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Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A LADY
Small full length portrait of a lady standing next to a fence leaning against it with her arm resting on it. Long sleeves, high neck and buttoned down to the waist. The skirt has a pocket at the side with gloves in it. She is wearing earrings and has a blue ribbon in her hair. The bodice has dark ribbon and a feather trim.Alfred Wren, Mitchell Street, near Railway Station, Sandhurstphotograph, portrait, female, portrait of a lady, alfred wren -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A MAN
Small portrait of a man seated on a chair with his right arm resting on a table? He is wearing a three piece check suit with a watch chain. He has a beard. His trousers have a dark insert down the outer seam. Photographer's name printed on the front in gold and the photo also has a gold border.Johnstone, O'Shannessy & Co., 3 Bourke St. East, Melbournephotograph, portrait, male, portrait of a man, johnstone o'shannessy & co. -
Whitehorse Historical Society Inc.
Mixed media - Doll House, Yvonne Fitzmaurice, Doll House Attic Nursery - contents, 1974
Hand-made child's doll's house. Built by Mrs Yvonne Fitzmaurice and finished in 1979. This house was built as a 1:12 scale and is a model of a Californian house called Peppercorn farm. House was built by Yvonne and her family and took a period of three years. A lot of the furniture is handmade and the rest is collected from various shops. "Susan Fitzmaurice" name on front of building. Date on plaque on top of front wall.house, dolls -
Stawell Historical Society Inc
Photograph, Mr John Mason & Mrs Annie Campbell c 1890's -- Studio Portrait, c 1890's
B/W Portrait of a couple. Man Standing 3 Piece Suit with fob watch and Coursage. Hair Parted, short moustache. Arm Resting on Stand other arm behind Woman. woman Seated. Short curly hair. Formal Dress, holding a folded object. Potted Plant front Left Studio Portrait. john mason & annie campbell -
Bendigo Historical Society Inc.
Photograph - LONG GULLY HISTORY GROUP COLLECTION: BEN WILLIAMS
Copy of a photo of Ben Williams printed on yellow paper. He is wearing a suit and tie. He has a flower in the buttonhole and possibly a watch chain. In the bottom right corner is written Allan Stud, the rest is hidden by the corner of the paper turned back. Written on the back is: Mr Ben Williams Alan Crossley's Father In Law.bendigo, history, long gully history group, the long gully history group - ben williams, alan crossley -
Bendigo Historical Society Inc.
Photograph - UNKNOWN FAMILY COLLECTION: PHOTOGRAPH
Photograph - black and white. Portrait of 2 girls, assuming they are sisters. Written on back - Georgie is 2yrs 9 mths and Lilly is 1 yr 3 mths. 'To _____, wishing you all a happy new year. We are at Waratah, Tasmania with Captain for Twelve months rest. Bob lives with us now, much love from ____.Mellia & Co. Melbourne.person, family, 2 girls portrait, unknown family. 2 sisters georgie and lilly. -
Christ Church Anglican Parish of Warrnambool
Memorial Window: Susan FLEETWOOD, "Saint Mary"
The inscription tells of the person, Susan Fleetwood. That Susan Fleetwood was the daughter of William Rutledge, and the wife of Thomas Falkner Fleetwood places her with two men of historical importance in Warrnambool and district.Stained glass lancet window, west wall, north nave, second light from the left in the group of five lights, Depicting the Blessed Virgin Mary facing towards the central light of the Crucifixion, the predominant colours are blues and purple/magenta. Towards the top of the design is an angel holding the Alpha symbol. At the peak of the design is a golden crown. To the Glory of God, and in loving memory of/ Susan, daughter of William and Eliza Rutledge/ of Farnham Park Dennington, and wife of/Thomas Falkner Fleetwood/ born at Port Fairy, July 9th 1848, Entered into rest April 18th 1932./ By her devoted affection to her family and friends, and/ her generous help to all who were in need and distress/ she won the love and gratitude of many./ "Then are they glad because they are at rest, and so/ He bringeth them into the haven where they would be."/ This window is erected by her Son and Daughter.rutledge, fleetwood, st mary -
Eltham District Historical Society Inc
Photograph, Peter Pidgeon, Grave of Ian John Dingwall Hassall and Joan Eleanor Maud Hassall, Eltham Cemetery, Victoria, 5 April 2021
Remember Ian John Dingwall Hassall A great artist Born 1899 Died 1970 Also Joan Eleanor Maud Hassall 24.4.1910 - 26.2.2003 Beloved wife of Ian Mother of John and Colin Rest in PeaceBorn Digitaleltham cemetery, gravestones, joan eleanor maud hassall, ian john dingwall hassall -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Bowman's eye speculum used by Dr Lorna Lloyd-Green
Very similar in appearance to a Sumner lid retractor. The handle of the speculum has a curve to accommodate the index finger, whilst the ball of the thumb rests on the spring. This speculum is used for 'Smith's operation' of the eye, which treats cataracts. Eye retractor. Made of fine metal wire and gold plate, with retractor arm and one screw. -
Kiewa Valley Historical Society
Typewriter - Barlock
The Bar Lock typewriter is a patented design by the inventor and lawyer Charles Spiro in 1888. The keys are easily recognised and well spaced. Used by the typists working in the office for the State Electricity Commission of Victoria during the construction of the Kiewa Hydro Electric SchemeLarge, heavy black typewriter with white letters on the keys. Green matt finish with gold printing. c 1921 Model 22?Bar-Lock / Manufactured by / Bar-Lock Typewriter Co. Nottingham England/Supplied by / Richard Williams Pty Ltd. 193/197 King St. Melbourne At the back in gold print: "Serial / Number' rest too hard to read. typewriter, bar-lock, office equipment -
Kiewa Valley Historical Society
Medals & Spoons - Tawonga Bowling Club
Tawonga Bowling Club is well established with many local men and women involved. Bowling is a popular sport enabling locals to socialise and compete with each other and visit other clubs. Players formed teams representing the Tawonga Club and traveled to other clubs and on occasion represented their area eg. Nth East VictoriaVera Hore lived in Tawonga in the Kiewa Valley and was a prominent member of the Tawonga Bowling Club.5 silver spoons - 4 Tawonga Bowling Club with coloured picture on handle end. The 5th has 'Vera' on the handle end. 11 badges of varying shapes and colours all with pins, 2 silver, rest gold, 1 Ballarat, 1 Yallourn, 1 Bendigo, 6 Victoria, 1 Veteran and 1 'Vera Hore'tawonga bowling club, tawonga, vera hore -
Orbost & District Historical Society
black and white photograph, late 19th - early 20th century
this is a photograph taken at the original jetty at Tabbara on the Brodribb River used by Samuel Richardson who established his mill in 1882. There was a constant demand for timber to supply the growing townships of Orbost , Marlo and surrounds. It was at this mill that the original paddle steamer Curlip was built. More information in "Curlip" by May Leatch. Helena Warrem (1871-1962) was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. Helena Warren was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. In over fifty years practice she graduated from the total novice, who opened all her first mail order plates in bright sunlight and ruined them, to a competent photographer who became both the local press correspondent and an inveterate producer of humorous trompe l’oeil postcard images. Helena Francis Warren (nee McKeown) was married to William John Warren and lived in Newmerella. She supplied the photos for the Back-To-Orbost celebration book in 1937 and also designed the Back-To-Orbost badge. She was known for her soft toy making. (by Ivy Rodwell in from Personalities and Stories of the Early Orbost District by Mary Gilbert).This photograph is a pictorial record of a typical family activity in the late 19th - early 20th century in the Orbost area, The clothing and manners are reflective of that time, This photograph also has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker,A black / white photograph of a family group seated on a wooden jetty. There is a man on the right with a fishing rod. A man is standing next to woman holding a teapot and cup and saucer. On the left a woman is sitting and holding a baby on her knee. The rest are sitting or kneeling with a picnic cloth spread in front of them. There are bottles, jars, plates and cups on the cloth. on back - "The Warren Family Tabara Jetty"tabbara-jetty warren-family-orbost recreation-picnic -
Warrnambool and District Historical Society Inc.
Letter Book, 1950s
This letter book contains the correspondence from the legal firm of William Ardlie in Warrnambool to other legal firms in Melbourne and other parts of Victoria (1951-1957). The correspondence deals mainly with legal matters concerning property transfers, wills, probates and court cases. William Ardlie (1943-1933) was the son of John and Mary Ardlie, pioneer settlers in Warrnambool. In 1865 William Ardlie established his legal practice in Warrnambool, initially in partnership with George Barber. William Ardlie, prominent in community affairs in Warrnambool, practised as a lawyer until the early 1930s and the firm continued on after his death with members of the Ardlie family involved in legal firms in the Warrnambool district until the early 21st century. This letter book is of historical interest because of the letters dealing with the property, wills etc of many residents of Warrnambool and district during the 1950s. It will be a useful research tool. This letter book of 393 pages has a buff-coloured cover which is somewhat stained. 227 pages contain copies of letters written over a period of seven years and the rest of the pages are blank. The pages are of a lightweight strength. At the front of the book is an alphabetical index with black printed letters on tabs cut out of the outer edges of the pages.Agents 1951ardlie family, history of warrnambool -
Tatura Irrigation & Wartime Camps Museum
Book, Shire of Rodney Notices and Tenders 1886 to 1889, 1886
Book contains newspaper cuttings of Shire notices and tenders from 1886 to 1889Green Linen covered hardcover scrap book for newspaper cuttings. Title in black with embossed design depicting scissors, pens, paste & notepaper. Has alphabetically labelled (A - Z) blank index pages in front followed by numbered pages 1 - 100 of which pages 1 - 76 have cuttings pasted on to them, the rest are blank.tatura, shire of rodney, newspaper cuttings, scrap book, rodney shire, albums -
Nillumbik Shire Council
Ceramic (plates): Alma SHANAHAN (b.1924 - d.2015 Melb.), Alma Shanahan, Horse Power - The Flip Side, c.1965
Alma Shanahan (1924-2015) was a Victorian potter who came to live at Clifton Pugh's Dunmoochin art colony at Cottlesbridge, on Melbourne's outskirts in 1953. Unable to join the co-operative proper, as she was a potter, not a painter, she built her house at the top of the hill, 135 Barreenong Road, Cottles Bridge. The c.1953 house is historically, aesthetically and architecturally significant because it is a good example of the design and ethos of mud brick dwellings synonymous with Eltham and features the extensive use of recycled materials, which was characteristic of the 'Eltham style' of architecture. Like the others in the artist community, Alma Shanahan built her own residence in stages out of local materials. Shanahan was later joined by neighbours and Dunmoochin potters Peter and Helen Laycock. She trained for a term with Peter Laycock but was otherwise self-taught, basing her practice on the teachings of Bernard Leach. After Pugh's death in 1991 she became the longest standing Dunmoochin resident. Her works are incised with her full name. Alma Shanahan was a part of the Dunmoochin Artist's community whose (other) members (Kevin Nolan, John Howley, John Olsen, Mirka Mora, Peter Laycock, Helen Laycock, Peter Wiseman and Chris Wiseman) made an important contribution to Victoria's cultural history. From the mid 1950s Pugh persuaded a number of other painters, as well as potters and other artists, to come and live at Dunmoochin and they formed one of Victoria's most important artist communities. She started potting around 1961 (aged 37). "Horse Power" was made using Chullora clay, which indicates it was made during her first seven years of production. Horse Power is about man's search for "energy" and how the "energy" can turn around. Made from Chullora (Sydney) clay. Glazed stoneware plates (x2) with brush decorations resting on hand made ceramic stands. Plate one: 2006.64.1VA (Horse Power + stand) shows a figure on horse back with blue foliage in background. Plate two: 2006.64.2VA (Flip Side + stand) shows a horse with figure under it's hooves. Hand painted signature in brown/black on back of both plates; "Alma Shanahan"shanahan, stoneware, glaze, plates, horse, dunmoochin -
Surrey Hills Historical Society Collection
Booklet - Digger Cookery Book, George Robert Riley, Brennan-Baldie Collection, c1948
Published in c1948 by Wightons Print, 215 Moreland Road, Coburg. These chapbooks were sold door to door after WWII by members of the Partially Blinded Soldiers Association in Victoria to fundraise for the association. The Association was established in 1924 to serve the interests and welfare of partially blinded returned soldiers. The author, George Robert Riley (late AIF and AMF) was born in Drouin in 1890; died in 1952. He trained as a compositor. Served in France and was partially blinded during WWI. He also enlisted during WW2 when he seems to have lowered his age. There do not appear to be many copies of this publication that have survived. It does not appear in either the State Library of Victoria or the National Library of Australia catalogue. The Museum of Victoria may have a copy. Apart from its significance as a fundraiser for returned soldiers, it documents culinary fashions in the post-WW2 period. Although a number of the recipes in Part 1 have exotic names, they are yet to be influenced by post-war migration to Australia.A 32 page booklet held by 2 metal staples. The paper is stained and embrittled but was probably originally cream. The cover depicts a soldier at rest under a palm tree dreaming of home and a hearty meal. Printed in shades of green and grey-black. This is Part One of Two. The chapbook contains 140 recipes, mostly broadly Anglo-European. Nilchapbooks, ww2, wightons print, mrs kate brennan, partially blind soldiers association, george robert riley -
Warrnambool and District Historical Society Inc.
Tin, Boot polish Cramond & Dickson, Early 20th century
This tin of boot polish was a common household item in the 20th century (and is still used to a lesser extent today). This tan boot polish was sold under the brand name of ‘C & D’ at the general store of Cramond and Dickson in Liebig Street, Warrnambool. John Glass Cramond and James Dickson established their business in Warrnambool in 1855 and this general store operated (firstly in Timor Street and later in Liebig Street) until 1973, making it one of the longest-running and one of the most important businesses in Warrnambool’s history. By 1868 a London agency had been established and direct imports from England began on a large scale. Many of the articles they sold, including the boot polish, were made expressly for the Cramond and Dickson store. This tin of boot polish is of great interest as an example of the goods sold by Cramond and Dickson that were made expressly for the Warrnambool store. Cramond and Dickson were one of the most important stores ever to operate in Warrnambool.This is a round metal tin originally gold-coloured and with a red tape binding to prevent its opening. The front of the tin has printing and the image of a stylized rising sun and the bottom has more printing. The bottom of the tin is indented to allow the tin to rest on the rim only. The printing is legible but much faded. The tin contains the original polish. Top: ‘Use only C & D brand of Tan Boot Polish, Cramond & Dickson, Warrnambool. Port Fairy and London’ Bottom: ‘For best results remove all dust, apply a little C & D dressing, brush briskly. Rubbing finally with a soft cloth produces a brilliant surface. Weight when packed 1½ ozs. net’ cramond and dickson store -
Warrnambool and District Historical Society Inc.
Tin, Boot polish Cramond & Dickson
A tin of boot polish was a common household item in the 20th century (and is still in use to a lesser extent today). This dark tan boot polish was sold under the brand name of ‘C & D’ at the general store of Cramond and Dickson in Liebig Street, Warrnambool. John Glass Cramond and James Dickson established their business in Warrnambool in 1855 and this general store operated (firstly in Timor Street and later in Liebig Street) until 1973, making it one of the longest-running and one of the most important businesses in Warrnambool’s history. By 1868 a London agency had been established and direct imports from England began on a large scale. Many of the articles they sold, including the boot polish, were made expressly for the Cramond and Dickson store.This tin of boot polish is of great interest as an example of the goods sold by Cramond and Dickson that were made expressly for the Warrnambool store. Cramond and Dickson were one of the most important stores ever to operate in Warrnambool. This is a round metal tin, originally gold-coloured and with a red tape binding to prevent its opening. The front of the tin has printing and the image of a stylized rising sun and the bottom has more printing. The bottom of the tin is indented to allow the tin to rest on the rim only. The printing is legible but much faded. The tin contains the original polish. Top: ‘Use only C & D brand of Dark Tan Boot Polish, Cramond & Dickson, Warrnambool, Port Fairy and London’ Bottom: ‘For best results remove all dust, apply a little C & D dressing, brush briskly. Rubbing finally with a soft cloth produces a brilliant surface. Weight when packed 1½ ozs. net’ cramond and dickson store, warrnambool -
Bendigo Military Museum
Certificate - SHIRE CERTIFICATE WW1, D.W. Paterson Co Pty Ltd Melbourne, C. 1921 - 21
The name Metcalf should have an (e) on the end. Refer Cat No 5371P for Richard Robert Metcalfe’s service history. The dated certificate is signed is 14th Sept 192? (Possibly 1920 or 21)Certificate from the Borough of Eaglehawk showing ornate configuration of Coat of Arms, soldier standing at Arms Rest with rifle, rising sun above details acknowledging the loss of a soldier from the Mayor, Councillors and Burgesse, an embossed red seal and signed by three Councillors and dated, oval shape inset for a photo which is B & W of the soldier.On front hand written, No 4853 Richard.R. Metcalf 5th Pnr Batt, killed in Action Bullecourt 10th May 1917”certificates, shires, eaglehawk -
Geoffrey Kaye Museum of Anaesthetic History
Photograph
Colour photograph of a Coutt's Mask lying on a wooden table. The mask is circular, made of metal and has a curved opening with a raised lip that is resting on the table. There is a small metal loop on the mask and a thin metal hinge with screws is curved from one side to the other. A reddish brown residue like rubber is stuck around the rim of the mask.anaesthetic equipment, mask, coutt's mask -
City of Ballarat Libraries
Australian Historical Record Society papers, Mr. J. Vallins reminiscences
The Australian Historical Records Society existed in Ballarat between 1896 and 1906. They were one of Australia's first historical societies, and were in the position to still be able to talk to early pioneers. They invited such pioneers to either submit letters or memoirs, or to address the Society's meetings, where their reminiscences were taken down in shorthand and later typed up. The Society also attempted to preserve memorabilia from Ballarat's early days, but on the disbanding of the group in 1906, materials were stored at the Ballarat Town Hall and were later lost. It is not known how the papers made their way to the then Ballarat Municipal Library, but they have been part of the Library's collection for many years.Mr. J. Vallins - Reminiscences given before the AHRS, City Hall, Ballarat on Nov 26th, 1899 : Vallins, born in Berkshire in 1831, arrived in Australia at Geelong in 1854. He came to Ballarat for the gold and spent most of the rest of his life here, living in Ligar Street. He died in 1904 and is buried in the Ballarat Old Cemetery. -
South Gippsland Shire Council
Photograph, Mounted, Frank Smith
Block mounted colour photograph featuring the artist Francis Smith. Shows a head and shoulders image of Smith, bare chested with long hair and full beard. He is resting his right hand on a wooden pole, possibly a shovel handle, and looks skywood. His fingers are dirty. Mounted on craftwood board with black painted edges. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - group portrait, n.d
Black and white photo. Group of men, rural setting, some standing and leaning against post and rail fence, some sitting on a bench, the rest on ground. One man in back row in military uniform. 3 men in front row and one in second row, holding firearms; two men in front row holding rectangular boards.group portrait, portrait photography, sporting, recreation, firearms, rifle -
Glenelg Shire Council Cultural Collection
Photograph, n.d
Black and white photo. Group of men, rural setting, some standing/leaning against post and rail fence, some sitting on bench, the rest on ground. One man in back row in military uniform. 3 men in front row and one in second row, holding firearms; two men in front row holding rectangular boards. -
National Vietnam Veterans Museum (NVVM)
Photograph, Dead Enemy
A black and white photograph of Contact, contact, Contact, late afternoon, section strength TAOR Patrol, Long Binh, Operation Federal 14th March 1969, 7 Platoon, C Company 4 RAR/NZ (ANZAC),Cpl Gary Mosely and another digger drag a dead enemy as they pull back to meet the rest of 7 Platoonphotograph, long binh, operation federal, 7 platoon, c coy, 4rar nz, cpl gary mosely, gibbons collection catalogue, taor patrol -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Sculpture - Ceramic vignette of a caesarean section locked twin childbirth
This is a rare and hazardous obstetric complication, occurring approximately once every 90000 deliveries. It usually results in a low survival rate for the twin that presents first, with a stillborn rate over 50%. This piece is believed to be from South America, and is either from Colombia or Peru.Ceramic childbirth scene with three figures. At centre, a woman lies on a table giving birth. A figure wearing a hat stands to her right, resting their hand on her upper chest in a gesture of support. On her left, a gloved man with receding hairline and a moustache is leaning over her abdomen and is extracting two babies from her womb.obstetric delivery -
National Vietnam Veterans Museum (NVVM)
Painting, Australian Task Force - Vietnam
A framed coloured original painting in gold timber with a multi beige matte and a cream matte around the painting. Painting depicts several world leaders including Sir Robert Menzies, flags of Australia and SVN. In the foreground is a 105mm Artillary Battery. also a number of soldiers resting. See a full description of the detail of the painting (Photo 2021-125)Painted by Brian Wood. Signatures of Adrian d'Hage - Military Cross recipient, Platoon Commander 6 RAR 1969-1970. Adrian Cronauer - Tge US Air Force Sergeant who opened his Armed Forces Radio Show (1965 - 1966 with the phrase "Goooooooood morning, Vietnam", and Brian Wood, Service No 3179841painting, robert menzies, flags, south vietnam flag, 105mm artillery, brian wood, adrian d'hage, military cross, adrian cronauer -
Kiewa Valley Historical Society
Stretcher - ARP
This stretcher is for carrying an injured or sick person to another location for treatment or it may have been used as an extra bed. Two people would be able to do the carrying. This stretcher is not able to be folded so was probably not used for eg. a camping trip.Used in the Kiewa Valley.4 wooden rounded handles on each corner. Heavy (strong) material is pulled over both of the long sides and fastened with nails. Just in from each end is a steel rod across the stretcher to maintain the width and allow the stretcher to be put down onto the ground to rest on each of the 4 legs. The legs are steel and curved for extra strength."ARP" stamped in red on the material.stretcher, arp, first aid -
Kiewa Valley Historical Society
Splint
The ambulance officers would use this splint to restrict further movement of a leg. It supports and protects a broken bone or injured tissue and reduces pain and promotes healing by keeping the injured part of the body still. Splints are now designed for specific parts of the body and leg. New materials are available eg. plastic moulds and velcro to fasten straps.Used by ambulance officers in the Kiewa ValleyThe splint is made with 4 shiny upright rods. At the bottom it has 1 moveable stand at the back and 1 solid steel foot rest at the front. These have hinges to enable up and down movement.there is green vinyl around the curve at the top and as support for the back of the leg. There are 3 green leather straps attached - on the top, middle and the foot."North Eastern Ambulance / Car 20" in white on green vinyl.leg splint, ambulance equipment, first aid -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A LADY
Small full length portrait of a lady standing beside a chair reading a book which is resting on the back of the chair. She is wearing a long high neck dress with frills at the sleeve tops and dark bands across the bodice. The dark material is also repeated at the hem in a V shape. Photographer's name and address printed on the front and back.Mayall, 224 Regent Street, London. 90 King's Road, Brightonphotograph, portrait, female, portrait of a lady, mayall