Two sheets of paper (1 ruled with two message pad pages attached) & 1 plain) of various notes, reports and references to articles in books. Books include Artists of the Australian Goldrush, Snakes of the Whipstick - MacGillivray, The Whipstick Scrub 65 years Ago by Walter W Froggatt, Through the Whipstick Scrub, Excursion to Bendigo (Paton), Observations in the Platypus by Dr MacGillivray, A Plea for the Birds by R N Nancarrow, Snakes & Lizards Macgillivray, and The Naturals History of Leaves J B Mackay. Report on lecture of snakes of the Bgo District Bgo Adv 21/12/1885 and Bgo School of Mines Report 1884bendigo, history, early bendigo, peter ellis collection, bgo science society, dr macgillivray, huxley, nancarrow, files of the bgo adv, allen mccullocks, artists of the aust goldrush, snakes of the whipstick, von mueller, frogatt, bgo adv 21/12/1885, snakes of the bgo district, bgo school of mines, ellez, braugh smyth, vic naturalist, g w knight, c daly, excursion to bendigo, the whipstick scrub 65 years ago , walter w froggatt, through the whipstick scrub, paton, bgo school of mines report 1884, mr nancarrow, 1885 observations in the platypus by dr macgillivray, a plea for the birds by r n nancarrow, 1889 snakes & lizards macgillivray, the natural history of leaves, j b mackay

The Melbourne and Metropolitan Board of Works (MMBW) was established by an act of the Victorian Parliament in 1890 to prepare for and to implement a sewerage and water reticulation system across what was then inner Melbourne, its surrounding and middle distance suburbs, including Kew. The MMBW was disbanded in 1991.The map collection of the Kew Historical Society has at its core the historic maps assembled and originally stored in the City Engineer's Department of the City of Kew. These include maps in a number of scales. The vast majority of maps were produced by the MMBW in the first two decades of the twentieth century, and are solid working maps, backed by linen for durability. These maps are historically significant to Kew, the City of Boroondara and to the history of the development of state utilities in Victoria. A number of the Kew maps have additional details added by former municipal officers, including the levels reached by various floods. As these were working documents, information was added to them long after the period of their initial production and distribution.Early map of part of the Borough of Kew, created in the early twentieth century, at a scale 160 ft to 1 inch. The map covers what was then the north eastern part of Kew showing the natural landscape and limited development on the south side of the Yarra River. In the Kew section, south of the river, the land is occupied currently by the Greenacres and Kew Golf Clubs. The map shows the extent of urban development by that time and the outlines of the few built structures in the municipality. The height above sea level of all parts of the landscape are indicated numerically in feet. Contour lines and the levels of historic floods were added in ink to the map at a later stage. MELBOURNE AND METROPOLITAN BOARD OF WORKS / PLAN NO. 117 / HEIDELBERG & KEW melbourne & metropolitan board of works, mmbw maps, borough of kew, cartography, mmbw plan no. 117, kew (vic.) -- maps, heidelberg (vic.) -- maps

Neville FRENCH (1955- ) Born Maryborough, Victoria In 1977 Neville French graduated from Ballarat College of Advanced Education after studying a Diploma in Fine Art (Ceramics) between 1974 and 1976, and was a tutor there for six months in 1978. He holds a Master of Arts, Research (Ceramics) from RMIT Universiy, and was awarded the Vitrify Alcorso National Ceramics Award in 2012. Neville has an international reputation as a ceramics artists and educator. From 1982 to 2012 Neville French was teach and coordinator of the Ceramics department at the Ballarat School of Mines and University of Ballarat (now Federation University). From 1982 to 2012 Neville French taught Ceramics at the Ballarat School of Mines TAFE, which later merged with the University of Ballarat (now Federation University Australia). He completed a Graduate Diploma of Education at Hawthorn State College in 1980, a Certificate of Stoneware Glazes from Brisbane College of Advanced Education in 1983 and a Master of Arts Fine Art (Ceramics) at RMIT University in 2000. Between 2010 and 2012 Neville French taught post graduate honours and masters Ceramics students. During his time as a student at Ballarat Neville Bunning would collect clay from the Enfield clay pit. He described following white tyre tracks to find the location. He described the clay as silky smooth and and fired to a beautiful grey colour at stoneware tempreture. When blended with terracotta clay from Nerrina or fireclay from Bacchus Marsh a wide range of different bodies could be created. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Two vessels made as a sculptural pair. Statement: "My work involves an exploration of elemental vessels - extending porcelain to develop taut contours and spatial dynamics. I seek to distill an essence of purity to evoke notions of quietude and transendence through the expressive use of glaze and its relationship to form, tactility, weight and light. Forms are wheel-thrown, altered and slowly scraped to develip a soft line and solidity. Coloured matt glazes are layered and fused to the porcelain body through multiple firings to give expression and luminosity to the surface,. The iodosyncratice nature of glaze stimulates the imagination. It evokes associations with the natural environement and alludes to a meditative infinity."Signed on base 'f.'art, artwork, neville french, french, ceramics, porcelain, wheelthrown, thrown and altered, alumni

The handmade basket has a variety of pieces of War Memorabilia as listed in the description.A large lidded firm natural, green and tan raffia woven basket with a looped handle on the lid which is attached to the base by rusted twisted pieces of wire. It closes with a brown strip of leather onto a metal clip at the side. Inside are pieces of War Memorabilia - an instruction card for Knitters Get Busy!, one tortoiseshell knitting needle, a pair of large olive green woollen mittens, two strips of paper with instructions and illustrations for sewing Red Cross Pyjamas for the Soldiers and a small grey folded card - 'The Grey Sock' which has directions for knitting good socks with finer wool and needles. This is incomplete.'Knitters Get Busy! War Chest Wants Socks Appeal for 150,000 Pairs'. There is an acrostic poem for the word KNITTERS, describing the word. 'The Grey Sock' - instructions for knitting fine and coarse wool. Suitable pyjama pattern with instructions.war, containers, knitting, sewing, baskets

Four octave portable wood and metal reed organ. The natural keys are wooden with white covers and the accidental keys are black wood. The case contains bellows, reeds and keyboard. The top of the case is made of two hinged sections. The rear section is secured and the front section opens to reveal the keyboard and a music stand. The organ has one wooden knee control attached to the front of the case and two carrying handles on each end of the case. The bottom of the bellows are visible at the bottom of the case attached to the pedals by vertical metal rods. The front and back of the case is decorated with stenciled gold painted design of stylised floral and geometric shapes.musical instruments, reed organs, portable organs

Two copies of newspaper articles titled ''The Past Comes Alive on 'The Hill'' from the Bendigo Advertiser dated 3/7/1971. Some history, a guided tour by two busloads of students and some plans are mentioned in the article. There are also two photos in the article. In one photo three Rotarians of Bendigo South, Mr. Vic Wodetski, Mr. Jack Bright and Mr. A. E. Richardson are inspecting some of the concentric rings of iron oxide and the quartz spur running through the centre of the outcrop on Victoria Hill. In the other photo Mr. jack Bright is looking at the natural curves of colour in the stone of Victoria Hill.newspaper, bendigo advertiser, victoria hill, victoria hill newspaper article, central deborah, victoria hill open cut, joss house, bendigo potteries, mr a e richardson, bendigo historical society, mr j hattam, reservoir high school, mr w j derham, rotary club of bendigo south, bendigo and district tourist association, victoria quartz mine, george lansell's big 180, theodore ballerstedt, goldmines hotel

A book describing beauty spots and waterfalls in the Upper Yarra ValleyPaperback. Front cover has a black and white photograph of Mathinna Falls.A selection of beauty spots within the Upper/ Yarra Region, which once made the valley/ Victoria's foremost tourist destination./ Many of the sites have since been neglected or/ closed to public access, leaving tourists to pass by,/ and travel on to distant places./ By associating episodes of our fascinating past/ with these sites, we learn that there is more than/ just natural beauty to be re-discovered. Stamp of Marysville & District / Historical Society Inc / P.O. Box 22 / Marysville 3779upper yarra valley, beauty spot, waterfalls

This particular specimen was recovered from the Lal Lal Coal and Iron Mine in Victoria, 19km from Ballarat. Brown Coal was discovered here in 1857, just alongside the Geelong to Ballarat Railway line. This discovery of lignite (brown coal) was the first in Victoria, which would bring important benefits to the region and state, both of which had previously been reliant on coal imports. In the 1860s, iron ore was found just 5km from Lal Lal, and the area was converted into an Iron Ore Mine. The Lal Lal Iron Mining Company took over operations in 1874, who then peaked iron production in 1884. This mine continued operations until June 1884, when the blast furnace was extinguished and never recommenced. The blast furnace at Lal Lal is considered one of the most important and highly significant sites ion early industrial history in Australia, as it is the only remaining best furnace from the nineteenth century in the Southern Hemisphere. The furnace ruins are 17 metres high, and are clearly visible today on Iron Mine Road, Lal Lal, near the Bungal Dam. This specimen of Lignite (brown coal) is significant, as it was mined from the area where brown coal was first discovered in Victoria, leading to an important and controversial future of the mining and use of brown coal in this State. The Victorian Heritage Database has listed the Lal Lal Coal Mine with local significance, with their Statement of Significance stating: "The Lal Lal coal mine is historically significant as the site of the first discovery of lignite (brown coal) in Victoria, and one that promised important benefits to regional and state industries that were reliant on coal imports at the time. The significance of the stie is reduced by the poor state of preservation of the coal mining and processing fabric". This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A hand-sized light-weight, soft and combustable sedimentary rock specimen, that is dark brown in colour. The specimen has jagged edges, as though parts of the rock have crumbled away. Brown coal, or Lignite, is formed naturally from compressed peat, and is typically found in natural basins. The stages to the formation of coal ('coalification') begin with plant material and wood, which will decay if it is not subjected to deep burial or heating, and turn into Peat. Peat, when sufficiently compressed naturally, will turn into Brown Coal (Lignite), and finally into Black Coal (sub-bituminous, bituminous and anthracite). Each successive stage has a higher energy content and lower water content. It is brownish-black in colour. Brown Coal has a high moisture content, between 50 and 75 percent, and a low carbon content. Some Brown Coals may be stratified, with layers of plant matter, which means little coalification has occurred beyond the peat natural processing stage. When Brown Coal is submerged in dilute nitric acid or boiling potassium hydroxide solution, it reacts to produce a reddish solution, of which higher-ranked coals do not. When brown coal is pulverised and burned in boilers, the steam is used to drive turbines, which generates electricity. It is the lowest rank of coal, as when burned, it creates a relatively low heat content, which in turn does not create a great output of steam. burke museum, beechworth, indigo shire, beechworth museum, geological, geological specimen, mineralogy, brown coal, brown coal specimen, lignite, lal lal, lal lal coal mine, lal lal iron mine, ballarat, blast furnace

In 1869 the Council moved to name this park "Victoria Park. The cricket pitch construction began in 1873 and major improvements to the ground were undertaken in 1881. It is still the primary sporting ground in Echuca, offering AFL football oval, cricket pitch and nets, athletics and entry to the Echuca boat ramp and the natural bush land of the scenic drive. It also houses Echuca Council caravan park. The signage in this photograph is no longer there and the enterance to the caravan park has moved.This area of Echuca has historically been a major recreational area for the town. Being the primary sporting ground since its establishment in 1869., the area has a number of sporting and recreational facilities for the people of Campaspe Shire, from natural bush walks in and along the Murray river to more formal facilities such as AFL football ground, firefighting training area, netball courts, cricket pitch and nets, and grass tennis courts. Colour photograph (post-card size) of directory signs to entrance of Victoria Park, Echuca taken facing north. Two driveways are shown, to the east "Caravan Park" and to the west , "Victoria Park", "Boat ramp", " Scenic drive"Printed in black on the reverse:"this paper manufactured by Kodak"echuca, port of, echuca council caravan park, victoria park, echuca, echuca-tourist attraction

Crochet example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crochet example by Joyce Hucker.crochet, hucker, mrs joyce

Knitting example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Knitting example by Joyce Hucker.Late J. Hucker 1972 Ski Capknitting, hucker, mrs joyce

Knitting example by Joye Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Knitting example by Joye Hucker.knitting, hucker, mrs joyce

Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.crochet, hucker, mrs joyce

Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and crocheting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.N.F.S. samplecrochet, hucker, mrs joyce

Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker."Jaunty Pair" Cap. J. Hucker Lake Bolac Viccrochet, hucker, mrs joyce

Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.crochet, hucker, mrs joyce

Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.N.F.S. samplecrochet, hucker, mrs joyce

Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.crochet, hucker, mrs joyce

Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and crocheting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.crochet, hucker, mrs joyce

Knitted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Knitted example by Joyce Hucker.knitting, hucker, mrs joyce

Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Knitted example by Joyce Hucker.crochet, hucker, mrs joyce

Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted item by Joyce Hucker.crochet, hucker, mrs joyce

Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted item by Joyce Hucker.crochet, hucker, mrs joyce

Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and crocheting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Dressing gown crocheted by Joyce Hucker. Detail from crocheted dressing gown by Joyce Hucker. Detail from crocheted dressing gown by Joyce Hucker.crochet, hucker, mrs joyce

Ghost Blanket IV won the 'Award for Excellence' at Ozquilt Network's biennial juried exhibition Art Quilt Australia for 2021. The quilt presented with the Award for Excellence is acquired into the National Wool Museum's Collection dating back to 2000 with the art quilt "Earth Blanket". Artist statement: In "Ghost Blanket IV", woven checked blankets are deconstructed and reimagined to create an appliquéd work with the feel of lace. It celebrates the natural colours of alpaca fleece and the qualities of felted, woven fabric.Woven black white and grey checked design appliqued onto silk organza.ozquilt, quilt, art quilt, wool

This specimen is from Broken Hill, NSW. Galena is a natural mineral form of lead sulphide and is often found associated with sphalerite, calcite, and fluorite. Galena is an important lead ore mineral, and, in some regions, it is also an important mineral associated with silver ore. Sphalerite is a sulphide mineral that is the main ore of zinc. Rhodonite is an uncommon mineral once used as an ore of manganese in India, however today the scarcity and fragility of the crystals mean it is primarily used as lapidary materials or mineral specimens. In 1883, Charles Rasp who was a boundary rider at the time, discovered what he thought were deposits of tin but were in fact samples of silver and lead. He and six others went on to set up the first mining company in Broken Hill (BHP). The ore body became the largest and richest of its kind in the world mining ore worth more than 42,000 pounds in its first year. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study. Galena contains lead and silver, Sphalerite contains zinc. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A hand-sized piece of Sphalerite and Galena with Rhodonite crystalsburke museum, beechworth, geological, geological specimen, galena, rhodonite, sphalerite, silver ore, manganese, lead sulphide, lead ore, zinc ore, lapidary, mineral specimen, broken hill, nsw

This is a lump of beeswax that has been used to polish and clean old flat irons. Beeswax is a natural product made by bees to form the honeycomb in their beehives. It was used historically in many areas, including candle making, bow making, cosmetics production, bullet-making and modelling. It still has many commercial uses today. Flat irons were metal objects that had a flat polished surface and were heated to iron material and garments. The beeswax assisted in keeping the polished surface clean and shiny. This piece of beeswax comes from a local source but the full provenance is not known. It is important to keep it in the collection as an adjunct to the Historical Society’s collection of sad and flat irons from the past. This is a lump of beeswax in a round shape with one end broken across to reveal the inner part of the beeswax. The outer part is somewhat stained. flat and sad irons, household items from the past, history of warrnambool

Placemat made with the in 'wrapping' technique taught by Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Placemat made with the 'wrapping' technique developed by Joyce Hucker.crochet, hucker, mrs joyce