hume Reservoir Australia Album - Gravity incline for transport of rocks, 1927
This set of photos is from a leather bound album bearing the inscription "HUME RESERVOIR AUSTRALIA" plus 'The Rt. Hon. L. C. M. S. Amery, P. C., M .P.' all inscribed in gold. It was presented to The Rt. Hon. L. C. M. S. Amery, P. C., M. P, Secretary of State for Dominion Affairs on the occasion of his visit to the Hume Reservoir on 2nd November 1927. This album is of local and national significance as it documents the planning and development of the Hume Reservoir up to 1927. It was the largest water reservoir in the British Empire. The album records the pioneering engineering work that went into its construction.DEPARTMENT OF PUBLIC WORKS, N.S.W. RIVER MURRAY WATERS SCHEME. HUME RESERVOIR. 16. Gravity incline for transport of "plums" from Quarry, New South Wales. "Plums" were larger rocks which could be re-used for other construction purposes.hume reservoir australia, river murray waters scheme, hume reservoir construction -
Warrnambool and District Historical Society Inc.
Functional object - Bookmark, Thomas Stevens, Coventry and London, Mizpah, late 19th century
This bookmark was found loose inside one of our antiquarian books and no connection to the book or its unknown original owner have been found. The word Mizpah means Watchtower in Hebrew and a Mizpah card or bookmark was sent or given to Jewish people who were separated from their loved ones, with the message that the Lord was watching over those absent. The bookmark has been made by the firm of Thomas Stevens of Coventry. This city was the English centre of ribbon weaving in the 19th century and Thomas Stevens, a local weaver, invented and developed in the 1860s the art of making woven silk items - book marks, greeting cards, art works etc. These were called Stevengraphs. Stevens opened a factory in London in 1878 and by the 1880s was producing over 900 woven silk designs. Stevengraphs are a collectors' Items today and this Mizpah bookmark is a fine example of one.This is a woven silk bookmark with multi-coloured patterns. coloured script and a sprig of flowers, probably fuchsias, all on a yellow background. There is a red tassel at the end of the bookmark. The bookmark was affixed to a rectangular sheet of paper containing details of the maker but the bookmark is now detached. The backing sheet is partly torn.Mizpah The Lord watch between Me and thee when we are Absent one from anotherreligious book marks, stevengraphs