Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered flags, foliate and flowers. Handwritten message on back.Back: "My dear Alice / just a PC to let you ???? Joe ??? well and hope you are all the same / plenty of beer / best love Will xxxx"wwi, postcard, embroidered postcard, carte postale

Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered flags. Handwritten message on back.Front: "Victory / and / Liberty" (embroidered) Back: "To Alice from Will / Best love / hope you are all well as it leave me at present / xxxxxx"wwi, postcard, embroidered postcard, carte postale

Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered foliate and flowers, laurel wreath beneath oval union jack and crown. Handwritten message on back.Back: "To Enid From Dad / With best love / from France xxxxxxx"wwi, postcard, embroidered postcard, carte postale

War photography, 5 women including Ethel Forsyth, Agnes Jackson and [possibly Maude Carlisle]Unframed, black and white printed photograph on photo paper of 1 AGH, Ethel Forsyth on camel with Agnes Jackson [and possibly Maude Carlisle]."Embarked on Kyana 5-11-1914 from Melbourne. 1 AGH, Ethel Forsyth on camel, Agnes Jackson and Maude Carlisle?" [Handwritten in pencil on the back of the photo]ww1, world war one, world war i, world war 1, ethel forsyth, agnes jackson, maude carlisle, egypt

The image was taken of Women's Auxiliary group gathered on the lawns of Rupertswood Mansion some time between 1914 and 1918. The women's group organised various events to aid the war effort and were often invited to the mansion.During war time many community groups were formed to raise funds which supported the war effort in a variety of ways.A non-digital copy of an old sepia photograph of a group of women sitting on the lawn outside a large mansion. An early car is parked on the pathway to the left of the image and the driver is standing next to it.women's auxiliary, rupertswood mansion, world war 1

This badge is an example of 'sweetheart' jewellery from the Second World War. Often worn by female relatives, girlfriend or wife, the brooches were a symbol of pride, support and affection for a loved one serving in the armed forces. They could be purchased by the women themselves or given as a gift by servicemen Silver coloured metal brooch depicting soaring eagle with pin at backOn rear of tail stamped STG SIL - sterling silverbrooch, airforce, raaf, ww2

This rug was a gift and gesture of friendship from the local Muslim community to the City of Greater Bendigo. It was presented to Mayor, Cr Rod Fyffe on behalf of the people of Bendigo at a 2016 'Thank You Bendigo' dinner. In 2014 approval for a planning application from the Bendigo Islamic Association to build a community centre and mosque in East Bendigo prompted a series of public protests that captured widespread media attention. During this tumultuous period the Council identified the need for a community-wide plan to promote diversity and help address potentially divisive cultural issues. These events led to the COGB becoming the first local government area (LGA) formally accredited under Australia’s Welcoming Cities Standard. Community leaders emerged who wanted to show that the anti-mosque protesters did not reflect the views of the majority of Bendigo residents. The community lead ‘Believe in Bendigo’ movement gained momentum, and the Council and other local organisations joined forces to present a unified message that Bendigo residents do not tolerate racism. Muslims have made Central Victoria their home since the Goldrush, contributing to the community and the economy for the past 120 years. Traditional Islamic rugs, especially their patterns and motifs are intrinsically linked with the design of the Bendigo Mosque and Bendigo Islamic Community Centre providing important points of reference for the architects of the project. Typically, mosques are linked with specific cultural groups but not in the case of Bendigo where the Muslim community is made up of multi-ethnic groups. This meant the building's design was not fixed to a specific style or cultural iconography but instead needed to encompass many. The small local Muslim community selected a specific Australian architect because of their interest and knowledge of Islamic design and iconography gained through family collection of Islamic textiles. In thinking about the design of the mosque and community centre the architects wanted to acknowledge the role of Afghans in Australian history, especially tribal Afghans who helped build connections across the interior of Australia between First Nations communities, European settlers and Central Asian migrants. The gift of this Turkmen rugto the Bendigo community thus symbolises collaborative partnerships across faith and cultural groups based on friendship and mutual benefit. A Turkman rug was specifically chosen as it is the pinnacle of nomadic arts of the Islamic world. It was also important to the architects and the local Muslim community that the gift was a female artistic product as it was mainly a female Muslim architecture team that designed the mosque in Bendigo and there was a desire to select something that celebrated female artistry. This hand-woven rug is an engsi, made for a woman in preparation for marriage. Design work and weaving is a shared experience, between many generations of women and each rug hold the personal story of the woman it is made for and her family and thus holds deep symbolic meaning. There are often songs and poetry that are recited as the rug is made – helping the makers to memorisze the mathematical structure of the design. An engsi is put on the doorway to a yurt as part of a wedding ceremony. During the ceremony the groom turns the engsii upside down to check the quality of the rug makers weaving skills. The nomadic lifestyle of Yomut Turkman tribes determines the size of the rug as the loom can’t be carried. Its size is also restricted by the dimensions of the doorway of the yurt. This rug is dated as c 1880 because of the types of patterns used, the use of natural dyes (synthetic dyes were introduced to the area in 1890s) and with the smoother weaving on the back indicating the quality of craftsmanship dating to this time period. The Yomut engsi rug was made in Turkmenistan c1880 by Yomut Turkmen Tribes people and is designed to fit over the doorway of a yurt during a wedding ceremony. The main field motif is related to Turkoman jewelery design. The women and girls of the tribe spin the wool and design and weave the rugs. The men shear the sheep, dye the wool and clip the rug after it has been woven. The word “Turkoman” is thought to have been derived from Turk-iman, meaning the first nomadic Turkic tribes that began to follow Islam. Dyes used are natural including orange from madder root. bendigo mosque, bendigo islamic association, city of greater bendigo community partnerships, city of greater bendigo community groups

The sculptures derive from the memory of the young men and women who bravely gave their lives to fight in the Great War of 1914-19Spiral bound book. 40 pagesww1, war memorial

xvii, 388 p.; 24 cmnon-fictionThis biography explores the remarkable life of Jessie Traill - artist, traveller, humanitarian and independent spirit. From the ten-year-old who first met Tom Roberts painting on the shores of Port Phillip Bay, to a student of Frederick McCubbin and etchers John Mather and Frank Brangwyn, Jessie developed her professional skills. She interrupted her career to work as a voluntary nurse in France during World War I, later raising funds for and revisiting war-torn Europe. She also became one of Australia's most outstanding etchers, working in a field uncommon for women of her time. Through diary extracts, descriptions of her world travels and personal letters we hear her voice and see through her eyes, beauty, humour and the joys of simple living. jessie traill, frederick mccubbin, tom roberts, artist

Illustrated book with light brown cover. Front cover has a black and white photograph of a nurse with a group of soldiers ( S.Avenell with amputees at Southall Hospital) Abbreviated title is printed above, and the authors name below this photograph in black ink. This is surround by a decorative border in black ink: two narrow lines and leaves at the corners. Abbreviated title and author's name also printed in black ink on spine. The back cover has a small black and white photo of a group of nurses (S.Olive Saloway with other nurses on board Orsovanon-fictionPersonal accounts of Australian Nurses abroad in World War 1world war 1914-1918 - medical care, military nursing-australia, australia-army-nurses, nurses

Illustrated book. The front cover and spine have the same black and white photograph of six men walking ("the guards were old, the soldiers young. Bertie Giles is third from left) Front cover has full title in red and black print, authors name in white print. Spine has abbreviated title in red print, authors name in black and white print and publishers name in black print. Back cover has a black and white photograph of a group of women (Australian nurses, (civilian and army) after being held POW for almost three and a half years by the Japanese). Under this photograph is a summary of the book and information about the author.non-fictionThis book has not been written for ex-prisoners: they know the homesickness of exile, the tyranny of bondage; it was written for those people of today who know little of the experiences of these men and women, of their courage, endurance and pain. It has been written for the generations to come.prisoners of war-australia, world war 1914-1918-prisoners and prisons, world war 1939-1945-prisoners and prisons, korean war 1950-1953 - prisoners and prisons

vi, 140 pages : illustrations, portraits ; 30 cm.non-fictionA compilation of stories of servicemen and women and their families with connections to Cranbourne Cemetery and the Great War.cranbourne (vic.), world war 1914-1918, cranbourne cemetery, world war 1, the great war

The badge (on the right) is a Female Relatives Badge from the Second World War and the stars represent the number of serving individuals related to the holder of the badge. A number of the back appears in a register that records the name of the holder. .2) Three stars denotes 3 members of the family in the army in 1939 - 1945..1) Badge, brassround with 2 lugs on rear. Front has "War Worker Australia". Centre is coat of arms. On rear is "Navies & Labourers". Stamped numbered badge. .2) Female relative badge. Metal, silver colour, round shape with crown. wreath arrangement with map of Australia centre. Rear has pin attached. Attached by two small chains is a clasp with 3 small bronze stars. Rear of badge is stamped..1) :"Issued by the department of defence, 618. .2) Front "To the Women of Australia" Rear "Issued by the C/Weath Govt. A6800badages, medallions, female, relative, war workers

Illustrated book with a brown and cream cover. The front cover features a black and white photograph: Sr Lilian Malster at No.3. AGH Mudros Harbour, Lemnos, September 1915. Title is overprinted on this photo in brown and white ink. Author' name is printed in black at bottom right of front cover. Title and author's name printed in black on spine. On the back cover is a map of the Aegan Sea with Lemnos circled in red, a quote from Sr Lilian Malster and a summary of the book non-fictionA study of the work of Australian nurses based on Lemnos during World War One, with emphasis on 38 women (out of a total of 130) who came from small towns in the Western District of Victoria.australian army nurses, nurses, lemnos, world war 1914-1918

Illustrated book with dustjacket. Book has a black cover with title, author's name and Australian Army badge embossed in gold on spine. Front of dustjacket has a black and white photo 'Westen Australian night nurses in 14 AGH, Abbassia, Egypt in 1918. Under this part of tile is printed in dark grey and red brown on a cream background. Rest of title is printed in white on a dark grey band. Authors name is printed in white on a red brown background. Title and authors name are printed in white on a red brown background along with Australian Army Badge (gold) and publisher's mark. On the back of the dustjacket is a summary of the book printed on a cream background, below which is a black and white photo 'No 2 Australian General Hospital, Mena, Egypt, January 1915non-fictionThe author draws on personal diaries, interviews, service records, hospital diaries and autobiographies to create an absorbing and meticulously constructed book showcasing the breadth and significance of the contributions Army nurses made during World War I. In becoming part of the AIF these women fashioned the role of the Australian military nurseaustralian army nurses, military nursing-australia-history, nurses-australia-history, world war 1914-1918 - medical care, alfred nurses

Illustrated book with dustjacket. Book has a brown cover with abbreviated title and authors name embossed in gold on spine. Dust jacket has a coloured black and white photograph of a nurse in uniform holding an umbrella, book and pencil with tents in the background: Grace Wilson on the Aegean Island of Lemnos, 1915. Full title is printed in white and gold on front along with the author's name in gold. Abbreviated title is printed in brown and gold on spine, along with the author's name and publishers mark in whitenon-fictionUsing diaries and letters the author takes us into the hospital camps, the wards and the tent surgeries on the edge of some of the most horrific battlefronts of human history. He also showed how the friendships and loves of these courageous and compassionate women enriched their experiences.australia army-nurses, military nursing-australia, world war 1914-1918 - medical care, world war 1914-1918-female participation, nurses

The items belonged Rueben John Tyrer V150812. He enlisted on 20.1.42 aged 44 year. At discharge on 5.12.45 he was a Driver in 37 Aust Field Works Coy. .1) Medal set, court mounted, set of (4) re R.J Tyrer. 1. 1939-45 Star. 2. Pacific Star. 3. War Medal 1939-45. 4. Australian Service Medal 1939 - 15 .2) Ribbon set (2) mounted on brass strip with pin for attachment. 1. Ribbon re Pacific Star. 2. Ribbon re Australian Service Medal. .3) Badge, metal "To the Women of Australia". Circular floral wreath with crown at top, centre is a map of Australia. Under is a bar suspended by a link. The bar has one star meaning one relative serving in the Armed Forces. .4) Medal, gold colour, "60th Anniversary of the end of WW11". The front has a centre Coat of Arms, rear has a depiction of a map of Australia. .5) Black cardboard box to hold .4. The lid has an Australian Coat of Arms..1) "V150812 R.J. Tyrer". .3) "Issued by C'WLTH GOVT A221536" .4) "World War 11 Service to Australia". "World WW11 60 years 1945-2005". .5) "Australian Government Dept of Veterans Affairs. "60th Anniversary of the end of World War 11, For Service to Australia"medals, military, history

A general biographical article about Margaret Rogers (nee Stockwell) who was raised in the local area (of Alberton, Victoria), a nurse in WWII and has moved back to the area after 64 years away.Newspaper clipping with two black and white photographs. One is of a smiling elderly woman showing a medal to the camera, the other is of two younger women in military uniforms smiling at the camera. The article has seven columns of text.wwii, world war two, ww2, war nurse, margaret rogers, margaret stockwell, alberton victoria

Biographical article about the wartime romance of Royal Australian Army Nursing Corps nurse Alice Ross-King and Lieutenant Harry Moffitt. Their story is part of an Australian War Memorial (AWM) project [the transcription of letters and other ephemera by the public] and Robyn van Dyk from the AWM is quoted in this article.Newspaper clipping with a partial black and white photographe of two women walking and saluting. First page of clipping has five columns of text including the caption to the photograph. Second page of the newspaper clipping with partial large black and white photograph with three other small black and white photographs and one colour. This second page of the clipping has four columns of text.alice ross-king, harry moffitt, robyn van dyk, australian war memorial, love letter, wwi, world war one, ww1, awm, australian army women's medical services, florence nightingale medal

Obituary about Betty Constance Lawson Member of the British Empire (MBE) who lived from 09/08/1915 to 15/02/2006. Ms Lawson did her initial training at the Royal Melbourne Hospital and served in WWII with the Australian Army Nursing Corps she then went on to do more extensive relevant training and was the recipient of many scholarships and awards including the Florence Nightingale Medal and her MBE.Newspaper clipping with a colour photograph on the left hand side of an older man and woman in the foreground and an older woman in the background. The obituary has six columns of text.florence nightingale medal, betty constance lawson, wwii, ww2, world war two, royal melbourne hospital, royal women's hospital, australian army nursing corps, aanc

General biographical, war and subsequent service article about A[nnie] M[oriah] Sage.Full newspaper page clipping with heading and article at the top and large colour advertisement underneath. Article has a black and white photograph of women in Army nurses uniforms. The article has six columns of text.annie moriah sage, wwii, world war two, ww2, florence nightingale medal, commander of the british empire (cbe), nurses memorial centre, matron-in-chief australian military forces

Five sketches of landscapes in New Guinea. Part of a collection of items including photos, newspaper clipping and poem relating to New Guinea in WWII and Elizabeth Burgess. A full page clipped out of a magazine, with printed sketches of New Guinea landscapes, captions and handwritten annotations.'These two pictures are the / road which I've often been / over & / told you / of in / letters' [faded black ink in top right hand corner] 'We pass this each time we go / into the town' [faded black ink, lower left hand corner]wwii, world war two, ww2, new guinea, elizabeth burgess, cedric emanuel

Illustrated book with dustjacket. Book has a purple cover with the title and author's name embossed in silver on the spine. The dust jacket has the title printed in silver within a decorative border. Authors name is printed in black above this. Also on the front cover and extending across the spine and back cover is a coloured illustration of non-fictionA history of how Australian women have responded to war, from 1900 when the first nurses sailed to the Boer War, to 1945 and its aftermath.world war 1914-1918, world war 1939-1945, women and war-australia, women-australia-social conditions, women-employment-australia-history-20th centuary

Large Green Leather covered book with Gold Australian Coat of Arms on front.Reproduced from Official and other photographs of the two World Wars. Published under the auspices of the Board of Management of the Australian War Memorial. Contains Dedication - To the men and women of the Empire who in every hour of danger , face the storm … who in their willing sacrifice are bearing the brunt of a struggle for the peace and security of all peoples. Faint stamp "Maurice Parker" inside front cover top left.

Illustrated book, with three black and white photographs of Wilma Oram Young (as student nurse, in army uniform and in older age). There is a mid-brown band above this photo on which the title is printed in black and white, below the photos there is a black band on which the author's name is printed in light brown. Spine has mid brown background with title printed in black, author's name in light brown, and publisher's mark in white. The back cover has a summary of the book printed in black ink on a light brown background.non-fictionThis is the story of one of Australia's most remarkable women. As a prisoner of war for three and a half years during World War II, Wilma Oram, a young Australian nurse experienced the very worst of human brutality: starvation, deprivation and degradation. Yet, through the comradeship of her fellow prisoners, she also experienced humankind at its best. Following her return to Australia, Wilma was inspired to help her fellow ex-POWs and war veterans through her tireless work with the RSL.wilma oram young, nurses-australia-biography, world ward 1939-1945-prisoners and prisons-japaneses

Article calls attention to the experience of Wilma Jones [Oram Young] as a Japanese POW on Sumatra Island during WWII in relation to the Council of Ex-Servicewomen's Associations who were trying to gather funds to make a documentary of stories and experiences such as this before they are lost.Newspaper clipping with four columns of text, headed by a large black and white photograph of an elderly woman sitting at a table looking at documents'THE HERALD / 9 AUG 1989' [Blue ink inbetween lines of headline]japan, sumatra island, wilma jones [oram young], council of ex-servicewomen's associations, elizabeth lucas, catie hewins, returned nurses' association, wwii, world war two, wwll, ww2

Images of Australian nurses about to embark for WWII February 1940. [As there is no digitisation of this magazine (The Australian Women's Weekly Pictorial) this photocopy of the clipping is important.][Publication not found in digitised format]Black and white photocopy of a magazine page featuring head shot photographs of women in nursing uniforms, their names captioned under each one. There are also handwritten annotations.'H88' [blue ink at the top on the right hand side] 'X THOSE WHO / WENT TO / ENGLAND / (IN ALL / 120 NURSES / ATTACHED TO / 2/2A.GH / SAILED TO / MIDDLE / EAST)' [blue ink on at the top right hand side] [10 captions under the photographs marked with a blue inked X]wwii, world war two, ww2, australian nurses

Images of Australian Army nurses in England in 1940Foolscap, black and white photocopy of multiple newspaper clippings. The clippings are photographs featuring groups of women [nurses] in uniforms with some captions present.'H88' [blue ink on the right hand side under title] '1940' [blue ink on the left hand side under title]australian army nursing service, aans, wwii, world war two, ww2

Art exhibition catalogue for Jessie Traill [around the tenth anniversary of her death] who was an Australian born Voluntary Aid Detachment (VAD) who served with the Queen Alexandra's Imperial Military Nursing Service during World War one in France. Her aritSeven single sided foolscap copied typewritten document held together with a white plastic paper clip. Title and bibliographical details of document are visible as well as handwritten annotations.'Returned Nurses Club' [blue ink top right hand corner of cover] 'H28' [red ink top right hand corner of cover]jessie traill, art, printmaking, voluntary aid detachment, vad, s, queen alexandra's imperial military nuring service, wwi, ww1, world war one