The Grinton Collection. The Eiffel Tower, Paris France. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting the "Eiffel Tower" in the mist with foreground of a garden and promenade area. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 3: Trip of a Lifetime". "G. La Tour Eiffel"framed accessories, camera on the somme, ww1, 38th bn, grinton, paris

The Grinton Collection. Well wishers greeting troops on the HMAT Karmala returning home 1919 Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting a boat tender with approximately 40 civilians on board on the water. Frame - Timber, light varnish finish, Perspex front, cardboard backing."Group 5: Quota 45 - Journey Home". "I. Greeting returned soldiers on the HMAT Karmala".framed accessories, camera on the somme, ww1, 38th bn, grinton, hmat karmala

Known to have been in use in 1909, when there were sixteen subscribers. Decommissioned in 1968.With a timber polished frame with 20 incoming lines, a clock timer and glass fronted notice board on top with various operator instructions this stands nearly two meters tall. Indicators, patch leads and sockets are in left and right banks, with the call/speak toggles in front of them. A small timer to the right is turned on or off when required.

Photo, Allan Frederick Goodall DFC, refer Cat No 543.2 for his service details.Photograph B & W framed showing an RAAF Air Gunner with a pipe, "AG" uniform flash and ribbons, frame is timber cream colour.photographs, framed, dfc, raaf

John Kerr Barnes (Jack) Bendigo RSL Sub - Branch receiving his award of OAM Australia Day 1995, refer Cat No 8044 (Certificate). Refer Cat No 8040 for Jacks other awards, Committee/Volunteer work for the Sub Branch and his WW2 service.Photograph colour framed, frame is timber, photo backing is green, photo shows the award of an OAM. At the bottom is a small section attached with text."John Kerr Barnes: Order of Australia awarded by Honorable Richard McGarvie Government House Australia Day 1995".brsl, smirsl, oam

The Grinton Collection. Australian Soldiers on a walk. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper, depicting five soldiers walking along a road between an avenue of trees. Frame - timber, light varnish finish, perspex front, cardboard backing."Group 1: Living behind the lines" "F. Australian soldiers".framed accesssories, camera on the somme, 38th bn, grinton, soldiers, ww1

The Grinton Collection. Three unknown soldiers in a Billet Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper, depicting three men in partial uniform standing in front of an interior wall. Frame - timber, light varnish finish, perspex front, cardboard backing."Group 1: Living behind the lines" "J. Three men in a billet".framed accessories, camera on the somme, 38th bn, ww1, grinton

The Grinton Collection. A Soldier standing amongst Bomb damage. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper, depicting a soldier and a civilian standing on a large pile of bomb damage rubble. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 2: Burden of War". "C. Bomb Damage".framed accessories, camera on the somme, 38th bn, grinton, bomb damage

The Grinton Collection. War damaged town or city. Refer Cat No, 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper, depicting a landscape of damaged and shattered buildings and rubble with a road and a vehicle in the foreground. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 2: Burden of War". "H. War Damage".framed accessories, camera on the somme, 38th bn, grinton, ww1, war damage

The Grinton Collection. “Palais de la Jetee"- Crystal palace in Nice, France. Refer Cat No 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper, depicting a large ornate building (palace) on a pier structure. Foreshore in the foreground. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 3: Trip of a lifetime". "B. Palais de la Jetee"framed accessories, "camera on the somme, 38th bn, ww1, grinton, buildings

The Grinton Collection. Mess deck laid out on the Karmala coming home. Refer Cat. No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting tables with cutlery and crockery and a small number of men in a "Ships Mess". Frame - Timber, light varnish finish, Perspex front, cardboard backing."Group 5: Quota 45 - Journey Home". "B. Ship's Mess".framed accessories, camera on the somme, 38th bn, ww1, grinton, hmat karmala

The Grinton Collection. Peeling spuds, Soldiers on board ship on the way home. Refer Cat No, 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting four men peeling potatoes with ship's wall and deck area. Frame - Timber, light varnish finish, Perspex front, cardboard backing."Group 5: Quota 45 - Journey Home" "M. Peeling potatoes".framed accessories, camera on the somme, ww1, 38th bn, grinton, hmat karmala

The Grinton Collection. This 38th Bn Stretcher Bearer is unidentified at this point. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting an informal portrait of a soldier seated on an earth bank. Trees in the background. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 4: Portraiture and Remembrance". "G. Stretcher bearer of the 38th Battalion". framed accessories, camera on the somme, ww1, 38th bn, grinton

The Grinton Collection. An unknown 38th Bn soldier at his point. Refer Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting an informal portrait of a soldier seated on a chair with a brick wall behind. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 4: Portraiture and Remembrance". "E. 38th Battalion soldiers" .framed accessories, camera on the somme, ww1, 38th bn, grinton

This painting is one of a pair of large paintings by W. Langley-Taylor in our collection. Currently, no further information has been found about the artist but research is ongoing. The subjects of these paintings are seascapes of notable areas of the coast on each side of Port Phillip Bay, south of Melbourne, Victoria. This painting is of Eagle Rock, Warrnambool, which is on the west of Port Phillip Bay. Eagle Rock is located about 400 metres west of Thunder Point, near Shelly Beach. The painting includes the rocky cliff formations looking east towards the Warrnambool Breakwater. The walk from the Thunder Point car park westwards to Shelly Beach has been popular over the decades with residents as well as tourists. Many photographs include the rock, with varying backgrounds depending on the angle of the camera. It is a popular dive site for locals and visitors, in calm weather! The site can be approached by boat from the open sea in favourable conditions, and there is plenty of native marine to be seen in this marine sanctuary. This part of Warrnambool’s rugged coastline is unprotected from the Southern Ocean with its wild icy winds and high seas. The painting’s crashing waves and the northerly direction of the smoke on the steamship sailing north show the effect of the southerly wind. INSCRIPTIONS “Mrs M Irby” and “980/Regency” The significance of the inscription “Mrs M Irby”, on the back of each of the two paintings, has not yet been discovered. Perhaps she was connected with the ship or shipping company “Irby”. A ship named “Irby”, built in Merseyside, Liverpool in 1881 by R & J Evans, Birkenhead. It was a four-masted iron ship built for the White Star Line. Henry Wilson Hewitt bought her in 1882, then later she was owned by Chadwick & Pritchard. In 1888 she was registered under the Irby Ship Co. Ltd. (trading as J. Joyce) in Liverpool. In 1912 Galgate Co. Ltd owned her. She traded between London, England and Australia, and is recorded as being in Melbourne and Hobart. In 1919 the Irby was destroyed by a mine when on her way to England. Or perhaps her name and the inscription in pencil “980/Regency” on the Eagle Rock Warrnambool, painting could be a delivery address for the paintings, perhaps an apartment in a hotel. This painting is significant geographically for its representation of the coastal scenery of Victoria, Australia. It is also significant as one of a pair of paintings of seascape, one at sites each side of Port Phillip Bay. The painting is significant historically as an example of late 19th and early 20th methods and materials used to construct a painting’s frame. Painting oil on board in a dark wooden frame, portrait orientation. Seascape of rock formation and cliffs, two yachts, a two-masted steamboat with red funnel and smoke, flying birds, high waves breaking onto rocks, blue sky with clouds, some tinted pink.. The title is painted on lower left corner and the artist, W. Langley-Taylor, has signed his name on lower right. The inscription on the back is a handwritten script in red crayon or thick red pencil. The board is held in place inside the timber frame with small, dark metal tacks around all sides. Metal eyes join the wire to the frame. Small round, dark metal nail heads are dispersed around the frame and there is a change of colour on both the board and the wood of the frame. Painted on front “W.LANGLEY-TAYLOR.” and “EAGLE ROCK, WARRNAMBOOL, VIC.” Handwritten on back “Mrs. M. Irby” and “980 [underlined] Regency”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, eagle rock warrnambool, w. langley-taylor, oil painting, wall decoration, seascape of victoria's coast, mrs m irby, art, seascape, pair of paintings

This print of Christ is slightly smaller than the original 1927 oil painting by Herbert Beecroft, which is titled “Christ” and measures, in centimetres, 60 high by 50 wide. The original is displayed at John Wesley’s House & The Museum of Methodism in Islington, England. The title of the print is taken from the Holy Bible, from the New Testament book of Luke, chapter 22 verse 61, which is a famous Christian account of Jesus being betrayed by Peter, which leads to Jesus’ crucifixion; “And the Lord turned, and looked upon Peter. And Peter remembered the word of the Lord, how he had said unto him, Before the cock crow, thou shalt deny me thrice.”. The print was published in 1942 by the National Sunday School Union in England, now known as the National Christian Education Council. The NSSU was established in Britain in 1803 to promote Sunday Schools in Britain and overseas. The organisation produced many publications including training manuals and materials for Sunday School teachers. Herbert Beecroft 1864-1951, also known as Lawrence Herbert Beecroft, was an early 20th-century artist. He and his wife emigrated from England to Sydney, Australia, in 1905. He worked as a painter, illustrator, miniaturist ‘lightning cartoonist’, and lecturer. From 1927 Beecroft painted a series of portraits of Jesus Christ, prints of which made many worldwide sales. He entered a miniature portrait in the 1921 inaugural Archibald Prize competition. It was one of forty-one entries but the title was unknown. It is highly probable that it was JF Archibald, the person who endowed the prize, first awarded in 1921. This print of Christ, originally painted by Herbert Beecroft, represents the social movement in the early 20th century to educate all children in good morals and Christianity.A religious portrait of the artist’s impression of Jesus. The print is in a gilt timber frame behind glass. The frame has eyelets and wire for hanging. The backing paper lifts to reveal a handwritten pencil inscription. The portrait shows a male figure from the waist up facing the viewer but turned slightly to his right. He has long wavy blond hair, a moustache and a beard. He wears a blue-grey robe over a collarless white shirt. The background is red-brown. It is the artist’s impression of Jesus. The whole frame-mat has script text above and below the print, giving its title, and details of the publisher and producer. This print was produced from an original 1927 oil painting by Herbert Beecroft. It was published in 1942 by The National Sunday School Union in London and produced by Frost & Reed Ltd. England. Handwritten script on the mat; “Published in 1942 by the National Sunday School Union, 4 Black Friars Lane, London, EC4. Produced by Frost & Reed Ltd., Bristol & London. Printed in England. Copyright.” and, “The Lord turned and looked upon Peter … and Peter remembered” Signature on bottom left “Herbert Beecroft” In pencil on backboard under back paper “H 89 / 12”. Pen on white tape “155”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, print, religious, vintage, 1942, herbert beecroft, lawrence herbert beecroft, archibald prize winner, early 20th-century, artist, oil painting, luke 22:61

The Ballarat University College became the University of Ballarat in 1994, and Federation Univeristy Australia on 01 January 2014.Colour photographed framed in a blond timber frame of 20 men and three women who made up the Ballarat University College Council in 1990. The 1990 Council was made up of J.D. McClure, Bob Morrell (Secretary), David Fisken, M.J. Lee, Dr D. Hamilton, Stafford McKnight; Dr Frank Hurley; J.A. Parkin, Professor J.R. Poynter, Dr R.K. Watson, J. Malone, Walter M. Lonie, T.J. Harrison, Associate Professor K.W. Ogden, J.V. Thomas, J.E. Pollock, Liz Sheedy, Dr Bill Pryor, Professor John Sharpham (Director), E. T. Oppy (President), Shirley Falkinder (Vice President), Ian Gordon (Immediate Past President), Mary Akers, M.W. Boyce, Professor I.S. Ferguson, Ms. A.V. Primus. Inset within the mount - "Ballarat University College Council - August, 1990" " Standing [L-R] Mr. J.D. McClure, Mr R.T. Morell (Secretary), Cr. A.C.D. Fisken, Mr. M.J. Lee, Dr. D. Hamilton, Mr. S.W. McKnight; Dr F.T. Hurley; Mr. J.A. Parkin, Professor J.R. Poynter, Dr. R.K. Watson, Mr. J. Malone, Mr. W.M. Lonie, Mr. T.J. Harrison, Associate Professor K.W. Ogden, Mr. J.V. Thomas, Mr. J.E. Pollock. Sitting: [L-R] Ms. E.E. Sheedy, Dr W.J. Pryor, Professor J.R. Sharpham (Director), Mr. E. T. Oppy (President), Mrs. M.S. Falkinder (Vice President), Mr. I.A. Gordon (Immediate Past President), Mrs M.T. Akers. Absent: Mr M.W. Boyce, Professor I.S. Ferguson, Ms. A.V. Primus. ballarat university college, j.d. mcclure, bob morrell (secretary), david fisken, m.j. lee, d. hamilton, j.r. poynter, r.k. watson, j. malone, w.m. lonie, t.j. harrison, k.w. ogden, j.v. thomas, j.e. pollock, liz sheedy, bill pryor, john sharpham, e. t. oppy, shirley falkinder, ian gordon, mary akers, m.w. boyce, i.s. ferguson, a.v. primus., lonie, walter lonie, university women, stafford mcknight, frank hurley, j.a. parkin

The Grinton Collection. The village of Corbie on the Somme River showing war damage, the streets have been cleared. Refer Cat No. 1280 for Jack Grintons service details. Photograph framed. Photograph - black and white photograph on paper, depicting a village scene of buildings. A number of buildings show some war damage, Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 2: Burden of War", "A. Corbie",framed accessories, camera on the somme, ww1, 38th bn, grinton, villages

The Grinton Collection. The village of “Bray” on the Somme showing some war damage. Refer Cat no. 1280 for Jack Grintons service details Photograph framed. Photograph - black and white photograph on paper, depicting a village scene with a road and buildings. A number of buildings show war damage, Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 2: Buden of War". "B. Bray".framed accessories, camera on the somme, '38th bn, grinton, villages, ww1

The Grinton Collection. Promenade along the Mediterranean coast of Nice France. Refer Cat No. 1280 for Jack Grintons service details. Photograph framed. Photograph - black and white photograph on paper. Depicting - a promenade space filled with civilians seated and standing with a background of tree and buildings. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 3: Trip of a Lifetime". "D. Promenade des Anglais".framed accessories, camera on the somme, 38th bn, grinton, ww1, nice

The Grinton Collection. Life after 1919. Watering at the Grinton farm at Myers Flat. Refer Cat No. 1280 for Jack Grintons service details.Photograph - Framed. Photograph - black and white photograph on paper depicting a man watering vegetables in a large vegetable garden. Background - bush and trees. Frame - Timber, light varnish finish, Perspex front, cardboard backing."Group 6: Life after 1919" "H. Watering." framed accesssories, camera on the somme, ww1, 38th bn, grinton

The Grinton Collection. Life after 1919, shows an irrigation system. Refer Cat No 1280 for Jack Grintons service details.Photograph - Framed. Photograph - black and white photograph on paper depicting a pump outlet gushing water into an irrigation system. Background - river and trees. Frame - Timber, light varnish finish, Perspex front, cardboard backing."Group 6: Life after 1919". "L. Irrigation system".framed accesssories, camera on the somme, ww1, 38th bn, grinton

The Grinton Collection. Life after 1919, feeding the chooks. Refer Cat No. 1280 for Jack Grintons service details.Photograph - Framed. Photograph - black and white photograph on paper depicting a woman holding a basket feeding chickens. In background - sheds and yard fencing. Frame - Timber, light varnish finish, Perspex front, cardboard backing." Group 6: Life after 1919". " M. Feeding the chickens".framed accessories, camera on the somme, ww1, 38th bn, grinton

The Grinton Collection. 38th Bn Soldier, rank Sergeant wearing the ribbon denoting a Military Medal. Believed to be Fred Lehman No 1048 C Coy. Refer Cat Number 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting an informal half portrait of soldier in uniform wearing his Military Medal. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 4: Portraiture and Remembrance" "H. Sergeant with a Military Medal". framed accessories, camera on the somme, ww1, 38th bn, grinton

The Grinton Collection. Group paddling, life after 1919. Refer - Cat No. 1280 for Jack Grintons service details.Photograph framed. Photograph - black and white photograph on paper depicting a group of women and children paddling along a grassy riverbank with trees in the background. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 6: Life after 1919". "E. Paddling".framed accessories, camera on the somme, ww1, 38th bn, grinton

The Grinton Collection. The other soldiers are unknown at this point. "G. Lifeboat drill". (left in hat) Jack Grinton - "Jack Grinton No. 1038" Refer Cat No. 1280 for his service history.Photograph - framed. Photograph - black and white photograph on paper depicts a group of men wearing life jackets preparing for a life-boat drill. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 5: Quota 45 - Journey". "G. Life-boat drill".framed accessories, camera on the somme, ww1, 38th bn, grinton, hmat karmala

The spoon was given to Maxwell Barry Cowden VX19297 2/2 Pioneer BN by an American POW. He carried the spoon tied to the side of his loin cloth. Max worked on the Burma Railway and in the Coal Mines in Japan, Senryu 24 and Fukuoka camps. After the war he could not sit on a chair for a long time and would just squat on the floor with his back to the wall as he had done as a POW. Refer Cat No 7076P for more service details.Framed brown timber with gold edge, inset background is green, within is a silver spoon and medal displayed. The medal is a Commemorative unofficial Prisoner of War. On the spoon stamped in "U.S"framed, pow, souvenir, u.s

Bendigo's Cenotaph by Dacre Smyth 1988. Bendigo's War Memorial in the city centre is a half size replica of the famous Cenotaph in London. Some 4-1/2 metres high, the Bendigo RSL President described it as the best country Memorial in Australia during its rededication just before ANZAC Day 1988 following its extensive refurbishment. It had first been dedicated in June 1957 and it is normally flood lit at night. It is not known for sure when the painting was donated to the Bendigo RSL but it was hanging in the Foyer years before the Soldiers Memorial Institute became a Museum in 1998. Frame - Light timber, gold trim, no glass. Original coloured oil painting of the Cenotaph, Bendigo in foreground with Charing Cross buildings & fountain in the background. Label black print on gold bottom centre: "Bendigo's Cenotaph" Rear of painting hand written in black felt pen & black ink: "History of the Cenotaph by Dacre Smyth, 1988" cenotaph, bendigo, painting, brsl, smirsl