Magill straight laryngoscope blade with tubular space for a light bulb connection (no light bulb is present). It is a PENLON piece, made in England. Size 1, for infant use. Has a slight yellowish discolouration over its base. General scratches around the base of the blade and a sticky old mark bellow an engraved inscription. It has engraved the name of the hospital where it came from and the initials of its owner.Engraved under the blade arm base the name, Royal Childrens Hospital Engraved in its lateral side attachment base piece the initials, D. A. Stamped at the back of the attachment base piece the type and size, MAGILL / 1 Stamped in its lateral side attachment base piece the trademark name and its made place, REG [is not visible the continuation] / PENLON / MADE IN ENGLANDmagill, blade, royal childrens hospital, metal, d.a.

This table spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This table spoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The generally common range of marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register most valuable. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Unrestored table spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and a shallow rounded bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. Approximately 70% of spoon surface area is covered by concreted sediment including fragments of glass, but another 20% bears aqua-marine verdigris. There are three discernible makers marks (WP&Co trademark, Cross on triangle, Crab design) and two outlines of same (Rounded square and Diamond shape). flagstaff hill maritime museum, shipwreck coast, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, william page and co, birmingham brass plating, table spoons

This table spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This table spoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The generally common range of marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register most valuable. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Unrestored table spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and a shallow rounded bowl. The spoon's metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. Stored in seperate bag, including packing paper stained aqua-marine. Some verdigris and a little encrustation. Four of five makers marks are discernible (WP&Co trademark, Cross on triangle, Maltese cross, Crab design) and the other is in outline only (Diamond shape). Some paper is attached to spoon. flagstaff hill maritime museum, shipwreck coast, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, william page and co, birmingham brass plating, table spoons

A stemless wooden racquet, featuring an open, three-pronged throat connecting the head directly to the handle. Head is reinforced by fibreglass bands, decorated with red plastic strips. Inscription across the base of the head, on obverse: RED. Manufacturer's trademark decal features at central prong on obverse. At the top of the handle, on both sides, is the word: PATENT. Inscription on outside of right prong: FRAME MADE IN ENGLAND BY/HAZELLS LTD. LONDON. Decal inscription on outside of left prong: HAZELL'S STREAMLINE/REGD. & PATENTED. Company monogram on butt cover. Materials: Wood, Nylon, String, Leather, Metal, Ink, Glue, Lacquer, Plastic, Fibreglass, Adhesive tapetennis

A stemless wooden racquet, featuring an open, three-pronged throat connecting the head directly to the handle. Head, and outer prongs are reinforced by fibreglass bands, decorated with white plastic strips. Inscription across the base of the head, on obverse: WHITE. Manufacturer's trademark decal features at central prong on obverse. At the top of the handle, on both sides, is the word: PATENT. Inscription on inside of right prong: MADE IN ENGLAND BY/HAZELLS LTD. LONDON. Decal inscription on outside of left prong: HAZELL'S STREAMLINE/REGD. & PATENTED. Company monogram on butt cover. Materials: Wood, Nylon, Leather, Metal, Ink, Glue, Lacquer, Plastic, Fibreglass, Adhesive tapetennis

A stemless wooden racquet, featuring an open, three-pronged throat connecting the head directly to the handle. The underside of the head, continuing around and down the inside of the outside prongs, is reinforced by fibreglass strips. Inscription across the base of the head, on obverse: BLUE. Manufacturer's trademark decal features at central prong on obverse. Decal inscription on outside of right prong lists all the worldwide patents for the racquet design. Decal inscription on outside of left prong: HAZELL'S STREAMLINE/REGD. & PATENTED/MADE IN ENGLAND. Company monogram on butt cover. Materials: Wood, Nylon, Leather, Metal, Ink, Glue, Lacquer, Plastic, Fibreglass, Adhesive tape, Stringtennis

A stemless wooden racquet, featuring an open, three-pronged throat connecting the head directly to the handle. Head, and outer prongs are reinforced by fibreglass bands, decorated with white plastic strips. Inscription across the base of the head, on obverse: WHITE. Manufacturer's trademark decal 'HAZELLS' features at central prong on obverse. Decal inscription on the outside of right prong features worldwide patents. Inscription on inside of right prong: MADE IN ENGLAND BY/HAZELLS LTD. LONDON. Decal inscription on outside of left prong: HAZELL'S STREAMLINE/REGD. & PATENTED. Materials: Wood, Gut, Leather, Metal, Ink, Glue, Lacquer, Plastic, Fibreglass, String, Adhesive tapetennis

A wooden,flat-top racquet with a laminated convex throat, and white cloth tape shoulder reinforcing. Decal monogram across throat on obverse: B.G.I. Inscription along right side of stem: BRIDGEPORT ATHLETIC MFG CO./WRIGHT & DITSON SUCCESSORS. Hand carved initials along right side of stem: A.P.R.. Decal inscription across crown on obverse is illegible. Inscription along left side of stem: PATENTED,/JAN. 3. '05. Decal of manufacturer's trademark on throat on reverse: MAKERS/.../B.A.M. CO./.../B.G.I. TENNIS. Materials: Wood, Gut, Leather, Metal, Ink, Glue, Lacquer, Cloth tapetennis

A Rawlings, Bicentennial Model tennis racquet, with string whipping on shoulders, and leather handle grip with X-formation perforations. Rawlings logo features across crown, and across base of head, flanked by red and white stripes. Model name features across throat. A row of white stars on a blue background features along the shaft. The United States flag, with the dates '1776' and '1976' situated above and below it, respectively, features on the lower shaft. Cursive 'R' trademark features in sunken butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, Leather, String, Enamel, Adhesive tapetennis

A Wright & Ditson 'Comet' model tennis racquet. Plastic reinforcements and painted moulded wood on shoulders. Plastic reinforcement around base of throat. Throat wedge painted burgundy. Model name and comet logo printed across throat on obverse and reverse. Manufacturer's trademark/logo features on shaft on obverse and reverse. Handle has spiral-wrapped leather grip and leather end wrap and butt cloth. Butt cloth printed with maker name and care instructions. Manufacturer name and country of origin printed on right side of shaft. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, Paint, Nylon, String, Plastictennis

A Wright & Ditson 'Davis Cup' model tennis racquet. Striped plastic reinforcements around shoulders and around base of throat. On obverse, model name and logo featuring a trophy, initials 'WD' and words 'FIBRE-SEALED' printed across throat. On reverse, the same logo and the manufacturer's name are printed across throat . Printed on obverse of shaft is name of manufacturer and words: 'CHAMPION QUALITY'. Printed on reverse of shaft is manufacturer's trademark. Handle spiral-wrapped with perforated leather hand grip. Butt cloth with manufacturer's initials printed on it. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, Nylon, String, Plastic, Painttennis

A Wright & Ditson 'Mercer Beasley Signature Model' tennis racquet. Lower head painted white, throat painted black. Leather and braiding reinforcements around shoulders and around base of throat. Racquet model name, manufacturer name and words 'FIBRE/SEALED/THROAT' printed across throat on obverse and reverse. Manufacturer trademark printed on shaft on reverse and obverse. Handle spiral-wrapped with leather grip, with plastic tape sealing top of grip. Leather end wrap. White butt cloth featuring manufacturer initials. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, Nylon, String, Plastic, Painttennis

A Spalding, "Ashley Cooper" Anzac Model tennis racquet, featuring whipping around shoulders and shaft, leather perforated handle grip, and embroidered white butt cloth. Manufacturer's name across base of head; model name across throat. Graphic of kangaroo wearing a hat on throat. Wreathed 'S' trademark features on lower shaft and embroidered on butt cloth. Signed by Ashley Cooper on shaft (both sides). Leather butt wrap. Butt cloth stained with black ink writing, now illegible. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Adhesive tape, Leather, Cloth, Threadtennis

A Spalding, "Ashley Cooper" Professional Model tennis racquet, featuring whipping around shoulders and shaft, leather perforated handle grip, and embroidered white butt cloth. Manufacturer's name across base of head; model name across throat. Graphic of kangaroo on throat. Along shaft (both sides) is printed 'SYNCHRO-POWER SHAFT'. Wreathed 'S' trademark features on lower shaft and embroidered on butt cloth. Some net strings printed with 'WILSON'. Words 'MESA HI' burned/impressed into shaft. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Adhesive tape, Leather, Cloth, Threadtennis

A Wright & Ditson 'Davis Cup' fibre-sealed tennis racquet with striped plastic reinforcements around shoulders; and handle wrapped with leather grip. Has 'WD' printed on butt. Model name, words 'FIBRE-SEALED', intials 'WD' and a trophy logo feature across throat on obverse. Manufacturer name, words 'FIBRE-SEALED', intials 'WD' and a trophy logo feature across throat on reverse. On obverse of shaft is printed:WRIGHT & DITSON/CHAMPIONSHIP QUALITY. Manufacturer's 'man on tennis ball' trademark/logo features on reverse of shaft. Materials: Wood, Metal, Lacquer, Glue, Ink, String, Leather, Plastic, Nylon, Fibreglasstennis

Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and she was skilled in hand knitting, crochet and dressmaking. Her garments were used by her family and the Ormond Choral Society . Patons' & Baldwin Ltd began as two separate companies: J & J Baldwin and Partners, founded in the late 1770s by James Baldwin of Halifax, West Yorkshire, England, and John Paton Son & Co., founded in 1814 by John Paton of Alloa, Scotland. The two companies merged in 1920 and diversified into producing wool for home knitters, as well as publishing knitting patterns under the "Patons Rose" and "Baldwins Beehive" trademark. By the mid-1930s, the company had establishments across Scotland and Northern England, Canada, New Zealand, Launceston, Tasmania, Australia.Patons' knitting books have been used by hand knitters in many countries since they were published early in 20thC Gladys Reed and other residents of the City of Moorabbin used these pattern guides to make clothing for their families and community c1940A printed black and white booklet with 31 pages of knitting instructions and photographs c 1940Front Cover ; Patons / Knitting Book / No. 182 / 'Rhumba' See page 14 'Swing" See page 15 / 6d ( decimal = 5cents) Back Cover ; Patons / No. 182 / Knitting Book / 'Fandango ' /See page 17 / 'Tarantella' /See page 18knitting, crochet, craftwork, john paton son & co., baldwin j &j ltd, aloa scotland, launceston tasmania, melbourne, knitting mills, knitting books, coates j&p ltd, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

Trove : Leader, Saturday April 9th, 1892, page 24, 'Suicide in St. Kilda', mentions chemist Ernest Daintree in the report as selling the laudanum used in the suicide. Victorian Government Gazette, no.67, Friday May 4th, 1894, page 1841. : 'Trademarks, CLASS 47. 3833. A liquid detergent for general domestic cleaning purposes. Ernest Daintree of High-street, St. Kilda, Victoria, wholesale and retail druggist. 30 April 1894. (As a distinctive label.)' Victorian Government Gazettes, Pharmaceutical Registers, Ernest Daintree is listed at the address 102 High Street St Kilda from 1898 until at 523 Malvern Road, Toorak in 1903. He was first entered on the Pharmaceutical Register in Victoria on 11 April 1888 and his qualification was from Gt. Britain, Major Exam, No.2138.Tall rectangular clear glass bottle with angled corners, for stopper seal. Text embossed on one side & logo on base.Embossed on side 'E. DAINTREE ST KILDA'. On base : ' M' inside cartouche shaped impression.druggist, wholesale., druggist, retail, ernest daintree

This table spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This table spoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The generally common range of marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register most valuable. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Unrestored table spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and a shallow rounded bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. In this case nearly all of the original plate has remained and spoon is in excellent condition. On the upper rear of the bowl is a plain heraldic shield. Visible makers marks are (1) WP&Co trademark and (2) Lazy 'B'. Three outlines, Rounded Square, Circle, and Diamond, are also evident but the internal details of these marks are unclear.flagstaff hill maritime museum, shipwreck coast, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, william page and co, birmingham brass plating, table spoons

A stemless wooden racquet, featuring an open, three-pronged throat connecting the head directly to the handle. Head, and outer prongs are reinforced by fibreglass bands, decorated with blue and gold ribbon strips. Upper inside of outer prongs also reinforced with fibreglass strips. Inscription across the base of the head, on obverse: BLUE. Manufacturer's trademark decal features at central prong on obverse. Decal inscription on the outside of right prong features worldwide patents. Decal inscription on outside of left prong: HAZELL'S STREAMLINE/REGD. & PATENTED. Company monogram on butt cover. Materials: Wood, Nylon, Leather, Metal, Ink, Glue, Lacquer, Ribbon, Fibreglass, String, Cloth tapetennis

A stemless wooden racquet, featuring an open, three-pronged throat connecting the head directly to the handle. Head, and outer prongs are reinforced by fibreglass bands, decorated with green and gold ribbon strips. Upper inside of outer prongs also reinforced with fibreglass strips. Inscription across the base of the head, on obverse: GREEN. Manufacturer's trademark decal features at central prong on obverse. Decal inscription on the outside of right prong features worldwide patents. Decal inscription on outside of left prong: HAZELL'S STREAMLINE/REGD. & PATENTED. Company monogram on butt cover. Materials: Wood, Nylon, Leather, Metal, Ink, Glue, Lacquer, Ribbon, Fibreglass, Stringtennis

A stemless wooden racquet, featuring an open, three-pronged throat connecting the head directly to the handle. Upper inside of outer prongs reinforced with fibreglass strips. Lower half of head, and all the throat is painted white. Inscription across the base of the head, on obverse: BLUE. Manufacturer's trademark 'HAZELLS' decal features along central prong on obverse. Decal inscription on the outside of right prong features worldwide patents. Decal inscription on outside of left prong: HAZELL'S STREAMLINE/REGD. & PATENTED/MADE IN ENGLAND. Company monogram on butt cover. Materials: Wood, Nylon, Leather, Metal, Ink, Glue, Lacquer, Fibreglass, Paint, Adhesive tapetennis

A wooden racquet with red whipping over white cloth tape reinforcing, and a fine-grooved handle grip. Parchment reinforcing around crown. Inscription across crown face on obverse: SLAZENGERS'. Decal model trademark comprising of black, red, and yellow garter with monogram 'I.Z.' on throat on obverse. Inscription along right side of handle: SLAZENGERS LTD. Inscription along left side: LAURENCE POUNTNEY HILL/LONDON. E.C.4. Inscription across throat on reverse: SLAZENGERS'/PATENT/STRINGING. Butt cover features racquet maintenance instructions. Materials: Wood, Gut, Metal, Glue, Lacquer, Ink, Cloth tape, Leather, String, Parchmenttennis

A Wright & Ditson 'Pim' model tennis racquet with composite convex throat. Rounded flat top head with cloth tape reinforcements around shoulders. Model name printed across throat on obverse. Manufacturer's trademark/logo features across throat on reverse. Fine-grooved octagonal handle, trace remains of leather end wra. Remains of butt cap printed with racquet care instructions, and manufacturer's name and location. On right side of shaft, manufacturer name and country of manufacture are printed. Red buffers lodged under string loops on sides of throat. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, Nylon, Cloth tapetennis

This teaspoon is an example of electroplated cutlery that was affordable alternative to more expensive silver cutlery, popular in the late 19th and early 20th century. The teaspoon has been stamped with text on the back of its handle that describes the nickel silver alloy that it was made of, and that it was made in Sheffield, but does not mention the maker's name. The plain design and light weight of this teaspoon could mean that it was used as a common, everyday utensil. The text on the back includes the words 'wears wite', assuring the buyer that even if the silverplate wears or flakes off the surface, the metal beneath it will show the white colour typical of nickel silver, or German silver. This alloy of copper, nickel and zinc is often used as a base for electroplating and named Electro Plated Nickel Silver (EPNS). An exact match of this teaspoon's inscription "WEARS-WITE STAINLESS NICKEL SILVER SHEFFIELD" has been found on cutlery made by Viners Ltd., and has not yet been found on flatware made by other manufacturers. Other cutlers have used very similar text but have used 'rustless' instead of 'stainless' and 'white throughout' instead of 'wears-wite'. Viners Limited was established in Sheffield in 1901 by Adolphe Viner and his sons. By 1908 they had a manufacturing plant in Bath Street, Sheffield, and went on to be the leading cutlers in the United Kingdom. They expanded to Hong Kong and Japan, and from 1925 they used the trademarks 'Alpha', 'Resilco' and 'Wear-wite stainless silver nickel'. They were appointed as Royal Cutlers to King George V in 1930, at which time their trademark was still 'Wear-wite' followed by the words 'Rustless Nickle Silver'. They continued to expand and prosper over the years. The Viners name is still being used by the current owners, the Rayware Group. In 2018 the Viners name celebrated 110 years as specialists in flatware. This teaspoon is historically significant, dating from the mid-1920s and made by a leading Sheffield silversmiths, Viners Limited, established in 1901 and continuing on with cutlery still branded with the Viner’s name today. Viners who were appointed as Royal Cutlers in 1930 by King George V. The teaspoon is an example of silver plated cutlery in common everyday use in the earlier half of the 20th century. This Viners teaspoon is unique in our collection as an item produced by Viners Ltd. and bearing the stamp ‘Wear-wite”.Teaspoon, small, thin, nickel silver plated. Narrow plain handle flares out to a wide, rounded end. Maker’s marks are stamped on the reverse. Made in Sheffield, England.“WEARS-WITE STAINLESS / NICKEL SILVER SHEFFIELD”flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, electroplate, electro plate, nickel silver, nickel alloy, alloy composition, copper nickel zinc, german silver, epns, silversmiths, victorian era, 19th century, flatware, tableware, cutlery, cutler, dining utensils, eating utensils, silver-white metal, wears-wite stainless nickel silver sheffield, teaspoon, sheffield, wear-wite, silver nickel, stainless, rustless

Colour-tinted postcard, titled in red upper left: “RIVER YARRA AT STUDLEY PARK, KEW”. On the divided reverse, the card is addressed to “MISS JOLLEY / MELB. TRAM & O[MNIBUS]. CO / BOURKE STREET, MELB”. The sender has dated the card 21.12.08. In the upper right corner, there is a pink Victorian one penny postage stamp; sent from Melbourne on 22DE 08. (The division of the reverse of the postcard, allowing a message to be written on one half and the address on the other, was not permitted in Australia until 1905.) The manufacturer of the postcard is indicated by the initials “W.T.P”, printed in a green floral diamond, printed centre top. This was the trademark of WT Pater, printers & stationers. William Thompson Pater was born in Melbourne in 1861. His business at 271 Little Collins Street offered Christmas cards, booklets, calendars, and leather goods as well as postcards and albums.Hand-tinted postcard of the River Yarra in Studley Park, Kew. The birds-eye view is of a bridge on the Yarra (Johnston Street?) linking Kew and Abbotsford as it appeared in c.1908. On the Abbotsford side of the river, fields lead down to the river, with some remnant trees. The Kew side of the river, in contrast, due to its steep banks, retains its original vegetation. In the distance is industrial development, in what might be Fairfield and Alphington.“RIVER YARRA AT STUDLEY PARK, KEW”river yarra -- kew (vic.), william thompson pater, w.t.p., postcards -- kew, postcards -- studley park, bridges - yarra river -- kew (vic.)

The company R. Fowler Limited was established in Sydney, in 1837 when Enoch Fowler (1807-1879) came to Australia from Ireland and is known today as the oldest pottery still in operation in Australia. They were mostly known for producing bottles, jars, and pipes. The pottery was originally located at Abercrombie Place on Parramatta Street, Chippendale, NSW before they relocated to Glebe in 1847. Later the pottery manufactured building materials such as tiles, pipes, and chimney pots. As the business grew, they moved to Parramatta in the 1850s. Enoch's son Robert (1839-1906) had joined the company, and took over its management in 1873, changing the name to “R Fowler Sydney” in 1880. Robert opened further sites at Marrickville and Bankstown, with the company becoming R. Fowler Limited in 1919. The factory at Thomastown, Melbourne was opened in 1927 from which time the trademark on this bowl was used. An item made by an Australian company during the first half of the 20th century. The item is significant as it gives a snapshot of the early development of manufacturing companies in Australia. It is typical of kitchenware used throughout Australia during the early 20th centuryA small Fowler Ware mixing bowl produced by R. Fowler Ltd. Thomastown, Victoria with Maker's mark clearly imprinted underneath the bowl.Set in circle underneath the bowl "R. FOWLER LTD./ THOMASTOWN/VIC"kitchenware, r. fowler ltd, pottery australia

A Wright & Ditson 'All American' model open throat tennis racquet. String whipping and paint around shoulders and around base of throat. On obverse, model name is printed across throat. On reverse, manufacturer name is printed across throat. Printed on right side of shaft is name of manufacturer and words: 'MADE IN USA/LICENSED UNDER/PAT. NO 1664466' and 'STRUNG BY'. Printed on left side of shaft: PATENTED/TOP FLITE CONSTRUCTION'. Handle spiral-wrapped with leather hand grip, with string whipping at top end of grip. End wrap missing. Butt cloth with manufacturer's trademark printed on it. Materials: Wood, Metal, Lacquer, Glue, Ink, Leather, Nylon, String, Painttennis

A Wright & Ditson 'All American' model wooden racquet with open throat and octagonal grooved handle. String whipping around shoulders, throat pieces and around base of throat. Leather end wrap. On obverse, model name appears as a decal atop throat on base of head. On both obverse and reverse the trademark, patent information and country of manufacture are printed on shaft. On reverse, Manufacturer name is printed as decal on base of head, above throat. Indistinct letters carved into handle,and into shaft. Instructions on side of throat state: BAL/FROM/THIS/POINT. On one side of shaft:WRIGHT & DITSON/MAKERS/MADE IN U.S.A. and further down:STRUNG BY. Materials: Wood, Gut, Metal, Lacquer, Glue, Ink, Leather, Stringtennis

Carton holding 12 boxes of Bryant & May's "Brymay" Special Safety Matches. The matchbox consists of paper covered wooden sleeve and drawers.One side: Bryant & May's trademarks. Top: BRITISH MADE / TRADE MARK / SECURITY / "BRYMAY" / SPECIAL SAFETY MATCH / 27 PRIZE MEDALS. Bottom: To protect their own interests and the reputation of Bryant & May's "BryMay" Safety Matches consumers should make a point of observing that B. & M.'s name and trade mark (mark) are on each box and package without which guarantee none can possibly by genuine.bryant & may's, brymay