This collection of works, “songs without words” was written in the 1830’s by Mendellson. He was of the opinion that the music should stand alone and hence no need for words. This collection of his work for piano solos is still on the music syllabus today. The stamp on the front cover J.B. Shepherd and Son relates the Shepherd family music store in Liebig Street, which operated around the turn of the 20th century . They sold pianos and other musical instruments as well as doing repairs and tuning and lessons.This collection of music scores by Mendelssohn is significant firstly because it is still used by music students 160 years after it was written and secondly this copy has local significance as it was owned by Grace Rome who was born in 1902 and was the daughter of one of Warrnambool’s most successful and longest living business people Thomas Rome, who incidently made one of the earliest sound recordings in Australia.Cream coloured card cover with dark green cloth binding with the title Mendelssohn in red text with black flourish. Other text on cover is black. Edition Peters at the top of cover in black text. Pages contain music scores .132 pages. Kullak printed on front cover. Light blue stamp, “J. E. Shepherd & Son, Piano, organ & music Warehouse. Tuners & repairers Warrnambool. Written in Black ink but scrubbed out with blue ink on inside fly is Grace Rome P.L.C. 1921. 1. Similarly un unknown name is scrubbed on front top right corner of cover. warrnambool, mendelssohn, lieder ohne worte, edition peters, grace rome

Society members preparing for the parade in Youth Road behind Eltham Railway Station, Eltham Festival, 11 November 1989. Bruce Ness assembled the float with items loaned by Warrandyte Historical Society and quite a bit of his own ingenuity. Phyllis Macdonald arranged for some of her friends from the Victorian Folk Music Club to provide appropriate musical accompaniment. To provide a level of authenticity, a present day prospector, Jack Hodson was placed in charge of the equipment on the float.Roll of 35mm colour negative film, 6 stripsFuji 100 Neltham, main road, eltham central park, eltham festival, parade, shire of eltham historical society, parade float

Society members preparing for the parade in Youth Road behind Eltham Railway Station, Eltham Festival, 11 November 1989. Bruce Ness assembled the float with items loaned by Warrandyte Historical Society and quite a bit of his own ingenuity. Phyllis Macdonald arranged for some of her friends from the Victorian Folk Music Club to provide appropriate musical accompaniment. To provide a level of authenticity, a present day prospector, Jack Hodson was placed in charge of the equipment on the float.Roll of 35mm colour negative film, 6 stripsFuji 100 Neltham, main road, eltham central park, eltham festival, parade, shire of eltham historical society, parade float

Society members preparing for the parade in Youth Road behind Eltham Railway Station, Eltham Festival, 11 November 1989. Bruce Ness assembled the float with items loaned by Warrandyte Historical Society and quite a bit of his own ingenuity. Phyllis Macdonald arranged for some of her friends from the Victorian Folk Music Club to provide appropriate musical accompaniment. To provide a level of authenticity, a present day prospector, Jack Hodson was placed in charge of the equipment on the float.Roll of 35mm colour negative film, 6 stripsFuji 100 Neltham, main road, eltham central park, eltham festival, parade, shire of eltham historical society, parade float

Society members preparing for the parade in Youth Road behind Eltham Railway Station, Eltham Festival, 11 November 1989. Bruce Ness assembled the float with items loaned by Warrandyte Historical Society and quite a bit of his own ingenuity. Phyllis Macdonald arranged for some of her friends from the Victorian Folk Music Club to provide appropriate musical accompaniment. To provide a level of authenticity, a present day prospector, Jack Hodson was placed in charge of the equipment on the float.Roll of 35mm colour negative film, 6 stripsFuji 100 Neltham, main road, eltham central park, eltham festival, parade, shire of eltham historical society, parade float

This was the finishing point for the parade. The Shire of Eltham Historical Society's parade float featured a gold mining theme - "The Eltham Goldrush" Bruce Ness assembled the float with items loaned by Warrandyte Historical Society and quite a bit of his own ingenuity. Phyllis Macdonald arranged for some of her friends from the Victorian Folk Music Club to provide appropriate musical accompaniment. To provide a level of authenticity, a present day prospector, Jack Hodson was placed in charge of the equipment on the float.Roll of 35mm colour negative film, 6 stripsFuji 100 Neltham, main road, eltham central park, eltham festival, parade, shire of eltham historical society, parade float

This was the finishing point for the parade. The Shire of Eltham Historical Society's parade float featured a gold mining theme - "The Eltham Goldrush" Bruce Ness assembled the float with items loaned by Warrandyte Historical Society and quite a bit of his own ingenuity. Phyllis Macdonald arranged for some of her friends from the Victorian Folk Music Club to provide appropriate musical accompaniment. To provide a level of authenticity, a present day prospector, Jack Hodson was placed in charge of the equipment on the float.Roll of 35mm colour negative film, 6 stripsFuji 100 Neltham, main road, eltham central park, eltham festival, parade, shire of eltham historical society, parade float

Society members preparing for the parade in Youth Road behind Eltham Railway Station, Eltham Festival, 11 November 1989. Bruce Ness assembled the float with items loaned by Warrandyte Historical Society and quite a bit of his own ingenuity. Phyllis Macdonald arranged for some of her friends from the Victorian Folk Music Club to provide appropriate musical accompaniment. To provide a level of authenticity, a present day prospector, Jack Hodson was placed in charge of the equipment on the float.Roll of 35mm colour negative film, 6 stripsFuji 100 Neltham, main road, eltham central park, eltham festival, parade, shire of eltham historical society, parade float

This was the finishing point for the parade. The Shire of Eltham Historical Society's parade float featured a gold mining theme - "The Eltham Goldrush" Bruce Ness assembled the float with items loaned by Warrandyte Historical Society and quite a bit of his own ingenuity. Phyllis Macdonald arranged for some of her friends from the Victorian Folk Music Club to provide appropriate musical accompaniment. To provide a level of authenticity, a present day prospector, Jack Hodson was placed in charge of the equipment on the float.Roll of 35mm colour negative film, 6 stripsFuji 100 Neltham, main road, eltham central park, eltham festival, parade, shire of eltham historical society, parade float

This was the finishing point for the parade. The Shire of Eltham Historical Society's parade float featured a gold mining theme - "The Eltham Goldrush" Bruce Ness assembled the float with items loaned by Warrandyte Historical Society and quite a bit of his own ingenuity. Phyllis Macdonald arranged for some of her friends from the Victorian Folk Music Club to provide appropriate musical accompaniment. To provide a level of authenticity, a present day prospector, Jack Hodson was placed in charge of the equipment on the float.Roll of 35mm colour negative film, 6 stripsFuji 100 Neltham, main road, eltham central park, eltham festival, parade, shire of eltham historical society, parade float, opal smith, doug orford, joh ebeli

Gertrude Kathleen Barry was a music teacher, performer, and director of many musical productions in Linton and district, playing and teaching both piano and violin. She was the youngest of five daughters of Linton policeman/Clerk of Courts Denis Barry and his wife Ellen (née Quirk). The Barry family lived in a house they called "Listowel", which was in Cumberland Street, almost opposite the Catholic Church. As a pupil of the Sisters of Mercy in Ballarat, Gertrude passed the Musical Society of Victoria pianoforte examination in 1900. She became a music teacher shortly afterwards, teaching both privately and assisting in the music programme at Linton State School. She is first listed as a music teacher in music examination results published in 1906, and it is understood that she ran a private music school with her sister Dora from around this time until about 1915. Gertrude Barry moved to Ballarat in 1925, and was still listed as a music teacher in electoral records in 1972. She died in 1976. The bracelet Gertrude is wearing in the photograph is thought to have been presented to her in 1917 by the congregation of St Peter's Catholic Church in Linton, in appreciation of her many services to the church.Black and white portrait of a lady seated, playing a violin."Gertrude Miss Barry Linton"gertrude kathleen barry, musicians

Mabel nee Abraham Rogers produced, wrote and acted for the “ Melton Amateurs” theatrical group established in 1950. The group performed Revues, Pantomimes, one and three act plays, Musical Comedy and Melodramas. In 1960 it lapsed for a time and from 1967 onwards more shows were successfully produced by Mabel. A creative producer and writer, audiences at the Melton Mechanics Institute enjoyed the performances of Gilbert and Sullivan and excerpts from the many Musicals of the era. She skillfully wrote scripts interweaving with songs and topical local dialogue successfully drawing out the talents of all the cast members. About “Melton Amateurs” and forerunners….. Melton people have always been Active in giving and enjoying Concerts and Amateur Theatricals presented by local talent. Wile is it not possible to mention everybody; names like George Gardiner, Stan Hardy, Jim Murchison, Rita Summers, Annie Riddell, Ethel MacPherson, Harold Bainbridge, Jack Mcguire, Greta Jongebloed, Mary Coburn, Elsie McCorkell, Linda Cameron, Marjorie Myers, Aggie Ross, Bob Butler, bring happy memories to older residents. Over the years, the names change, but the talent is always there, and freely used to give pleasure to others. the Caledonian Society was active about 1925. The Melton Competitions, 1937-37 were very successful and attracted much local and outside talent. The Melton Social and Dramatic Club was operative during the same years, and gave several shows. The first “Melton Amateurs” production was a Revue, in 1950. This was followed by other Reviews, Pantomimes, One-act and Three-act plays, and Musical Comedy. Do you remember Bessie, bob and Barrie Bardsley, and Shirley and Marie Jongebloed, Shirley Wallace, Bill Abraham, Joan Jenkins, Peg Arandt, Winifred Fraser and many other? "Comedy Tonight" prrogramme by the Melton Amateurslocal identities

This book was a gift from Mrs. Cornish to her husband Nefiea, given to him on September 8th, 1884. It became part of the original furnishings of the St Nicholas' Mission to Seamen's Church at 139 Nelson Place, Williamstown, Victoria, and was used in services held there. The Church was operated by the Mission to Seamen organisation. The book is now part of Flagstaff Hill's St Nicholas Seamen’s Church collection. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen was an Anglican charity that served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the organisation began in Williamstown in 1857 as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’ in an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. This hymn book is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The connection of this book to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. The brown leather-covered bound book has an embossed inscription on the spine and an impressed cross symbol on the front cover. It has red leaf pages (681 pages). The music and words were compiled and arranged by editor William Henry Monk, and published in London. This Revised and Enlarged edition was printed in London by William Clowes & Sons Ltd. The book's title is "Hymns Ancient and Modern". The inscription shows it was given as a gift in 1884. It has since been added to our St Nicholas Seamen's Church Collection. Spine: "HYMNS AND TUNES" Front cover: symbol [cross] Fly Page: "HYMNS ANCIENT AND MODERN FOR USE IN THE SERVICES OF THE CHURCH WITH ACCOMPANYING TUNES COMPILED AND ARRANGED UNDER THE MUSICAL EDITORSHIP OF WILLIAM HENRY MONK, PROFESSOR OF VOCAL MUSIC IN KING'S COLLEGE, LONDON." , "Revised and Enlarged Edition", "Young men and maidens, old men and children, praise the Name of the LORD" Inside cover in handwriting: "Nefrea (?d) Cornish from his wife, September 8th 1884"flagstaff hill maritime museum and village, flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, great ocean road, religion, religious service, st nicholas seamen’s church, williamstown, missions to seamen victoria, worship service, worship music, hymn book, music book, william clowes and sons, st nicholas seamen's church, london, hymns ancient and modern, revised and enlarged edition, 1884

The Shire of Eltham District Society's Parade float theme for 1989 was gold mining which, of course, was a most important aspect of our early history. Bruce Ness assembled the float with items loaned by Warrandyte Historical Society and quite a bit of his own ingenuity. Phyllis MacDonald also arranged for the Victorian Folk Music Club to provide us with appropriate musical accompaniment. To provide a level of authenticity, a present day prospector, Jack Hodson was in charge of the equipment on the float. The parade assembled in Youth Road and commenced at 10:30am.Colour photographeltham festival, shire of eltham historical society, main road, victorian folk music club, joh ebeli, 1989

Victorian and Edwardian ladies adorned their hats with various bird feathers. Although living conditions in Moorabbin Shire c1910, were basic families still held onto their traditional English and European customs and took pride in presenting elements of refined society. Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and she was skilled in craftwork, hand knitting, crochet and dressmaking. Her garments were used by her family and the Ormond Choral Society C1910 Women in Moorabbin Shire followed the fashion from Europe and made their own clothes and accessories using their dressmaking, craftwork and design skills 8 x feathers of various sizes and colours for adorning a Lady's hat c 1910 a) Blue & b) White Ostrich, c) Black Cockerel, d) Black Emu Feathers. e) Brown stripped Coque Diamond Tail f) Pink dyed ostrich, g) Black duck, h) black fur clothing, millinery, hat feathers, haberdashery, crochet, doilies, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire,reed gladys, clark judy, dairy farms, fruit orchards, footwear, shoes, buckles, clothing, silver, pewter, brass, victorian fashion, edwardian fashion, mckinnon, moorabbin, cheltenham, wedding dresses, evening wear,

The Sydney Opera House construction began on 2 March 1959. Danish architect Jørn Utzon who had won the competition arrived in Australia with a bronze plaque that can still be seen on the steps today and was placed at the point where the axes of the two halls intersect. Due to problems with the site and construction Utzon resigned and Australian architect Peter Hall took over. The Opera House was completed on 20 October 1973 and has seen many remarkable operatic and musical performances. Currently in 2017 it is undergoing renovations.

The Sydney Opera House construction began on 2 March 1959. Danish architect Jørn Utzon who had won the competition arrived in Australia with a bronze plaque that can still be seen on the steps today and was placed at the point where the axes of the two halls intersect. Due to problems with the site and construction Utzon resigned and Australian architect Peter Hall took over. The Opera House was completed on 20 October 1973 and has seen many remarkable operatic and musical performances. Currently in 2017 it is undergoing renovations.

The Sydney Opera House construction began on 2 March 1959. Danish architect Jørn Utzon who had won the competition arrived in Australia with a bronze plaque that can still be seen on the steps today and was placed at the point where the axes of the two halls intersect. Due to problems with the site and construction Utzon resigned and Australian architect Peter Hall took over. The Opera House was completed on 20 October 1973 and has seen many remarkable operatic and musical performances. Currently in 2017 it is undergoing renovations.

The Sydney Opera House construction began on 2 March 1959. Danish architect Jørn Utzon who had won the competition arrived in Australia with a bronze plaque that can still be seen on the steps today and was placed at the point where the axes of the two halls intersect. Due to problems with the site and construction Utzon resigned and Australian architect Peter Hall took over. The Opera House was completed on 20 October 1973 and has seen many remarkable operatic and musical performances. Currently in 2017 it is undergoing renovations. sydney opera house

The Sydney Opera House construction began on 2 March 1959. Danish architect Jørn Utzon who had won the competition arrived in Australia with a bronze plaque that can still be seen on the steps today and was placed at the point where the axes of the two halls intersect. Due to problems with the site and construction Utzon resigned and Australian architect Peter Hall took over. The Opera House was completed on 20 October 1973 and has seen many remarkable operatic and musical performances. Currently in 2017 it is undergoing renovations. Sculptured Ice, New Year's Eve 2003, Sydney Opera House.ice sculpture, sydney opera h

The Sydney Opera House construction began on 2 March 1959. Danish architect Jørn Utzon who had won the competition arrived in Australia with a bronze plaque that can still be seen on the steps today and was placed at the point where the axes of the two halls intersect. Due to problems with the site and construction Utzon resigned and Australian architect Peter Hall took over. The Opera House was completed on 20 October 1973 and has seen many remarkable operatic and musical performances. Currently in 2017 it is undergoing renovations.

Designed by Nimoka (Nippon Moujin Youga Kaihatsu), it was produced between 1979-2005. A heavy Braille writer for its size, the Apollo provides a standard typewriter style albeit with the oblong keys sitting to the left hand side of the brailler. The design easily fits within a small musical instrument style case, and consists of a rectangular shaped structure made out of metal base with black coloured keys and a grey coloured soft plastic cover. Underneath a battery compartment (which powers a bell) is kept closed with a capped screw.Black and green metal object with covering boxApollo Brailler Mark-II (Serial number) 834400braille equipment, assistive devices

Gertrude Kathleen Barry was a music teacher, performer, and director of many musical productions in Linton and district, playing and teaching both piano and violin. She was the youngest of five daughters of Linton policeman/Clerk of Courts Denis Barry and his wife Ellen (née Quirk). The Barry family lived in a house they called "Listowel", which was in Cumberland Street, almost opposite the Catholic Church. As a pupil of the Sisters of Mercy in Ballarat, Gertrude passed the Musical Society of Victoria pianoforte examination in 1900. She became a music teacher shortly afterwards, teaching both privately and assisting in the music programme at Linton State School. She is first listed as a music teacher in music examination results published in 1906, and it is understood that she ran a private music school with her sister Dora from around this time until about 1915. The "Misses Barry" frequently performed at local concerts and fundraising activities. Gertrude moved to Ballarat in 1925, and was still listed as a music teacher in electoral records in 1972. She died in 1976. The bracelet Gertrude is wearing in the photograph is thought to have been presented to her in 1917 by the congregation of St Peter's Catholic Church in Linton, in appreciation of her many services to the church.Black and white copy of original photograph of a seated lady looking down, and holding a violin and bow. She is wearing dark clothes with lace trim."Miss Barry"gertrude kathleen barry, musicians, music teachers

Bitters / lamplough's pyretic saline /Thomas Smith and sons Established 1848 / collin's cordial cephalic snuff / Keatings insect powder Keatings cough lozenges. Inside is a Musical clipping which gives a current date of 27.5.1850 The book may be dated 1856 - 'One of the last great facts recorded among the memorabilia of the year 1856 ….Floral patterned cloth - covered book Circa late 1800's ? ''DR LIVINGSTONE - HIS LIFE AND ADVENTURES'' (BELONGING TO G D HARRIS - AXEDALE 62 pages.the front and back covers contain adverts on pink coloured paperperson, individual, harris

Large cream, brown, green and beige certificate awarded to Miss M Foster for Piano Solo (under 14) at the Austral Literary and Debating Society's Seventh Annual Musical, Elocutionary, and Literary Competitions. Bendigo, 1903. Certificate has 2 angels at the top, 1 with a harp and the other writing. At each side and at the bottom are ladies dressed in robes. There is decorative scroll work and leaves at the top & bottom. Certificate is signed by E. S. Cahill, President and Frederic A King, Hon. Sec. On the mounting board is a label: D. G. Coope & Son Fine Art Gallery Mitchell Street, Bendigo.document, certificate, music, foster & wilson collection, piano certificate, miss m foster, austral literary and debating society, e s cahill, frederic a king

Large cream, beige and green certificate awarded to Miss M Foster for First Prize in the Violin Solo Open at the Austral Literary and Debating Society's Annual Musical, Elocutionary, and Literary Competitions. Bendigo, 1908. Certificate has angels at the top, one with a harp and one writing. There is a lady at each side and one at the bottom, all dressed in robes. There are decorations of leaf and scroll work designs. Certificate signed by M. ?, President and Thomas Byrne, General Secretary. On the back of the mounting cardboard is a label: D. G. Coope & Son Fine Art Gallery Mitchell Street Bendigo.document, certificate, music, foster & wilson collection, violin certificate, miss m foster, austral literary and debating society competitions bendigo 1908, thomas byrne

Document. Half sheet of newspaper page with portrait photos of members of the ''Hawtrey Comedy Company, now touring W.A.''. ''Photos specially by CLARKE and SONS, Royal Studio, Hay Street''. Page has been torn in half. Four photos have top half missig. Printed in blue ink. Nine complete photos are named as: Miss Winifred Austin. Mr L. Monk. Mr Sydney Redgrave. Miss Elsie Austin. Mr David Cope - Musical Director. Mr Bert Leighton. Mr C P Hammond. Miss Laura Nicholls. Mr St. Clair Bayfield.performing arts, elocution, photos of performers.

Black & White Document With Red & White Cove, Bendigo Operatic Society Theatre Programme Production 'Rose Marie' Venue: Capital Theatre Opening Night 15 th October 1959. For Seven Nights. Price 1/6. J.C. Williamson Theatres Ltd Norman Lee Production. ''Rose Marie'' Books & Lyrics Otto Harbach & Oscar Hammerstein II. Music Rudolph Friml & Herbert Strothart. Musical Director Mr Max O'Loghlen. Music Numbers Include: ''Vive la Canadienne'', ''Rose Marie,'' ''Indian Love Call,'' ''Over the Snow'','The Door of my Dreams.''Cambridge Press Bendigo.clubs and associations, theatre, bendigo operatic society, https://en.wikipedia.org/wiki/rose-marie

Gold framed item: silver brooch. Written in photo : Emblem of the Liedertafel. Of silver, these badges were proudly worn by members of Bendigo's Liedertafel from the 1960s. Consisting of all male voices, these choristers gathered, mainly at the Capitol theatre in View Street, to sing the Lieder ( German song ) The choir became very popular and were in great demand for functions, concerts and all types of musical entertainment. This particular item was donated by Mrs Townsend, Bendigo, and presented to the Society by F. Cusack in mid 1989. On front of frame brass plaque ' donated by the German Heritage Society Bendigo Inc 2013'clubs, music, estate of marie boldt