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Flagstaff Hill Maritime Museum and Village
Clothing - Riding Habit, jacket, Early 20th Century
The Manifolds were a significant pioneering pastoral family in Western Victoria. The donated riding jacket originally belonged to Mrs Edward Manifold, formally Beatrice Mary Synnot Anderson. Beatrice was Edward Manifold’s cousin once removed whom he married in 1900. Edward, the son of John Manifold, was born on 15 November 1868 and educated at Geelong and Melbourne Grammar schools and at Trinity Hall, Cambridge (B.A., 1891). He chose the Danedite portion of land at Purrumbete, and on the death of his bachelor brother Thomas Peter (1863-1895), after a hunting accident, he took over his allocation, Wiridgil. He also owned Boortkoi, near Hexham and on these properties, he ran merino sheep, a Lincoln stud which dated back to 1870, and Shorthorn cattle. 3000 acres were also leased to dairy farmers. Edward was a member of Hampden Shire Council in 1909-31 and three times president at Camperdown. The town was largely bordered by Manifold land and partly dependent upon the local pastoral dynasties, which benefited the local area from the families’ various business interests. Though an offer to build public baths to commemorate the Queen Victoria Jubilee in 1897 was not proceeded with, the town acquired a hospital, a reserve on Mount Leura, a clock tower and a cricket pavilion, as well as notable donations from the Manifolds to St Paul's Church and the grammar school. Edward was a keen polo player and racing man. He was also a successful owner of steeplechasers and a committeeman of the Victoria Racing Club for many years. He was also a member of many Western District racing clubs. On the 16 July 1900, Edward had married his sixteen-year-old cousin Beatrice Mary Synnot Anderson by whom he had three sons Thomas Peter, Andrew and Robert Edward Manifold. Edwards's estate at his death was valued for probate at nearly £500,000. Edward died following an operation on 14 February 1931 at a private hospital in Yarra Vale Melbourne. Beatrice passed away in 1954, aged 79 in Ballarat where she was born in 1874. Contextual historic Family background: The Manifold brothers Thomas (1809-1875), John (1811-1877) and Peter (1817-1885) were the fourth, fifth and sixth sons of William Manifold and Mary, nee Barnes, of Courthouse Farm, Bromborough, Cheshire, England. The family had decided to emigrate to Van Diemen's Land. Thomas was sent ahead, arriving in Hobart Town on 23rd January 1828 with £1500 and a letter of recommendation from the Colonial Office. Thomas acquired 1280 acres on the west bank of the Tamar River. John and Peter, with their parents and three sisters, arrived on 8th July 1831. Land grants by then had finished but William brought ninety acres next to his son Thomas’ land and on the combined properties the family built Kelso House. The Manifolds’ properties were comparatively poor and when news of the Port Phillip District, in Victoria reached Thomas, he lost no time in coming to see for himself in February 1836. He was impressed with what he saw and hurried back to Tasmania to buy lambs and ewes. With one of his brothers, on July 9th he landed his stores at Point Henry and proceeded to occupy both sides of the Moorabool River. Thomas, at the end of the year, returned to Tasmania and left Peter and John to run the new property. Thomas, however, returned to Victoria for several visits and on one of these visits he, along with his brothers, examined the country near Ballarat. In December 1838 they managed to penetrate the Stony Rises, and Peter and John reached Lake Purrumbete and the Mount Leura country. During this time, on 4th July 1838, Thomas married Jane Elizabeth, eldest daughter of Captain Walter Synnot, formerly of Ballinate, County Armagh, Ireland, and then of Van Diemen's Land. Thomas joined his brothers, and they occupied the Purrumbete run in January 1839. On the journey to Purrumbete they could not take their stock and drays through the Stony Rises, so went north of Lake Corangamite, to the neck of land between it and Lake Gnarpurt. By April the move from Moorabool area was complete. As yet they had no hut and were working day and night, but their delight in their new run was unbounded. John wrote to his mother: “We are at last got to the land we wished for it is a beautiful place, and cannot be surpassed by any I have ever seen”. The three brothers occupied Purrumbete together, breeding both sheep and cattle until Thomas went to Grassmere run on the Merri River near Warrnambool in 1844. John and Peter soon gave up breeding sheep but retained the well-known '3M' brand for the cattle. These were Shorthorns, derived from four bulls originally imported by the Boldon brothers and later improved by further importations, and were renowned for size and quality. By the time of the gold rush in 1851, John and Peter were breeding over 1000 head a year, as well as fattening stores. The diggings at this time had disorganised Grassmere by drawing away Thomas's men, and his wife decided to take her two sons and two daughters to Europe for their education. Thomas gave up the property next year, went to England to join his family, and eventually brought the family back to live in Melbourne. At Purrumbete things were different. The brothers, John and Peter, preferred black stockmen to white, so the discovery of gold upset them very little while providing the very market they required. John was on his second visit to England when the rush started, and Peter went in his turn soon after John returned. On 2 September 1856 John married Marion Thomson, at Cormiston, Van Diemen's Land. They had four daughters and five sons, from three of whom, William Thomson, James Chester and Edward, the later generations of the family descend. Through the years the brothers had to contend with the scab, fluke and footrot, depression, rabbits, bush fires and pleuro-pneumonia. In 1861 they appointed as manager Henry Manifold Matson, their nephew, who had already been with them for five years. Thomas died in Melbourne on 7 November 1875, John at Purrumbete on 3 January 1877 and Peter at Purrumbete on 31 July 1885. Devout members of the Church of England, John and Peter, during their lives, gave generously towards building St Paul's Church, Camperdown, and guaranteed part of the vicar's stipend. Peter was a member of the Hampden and Heytesbury Roads Board from 1859 and carried on into the Hampden Shire Council when it was formed in 1864. However, it was not for public works that they were known, but for their personal example. In a new land where speculators and adventurers were all too common, the Manifold brothers were among those who intended it to be their home and their children's home. Industrious, unpretentious and hospitable, they were respected in their community as men of the highest integrity. This riding habit is a characteristic example of the type and style of riding clothes that well-dressed ladies wore in the 1920s. It highlights the changes that were beginning in society for women. Prior to 1918 ladies still had to ride side-saddle with skirts over Jodhpurs. Society of the time regarded women riding astride as unseemly and just not done. This riding habit is particularly significant on a number of levels, it shows the beginnings of change in society's attitudes through women's fashion after the First World War. A change that was to bring a start to a more liberating societal attitude towards women after the successful establishment of the Representation of People Act 1918 that gave women the right to vote. This garments provenance is linked to one of Victoria's important pioneering families the Manifolds, one of the first families that came from Van Diemen's land to settle the Western District of Victoria in 1844. Originally the garment belonged to the wife of the great-grandson of pioneer William Manifold, Edward Manifold who married Beatrice May Synnot Anderson, Edwards Cousin in 1900. The garment was made by the Mayfair tailors J. Busvine & Co. in the early to mid-1920s (estimate) who at the turn of the century were tailors to the Courts of Europe. Their clothing is highly collectible today and examples can be found in a number of significant museum collections around the world, notably the Metropolitan Museum of Art in New York and the FIDM in Los Angeles. A riding jacket, part of a three-piece, side saddle riding habit tailored for Mrs Edward Manifold. Knee length English woolen jacket black in colour, seamed and fitted to the female client's figure, fastening from the waist with three bone buttons to rather high lapels. The sleeves are long with closely fitted cuffs and one button and lined with cream satin. The jacket is fitted to the waist and flared to below the hips with a 35 cm vent to the back. Lower back to the jacket is reinforced with removable fabric and the jacket is lined with black twill cotton, there is a cream satin label, with makers' emblem Busvine. Circa 1920s Label to Jacket Embroidered in gold with a Royal logo on a Cream Satin label “By Special /Appointment” “To Her Majesty/The Queen”, “Busvine / Ltd / London 4 Brook St. W. / No” “hand written in purple ink 315 / Mrs Edward Manifold”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, side saddle riding habit, mrs edward manifold, edward manifold, busvines, shipwreck coast, flagstaff hill maritime village, great ocean road -
Bendigo Historical Society Inc.
Clothing - GRAYDON COLLECTION: WOMEN'S BLACK LACE AND SATIN SKIRT, 1870 -1890
Clothing. Women's black lace and satin layered skirt. Straight calf length skirt with outer layer of embroidered fine net and an inner layer of black satin. Embroidered layer has pattern of scattered flowers with lower 30 cm of dense embroidered flowers. At centre front is a vertical strip of embroidered flowers (5 cm wide). Hemline has a zig zag pattern. Foldover satin waist band (1.5 cm) with two X .8 cm satin loops attached at front and back. Side seam below waistband has 24 cm opening but there is no opening in the waist band.costume, female, women's black lace and satin skirt -
Hume City Civic Collection
Dress, navy floral print, 1940s
Belonged to Kathleen Marjorie Dunn (nee McKenzie)Day dress in fine silky fabric. It has a blue, white and green floral pattern on a navy ground. The skirt is gathered to the waist in two places in front and has two darts at the back. The sleeves are short, set in, gathered at the shoulder and end in inverted V shapes. The bodice is shaped with two sets of gathers in front and two darts at the back. The square neck dips to a shallow point in front, fastens with six self-covered shanks behind and is edged with cream net frill (probably discoloured white). There is a side vent wiht four press studs on the left at waist level. The hem is hand sewn.Nonecostume, george evans collection -
Nhill & District Historical Society Inc.
Clothing - 1949 Wedding dress handmade and worn by Marjorie Schneider, 2 March 1949
This wedding dress was made & worn by Marjorie Gertrude Schneider, elder daughter of Mr & Mrs A. A. Schneider, of Lorquon, married Harold Francis Rohde, youngest son of Mr & Mrs J. B. Rohde, of Gerang, at St. Paul's Lutheran Church, Woorak, March 2nd, 1949.The dress was handmade by the bride, Marjorie Schneider.A charming frock of ivory cloque, inset with a yoke of beige lace with scalloped edges, cut on very flattering lines. The bodice, fitting perfectly to the waist and the back having a row of buttons, was ornamented as the shoulder with a diamante clip which had adorned her mother's wedding gown. The full skirt was draped softly from the waist, & extended into a long train at the back. The halo of orange blossom, which held the veil in place, set off to perfection the exquisite bride. She carried a shower bouquet of creamy white tiger lilies, gardenias, dahlias, gladioli and rose buds, & added to this was several horseshoes given by friends.schneider, rohde, woorak, st paul's lutheran church, gerang, lorquon, wedding -
Warrnambool and District Historical Society Inc.
Nightdress, Early 20th century
This handmade woman’s nightdress comes from the Kinnear family of Allandale, Allansford. In the early 1840s William and John Allan took up a large tract of land to the east of the Hopkins River and in the late 1840s William Allan took over the Allandale section of the run and John Allan took the Tooram section. In 1906 the Kinnear family acquired a portion of Allandale which included the homestead. The nightdress came from the estates of the donor’s great aunts. This item is retained as an example of an early 20th century woman’s nightdress and it has the provenance of coming from the Kinnear family of Allandale Allansford. This is a white cotton nightdress with an opening to the waist which is enclosed with two white buttons. There is a frill of lace on one side of the opening. The white collar also has a large white frill of lace. The long sleeves are inset and have a band of lace at the wrists. There are some stains on the dress. vintage clothing, kinnear family, allansford, history of warrnambool -
Warrnambool and District Historical Society Inc.
Clothing - Dress, Peer Gynt, 1960-1970
This item of dress would have been worn at summer entertainments or at pool parties. The bold floral pattern is typical of the styles favoured in the 1960s and 70s.This dress is of minor interest as an example of ladies’ clothing from the 20th century and will be useful for display.This is a floor length woman’s dress. It is made of polyester material and the print has a white background with mauve, aqua and pink flowers. The waist at the back is elasticized and there is a zip at the back. The front bodice has halter straps. The skirt is slightly flared. The maker’s label is attached to the back of the garment ‘Peer Gynt Size 12’ ladies fashions, floral 1960 dress, peer gynt -
Bendigo Military Museum
Booklet - BOOKLET WW1, The Australian Catholic Truth Society Record, A Brave Soldier, 24.6.1957
Biography of a Minister, Father William Doyle. Date of Birth 3.3.1873 in Ireland.Red colour booklet with black & white print. The centre has a black & white head to waist photo of a chaplain wearing a Sam Brown belt. Bottom section of cover has images of a soldier & a WWI 18-pounder canon firing explosives. 31 pages not illustrated.Top right in black print: “903” Printed underneath title: “Father William Doyle S J by EMG” booklet, chaplain, padre, father -
Montmorency/Eltham RSL Sub Branch
Uniform - Blouse, Khaki, Patt.'49 Battle Dress, 1949 Battle Dress, 1988
Pattern 1949 Khaki woollen battle dress blouse. Five front buttons. Two front pockets, one on the left and one on the right.Two buttoned epaulets with embroidered crowns signifying rank of Captain.Royal Australian Regiment patches sewn on the left and right shoulders. Belted at the waist..Two red patches on each shoulder embroidered with Royal Australian Regiment. Identification tag sewn on the inside at the back of the neck - Docket number - 39614-14. Size - J K + M Serge KH. Garment no. - 209. Remarks - Vanzwol or Vanswol, J handwritten on tag. Tag sewn inside left front panel - A.G.C.F. VIC 1988 ARMY NO. NAME B34 handwritten. Care states - dry clean only, crease upper half of lapels only.battle jacket, royal australian regiment, van swol, van zwol, vanswol, vanzwol -
Wangaratta RSL Sub Branch
Photograph - Photographs
Photographs located in personal items belonging to John Brian MURRAY VX142238 - Photograph of three crosses taken at Bomana Cemetery in Port Moresby where the following servicemen are buried: - Thomas Rutherford HOPE VX141789 born 8/12/1919 at Footscray served with the 57/60 Australian Infantry Battalion and died of wounds on 22/6/1945 at Bougainville; Maxwell FISHER VX149937 born 23/6/1911 at Wangaratta/Carboor - Acting Sergeant with the Australian Army Catering Corp attached to the 58/59 Australian Infantry Battalion and died of wounds on 17/6/45 at Bougainville; and Thomas Martin BROWN WX16690 born 19/4/1916 at Fremantle - Trooper with 2/4 Armoured Regiment attached 24th Infantry Battalion and Killed in Action on 28/4/1945 at Bougainville.Four small black and white unframed photographs 1. Male standing with white towel around waist in front of row of tents 2. Group of soldiers with hill in background 3&4 Identical photographs - three white grave crosses with soldiers behind. Grave sites of j b murray vx142238, thomas rutherford hope, maxwell fisher, thomas martiin brown, bomana cemetery port moresby, ww2, new guinea -
Whitehorse Historical Society Inc.
Accessory - Belt, metal
Metal belt, possibly early 1900s, made of two chains linked at 5 cm intervals with 1 cm diameter buttons (possibly from military uniforms) 26 inch waist. Front fastening with larger buckle. Donated with NA3602 Bodice & Skirt (also c1900)costume accessories, female, jewellery -
Kew Historical Society Inc
Clothing - Blue silk evening dress, Oggi, 1967
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Turquoise chiffon and taffeta evening dress, with empire waistline and beading to the neck and waist. The gown was purchased in 1967 from Oggi of Collins Street and worn by the donor’s mother, Mrs Ada Wallis, to the Miss Teenage of Victoria award ceremony at the Melbourne Town Hall, as the mother of a participant.evening dresses, women's clothing, oggi - 103-105 collins street - melbourne (vic), miss teenage of victoria quest, australian fashion - 1960s, evening wear, oggi, desley reid -
Montmorency/Eltham RSL Sub Branch
Uniform - Trousers, Khaki, Summer Dress, 1989
Wool and polyester khaki dress trousers. Two pleats at the front. Fob pocket on the right front. Front zip with metal closure and button tag.. Pockets on the left and right hips. Pocket on the back right side with hidden button and button hole.Seven belt loops on waist band. Four small horizontal loops on the waist band, two at the front and two at the back. Label on the inside on the lining of the back pocket states - A.G.C.F. (Australian Government Clothing Factory) Vic 1989. 8405.66.018.5545. Macquarie 89. Batch U. Size 87.5L W.87.5 IL.82 Army No. Name. Dry clean only. re press on original creases use damp cloth or medium to hot steam iron. White tag on the waist band on the right back stating - Size 87.5L. Tag on the right hand side on the back above the pocket stating - This tag is for identification only. Please remove before wearing. Docket No. 1106512 Order No. 29743836 Size 87.5L Garment No. 20851A Remarks 6I11Manufacturer - A.G.C.F. VIC 1989polyesters, dress trousers, wool polyester -
Bendigo Historical Society Inc.
Photograph - HANRO COLLECTION: PHOTO OF HANRO STAFF
Photo of Hanro Staff: Black and white photo with three ladies adjusting a dress on the centre lady. The dress has an open collar with two buttons at the front and three darts at the waist either side of the buttons. The long sleeves are gathered at the cuff, the dress is slightly gathered at the waist and supporting a belt. The lady to the left is wearing a two toned blouse with three quarter puff sleeves and turned up cuffs and is buttoned up the front. She is wearing a flared skirt the same material as the trim on the blouse, a dark coloured belt drawn together with cord at the front. At the right the lady is wearing a long sleeved cardigan with three buttons at the bottom. Underneath is a horizontal striped pullover She is wearing a pleated flared skirt with a belt at the waist. The ladies are standing against a wall of wood panelling.. On the back of the photo hand written in pencil is the work *Shirley* and *Copyright 'Bendigo Advertiser' Bendigo Advertiser Photographic Service. For re-order quote CK245* Box 116ABendigo Advertiser Photography Servicephotograph, person, hanro, bendigo advertiser photography service. hanro -
Bendigo Historical Society Inc.
Clothing - WOMAN'S CREAM COLOURED LONG SLEEVED SILK BODICE
Clothing.Woman's cream coloured long sleeved silk bodice. High round neckline with 4 cm stand up collar. Semi-circular yoke front and back (13cm radius). Collar and yoke have embroidered net over silk fabric. Kimono cut long sleeves have cuffs of embroidered net over silk from shoulder to wrist along top of sleeve (33cm X 4 cm). Sleeves and front of bodice have all over vertical pin tucks. The front of the bodice has cotton tape ties stitched across from centre front to side seams at waist level gathering the fabric to form a peplum effect at the front. The tails of the cotton tapes tie across the back from the side seams. Full length front opening fastened with nine press-studs between collar and waist and a metal hook and eye at the waist. The back of the bodice has vertical pin tucks across the shoulders and below the yoke extending 9 cm below the yoke.costume, female, woman's cream coloured silk bodice -
Kew Historical Society Inc
Clothing - Midnight blue silk and velvet bodice
This bodice, belonging to Alice (Henty) Hindson has traditionally been identified as a travelling jacket by her descendants. Alice Hindson was the youngest daughter of Francis Henty and Mary Ann (Lawrence) Henty. Alice's father, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Alice (Henty) Hindson's midnight blue sateen bodice is highlighted using velvet lapels, cuffs, and a rear bow. The velvet, in contrast to the plain midnight blue sateen, is embellished [in the weave] with pink and navy spots. Joined at the front with 23 round domed buttons, hooks and eyes are used to close the neckline. The bodice also features coffee-coloured lace at the front and on the cuffs, which may have been added later. The bodice has some condition issues, missing one cuff and the lace on the cuffs needing re-attaching. The inside of the bodice is heavily boned, complete with a floral chintz lining. Measurements (mm): BODICE: Girth - Neck 355.6, Chest 812.8, Waist 660.4, Hip 685.8, Cuff 228.6 Vertical - From neck to hem 406.4, Front waist to hem 152.4, Back neck to hem 546.1, Back waist to hem 228.6, Sleeve length 533.4. Horizontal - Neck to sleeve head 114.3, Cross back 266.7, Underarm to underarm 368.3.alice hindson, alice henty, bodices, women's clothing, alice (henty) hindson -
Warrnambool RSL Sub Branch
Army Uniform trousers, 1968
This uniform belonged to Sapper Hughes 3795948 of the Royal Australian Engineers Corps. By the date on the uniform, it is assumed that he served C 1968.This uniform has significance as an example of a uniform worn by soldier ranks for daily work and dress parades.Khaki coloured long trousers with attached suspenders. They have a button up front (5 brown plastic buttons). There are two pockets on either side of the trousers and one button up pocket on the back right with a flap that is fastened with a single brown plastic button. There are three extra brown plastic buttons on the back exterior of the waistband and six belt loops on the whole length of the waist band. The interior pocket fabric is more light weight and a slightly more green in colour. The interior of the right back pocket includes a white patch of fabric with printed inscriptions and further inscriptions written in black ink just above. The suspenders are composed mostly of blue, grey, beige, black and cream striped thick fabric. There are also silver coloured metallic components (which include inscriptions) and leather sections, most of which have a reddish/brown coating on the exterior and a white coating on the interior. One leather component has inscriptions in black ink on the interior as opposed to a white coating. The suspenders are attached to the trousers by six brown plastic buttons on the interior of the waistband. Back pocket interior inscriptions on the green fabric: HUGHES / 3795948 Back pockket interior inscriptions on the white fabric: E.W. P/LTD. / SOUTH AUSTRALIA / 1968 / (a symbol of a broad arrow) / Class 8405-66-025-6405 / Batch 67 / Mill / Size and Waist 28C / Matching Jacket 35 /36C / DRY CLEAN ONLY / CREASES SET BY SIROSET / REPRESS ON ORIGINAL CREASES / MENDING PATCH ATTACHED / NAME HUGHES. J.W. / ARMY No. 3795948 8PL Bcoj Identical metallic clip inscriptions on two of the suspenders: POLICE / (embossed image of a police baton)royal australian engineers, warrnambool rsl, warrnambool, engineer, hughes, sapper hughes, 3795948, hughes 3795948, uniform, army uniform, trousers, army -
Bendigo Military Museum
Uniform - TROUSERS, ARMY, Australian Defence Industries, 1970
Trousers - khaki, wool serge fabric, plastic buttons, five button fly, fob pocket, two side pockets, one back pocket with button down flap. Lining cotton and polyester fabric. One manufacturers label on lining of back pocket with black print information. Mending patch attached to label.Cotton label information - black ink print. "CONWAY BROS PTY LTD/ ^/ CLASS 8405-66-025-6187/ size & waist 305/ Dry clean only/ Re=press on original seams/ Creases set by Si-ro-set/Mending Patch attached."uniform, army, battle dress trousers -
National Wool Museum
Booklet - Albany Knitting, Jacket in 2 Lengths, Albany Woollen Mills
Four page paper fold out brochure with colour photograph on the front and printed black text on other pages. Image shows a woman wearing an orange cardigan with black gloves and black headwear.front: [printed] Albany / PRICE 3d. / JACKET in 2 LENGTHS / ALBANY 4-PLY FINGERING / Bust 32-40 inches Hip Length 19-21 ounces. / Waist Length 17-19 ounces / ALBANY / designed by / V O G U Eknitting, pattern, fashion, knitwear, albany woollen mills -
Orbost & District Historical Society
night gowns, C1920's
These night gowns were knitted by Mrs Whiteman for Marjorie and were probably worn when she had bronchitis. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from middle-class working church-going family. Her mother was a milliner who made all of Marjorie’s clothes, hats and outfits. This item is an example of a handcrafted item and reflects the handcraft skills of women needed in the first half of the 20th century.Two hand-knitted pink woollen night gowns. They have square necks, no sleeves and a lace pattern on the bodice and hem. Both are waisted. They have been knitted but are different size from the same pattern. 2483.11 is smaller and possibly older as it appears to have had more washes.handcraft knitting sleepwear nightgowns burton-marjorie -
Shepparton RSL Sub Branch
Battle Dress Jacket
Long Sleeve Battle Jacket. 1 Button on each Sleeve. Epaulet on each shoulder with one button. Australian Army Catering Corps shouder flashes. Single breasted with 4 buttons. Shoulder width 43cm. Waist 47cm. Length 58 cm. Sleeve Length 63cm. AGCF VIC 1981 8405.66 025 6419 SIZE 107-109L MACQUARIE 80 BATCH K DRY CLEAN ONLY CREASE UPPER HALF OF LAPEL ONLY NO BYHAM NAME 330989 -
Flagstaff Hill Maritime Museum and Village
Clothing - Apron, c. 1900
This apron was donated along with other well kept items of women's clothing. The clothing once belonged to members of a family who migrated from Faversham, Kent, England to Sydney, Australia in the late 19th - early 20th century and was passed down through the family. The items have been worn and have also been well cared for.The apron is an example of late 19th century ladies' clothing for use in domestic service or hospitality.Apron, ladies size, cotton, machine made. Bodice has hand made Broderie Anglais lace trim and neck ties, skirt has gathered waist and ties, three pin ticks around hemline. Would have been worn for 'best' wear. C. 1900flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ladies garments 19th century, cotton garments 19th century, apron late 19th century, broderie anglaise, handmade lace, apron, domestic clothing, domestic work, domestic service -
Glenelg Shire Council Cultural Collection
Clothing - Clothing - Lady's Jumper, n.d
Items hand made by Mrs Grace Osbourne. She won prizes at the Warracknabeal Show and elsewhere for her hand workLady's hand knitted short sleeved jumper. Mauve with stripes of green and cream, back and front of body, between armholes and waist. Wide ribbed waistband, collar with moss stitch border, front neck opening, 2 hand made cream wool buttons, and mauve loops -
Bunjil Park Aboriginal Education & Cultural Centre
Woomera
A hunter uses this tool to throw a spear in front of a fleeing animal, skillfully intercepting it so that it is speared on the run. The size of the groove and spear holder indicate this woomera was made for light weight hunting spears not for warfare. Elders and young warriors carried these with them and each man made his own to suite his strength and body size. They were used when the need and opportunity for fresh meat arose. Woomeras were used by men.This is the only Jaara woomera in the collection and is a significant tool used in the on going search for food. It is a mens tool.This woomera is undecorated. At the broad end there is a small hook like protrusion which holds the spear in place before throwing. The narrow end has a tapered waist with bulb to assist grip and a shallow groove to help guide the spear. The overall shape is an elongated hollowed single piece of timber.There are no inscriptions, the wood is strong with a prominent grain pattern.wood, jaara, tool, woomera, throwing stick, mens business, hunting -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABY PANTS
Machine knitted woollen short baby pants. Cream coloured. Hemmed at waist and legs. Fine lacy pattern all over. Side opening. RHS fastened with one button.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby pants -
Bendigo Historical Society Inc.
Photograph - PORTRAIT TWO CHILDREN, 1940's
hand tinted sepia small boy and girl. Boy in short pant romper suit with duck b uttons, tgurn down collar. Light colour socks with stripe in tops. Dark T.Bar sandals, girl with bonnet, smocked waist frock, with collar. Pale shoes and socks.paramount studio, embossed on front LH corner.cottage, miners -
Bendigo Historical Society Inc.
Clothing - FAVALORO COLLECTION: WHITE NYLON HALF SLIP PETTICOAT, 1950's
Clothing. White nylon half slip petticoat. Elastic waist with decorative casing. Decorative scalloped blue stitching around seam on hem. Vents on both side seams at hem (5cm). Letter M monogram on front LHS. Blue stitching filled with satin fabric (26cmX10cm).Tag inside seam, ''ALL NYLON'' ''M''costume, female underwear, white nylon half slip petticoat -
Whitehorse Historical Society Inc.
Clothing - Apron - Nanny
The bedspread (NA2862) and apron were owned by Maria Austin (born 25 August 1867 Buried at Box Hill Cemetery 15 November 1955) and used when she worked as a 'Nanny' in England. Many of the children she cared for kept in touch with her after she came to Australia with her family in 1914. They arrived on Show Day, 1914 on the last ship to leave England before the First World War was declared. She lived at 26 Nelson Road Box Hill now the site of the Box Hill R.S.L. Maria was born 25 August in 18?? and died in 1952 and is buried in the Box Hill Cemetery. She was the Great Aunt of the donor.White bib front apron with ties to back of neck - wide waist band ties - 12 cm hem line - also three 2cm pin tucks above hem line - two 12cm pin tucks at top of bib front. Pocket on right hand side.M Austin. 1.2.1901|Laundry mark in red 59costume, female working -
Kew Historical Society Inc
Clothing - Floral Print Day Dress, 1950s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.The design and fabric are representative of fashion styles and tastes in 1950s Melbourne.A classic 1950s sleeveless day dress featuring a narrow fitted waist and a full skirt. The v-necked fitted bodice is pleated while the full skirt has a wide gathered fold of fabric at the front. The white, green and pink fabric is a floral design with sprays of pink roses.australian fashion - 1950s, costumes - dresses, fashion design, fashion -- 1950s -
Kew Historical Society Inc
Clothing - Embroidered Silk Chemisette, 1900s
The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Rectangular silk organza chemisette, with inset embroidered net at the front and at the neck. The free-form, multicoloured silk embroidery includes abstract flowers, fruit and leaves, and may be of Chinese origin. The chemisette has five decorative mother-of-pearl buttons at the front and silk organza ties at the waist.lace, women's clothing, australian fashion, undergarments, chemisettes -
Flagstaff Hill Maritime Museum and Village
Clothing - Skirt, before April 1874
THE SKIRT The skirt has a gentle, soft, feminine design which keeps it in good shape and condition, preserving it from soiling and prolonging its life: - the satin fabric is softly pleated at the waist and falls gently to almost floor length - the opening is concealed at the back within one of the folds and closes with hooks and eyes underneath the bow at the back of the jacket - the horizontal stitching at the base of the skirt joins the lining to the skirt, and the firmness it creates allows it to gently flare out at the base without the need of hooped petticoats - a removable fabric lining at the hem protects the front and back of the skirt from friction and soiling from the wearer’s footwear THE SKIRT This evening outfit is significant for its connection with colonial Australia, Victoria and Warrnambool. It is a fine example of female fashion of the mid to late 1900s. The outfit is significant for its connection with a wedding uniting two colonial families from Northern Ireland who immigrated to Australia in the mid-1850s. The families had a significant role in the history of Warrnambool and district. The outfit is significant too for connecting the colonial families to the indigenous culture of the district and the contact between the native and European people. The lined, floor-length, amber satin skirt has gentle folds that gather into a fitted waistband. One of the folds at the back conceals the opening of the skirt that fastens using metal hooks and eyes. The bow at the back of the jacket covers the top of the closure. There are metal hooks distributed around the top of the waistband. The skirt is stitched horizontally around the hem in several rows. There is a removable fabric lining at the base of the skirt.evening skirt, ladies 1h century skirt, satin skirt, antique satin skirt