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National Vietnam Veterans Museum (NVVM)
Book, Bevan, Scott, Battle Lines: Australian Artists at War
... Lines: Australian Artists at War Book Book Bevan, Scott ...You hope your art will stop them for a second, anyway, and the say, 'Well, that's what is was like there at that time"You hope your art will stop them for a second, anyway, and the say, 'Well, that's what is was like there at that time"war in art, war artists -
National Vietnam Veterans Museum (NVVM)
Book, Australian War Memorial, A Selection of Australian War Memorial Paintings
... by Australian war artists housed in the Australian War Memorial ...the many thousands of historical pictures by Australian war artists housed in the Australian War Memorial in Canberra have been justly acclaimed as unique among national collections.the many thousands of historical pictures by Australian war artists housed in the Australian War Memorial in Canberra have been justly acclaimed as unique among national collections.australian war memorial - catalogs, war in art -
National Vietnam Veterans Museum (NVVM)
Programme, Programme South Australian Concert Party for Vietnam
Framed programme of the South Australain Concert Party for Vietnam. Party was sponsored by the Australian Forces Overseas Fund and performed in Adelaide to raise funds to send artists to the VietnamDonated by R Lloydsouth australian concert party, australian forces overseas fund, framed poster -
Benalla Art Gallery
Painting, Clara SOUTHERN, The artist's home, c. 1909
Born: Kyneton, Victoria, Australia 1860; Died: Surrey Hills, New South Wales, Australia 1940 Heidelberg SchoolLedger Gift, 1984Rural landscape and rustic house surrounded by trees. Gold painted timber frame.Recto: Signed "C. Southern" in brown paint l.r.c of composition; Not dated; Not titledlandscape, rural, house, trees, australian art -
Jewish Museum of Australia
ring, Martha Ash, Marriage ring, by Martha Ash, 1981
Our contemporary Judaica collection was developed through a series of exhibitions titled Australian Contemporary Design in Jewish Ceremony I, II and III. For each of the three exhibitions, contemporary artists and crafts-makers were invited to design new objects that could be used to perform the Jewish ceremonies and rituals that had been preserved and developed by Australia’s Jewish community over the last 200 years. This collection now comprises over sixty unique and distinctive objects made using very different methods of production, including tapestry, silver-smithing, carpentry, ceramics and glass-work. These objects have been inspired by a broad spectrum of religious, spiritual, artistic and emotional responses to the ideology and practice of Jewish rituals, as well as deeply considered connections to Australia’s broader culture and landscape.jewellery, judaica -
Jewish Museum of Australia
ceramic platter, Fiona Hiscock, Platter for honey cake, by Fiona Hiscock, 2007
To celebrate Rosh Hashanah (Jewish New Year), Jews eat foods like honey cake and apple dipped in honey. Along with a special prayer, this is a way of asking God for a sweet and happy year ahead. Our contemporary Judaica collection was developed through a series of exhibitions titled Australian Contemporary Design in Jewish Ceremony I, II and III. For each of the three exhibitions, contemporary artists and crafts-makers were invited to design new objects that could be used to perform the Jewish ceremonies and rituals that had been preserved and developed by Australia’s Jewish community over the last 200 years. This collection now comprises over sixty unique and distinctive objects made using very different methods of production, including tapestry, silver-smithing, carpentry, ceramics and glass-work. These objects have been inspired by a broad spectrum of religious, spiritual, artistic and emotional responses to the ideology and practice of Jewish rituals, as well as deeply considered connections to Australia’s broader culture and landscape. judaica, ceramics, jewish new year -
Jewish Museum of Australia
Kathryn Tilley, Afikoman pouches, by Kathryn Tilley, 2007
Artist's statement: I chose to make these afikoman pouches even though they may not be familiar to or used by all Jewish families. In these little pouches, a small piece of matzah would be placed in the pouch and then hidden in the house for the children to find during the Passover meal. On finding it, a gift is given. The story of Passover and Judaism in general have been kept alive over the centuries. I wanted to honour the passing down of the Torah through the generations, and, in particular, the role of children in its transmission. I have used the Australian desert as a metaphor for the great wilderness crossed by the People of Israel. A recent trip to Broken Hill and beyond inspired me to work with the subtle colours and textures of that landscape and I have incorporated into the work found objects, stones and beads collected there. (2007, New Under the Sun: Australian Contemporary Design in Jewish Ceremony III)machine embroidered -
Islamic Museum of Australia
Mosaic, Anisa Sharif, Twin Peacocks —the watchful guardians 2016, 2016
Anisa Sharif is a Melbourne based artist who specialises in glass mosaic. Much of her art is utilised in art-activated initiatives working with marginalised and underprivileged communities. Anisa draws her influence from Moroccan, Indian, Persian and the Art Nouveau genres.Mosaic art glass mosaic featuring twin peacocks. The peacock is a repeating theme in Anisa's work and is the artist's way of acknowledging and appreciating the great diversity of wonder and humour in creation. Visitors are encouraged to touch this piece — facilitating a tactile experience of the picture and the mosaic surface.mosaic, peacock, glass, gems -
St Kilda Historical Society
Ephemera - Seasonal card, Longstaff, Will et al, Australian Comforts Fund Xmas and New Year's Greetings 1918-19, 1918
Text from card: 'On the night of 24th April 1918, the Australians made a daring and clever counter attack in the darkness, recaptured Villers-Bretonneux, stopped the German advance and saved Armiens. This, and the Battle of Hamei, were only a prelude to the smashing advance which commenced on 8th August.' Contains illustrations of 'Australians Advancing from Villers-Bretonneux, August 8th 1918' from an original painted by AIF War Artist Captain Will Longstaff; 'Capture of Hamei Village, July 14th 1918, by Australians assisted by a Detachment of Americans' by War Artist A Pearse. Both paintings were made for the Australian Comforts Fund. The Australian Comforts Fund was an umbrella organisation for voluntary bodies set up on 24 August 1916, after the outbreak of World War I. It was dissolved on 16 April 1920 but was re-established in 1940, during World War II and dissolved again in 1946. Card made in England by Raphael Tuck & Sons Ltd, publishers to the King and Queen. Oblong sheet folded in half to create 4 pages, all printed in colour and including illustrations and very full documentation.'Graham Clarendon Hyde 14 Btn AIF' 'Given to Historical Society of St Kilda by Mr G Hyde N Zealand August 1980'aif, world war i, wwi, australian comforts fund, 14th battalion aif, villers-bretonneux, battle of hamei -
St Kilda Historical Society
Ephemera - Concert program, Grand Tableaux Programme, 1915
An example of tableaux drama. Ten 'scenes from the Empire' were presented: King Alfred Disguised as a Harper in the Camp of the Danes'; 'The Signing of the Magna Carta'; 'Queen Elizabeth Knighting Drake on the Deck of the "Golden Hind"' etc. Contains details of Executive of the Victorian Artists' Society and the St Kilda Executive Committee. Under the patronage and in the presence of, among others, the Governor of Victoria, the Lord Mayor of Melbourne and Madame Melba. To raise funds 'to provide an Ambulance for the Australian Wounded'.Yellowed cream cardboard, printed in black and gold, folded in half to form the cover. Inside two sheets of paper, printed in black and red and folded to make four pages, are fastened to the cover by stitched red string.wwi, world war i, victorian artists' society, wwi fund-raising -
Puffing Billy Railway
Station Sign - Yea
Station Sign - Yea Yea Station Opened 16 November 1883 Closed 8 November 1978 Yea is a former railway station in Yea, Victoria, Australia. The tracks have been removed and the reserve has been turned into The Yea Railway Park consisting of the historic railway station and eleven acres of parkland. It has a picnic shelter, barbecue, toilets, playground, skatepark, walking track, community reserve and includes Rotary Park. The station building houses Blackthorn Textiles (a privately run craft shop). Also on the site are the former goods sheds which are available for hire for varied functions. The Yea Country Market is held in the park on the first Saturday of each month and local artists hold an exhibition and sale in the goods sheds each Easter. The site is listed on the Victorian Heritage Register ref: https://en.wikipedia.org/wiki/Yea_railway_station photo at http://vhd.heritagecouncil.vic.gov.au/vhd-images/places/000/078/092.jpg Historic - Victorian Railways Station sign used at Yea StationStation Sign - Yea Metal rectangle Station Name Sign with white enamel back ground and black lettersYeapuffing billy, station sign, yea station -
Clunes Museum
Painting - OIL PAINTING, AUDREY CRAWFORD
OIL PAINTING OF A BANK BUILDING IN A BROWN WOODEN FRAME WRITING ON TOP OF THE BUILDING "GOLD OFFICE BANK AUSTRALIA"ON BACK PRINTED: "VANGUARD i CANVAS PANEL SIZE 8X10 ARTIST (IN INK) AUDREY CRAWFORD - DATE ILLEGIBLE"audrey crawford, joice patterson, oelpainting -
Tatura Irrigation & Wartime Camps Museum
Portrait
Erich Erwin Heinz Neumann was a German civilian internee in Camp 1, Tatura, during WWII. He was an artist & this portrait, although unfinished, was of another internee, a Count, (name currently unknown), in the same camp. This is a framed, photographic copy of the original portrait, donated by the daughter of the artist, photograph taken by the grandson, (Tim Allan of TA Media, Adelaide, South Australia).Framed photograph copy of unfinished portrait of unknown Camp 1 internee, Count ....., by another German internee, Erich Erwin Heinz Neumann. Tan frame. Subject on dark background, white beard & hair, white clothing. tatura, camp 1, internee camps, illustrations, erich erwin heinz neumann, camp artwork, internment artwork -
Tatura Irrigation & Wartime Camps Museum
Work on paper - Painting - Watercolour, Camp 2 Tatura
... was a commerical artist who arrived in Australia on board the "Dunera"..... He was a commerical artist who arrived in Australia on board ...Alfred Landauer was Born in Vienna 13/06/1910. He was a commerical artist who arrived in Australia on board the "Dunera".Pen & Ink and watercolor of three camp huts. Large trees at the rear of the huts. Several internees are reclining in chairs outside each hut. A guard tower is in the distance . A fence runs along the side of the painting and a garden and green grass follow the length of the fence. A. Landauer 1942camp 2, dunera, landauer, watercolor, 1942 -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Painting - Watercolour, Cairo Courtyard
Painted and used at Internment camp 3.Watercolour painting of "Cairo Courtyard" on wooden board, wide brown wooden frameC. Rippert. On back: "Numurkah Butter Factory, Victoria, Australia. 54 lbs nett. Produced in the district of Numurkah. "Pure Creamery Butter". G. Glockemann - Hornsby. On a sticker "Gemalde" Von Frau Rippert Ruckseite Des Bildes Von Historischem Interesse. Frau Charlotte Rippert, the artist, was a German Lutheran Missionary in Egypt in the 1930's. Interned by British in Cairo and transported to Australia on the Queen Elizabeth, arriving in Sydney, 31 August 1941.c. rippert, internment camp 3, internment camp artists, glockmann family, charlotte rippert -
Tatura Irrigation & Wartime Camps Museum
Painting - Oil, Frau Charlotte Rippert, Bowl of Flowers/ Carnations, 1940's
Painting by Charlotte Rippert, a German Lutheran Missionary in Egypt, arrested as a security risk in Cairo, 1941. Transported on Queen Elizabeth to Australia and interned at Camp 3 1941-1945.Oil painting of bunch of carnations. Dark red, red, pink and white. Lime green backgroundLaminate Label - reads "Bowl of Flowers, Artist: Charlotte Rippert, Donor Elfrieda Faig nee Kaltenbach."charlotte rippert, german lutheran missionaries, internment camp 3 artists, internment camp artists -
Tatura Irrigation & Wartime Camps Museum
Book, Dunera Lives. Volume 1 A Visual History, 2018
A remarkable, thoroughly researched and detailed record of "Dunera" internee artists with examples of their varied styles of water and colour paintings, sketches and cartoons. Vivid reminders of the whole experience of internment in Australia during World War 2 for these men. Launched at the Jewish Museum in St Kilda, Sunday July 8th and Monday July 9th at Readings Books in Melbourne.Visual history of camp life of the Dunera boysBlue soft cover, with front cover painting by Emil Wittenberg. Painted at Tatura on 23rd May 1941, depicts a group of Dunera internees behind barbed wire. B/W and colour photos, sketches, paintings and watercolour.To the memory of Amirah Inglis. A photograph of Kenneth Stanley Inglis, 7 October 1929 - 1 December 2017dunera boys -
Tatura Irrigation & Wartime Camps Museum
Sketches - copies, sketches by Eugen Graf Mansdorf, 1991
Probably drawn during his journeys and internment during WW2.Most sketches titled, dated and the temperature noted on one: Basra 30 September 1941 42 degrees C at noon.Copies of sketches by Eugen Graf Mansdorf, Basra Camp Persia and Loveday South Australia. Red back clear plastic folder.eugen graf masdorf, internment camp sketches, internee artists, loveday camp, basra camp persia -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Leonhard Adam, Ipse Feci, 1941
... and changing conditions of the Australian landscape during the artists ...Dr Leonhard Adam was a Dunera internee in Camp 2 Tatura.RomanticismWatercolour self portrait by artist Leonhard Adam. He is wearing a pink/light red collared open shirt with a white vest underneath. His hair is black with streaks of grey through it. He has blue eyes and a ruddy complexion.Ipse Feci . Leonhard Adam. Tatura (Victoria) Austr. 18-21 Januar 1941tatura, dunera, internee camps, leonhard adam, ipse fici -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Tatura Camp Australian, 1940
... conditions of the Australian landscape during the artists time ...Dr. Leonhard Adam was an internee in Camp 2.RomanticismFramed watercolour painting of Tatura internment camp barracks through doorway.Tatura Camp, Australia, 1940tatura, dunera', internee camps, illustrations, watercolour -
Tatura Irrigation & Wartime Camps Museum
Photograph, 22 September 1991
Photos of the opening ceremony at the Tatura Museum, in conjunction with 50th Anniversary, of the Temple Society in Australia. Sister Beatrice Moore nursed at Camp 3 during WW2 and was invited by Tatura and District Historical Society to officially open their new buildings and display on POW and Internment Camps, on 22 September 1991. Present were Council president Andrew Crawford, Dieter Ruff and members of the Temple Society and members of the Historical Society.Coloured photos (3) 1 - official opening by Beatrice Moore, 22 September 1991; 2 - Dieter Ruff, Temple Society, official representative; 3 - Lurline Knee receiving her life membership from Historical Society President Ron Donaldson.ww2 artists, camp 13 tatura, temple society, sister beatrice moore, dieter ruff, lurline knee, life membership -
Tatura Irrigation & Wartime Camps Museum
Photograph, Karl Duldig, 1941
Top left - Karl Duldig, 8th Employment, with daughter Eva in front of him; Top right: The Duldig family in front of their hut in Camp 3. Slawa, Eva and Karl Bottom left: Army nurse and children: back row (left to right): Italian, Italian, Harry Bader 2nd back row: Italian, Dolly Seefeld, Dora Seefeld, Indonesian 3rd back row: ? Eva Jacoby, Mariesa ?, Indonesian 2nd front row: Ruth Gottlieb, Lisa Bader, Gracie Kouner, George Fink Front row: Lilliana Dellanoll, George Huppert, Eva Duldig and Gerald Seefeld Bottom right: bronze sculpture of Captain Edward Renata Broughton (NZ) O.C. 8th Employment Co. Refugees from Singapore. Slawa and Karl Duldig, Bauhaus artists from Vienna, Austria, fled to Singapore 1938, arrested in 1939 by British officials. Sent to Australia on Queen Mary to Tatura Group Internment Camp 3 compound D. Released with other families in 1942. Karl served in the 8th Employment Company. He and his wife taught in Melbourne schools (Mentone Grammar and St Catherine's Girls School). Daughter Eva (photo) donated the photos.4 black and white photographs of the Duldig family. One is father and daughter; one is mum, dad and daughter in front of hut; third is a group photograph of a nurse and a group of children and the third is of a bust of Captain Edward Renata Broughton. Photographs are mounted and in a fawn coloured frame. singapore refugee, captain edward kenate broughton, karl duldig, eva duldig, harry bader, dolly seefeld, dora seefelt, eva jacoby, mariesa ?, ruth gottlieb, lisa bader, gracie kouner, george fink, lilliana dellanol, george huppert, george seefeld -
Tatura Irrigation & Wartime Camps Museum
Photograph, 1942
Photo of a painting done by an internee, name indecipherable.Colour photograph of a magnificent painting of an Australian scene of 2 bullock wagons laden with bales of wool. 2 gum trees are prominent on the rolling rises.camp 3, templer society, camp artists -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Leonhard Adam, Tatura Camp 4, 1941
... and changing conditions of the Australian landscape during the artists ...Dr. Leonhard Adam was a Dunera internee in Camp 2.RomanticismMary-Clare AdamWatercolour painting of rows of barracks with internees and fencing at Tatura Camp.Tatura Camp 4, Victoria, 25 vii 41tatura, internee camps, dunera, leonhard adam -
Tatura Irrigation & Wartime Camps Museum
Album - small photo album
The artist of the sketches Hans - Wolter von Gruenewaldt - ex South African Mining Engineer served in the North Africa campaign. This album also includes photos of visitors to the Tatura Museum, Memorial service German War Cemetery 1992 and visitors to Camps 1, 2, 4 and 13 Photos include Murchison R.S.L clubhouse,which was Murchison P.O.W Camp,13 Recreation Hall, Colonel Walter Tinsley D.S.O who was appointed Commandant camp 13 1946, Folk Dancers from Hungary,Scotland, Yugoslavia, Russia, Spain, Holland, German waitress, African Mother and Child,, Asia, Australian swagman, Australian A.W.A.S, British Army W.O, British Naval Officer. Visitors to Memorial service German War Cemetery 1992 Photos show a collection of the art work painted on walls of Camp 13 Recreation hall Small, green coloured photo albumHans-Wolter von Gruenewaldt, German P.O.W. painted these scenes and figures as murals on the walls of the camp 13 Recreation Hall. The hall was transferred to Murchison after WW2 and was purchased by the Murchison R.S.L. as its headquarters in 1955. These paintings can now be seen at the David Jones Nursing Home in Murchison.murchison pow recreation hall, german war cemetery -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Sketch - Pencil, Kurt Winkler, Miss Tup Hunter, October 1941
Kurt Winker was born in Germany in 1902 and was a survivor of the "Arandora Star". He was sent to Australia on the "Dunera" where he was interned at Tatura 1940-1945.Lightly coloured pencil portrait sketch of Miss Tup Hunter, Tatura, by Kurt Winkler. Kurt Winkler, Tatura, October 41kurt winkler, tup hunter, ww2 camp artists, kurwin -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Sketch - Lead Pencil, Kurt Winkler, Jean Tennant, September 1941
Kurt Winker was born in Germany in 1902 and was a survivor of the "Arandora Star". He was sent to Australia on the "Dunera" where he was interned at Tatura 1940-1945.Lead pencil sketch. Head and shoulders profile. Subject is Jean Tenant. Artist is Kurt Winkler. This was drawn in September 1941 at Tatura, but is a photocopy in wooden frame . Artist has signed the original.Kurt Winkler Tatura September '41.internee camp, world war 2, winkler, kurwin -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Fujitsu, Sei
Sia Fujitsu, the son of Jiroguma Fujitsu was born on 27 May 1926 in Yamaguchi-Ken, Japan. His trade is listed as Employee of Culture and his religion is Buddhist. He was captured at Tawao, North Borneo on 27th January, 1942 and was interned in Loveday South Australia until he was repatriated to Japan on 21st February, 1946. Kurt Winker was born in Germany in 1902 and was a survivor of the "Arandora Star". He was sent to Australia on the "Dunera" where he was interned at Tatura 1940-1945.SiaPhotocopy of a pencil and ink Portrait of a Japanese youth Short black hair, dark eyes and pink lips. He is wearing a jacket that appears to be too large for him and white collar and beige coloured tie. There is light blue shading around is head and shoulders. Japanese lettering in black ink on the left of the picture translates to his name "Sia FUJITSU". Signed in black ink by artist Kurt Winkler, Loveday, 1942.Kurt Winkler LOVDAY 1942 -
Tatura Irrigation & Wartime Camps Museum
Book - Book - Family History, Born on the Banks of the Murrumbidgee, 2009
The story of McCormick family spanning 2 centuries from 1809 on the Isle of Wight and Ireland to 2009 in Australia. Contains details of reunion 14 November 2009 on leaflet insert. Peppercorn trees still standing on Harston property.Pale green soft covered book, background of peppercorn leaves, rocking chair on wooden floor. Writing and sketch in black ink. Sketch by well known cartoonist and artist Jeff Hook.Born on the Banks of the Murruambidge - the chant of Peter Mcormick - Stories of his Life and his peopleparker and chambers, jeff hock, mulcahy family, parker family, chambers family, mccormick family, family reunions, harston -
Tatura Irrigation & Wartime Camps Museum
Book, Untitled
Presented to Ken Hill by the artist Josef Thum as a token of his friendship. Thum was an Austrian POW at Camp 13 who was permitted to assist Ken Hill who was a mobile cinema operator, as a member of the Australian Amenities Service - AAA's Mobile Cinema Unit No 36 - around 1946-47. After hostilities had ceased Thum returned to Vienna. He and his Wife had 2 childrenFaded blue hard cover book. Cloth spine and front and back edges. Linen like paper pages. 5 pages of water colour sketches, 24 pages of pencil sketchesWith many kind wishes as a token of my friendship. Ever yours. Josef Thumsketches, pencil, thum j, hill k, camp 13, tatura, illustrations, books, art