Black and white photograph of one of the stained glass windows at Christ Church Anglican Church, Mitcham. The top panel shows a dove under a crown.christ church anglican church, mitcham stained glass window

The Rooks family emigrated from England in 1857. Abraham Rooks came to Forest Hill in 1862 and leased 79 acres. After 10 years of successful farming he owned the land. Abraham Rooks held the first church meetings in his home and in 1865 was one of the trustees to receive a crown grant to erect a chapel. In 1970 a school was attached to the chapel. Rooks Road is named after him.Coloured photo of the Rooks family tombstone - grave 226, Methodist section|Rooks, Abraham died 1 September 1889, aged 65 years|Rooks, Sarah died 2 January 1898, aged 66 yearsrooks, abraham, rooks, sarah, tombstones, rooks road, vermont

This slide shows the 1956 "Queen of Begonias" in Ballarat, on her float during the Begonia Festival street parade. Miss Carol Penrose, who was crowned by the Prime Minister Robert Menzies, is shown in the background. The runners up that year were Janet Saunders and Hillary Richards, otherwise known as "Princesses", one being pictured here, in front of the Begonia Queen. Mrs Bon Strange and her husband Bert were well known Ballarat residents. When Mrs Strange died some years ago, her extensive slide collection was sorted through and those relevant to Ballarat were gifted to the Ballarat Library.begonia festival, festival, queen of begonias, ballarat, parade

This half broken brick comes from the brickworks owned by Robinson Allison. The brickworks operated approximately between the years 1859 - 1883 on crown land near Watson's Road, Sunbury. This brick may have come from a ruin near the Organ Pipes.Approximately half a brick brown/red colour smooth at one end uneven sides.on top - "ALLISONS'1860s, 1880s, sunbury, brick, shire of bulla, dunn, trevor, margaret, allison, robinson, george evans collection

The stone wall is part of the terraces that were built into the hillside at the winery at Goonawarra. They were constructed in the early days when the vineyard was established to terrace the hillside for growing vines. The winery was originally established by Joh Goodall Francis, a former member of the Victorian Legislative Assembly. He acquired a parcel of crown land and proceeded to develop it as a vineyard. The terraces were built by vignerons, who were employed to work on the property. Goonawarra Winery was one of a number of vineyards that were established in the Sunbury area in the 1800s. The volcanic soil and temperate climate were ideal for grape growing.A coloured photograph of a stone wall with a notice to the left of the wall and long dried grassland in the front. A barbed wire fence is in the foreground.terraces, vineyards, goonawarra, james goodall francis

The photograph is of the Woodland Homestead at Bulla which was sited along the Moonee Ponds Creek. William Pomroy Greene and his wife Anne, emigrated from Scotland and arrived in the Port Phillip area in December 1842.. He acquired the Crown land at Gellibrand Hill in 1843 and built the prefabricated homestead which became known as Woodlands. The people in the photograph, taken about 1859 - 60, are L- R: Possibly Sir Willian Stawell, ?, little Anne Catherine Greene at 2 years, Rawdon Greene, Mrs. Greene and Smith ( a butler).The Greene family were one of the early European settlers to acquire land in the Bulla Bulla district. The Woodlands property is now a national park and the significant Gellibrand Hill is within the park.A black and white photograph of 3 men, a lady and a child standing in a garden in front of a homestead. A wooden post and rail fence is in the foregroundwoodlands homestead, greene family

This object relates to Hugh Forrester BETHUNE. He was born on 15/11/1924 in Sydney, NSW. Hugh Forrester served in the RAAF (430155) enlisting on, 01/01/1943 in an unknown location before being discharged from duties with the 9 AIRCREW HOLDING UNIT as a RAAF Non-Commissioned Warrant Officer (WOFF) on 26/02/1946. Hugh Forrester BETHUNE was not a prisoner of war. Hugh Bethune was awarded the 1939-1945 Star, Australia Service Medal 1939-1946, Defence Medal, France and Germany Star, War Medal 1939-1945.Star shaped silver medallion attached to a blue, navy and red ribbon with one badge attached. The badge is silver and depicts an anchor, rope, rifle and eagle. The medallion features a triangular silver section with blue enamel and reads: "Award of Merit". This loops onto a large silver star with a crown sitting above the centre star point. Withing the star is an enamel decoration of a blue circle with the text: "Corps of Commissionaries" and three small stars. Within this blue circe is a lighter blue shield depicting the southern cross.Engravings on the back of the Medallion read: "1197" "H.F. Bethune" "10.3.71" Also a faint hallmark including the letter Mballarat, ballarat rsl, medals, australian service medal

This object relates to Herbert Swain GREENING. He was born on 1/01/1891 in Ballarat, VIC. Herbert Swain served in the AIF (3292) enlisting on, 13/07/1915 in Ballarat, VIC before being discharged from duties with the 5 BATTALION as a Army Non-Commissioned Private (PTE) on 15/02/1918. Herbert Swain GREENING was not a prisoner of war. His next of kin is Mrs. M. Greening - Mother. Herbert Greening was awarded the 1914-1915 Star, British War Medal, Victory Medal.Brass coloured, circular badge with a crown protruding from the top centre. The symbol of the rising sun can be seen at the centre of the badge in relief with the letters A I F written just below. One line of text follows the top perimeter of the badge, while another line of text follows the lower perimeter (also in relief). On the back of the badge are two eyelets and a pin, as well as engravings.Front of badge (top perimeter): "ISSUED BY DEPT OF DEFENCE" Front of badge (bottom perimeter): "RETURNED FROM ACTIVE SERVICE" Back of badge: "54676" and "6TOKF68SON?" / "MFL8"first world war (ww1), 1914 - 1918, personal items, ballarat rsl, ballarat

This miner's right is a copy from an original held by the Old Colonists' Association of Ballarat. The original was glued onto a page in a large album of photographic images of early Ballarat. Recognising their significance the Council of the Old Colonists’ Association had them removed and restored. The originals are now framed and on display in the Old Colonists’ Hall.Digital image of an original gold license made out to William Fittall Junior.14 Victoria Gold License No 144 1 June 1852 The Bearer William Fittall Jr having paid to me the sum of One Pound, Ten Shillings, on account of the territorial revenue, I hereby License him to dig, search for, and removed Gold on and from any such Crown lands within the Upper Loddon District as I shall assign to him for that purpose during the Month of June 1852 not within half-a-mile of any Head Station. This License is not transferrable, and to be produce whenever demanded by me or any other person acting under the authority of the government, and to be returned when another License is issued. [Undecipherable signature] Commissionerwilliam fittall, upper loddon, mining, old colonists' association, fittall, eureka

This miner's right was glued onto a page in a large album of photographic images of early Ballarat. Recognising their significance the Council of the Old Colonists’ Association of Ballarat Inc. had them removed and restored. The originals are now framed and on display in the Old Colonists’ Hall.Victorian Gold License made out to John Chisholm.Ballarat Victoria Gold License No. 139 March 1853 The Bearer J. Chisholm having paid to me the Sum of One Pound Ten Shillings, on account of the territorial revenue, I hereby License him to dig, search for, and remove Gold on and from any such Crown lands within the Dist of Ballarat as I shall assign to him for that purpose during the month of march 1853 not within half-a-mile of any Head Station, This License is not transferable, and to be produced whenever demanded by me or any other person acting under the authority of the Government, and to be returned when another License is issued. Chas Wale Sherard Commissioner. Regulations to be observed by the persons digging for Gold or otherwise employed at the Gold fields. 1. Every licensed person must always have his License with him ready to be produced whenever demanded by a Commissioner, or Person acting under instructions, otherwise he is liable to be proceeded against as an unlicensed person. 2. Every person digging to Gold, or occupying Land, without a License is liable by law to be fined, for a first offence, not exceeding five pounds; for a second offence not exceeding 15 pounds; and for subsequent offence, not exceeding 30 pounds. 3. Digging for Gold is not allowed within ten feet of the edge of any Public Road, nor are the roads to be undermined. 4. Tents or Buildings are not to be erected within twenty feet of each other, or within 20 feet of any Creek 5. It is enjoined that all persons on the Gold Fields maintain a due and proper observance of Sundays. Handwritten in top left corner 'Presented by D.M.D. Main. 12 Dundas St. Dunedin N.Z. 30.8.21chisholm, sherard, charles sherard, john chisholm, mining, main, d.m.d. main

The Gallipoli Star and its ribbon were designed in 1917 by R K Peacock, but official approval from King George V for the proposed campaign medal was withdrawn after the ribbon, but not the medal, had been manufactured, because it was to have been presented only to Australians and New Zealanders, but not British or other Empire soldiers involved in the campaign. Some Anzac veterans are known to have been issued with lengths of ribbon during the war in anticipation of the medal's production. In 1990, Mr Ross Smith, a former Australian Army Warrant Officer and Vietnam veteran, arranged, at his own expense, for dies from the original design to be manufactured, and for A J Parkes & Co Pty Ltd, of Brisbane, to strike 1000 examples of the medal. 200 of these stars were presented to surviving Australian and New Zealand Gallipoli veterans to mark the 75th anniversary of the campaign. The remainder were sold to the public. A further 1000 were later struck for sale to collectors. The design features an eight pointed star, representing the states and territories of Australia (seven points) and New Zealand. The colours of the ribbon are blue, representing the ocean, gold, representing Australian Wattle, silver grey, representing New Zealand fern, and red for the colour of Australian gum blossom and the New Zealand Rata flower.Gallipoli Star is a star shaped medal with raised crown at centre suspended on a coloured ribbon.medal, gallipoli, world war one, wwi

A tilt-top Sphairistike lawn tennis racquet, with solid concave throat, leather crown protector, and white leather handle grip wrapped along almost the whole length of the shaft. Impressed inscription along throat and shaft on obverse: FRENCH & CO./46 CHURTON ST./LONDON/SPHAIRISTIKE. This historical racquet was literally one of the first lawn tennis racquets - sold as part of a lawn tennis set - to be produced by French & Co., upon the order of Major Wingfield, in anticipation of the patenting and publication of his game rules. Once the patent was granted, Wingfield had his rules published in two days, and had copies slipped into the already constructed French & Co. tennis sets, and from that point, the lawn tennis craze began. Materials: Wood, Lacquer, Glue, Metal, Gut, Leather, Inktennis

An late 18th century court tennis racquet, made from two pieces of interlocked wood, secured with two screws. One is the handle/throat, the other is the shoulders/head. The latter unfortunately had, at some point in the past, split at the crown, and whipping was applied to reinforce it. The gut stringing is three-way. The throat and lower shoulders have been hand painted, with both linear and floral designs. Across the thoat on the obverse is the monogram which reads 'BWB'. Materials: Wood, Lacquer, Metal, Gut, Paint, Stringtennis

A 'Crown' wooden tennis racquet with composite concave throat. Octagonal handle with end wrap. Twine netting. String whipping and traces of cloth tape as reinforcements on shoulders. Model name as imprinted across throat on obverse. Decal of retailer on throat on reverse. On either side of shaft is imprinted retailer details. Owner's intials: AER scratched into one side of shaft. Materials: Wood, Lacquer, Metal, Glue, Leather, String, Ink, Cloth tape, Twinetennis

The Female Relative's Badge was issued to the wife and/or mother, or to the nearest female relative of soldiers, nurses and masseurs who had left Australia for active service abroad during the First World War. The service number of the relative is inscribed on the back of the badge. A bar(s) suspended below the badge was issued for each additional relative, son or daughter serving. (taken from awm.gov.au). The provenance of this badge is unknown. A search on the defence force numbers has been unsuccessful to ascertain the owner of the badge. More research would be required.Shows the importance placed on having relatives serving in the Defence Forces.Silver badge with blue enamel and safety chain. A.I.F. in cutout script in the centre of an oval. Oval has blue enamel with silver text "Issued by the Dept of Defence to Women of Australia". An enamelled scroll beneath this contains the word "For Duty Done". The badge is surmounted by a King's Crown. A brooch fastening and a safety chain are attached to the back, the original safety pin is missing. Two bars are suspended from the bottom of the badge indicating a total of 3 relatives serving overseas. Defence force numbers 33370, 20232 and 20233 inscribed on back. Manufacturer mark "WM Mclean & Co / Melb / STG SIL"female relative's badge, world war one

The notepaper says: "In commemoration of the heroic deeds of the men of ANZAC at GALLIPOLI in 1915 and in recognition of the great debt owed by all Australians. With the compliments of the Government of the Commonwealth of Australia." It was given to Legatee Gordon Beith. His son and daughter presented it to Legacy. The Anzac Commemorative Medallion was instituted 1967. It was awarded to surviving members of the Australian forces who served on the Gallipoli Peninsula, or in direct support of the operations from close off shore, at any time during the period from the first Anzac Day in April 1915 to the date of final evacuation in January 1916. (taken from defence.gov.au)Shows the recognition by the Australian Government of the servicemen who served at Gallipoli.ANZAC Commemorative Medallion in brown leather case. Bronze medallion with depiction of Simpson and his donkey carrying a wounded soldier, in a circle with the date 1915. The circle is topped by a crown. It is bordered on the lower half by a laurel wreath above the word ANZAC. The reverse shows a map in relief of Australia and New Zealand superimposed by the Southern Cross. The lower half is bordered by New Zealand fern leaves. The name and initials of the recipient, G. Beith, is engraved on the reverse the engraved name. The presentation case is dark brown leather like outside, with maroon silk lining, and maroon velour cushion for the medalion to rest in. Inside is a printed note on Commonwealth of Australia white notepaper. Accompanying it is a block of wood with inscription of it's donation to Legacy.'G. Beith' engraved on the reverse.gallipoli, medallion, world war one

Hand made note regarding the Bendigo steam trams, their builders, builder numbers, sizes and dates. Notes one sold to the David Mitchell Lime Works at Lilydale. Contained within Reg Item 5485 - Service Exercise Book, black covers, with label, red binding titled "No. 2 - Ballarat Tramways & S.E.C. Systems". Item was located inside the front cover of this book - see list, The sheet of paper has the water mark - "GOVERNMENT SUPERFINE" with a crown over the top of words. trams, tramways, bendigo, steam trams

Because of the vast quantity of piles for harbour works Pettit Bros. of Geelong arranged for an addition siding to be installed at Ferguson on the north side of the station in 1913. They then laid a tramway in a northerly direction along the original alignment of Charley's Creek road to the top of Powneys Cutting, 1.8 km from Ferguson, where a log winch was sited. This powerful winch hauled carefully selected piles from the north-west. Jim Facey and Jim, Ted and Tom Cashin formed a partnership to log an area along the Charley's Creek Road six kilometres from Ferguson, operating full-time from 1934. After leasing three Crown sites and cutting them out the partners shifted logging operations to Powneys farm, which they had purchased, and laid a log trail into the farm. The old road reserve was also purchased, and the log tram continued along the road reserve for one kilometre to Powneys Cutting. Logs were winched up to the tramline and despatched to the mill along the falling grade of the road.B/W. 201mm x 268mm. Powneys Cutting being excavated by four men, two men on either side of the slope, and a horse at the end of the line, in c.1902.ferguson; powneys cutting; tramways; powneys farm; pettit; jim facey; jim cashin; ted cashin; tom cashin; charley's creek road;

Series of Black & White Photos Total 5 of the Hill Family & Friends during leisure in 1922. Mollie dressed on black with white blouse astride a horse & Hilda wearing a tartan skirt with a white blouse, at the Durvol Property Kyneton Victoria Australia September 1922. Four young ladies all wearing a dark colour dress with white blouse, two are wearing dark hats and two white, sitting on a metal ended wooden slat seat, Castlemaine 1922.Nora Nellie Jonah sitting on a rocky outcrop, two wearing dark clothing with white blouses on in lighter colour wearing hat with white bands on crown. At Inglewood November 8th 1922, Six males al dressed in dark suits with white shirts and dark ties, also six ladies one in coloured dress others all in white one wearing a tartan like pattern skirt, one lady has dark hat another light coloured. Enjoying the Reservoir Inglewood 1922.Hilda Hill Perrsonal Collectionaustralia, history, post war life

The Improved Martin-Adelphi Anchor. The introduction of cast steel in 1894 led to the improved Martin-Adelphi pattern, in which the crown and arms are cast in one, and, with the stock, are made of cast steel, the shank remaining of forged iron. A projection in the crown works in a recess (right image), and is secured in its place by a forged steel pin, fitted with a nut and washer, which passes through the crown and the heel of the shank.Stock-anchor - improved Martins patent, Adelphi pattern improved Martins patent anchor, Adelphi pattern

Four books of stubs. Originally the books had 20 right to occupy residence area forms. The stubs record the date of issue, the replacing right No., the fee paid, the receipt no. and a signature. only one of the books has the original form attached, two of the books have handwritten notes attached. One has a typewritten letter from a Mr. L. Gibney of the department of Crown lands and survey dated 24th July 1972 addressed to the district land officer, Bendigo. In the letter Mr. Gibney tells the officer in Bendigo that a pad containing 20 unnumbered residence area right forms D. The dates on the stubs are 17/04/1961, 16/04/1971, 07/09/1972, 08/05/1975land sales, right to occupy, government

In the Second World War the Female Relatives badge was issued to the nearest female relative of members of the RAN, the AIF, including members of the Australian Army Nursing Service and the RAAF on active service abroad. Stars displayed on a bar suspended below the badge represented the number of relatives involved in the War effort.The badge on display was issued to Nora Marjorie Fielding, whose husband VX79262 Pte Donald Fielding, served with Army Headquarters Signals Regiment in WW2.A badge with a safety chain and pin attached, long pin on back for wearing. Laurel wreath on outer rim with crown at top. Map of Australia in middle. A bar is suspended by two loops, there is one star fixed to the bar. Front. To the Women of Australia. Back. Issued by the CWlth of Australia A123489 Angus and Coote 1942female relatives badge, ww2, homefront

The Slouch Hat became standard issue headdress in 1903 and its brim position was mostly standardised. The slouch hat became a famous symbol of the Australian fighting man during World War One and continued to be worn throughout World War Two. Its use since that time has made it a national symbol. https://www.army.gov.au/our-history/traditions/the-slouch-hatStandard uniform issue for the Australian Army.Khaki slouch hat, has pleated hat band, brim upturned with badge on upturned brim. Crown of hat pinched inwards. Leather crown liner and leather chin strap with adjustable clip.MOUNTCASTLE 1994 Made in Australia (Broad arrow) 56 Black pen handwritten. Fullerarmy, uniform

Letter, dated 24th September, 1973, to Mr P N Ellis from A B Court of the Royal Botanic Gardens and National Herbarium. In the A B Court thanks Mr Ellis for his letter and for the specimen of Acacia hakeoides. He was hoping it would turn out to be the same as the one known to him from the Moon Mines area. He had searched for this species? During the last several years but had been unable to find it. He suggest that if Mr Ellis or his associates find anything of interest in the locality it might be worthwhile forwarding a specimen for examination. Signed A B Court.communication, postal, letters, peter ellis collection, department of crown lands and survey victoria, royal botanic gardens and national herbarium, p n ellis, moon mines area, a b court

Under the Western Australia 'the Homestead act 1893' an Occupation Certificate, Homestead Farm No. 15/939 for David Williams of Bendigo for 160 acres (near Woolkabunning near Bunbury WA); at a cost of one pound. Signed by order of the Commissioner of Crown Lands. Dated 25 September 1897. The land is marked and distinguished in the maps and books of the Department of Lands and Surveys of the said (WA) Colony as Williams Location No. 702.

The Correspondent for The Argus on 10 May 1901 described the opening on 9 May as: "The Parliament of the Commonwealth was opened yesterday by the Duke, of Cornwall and York, under a Commission signed by Queen Victoria and subsequently endorsed by King Edward VII. The ceremony was marked by the splendour and solemn impressiveness which befitted its historic importance. An immense assemblage of spectators, drawn mainly, of course, from this state, but in part also from each of the other federated states, and including representatives of other portions of the British Empire and of foreign powers, thronged the spacious, stately, and joyously decorated edifice. The picture was magnificent. It must have printed itself indelibly on the sensitive minds of the thousands of Australians who were privileged to behold it. We may assume that artists will reproduce it in worthy and imperishable forms, and that from generation to generation it will be familiar in the households of the Commonwealth. Our children's children, we may gladly say to-day, will not be ashamed of the function which inaugurated the self-governing rights of the southern British Nation. Nothing was omitted which could add to the grandeur and significance of the occasion. In a broad sense the proceedings were perfectly intelligible to the vast and sympathetic gathering, though the natural limits of a single human voice had to be accepted. The King's son, with his consort and the Governor-General and Lady Hopetoun by his side, and supported by the Governors of the states and other eminent personages, fulfilled his doubly-attested Commission with a simple dignity and a modest manliness altogether admirable. The ceremony was a brilliant spectacle, and, in its sentiment and suggestiveness, an inspiration to a loyal and patriotic people."The document design has artistic and aesthetic merit. While it is not rare, it is representative of the kinds of formal designs used for the Australian Commonwealth celebrations at the time of Federation, and is in excellent condition. Such items as this invitation have local, state and national historic significance as mementoes of a key moment in Australia's history. Locally, the invitation is part of a group of Federation-related items issued to James Maitland Campbell (and his wife). Campbell was three times mayor of Kew in the second half of the 19th Century and the owner of Ramornie in Pakington Street, one of the significant extant mansions in Kew.A colour lithograph mounted on card which is an invitation to the Opening of the First Commonwealth Parliament of Australia, 9 May 1901. The invitation was sent to Mr J.M. & Mrs Campbell. John Longstaff and Norman Lindsay’s design for the invitation includes symbolic female figures and coats of arms of the British and Australian Commonwealth. The central figure represents Justice. At her feet a crown and sceptre are laid, ‘to denote that the monarch will always acquiesce in laws passed by Parliament, provided they are just.’ On the left appears a figure of Britannia, above the royal coat of arms and in front of the white cliffs of England; on the right is a female figure representing Australia, with one hand out-stretched and above the Australian Coat of Arms. Behind her is a pastoral scene; she stands beneath a gum tree. At the top is a border of waratahs; on the left is a border of oak. The six states are represented in shields at the bottom of the card.Front, printed. gold ink: "Opening of the Parliament of the Commonwealth By his Royal Highness The Duke of Cornwall and York / The Government of Victoria requests the honour of the presence of / Mr. J . M. and Mrs. Campbell (handwritten / At the Celebrations in Melbourne in connection with the Opening of the Parliament of the Commonwealth of Australia."parliament of australia -- 1901, royal exhibition building -- melbourne (vic), james maitland campbell

James Venn Morgan was known affectionately as ‘The Father of Kew’. Born in Somersetshire on February 21, 1823, he sailed to Australia in April, 1851. James V. Morgan, was a member of one of the first parties to leave for the diggings. At Chewton, near Castlemaine his party tried their luck in an abandoned shaft, and in two weeks returned to Melbourne after having won 35lb weight of gold. James Venn Morgan was content with his success, and induced his partners to invest their money with him in land. After obtaining the advice of a friend, the party negotiated with Mr Samuel Watts, of Collingwood, who had recently purchased land from the Crown, and from him they took over at £15 an acre about 32 acres of land in the district that is now known as Kew. This land extended from where the Kew Post-office now stands to the locality of the Boroondara Cemetery. Here it was that Mr Morgan decided to settle, and, after having had the land surveyed, the partners apportioned it by drawing straws for the four sections into which it had been divided. One of them sold his holding later in the year for £100 an acre, and was sorry for it afterwards. In 1853 Mr. Morgan built the first house in Kew, and this house is the one in which he still resides. Here with his wife, he settled down to market gardening and dairying. So successful was the new venture that he induced his father and other members of the family to come out to Australia to assist him. Gradually the district became settled, Mr. Morgan parted with a portion of his holding, and subdivided and built on the remainder, which he still retained. In 1884 he found himself in a position to retire from active business.He celebrated his 100th birthday in 1923. He was later to die in the same year. The Argus, 17 January 1923.Rare and historic hand-tinted framed portrait of one of the founding pioneers of the district.Hand tinted photograph in a gilt frame of the Kew pioneer James Venn Morgan (1823-1923).james venn morgan, kew - pioneer families, kew - landowners

James Venn Morgan was known affectionately as ‘The Father of Kew’. Born in Somersetshire on February 21, 1823, he sailed to Australia in April, 1851. James V. Morgan, was a member of one of the first parties to leave for the diggings. At Chewton, near Castlemaine his party tried their luck in an abandoned shaft, and in two weeks returned to Melbourne after having won 35lb weight of gold. James Venn Morgan was content with his success, and induced his partners to invest their money with him in land. After obtaining the advice of a friend, the party negotiated with Mr Samuel Watts, of Collingwood, who had recently purchased land from the Crown, and from him they took over at £15 an acre about 32 acres of land in the district that is now known as Kew. This land extended from where the Kew Post-office now stands to the locality of the Boroondara Cemetery. Here it was that Mr Morgan decided to settle, and, after having had the land surveyed, the partners apportioned it by drawing straws for the four sections into which it had been divided. One of them sold his holding later in the year for £100 an acre, and was sorry for it afterwards. In 1853 Mr. Morgan built the first house in Kew, and this house is the one in which he still resides. Here with his wife, he settled down to market gardening and dairying. So successful was the new venture that he induced his father and other members of the family to come out to Australia to assist him. Gradually the district became settled, Mr. Morgan parted with a portion of his holding, and subdivided and built on the remainder, which he still retained. In 1884 he found himself in a position to retire from active business. He celebrated his 100th birthday in 1923. He was later to die in the same year. The Argus, 17 January 1923.Rare and-tinted framed photograph af Annie Morgan, the wife of one of the founding pioneers of the district.Hand tinted photograph in a gilt frame of Anna Morgan (nee Chidgey), the wife of James Venn Morgan. Anna Morgan was the wife of one of Kew's earliest pioneers and landowners. She died in 1915.anna morgan, kew - pioneers

Colour enlargement of a photograph (slide) of Southesk (formerly Ordsall) in Cotham Road, Kew (demolished 1970).The ceilings of and architraves of Ordsall were painted by artists employed by the decorating company, Cullis Hill & Co. The frescos, of which fragments survive, were some of the most important murals used as elements of interior decoration in Melbourne during the Boom Period of the 1880s. These photographs were taken immediately prior to the demolition of the house, and are the best examples of the murals.The most significant decorative aspects of Southesk (formerly ‘Ordsall’) were the murals in the front two rooms. An article in the Melbourne Argus in 1882 records that Mr Vandenbrandt and Signor Rizzi created these under the supervision of Cullis Hill. This fresco from the ceiling of the ballroom is believed to depict one of the ‘boldly drawn four great geographical divisions of the Earth’. The crowned woman, believed to represent Europe, stands aloft in a chariot drawn by cherubs holding garlands of flowers.david carnegie, john halfey, southesk - cotham road - kew (vic), ordsall - cotham road - kew (vic)