Ballarat School of Mines Students' Magazine, 1958, School Council, Members of Staff, A Balanced Education, Principal's Page, Prominent Personalities, Sports Awards, Sports, Italian Coachwork Sets the Fashion, The "White Australia Policy", Roll CallYellow front page soft cover with green inscriptions on front cover, 56 pagesballarat school of mines students' magazine, staff, sports, peter robinson, r. w. richards, lansell groat, elizabeth scott, patrick collier, nelson hails, biruta mellins, william widdop, frank pomeroy, alan clarke, kaspars bitans, walter reimann, gladys hocking, keith alexander, anthony yeung chai shing, yep kwok ming, archari kasibhrimi sarikananda, teddy gan ben chiang, richard tann, somsack satapuntu, chermsak tanskul, charles tai, chit cheng foo, bob skewes, john mckenzie, keith crouch, murray gillin, john skuja, mr ken scull

Laura and Bernard Ashley began printing fabric in their London kitchen in 1953. Commencing with head scarves and place-mats they gradually developed table-ware and bed sheets. In 1960 they entered the Fashion world with blouses and smocks . The ‘swinging sixties’ saw them in great demand for the feminine florals and flounces of the ‘maxi’ fashions and they opened in smart South Kensington, London. In 1970 they opened franchises in Australia, Canada, Japan, San Francisco that sold their range of fabrics, dresses and accessories. In 1980 home furnishings were added to the range. Laura died in an accident 1985, Bernard retired in1993 and the company is now Public Listed on Stock Exchange.‘Laura Ashley’ clothing, fabric and accessories were very popular in Melbourne in 1970’s.A lady’s white cotton half petticoat with crocheted flounce, Laura Ashley Pty Ltdclothing, brighton, moorabbin, dressmaking, market gardeners, early settlers, craftwork, textiles, laura ashley

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.The V&A's history of fashion describes 1930s dresses as characterised by '... a slinky femininity... Parisian couturiers introduced the bias-cut into their designs, which caused the fabric to skim over the body's curves. Long, simple and clinging evening gowns, made of satin were popular. Often the dresses had low scooping backs'.Full length floral crepe evening dress with squared neck and short puffed sleeves.australian fashion - 1930s, women's clothing, evening dresses

This aluminium kettle was manufactured between 1940 to 1960's and replaced the heavier caste iron "open fire" stove ones (in doors or in the bush). A cast iron flat base between the open fires and the kettle was required. This kettle was used extensively with indoor open fire places. It was part of the evolution in "tea" making kettles. These were the only method of making hot beverages before introduction of electric kettles. For the Kiewa Valley the connection to the major electricity grid was post 1950's.This kettle is significant demonstrating the type of kitchen utensils required before electrical home connections became a reality. The aluminium structure of the kettle was an advancement over the heavier caste iron kettles. This type of kettle is still in use for bush and mountain hikers/climbers due to the light weight. This kettle was used by the Tawonga C.W.A. Branch. The C.W.A. motto "Honour our God, Loyalty to the throne, Service to the country, Through country women, For country women, By country women."This 99% aluminium hot plate kettle with lid (bakelite handle) is Australian made for flat stoves (cooking or room heating). It has a "tea style" spout and a bakelite hand grip(knob) on the top of the lid. The lid has nine ridges (for strength) radiating from the central hand grip. The two handle prongs are bop riveted onto the the body of the kettle. The bakelite hand grip has been fashioned to fit the natural contours of a clutching hand.On both sides of the aluminium handle "HOT PLATE WARE" and covering an oblique shaped triangle "99% PURE ALUMINIUM" and below that "MADE IN AUSTRALIA".Within the triangle "DURALIFE"cwa, homeware aluminium kitchen utensils, made in australia cook ware

A yellow catalogue published by the Royal Historical Society of Victoria Bendigo & District Branch. It is presenting the ' Golden Days Historical Exhibition ' at the R.S.L. Memorial Hall, Pall Mall, Bendigo 12th to 17th August 1960. The categories of exhibits are antiques, bush ranging, coins and tokens, documents, fashions, firearms, geology, gold mining, pioneers, postal history, prints and photography, shipping and sport. Within the catalogue are Bendigo Advertiser July and August cuttings relating to the exhibition.history, australian, exhibition, lydia chancellor collection, collection, bendigo, australia, royal historical society of victoria, exhibits, bendigo city council

1946 White crepe frock fashioned with long sleeves and a round neckline with double collar, the bodice is buttoned through to a curved waistline. A wide belt of the same fabric accentuates the waistline, with a long full skirt extended into a graceful train and matching long gloves. The triple layered veil of tulle, with the longest layer draping down the back of the gown, with an embroidered edge and motif, the top layer of the veil covering the face has the same embroidered motif and on the edge.embroidered motif on the points of the veil, as well as the edge.

Enid Beatrice Gilchrist (1917-2007) was a fashion designer best know for her development of self-drafting dressmaking patterns. Her patterns were first printed in "The Argus" in Melbourne in 1946 and were soon collected into books for the home sewer.A small cardboard box containing various two books and various baby wear transfers. The books are: "Clothes for your baby, designing, cutting and making" by Enid Gilchrist and "Baby book for mother, baby and child" Also in the box ten transfers, some in folders, some loose. Aileen and john Ellison Collection."Transfers" on lid of the boxbaby clothes, dressmaking, transfers

A picture source book with 350 designs, including 24 in colournon-fictionA picture source book with 350 designs, including 24 in colourfashion, france, paris, history, dress

ALEXANDER LAU PTY LTDtextile design fashion textile industry - history, alexander lau pty ltd, textile design, fashion, textile industry - history

ALEXANDER LAU PTY LTDtextile design fashion textile industry - history, alexander lau pty ltd, textile design, fashion, textile industry - history

ALEXANDER LAU PTY LTDtextile design fashion textile industry - history, alexander lau pty ltd, textile design, fashion, textile industry - history

ALEXANDER LAU PTY LTD PATTERN BOOK SHETS/NOS 2153 TO 2392/2209 TO 3369textile design fashion textile industry - history, alexander lau pty ltd, textile design, fashion, textile industry - history

Production samples from Alexander Lau Pty Ltd. 1967 - 1970.ALEXANDER LAU PTY LTDtextile design fashion textile industry - history, alexander lau pty ltd, textile design, fashion, textile industry - history

Production samples from Returned Soldiers and Sailors Mill, given to Mr Alexander Lau before the mill closure.Sample book: textile sample book, cardboard cover, cloth bound. The cover is in a mottled brown pattern, the spine has "1928" handwritten at the top. Inside , small textile sampples are glued and later stapled, to paper pages. The pages have numerous handwritten inscriptions and are headed by dates, beginning 1958-1959.1958-1959 varioustextile design fashion textile industry - history, alexander lau pty ltd returned soldiers and sailors mill, textile design, fashion, textile industry - history

One of a batch of yarn sample cards. Alexander Lau established his business in 1950 in the Nicholas Building, 37 Swanston Street, Melbourne. He designed textiles and commissionned many of his textiles to be spun andf woven in Geelong mills. He had a long association with the Returned Soldiers and Sailors Mill and with Mr Schofield, the manager. In 2000, he retired and closed the business.ARGILE/ TURQUOISE/ MAUVE/ ROUUILLE/MULTICOtextile design fashion textile industry - history, alexander lau pty ltd, textile design, fashion, textile industry - history

One of a batch of yarn sample cards. Alexander Lau established his business in 1950 in the Nicholas Building, 37 Swanston Street, Melbourne. He designed textiles and commissionned many of his textiles to be spun andf woven in Geelong mills. He had a long associatiob withthe Returned Soldiers and Sailors Mill and with Mr Schofield, the manager. In 2000, he retired and closed the business.AMANDE/ BLEU/ CAMEL/CONCORDE/ LIEUREtextile design fashion textile industry - history, alexander lau pty ltd, textile design, fashion, textile industry - history

One of a batch of yarn sample cards. Alexander Lau established his business in 1950 in the Nicholas Building, 37 Swanston Street, Melbourne. He designed textiles and commissionned many of his textiles to be spun andf woven in Geelong mills. He had a long associatiob withthe Returned Soldiers and Sailors Mill and with Mr Schofield, the manager. In 2000, he retired and closed the business.AMORAGE/ORIFLAMME/PARME/ROSE/SOUS-BOIStextile design fashion textile industry - history, alexander lau pty ltd, textile design, fashion, textile industry - history

The Australian Wool Board promotional caravanRitter-Jepperson Studios...wool marketing fashion, australian wool board australian wool board - wool marketing committee, retsol rugs, wool marketing, fashion

The Australian Wool Board promotional caravanRitter-Jepperson Studios...wool marketing fashion, australian wool board australian wool board - wool marketing committee, retsol rugs, wool marketing, fashion