Dog tags used for identification of soldier if killed or injured. Tied around neck and one taken off the body and other left on body. Belongs to a J.M. Foley V246507 (V346507?) although number not found in nominal roll.Metallic silver discs x 2 with identification of the soldier imprinted on them, tied onto a long piece of white string.Imprinted on discs; "Foley J.M." & "V246507" and "RC" in centre. On other side is imprinted "04". dog tags, identification

This believed to be a WW1 era Field Medical Box, on the front Red Cross there is very faint writing left that should read “Field Medical”, on each end there is also very faint lettering which should read ,”F.M.P.”Field Medical Box rectangular shape, blue green canvas lining on outer with leather corners & edges, rope handles each end, lid fold down has steel hinges that fold over a plate/latch/ring design and can be locked, on front side is a large white square with a Red Cross centre, there a Red Cross on the lid right hand side, inside is a cane basket in, the lid has been written on by hand.On lid in blue hand written, “62298/12/17”, “6545 - 66 - 019 - 9838”, “Surg Instr & Supply set Combat Medical Officers E - 27”medical, containers, field medical

The arm belonged to Herbert Arthur Dower, VX21917, enlisted 4.6.1940 and posted to 2/14th Bn, embarked for the Middle East 19.10.1940, WIA 24.6.1941 GSW left Arm, amputation, embark for Australia 18.8.1941, discharged 2.2.1942.Prosthetic arm, two piece, yellow colour, Brown glove on hand, pivoted joint at elbow with leather strap, shoulder recess has leather lining, webbing strap for attachment to torso.prosthetics, artificial,

The photo relates to JAMES WORLAND MILLS No 3441 59th Batt AIF, 1st on left 2nd row from top. For details re Mills refer 169P. Photo includes at least 4 Military Medal Winners.Rectangular, wooden framed sepia photo with glass front. Shows a group of 32 soldiers mainly Sergeants and Warrant Officers of the 57th, 58th & 59th Battalions AIF in early 1919. photography -photographs, military history - army, frames

Reverend Alfred Gurney Goldsmith arrived from England in 1905 and left the Mission in 1925. He died a few months after leaving Australia in Kobe where he had accepted a new position in this Mission in Japan.This plaque along with the stained glass window in the St Peter chapel (the first one to be installer) demonstrate the affection for the Reverend and the appreciation for all the work he did.Large rectangular bronze plaque in memory of Reverend Alfred Gurney Goldsmithchaplains, mission to seafarers, seamen's mission, kobe, japan, lhlg, 1926, reverend alfred gurney goldsmith

From left to right: Ione Georgie (Walsh), Audrey Morgan (Addison), Mavis Boardman, Dawn Burgess, Padre Lee's son, unknown on right. (names written on another copy of the photograph given by Marjorie Smith in 2001).Marjorie Smith (nee Fraser) was a member of the Harbour Lights Guild from 1952-1956. She donated some colours slide along with her memories of the LHLG after the Mission's appeal in 2001.picnic, seamen, camberwell branch, marjorie smith nee fraser, hlg

Motor cars are a 1937 Ford and 1940 Chevrolet. Members from left rear are: J.Gibson?; A DeLaRue 5433; F.Henderson 7739; T.Meekle?. Front row: A.Guys?; A.Mason 9015; H.Dawson 8972. All attached to the Gaming Branch.

View from driver's cabin The Station Master's house is located within the cluster of trees to the left of the photograph which is now the short term car park and bus bay. The Country Art Store is now Cafe 3095.Digital TIFF file Scan of 35mm Ilford FP4 black and white transparencycountry art store, eltham railway station, eltham station masters house

The single carriage Tait regularly ran between Eltham and Hurstbridge stations. Looking east along Allendale Road, Eltham to the railway level crossing. The tree on the left remains today (2019) https://goo.gl/maps/zngEcUA29tEWFzuj7Digital TIFF file Scan of 35mm Ilford FP4 black and white transparency471m, allendale road, eltham, hurstbridge line, railway level crossing, red rattler, single motor carriage, tait train

The single carriage Tait regularly ran between Eltham and Hurstbridge stations. Looking east along Allendale Road, Eltham to the railway level crossing. The tree on the left remains today (2019) https://goo.gl/maps/zngEcUA29tEWFzuj7Digital TIFF file Scan of 35mm Ilford FP4 black and white transparency471m, allendale road, eltham, hurstbridge line, railway level crossing, red rattler, single motor carriage, tait train

Camp 13, Murchison. Property owned by Jim Finnegan. German, Italian, Japanese prisoners of war held between 1941 - 1946. Shows the remains of what is left of the goal used by Camp 13 Murchison during WW2.Camp 13, Camp Road, Murchison. Camp 13 goal. Solid brick building showing individual cells, roofless, tree right mid-distrance. murchison victoria, goal, prison cells, pow, camp internees, jim finnegan

Aerial view of the Lake Bolac Flax Mill, circa 1960. Note the pump housing in front of Guy Rance's home, the polluted water entering the lake from the pipeline and the stooks of flax to the left of the road opposite the Mill.lake bolac, flax mill, 1960, rance

Local farmers attend a Flax Field Day at "Bellevue", Lake Bolac on 27th November, 1946. Present are, from left: Leo O'Rorke, Fred Moreton, Bill Green, __________, Jock Hucker, Stan Hucker, Henry Clarke.lake bolac, flax field day, "bellevue", clarke, green, hucker, moreton, o'rorke

3 copies of the same photograph. Camp 1 had their own canteen in which they could buy goods using camp currency. On the left is W Lorenzen and on the right is E Reczko. Two of the photographs are printed back to back.Black and white photograph of two men, one standing behind the counter and one in front. The shelves behind have an array of goods for sale. camp 1 tatura, w lorenzen, e reczko, camp canteen, camp currency

William Raitt beside his horse and dog in rural scene. They are standing in front of what looks to be a bridge on the left and a house to the right in background. Possible taken in the Grampians. William Raitt is Thelma Phillips nee Raitt grandfather.Sepia photograph of William Raitt standing beside his horse and dog. Young William Raitt Grand father to Thelma'sstawell portrait

Photo of people at Seppelts & Sons cellars, Great Western. The official opening of the new drive which bears the name of Sir Dallas Brooks who is shown in the front row 4th from left. 13/4/1950winery, wine

From left Shire Hall Pleasant Creek in distance, Mathers & Franklin, Stawell Coach Factory, Coffee Palace, Christ Church of England Church Hill, Mechanics Institute, Temperance Hotel, Matherson Cross Reef Hotel.Black and White Holtermann photograph of Stawell from Big Hill with mining in foreground. 1874 Site of fire in Main and Street Patrick Street 22 April 1874 visible in centre of photograph.mining, panorama, streetscape

Kindergarten students in the classroom, Shakespeare Grove, 1960s. Students are dressed in costume possibly for Purim celebrations - there is a Purim poster in the background. Known students: (left) Danny Gunn. Please contact [email protected] to request access to this record.purim, elc, early learning centre, judaism

Employees Register for the Electric Supply Co. of Victoria, 1905 to 1934. Gives details of each employee, position, wage, address and general details and when left employment. Printed by Harry Tulloch Prop Ltd of Lydiard St Demonstrates the method that ESCo used to record its tramway employees. Yields information about the individual employee.Book - bound, heavy card cover, with green cover with "Ballarat Tramways - Tramway Staff" - in gold block, containing approx 200 sheets, ruled.esco, employees, register, list, tramways, ballarat

The photograph shows a view of Sunbury Railway station as it was in the 1970s and earlier. he image is looking south to the railway crossing at Station Street and the storage sheds which were along Platform 1, where the trains for Melbourne left.A coloured photograph of a railway station and pedestrian bridge.sunbury

Town & Big Hill from King Street area. c1900 Market Building in Skene Street visible in left of photo. St Patrick's Church on Right. Rail line and signal pole in foreground of photo across image.stawell, streetscape, panorama

B/W Main Street looking West. Vehicles angle parked in street. Brick Bull and Mouth Hotel and Dane Bros Wine Spirits Store on left. Coles. George Mitchell & Sons and Norman Harding on right.stawell businesses streetscape

Doris Nothling, wearing a light coloured top with thick cord necklace and pendant, stand and look towards the camera as a macaw sits on her left shoulder. Possibly taken during a visit to Melbourne Zoo or a bird conservatory.1 b/w photographs of Doris Nothling and parrotassociation for the blind, elanora home (brighton), doris nothling

A truck, fully loaded with cauliflower travelling along McKinnon Road towards Tucker Road. The road is unsealed and recent rains have left large puddles along the sides. Open paddocks appear on either side of the road.Black and white image of a truck fully loaded with cauliflowers travelling along an unsealed boggy road, to market.Black ink printed on a white circular sticker: 32 Handwritten in red ink: 70%vegetables, cauliflower, market, truck, transport

Shows construction of the North tramline in The Esplanade. The tracks already laid to the right are in Mercer St. (Now The Esplanade South). The photo looks SE towards the city. On the left is Corio Bay and in the distance is the power station's chimney. 1928Yields information re the building of early Geelong infrastructure.Black and white print on paper.Plate 3-3 Spare, written in ink on the back of the photograph.tramline construction, geelong esplanade, geelong mesco power station

It is very likely that this is a painting that was presented to John 'Jack' Courier (1915-2007), who turned 80 in 1995. Courier left a bequest to the College consisting of a significant number of artworks by himself and others, including works by Peter Jacobs.Mixed media artwork, using acrylic and watercolours. Painting appears to be an abstract head and shoulders portrait of a figure, possibly a man. The figure is facing towards the right of the painting, with mouth open - the head of the figure takes up the majority of the space in the painting. The figure appears to be holding something in their right hand, which is raised. There are four semicircular shapes along the bottom edge of the painting which the figure is depicted behind. Handwritten text at the bottom of the painting reads 'Happy 80th Jack/ Jacobs '95'. The image is mounted and framed in a grey wooden frame, behind glass. There are four small auction house stickers stuck to the back of the frame. A stamp for Separation Creek Valley Productions appears at bottom centre of the back of the frame. A cord has been stapled to the back of the frame at upper centre for hanging. D-rings and a wire have also been attached for hanging at the top of the back of the frame.

Doug WESTLAND of Mt Ben Pottery Yackandandah. Doug Westland left Darwin to join John Dermer as a trainee in 1978. He set up his own Mt Ben Pottery at Yackandandah on a Crafts Board grant.mt ben pottery, yackandandah, doug westland

Unit Citations awarded to the Australian Army Training Team Vietnam. On the left, U.S Meritorious Unit Commendation. On the right, South Vietnamese Cross of Gallantry with Palm. Citations were awarded to Murray Stanley Metherall. Refer 590.2.Citations X 2 joiined, with pin and clips for uniform. Gold edging on both. One has plain red ribbons, second has red with yellow/red vertical stripes with palm leaf.awards, citations, vietnam, u.s

The seven men were at an Ithacan social function at a venue in Franklin Street, Melbourne. Pictured from left: Peter Paxinos, Diogenis Cominos , Peter Black (Mavrokefalos), Jim Kandiliotis , Athansi Papanikolaos, and Peter (Bouli) Dellaportas.The men pictured all emigrated to Melbourne from Ithaca at various decades dating from the 1930s through to the 1950s. The Ithacan club was a home away from home, where friends and relatives could catch up and socialise.A black and white photograph at a social function of five men sitting at a table while another one is standing behind the group.

This dress was donated as having belonged to Annie Elizabeth McLean, who worked as a maid to the daughters of Samuel Renwick of Caulfield. Annie was born in Argyllshire, Scotland in 1853. This dress appears to have been originally made circa 1855 and then modified circa 1872. As Annie would only have been two years old in 1855, this indicates that the dress would most probably have been originally made for someone else and later acquired by Annie. Annie Elizabeth McLean arrived in the Colony of Victoria from Argyllshire, Scotland with her aunts and cousins in 1867, aged thirteen and a half. She had been educated in Scotland and eventually became a personal maid and then companion to the Renwick girl, daughters of Samuel Renwick of Caulfield, Victoria. The Renwicks' home, 'The Garrell' on Glen Eira Road, was one of Caulfield's earliest residences, having been built around 1854. Samuel was a business partner of William Kerr Thomson, a well-known Brighton resident and the original occupant of the North Road mansion 'Kamesburgh'. During her time with the Renwick family, Annie travelled with them to England, then to Scotland, then back to Victoria. She left the family upon the marriage of the youngest Renwick daughter, then went to the household of Sir William and Lady McCullough until she left to be married to Alfred John Ashfold in 1878.This c1872 grey and white silk pin stripe dress features a high round neckline with eleven decorative blue silk buttons and secured by a concealed line of fifteen hook and eyelet closure. The bodice (.1) has decorative blue and green braid over the shoulder and bust and across the base of the bodice. The dress features three darts shaping the dress to the body. The sleeve is cut high but relatively full and tapers to the elbow then flares again in Pagoda like style but ends at the wrist or hand. The skirt (.2) opens over the left hip and features a pocket over the right hip. The skirt at the front finishes at the ankle or just above the ground. At the back the bodice features panels shaping the dress into the body and pleated and flared from the waist. At the small of the back is a decorative bow with pinked edges and decorative braid. The skirt at the back is uncommon in shape most likely as the result of modification. It appears to have had panels removed reducing its original fullness. It has a tape inside the back of the skirt that would draw the skirt in creating a bustle like shape . It would appear that the dress had been modified in order to create a more fashionable silhouette most probably in circa 1872. There are three separate pieces of fabric. One is made up into a semi-circular over-skirt trimmed with blue braid and fringing (.3). Two pieces are unpicked skirt gores, one still has its cotton lining attached (.4 and .5).annie elizabeth mclean, samuel renwick, the garrell, caulfield