The bullock team was part of a parade held on the main street of Halls Gap in conjunction with the 150th anniversary of Major Mitchell's visit to the area. There was also a plaque unveiled in commemoration of the Wildflower Show and its many volunteers.The photo shows a crowd watching a bullock team hauling a dray with five children sitting in it down a road. The bullock driver is walking alongside holding a long handled whip over his shoulder. A wagon pulled by draught horses can be seen behind the bullock dray. Buildings can be seen to the right rear of the photo and trees line the left side of the street.events, parades

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of an early 1930's bus parked on the grass in the foreground, with a man standing on the hidden steps of the bus and another man walking in front. In the middle distance rail lines can be seen on an embankment rising behind a post and wire fence and in the background a tower rises on the closest hill. The bus is the St Hilda's Band bus and the place is Llanelly in Wales.Written in pencil on back - Llanelly, Wales, 29/5/34frank wright, 1930's bus, welsh tower, st hilda's band, sthilda's band bus

This cotton baby's nightgown is an example of the dressmaking skills of the women of the families of the pioneer settlers and market gardeners of the Moorabbin Shire.The Maggs family were early settlers in the Moorabbin Shire. The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of many items that exhibit the skill and craftsmanship of the women in these families. A long white cotton infant's Christening or 'walking-out' dress. The neckline and short sleeves have broderie anglais trim. Bodice has extensive cut-work and hand embroidered feather-stitching. There is further hand-embroidered feather-stitching around the waist band. The skirt of the garment has pin-tucking and lower borders of further cut-work The garment is in good condition.clothing, brighton, moorabbin, pioneers, dendy henry, market gardeners, baptism, dressmakers, craft work, maggs nance

Small watercolour painting by George Rowe in a golden wooden frame. Under a red sunset the tipical Australian bush and several tents. The main part of the painting shows the Falcon Inn pub in Peg Leg Eaglehawk, four men are standing at the entrance and two aborigines are walking on the dirt road away from the pub. It is believed to have been painted around 1857.artwork, water colour, landscape, from dudley house. stored at the bendigo art gallery from 2000. returned to bhs 03/02/2023

Printed black and white photographic postcard of Deansgate Manchester. Image depicts a street with trams, tram tracks, people walking and standing with buildings lining either side. There is a white 1cm border along the lower edge. The words Deansgate Manchester are printed in the border on the lower left hand side. The words 'A grim town to work everyday of Deansgate' are handwritten in the border. The reverse is blank.S Hildersheimer & Co Manchesterpostcard

Set of 2 transparencies taken on 21/5/1971 on Kodak mounts. 1198.1 - Bendigo No. 28 at the Golden Square terminus with the Golden Square Hotel in the background. Driver walking across road to join tram. Tram has a SEC briquettes roof ad. 1198.2 - as for 1198.1 - but further back showing nature of the terminus and the Calder Highway or High St. behind the tram. Information written on in black ink and date stamped on purple ink. 1198.1 - "Birney car No. 28 at Golden Square terminus". 1198.2 - "Birney car No. 28 at Golden Square terminus" tramways, trams, bendigo, golden square, high st., tram 28

Yields information - Photo printed from a slide of Geelong No. 4 decorated for the last tram in Geelong.Colour print from a Agfachrome Professional plastic mount reproduction slide of a colour slide of Geelong No. 18 at East terminus on the last day of the first closures, 8.1.1956 Shows a young boy walking away from the tram and the driver closing the door. Tram has the destination of East. See also Reg Item 2676 for a the original slide of this photograph. Two copies held.On rear in ink on both copies: "Geelong Trmys SEC 4a) (crossed out) East terminus on last day of first closures 8.1.1956 - Ballarat Try Museum"trams, tramways, geelong, east, last tram, closure, tram 18

Digital image from the Wal Jack Ballarat Album of Ballarat No. 27 north bound in Drummond St South at Dana St Photo by Wal Jack 7-8-1944. Tram has the destination of Lydiard St North, a lady passenger is walking away from the tram. No other vehicles in the photograph. Wal's album notes that this was the site of two tram accidents - smashes. In ink on rear " SEC Ballarat Tramways No. 27 in Drummond St South at Dana St, showing the site of two tram smashes - dark lines on left (No. 24 smash 1-12-41 - light on right (No. 22 smash 27-8-44" with date stamp "7 Aug 1944" and W. Jack stamp and number "T375" written in.trams, tramways, drummond st sth, dana st, tram 27

Yields information about Sturt St west track near Hamilton Ave with pedestrians.Digital image, black and white, of a single truck tram, with a Twin Lakes sign, outbound in Sturt St West, near the Hamilton Ave stop, with two girls walking across the road after it has rained. Photo taken by Peter Bruce 1970's and 1971, prior to the closure of the Ballarat tramway system. Peter's Title of image: "Two girls and tram"trams, tramways, sturt st west, hamilton ave

The card for the Civic Reception at Williamstown Town Hall for the ‘Back to Williamstown’ celebrations – the centenary from date of first settlement in 1834. It belonged to James and Kate Tyrrell, the paternal grandparents of the Donor. The donor is the third generation of her family to live in Williamstown. Having a photo of the Gardens in the reception card is evidence of the community pride of the Gardens. The photo is evidence of plantings in 1934 A folded sepia look card. The front has an embossed border, the City of Williamstown Shield, date in the right bottom corner and an inscription as described. The left fold inside demonstrates the reverse of the embossed border and details of the City of Williamstown and Councillors. The right side fold inside is a photo of people walking along ‘The Main Walk, Williamstown Gardens’. The back has space for ‘Autographs.’williamstown botanic gardens, hobsons bay city council, city of williamstown, williamstown gardens, 1934, councillors, james taylor gray, henry johnston harvey, william gordon gray, walter stuart menzies, james adolphus nelson, evan charles owens, john robert bell, john anthony dennis, allan john deacon, oliver prettie chanter, william roberts, george alexander paine, james hocking, harold rose, norman hodgson

Nancy Malseed was born in Victoria in 1913. She was a printmaker and artist.Three separate images of birds. Top image is six large abstract birds with 12 birds in background (upper centre). Centre panel contains 3 birds in flight, brown against a grey background. Lower panel contains 3 walking birds, black and white against a brown background. Mounted in a dark green matt, in a black wooden frame with glass glazing.Front: 3/20 Etching and roll-up (lower left) "Bird Trip (centre) N. M. Malseed (lower right) (pencil) Back: (no inscriptions)female artist, female artists, women, malseed, 1970s

Northern District School of Nursing nurse's capeA red unlined cape with collar. Hook and eye at collar front. There are bands applied to outside shoulder of the cape on both sides and constructed with a centre back seam. The cape was worn outside the hospital when walking from accommodation. The accompanying documents are a photo of the original owner and donator of the cape, Vicki Simpkins, and a photo of the graduation group of nurses, 1972, in which Vicki is indicated.There is a white cotton label at rear inside centre collar with 'PURE WOOL' printed in blue and 'W' printed in red. A blue arrow has been added to the graduation photo above Vicki Simpkins' head. The photo of Vicki has the inscription in black pen 'To Mum and Dad with all my love Vicki xx June 1970". At base right of photo is photographer's name 'martin washington'. nurses uniform, northern district school of nursing, cape

Black and white negative, of Victorian Railways tram 26 at the Black Rock terminus. IN the background is a Chemist selling Kodak film, Black rock Taxi Service, and the State Saving Bank building. Walking at the rear of tram is conductor and a number of young girls. Note the white bumper bars Photo in the Wal Jack Victorian Railways Album and dated 12-3-1946.trams, tramways, victorian railways, vr trams, black rock, tram 26

Black and white photograph of W4 671 at the East Preston terminus showing Leura Grove during a special tram tour with another service tram behind. Photo by Chris Phillips. Inspector Bruce Davey walking away from the tram. ARE Tour ex South Melbourne depot. Advertisements for Craven Filter cigarettes, Nuplastic and Lloyds Delicatessen in the background. Printed on Kodak Paper.On rear in red ink "W4 671 Bridge Thornbury 9/2/69"trams, tramways, mmtb, special trams, east preston, tram 662

Illustrated book with dustjacket and covered with clear protective film. Dust jacket is light blue in colour, with a black and white photo of rear view of two caped figures walking down a lane way. Title and author's name are printed in blue and white ink on this photo. Title and authors name are also printed in white ink on the spine. On the back cover is an illustration of a lampnon-fictionThis book is a tribute to Lucy Osburn and five Nightingale Sisters (including Haldane Turriff) who arrived in Sydney on March 5, 1868, to improve nurse training, working conditions, recognition and status in the community. The book also draws attention to ongoing the plight of nurses wanting similar improvement nursing-australia-history, lucy osburn, nursing-nsw-history

Photographs donated by James Leslie (Les) Provan. (1) Note by T.H. Kneen 6 May 1992, "James Leslie Provan went to Melbourne University - graduated B. Agr. Sc-and later 1942 became Principal Burnley and 1946 Principal Dookie Agricultural College."Black and white photographs and negatives. (1) 2 photographs and negative. Les Provan reclining on the ground infront of a Kentia palm and part of the pavilion behind. (2) Includes negative. Les Provan and another male student seated on the lawn. (3) Note attached, "English lad, Fred ?, ?, Jack Allen." 4 male students seated on the lawn in front of the Pavilion. (4) Male student with calf. (5) 3 male students squatting on the lawn in front of the pavilion, one holding a football. Note by E.B. Littlejohn 6 May 1992, "Student on left is R. Fred Gillespie ? Jack Allen (centre) was later on staff as an Instructor. (6) Mrs Kneen and two children walking through the Administration Building under construction. (7) 4 men standing next to Dahlias judging them. (8) Student walking along path between ponds and Pavilion.(1) On reverse, "Student Les Provan 1922 &1923. Dux 1923. Background is Kentia Palm & the Chemistry classroom of the old Pavilion. (2) On reverse, "Les Provan & ? 1923." (3) On reverse, "Group of male students 1922 or 1923." (4) On reverse, "? name an English lad, student 1922 or '23." (5) On reverse, "The Football Team L to R. Fred---Jack Allen & ? 1923." (6) On reverse, "The new College building in course of construction early 1946. Mrs. Kneen & children." (7) On reverse,"Judges in trial Dahlias Burnley 1943. Left to right Jack Reid, Castell, Charlie Stone, Geo. Russ, Norm Scable." (8)) On reverse, "June Bishop-student," and, "Athol Shmith Studio Illustrative Photography 125 Collins Street, Melbourne C.1. Cent. 27. No 10383 Position J." Note by E.B. Littlejohn 4 March 1992, "June Bishop standing at junction of paths one of which leads to main entrance to Pavilion."les provan, kentia palm, chemistry classroom, pavilion, james leslie provan, dookie agricultural college, jack allen, r. fred gillespie, dahlias, jack reid, castell, charlie stone, geo. russ, norm scable, june bishop, cows, student group 1922-1923, football team 1922-1923, administration building construction, mrs kneen, kneen children, athol shmith, garden view, dux, calf, main building construction

Bridge Street Bridge Flood level on Greensborough pier 18th October 1956 View looking west across the Diamond Creek and tempoary walking access bridge towards intersection of Susan Street. The building visible on centreeline is the present-day SES facility. Beware!.. our rivers are rising (1956, October 19). The Argus (Melbourne, Vic. : 1848 - 1957), p. 1. Retrieved August 24, 2022, from http://nla.gov.au/nla.news-article84392304Record of various Shire of Eltham infrastructure works undertaken during the period of 1952-1962 involving bridge and road reconstruction projects, sometimes with Eltham Shire Council Project Reference numbers quoted. It was during this period that a number of significant improvements were made to roads and new bridges constructed within the shire that remain in place as of present day (2022). In many situations, the photos provide a tangible visible record of infrastructure that existed throughout the early days of the Shire. The album was put together by or under the direction of the Shire Engineer, J.A. McDonald.infrastructure, road construction, shire of eltham, bridge construction, bridge street bridge, eltham, eltham-greensborough road, 1956-10-18, diamond creek (creek), floods, floodwater, silver street bridge

This area is urban and wetlands west of the Eltham gateway approach near the bridge over Diamond Creek and forms part of a walking trail. On 15 August 2004, the Shire of Nillumbik officially named the area "Barak Bushlands" as part of its commitment to Aboriginal reconciliation. The naming day memorialised the one hundred and first anniversary of the death of the last full-blood Yarra Aboriginal leader, William Barak. Source: Aboriginal reconcilation events in Nillumbik, Ken Eckersall, 2006.Digital scan from borrowed photobarak bushlands reserve, eltham, walking trail

Sir Rohan Delacombe opens the new wing of Mirridong Nursing home, named in honour of long-time and tireless worker, Katharine Rose. Pictures show Sir Rohan meeting residents, addressing the crowd, unveiling the plaque, walking through the wing and signing the visitors book, accompanied by his wife, Mrs Delacombe, Katharine Rose and a man in military dress. The last image is of Katharine Rose addressing the crowd under the 'Mirridong Home for the Blind' sign.10 x Black and White photographs of people at the openingE.P Cameronassociation for the blind, mirridong home (bendigo), katharine (kitty) rose, sir rohan delacombe

Illustration of an ESCo tram leaving the intersection of Grenville St. and Bridge St. and proceeding east along Bridge St. Photo taken behind junction points. Has the Nicholl & Allan building on the left side of the photo and the Bucks Head Hotel on the right. Numerous people walking around the street. Shows overhead construction in the area. Titled Bridge St (Looking East), Ballarat. Image by WTP&Co of Ballarat. See item 841 for postcards of this image. Yields information of Bridge St at Grenville St, c1905Colour Illustration cut from a journaltramways, trams, sturt st, esco, grenville st, bridge st

The photo shows three trams at Hospital Corner, during the mid to late1950s. Tram 35 turns from Drummond Street South on its way to Lydiard St North. Another bogie tram is turning into Drummond St South while No. 25 waits at the tram stop. A conductor can be seen walking forward with a point bar. In the background is the sign for Rimmiington Bros Butchers and the Southern Cross Hotel. The negative has been damaged - photographer unknown.Yields information about the tram operations at Hospital Corner Ballarat.Black and white Negative - 120 sizetram stops, tramways, sturt st, drummond st, tram 25, tram 35, conductor

The letter details how the writer GEORGE saw George yesterday and waved and yelled but he did not see him as they were marching past. It also describes how they just came out of the trenches with mud over their knees and higher. The George walking past is possibly George Frederick Pierce DCM. Refer Cat No 4136P for his service details, award and death. Part of the collection of William (Bill) Thomason, refer Cat No 4213P for more items.Cartoon coloured postcard depicting a boyish soldier surrounded by boys and girls. On the rear is a letter from France to a girl, the writing is in blue pen.On the rear “15/11/16 France, Dear Gaddis”. The letter ends “I remain yours sincerely George H..........postcards, military, cartoons

The postcards are addressed to the Mother of C.J.C. McQuie MM, all written in 1917. .2) Card talks about his leave plus sending a map home of the ground over where he was W.I.A. Card scene is Hele Beach Ifracombe. .3) "Combe Martin" .4) "The Torrs Walk Ifracombe. .5) "Ifracombe, Santern Hill & Hillsborough". .6) "The Dripping Well Barnstaple" .7) "Barnstaple High Street" Items in the collection relating to C.J.C. McQuie MM, refer cat No 9680P for his service details. All the postcards are in sepia tone. .1) Envelope light brown colour, has 4 green stamps, addressed in purple indelible pen. .2) Postcard, view across a valley, text on rear in black pen. .3) Postcard, view across a Valley, text on rear in black pen. .4) Postcard, view from Cliffs to Ocean, text on rear in black pen. .5) Postcard, view across Ocean to Hills. .6.) Postcard, view of a well in a garden. .7) Postcard, street view in a town..2) On rear, "14th Nov17, Royal Clarence Hotel Ifracombe" .3) On rear, "This is a view of Hillsborough" .4) On rear, "Walked around here yesterday & then to L...& Bull Pt Lighthouse" .5) On rear, "Royal Clarence Hotel Ifracombe 16/11/17 - Great views from the top of this hill - I am walking to Barnstable today, 12 miles from here"postcards, mcquie

Photos taken on a trip or trips to Phillip Island in the 1940s by Jim Nilsson and friends. . There were other people called ? Taylor and Neil mentioned on rear of photos. A negative of the bridge was also donated.Historical4 small black & white photos . First shows a jeep parked at the San Remo side of the bridge, second is taken driving across the bridge towards the island. Third is the Continental guesthouse with 4 cars parked at the front and women walking along footpath.The last photo is a group of 4 young men, arms around their shoulders, standing in front of the Continental- one is Jim Nilsson.first phillip island bridge to san remo, continental guest house,, jim nilsson, bridges

Scene of Portland Harbour. View includes people walking on beaches, jetties, morred boats (some with sails, some without). Upper centre of image shows a town, with a church to the right. To the left centre is a planned garden with people promenading. In foreground is empty land with a few seagulls. A train track enters the image on bottom centre. Print is predominantly in shades of blue, grey and brown. Framed, no glass.Front: A. H. Fullwood Back: (no insciptions)print, portland harbour

The bullock team was part of a parade held on the main street of Halls Gap in conjunction with the 150th anniversary of Major Mitchell's visit to the area. There was also a plaque unveiled in commemoration of the Wildflower Show and its many volunteers.The photo is taken from the rear of a bullock team pulling a dray down a road. Three children can be seen sitting in the dray and its back is out of shot. Two men are walking to the left of the team, the closest to the camera holding a long whip over his shoulder. To the far left people can be seen lining the street and in the right background a range of peaks can be seen.events, parades

Black and white photograph mounted on bege frame with red ornaments. Seems to be taken very early in the 20th century, before WWI. 3 Gentlemen stand on room, facing each other and not the camera. On the left, men is relatively more simple dressed, with small hat. In the middle, men with tall hat and pocket watch on fancy suit. And on the right, older man with hat, walking stick and overcoat.Handwritten: (top left) 55 P99(crossed out) (top right) AP 78 (bottom left) 81 (centre) (stick) FOYLE // PHOTOGRAPHER // WARRNAMBOOLvictoria police museum, police officers, police force, foyle photographer, warrnambool

This hand barrow, sometimes called a Welsh hand barrow, was used to transport a load of marine rescue equipment from the beach cart to the rescue site, particularly over hilly, uneven or rough terrain. Hand barrows were in common use in the 19th century. Saving lives in Warrnambool – The coastline of South West Victoria is the site of over 600 shipwrecks and many lost lives; even in Warrnambool’s Lady Bay there were around 16 known shipwrecks between 1850 and 1905, with eight lives lost. Victoria’s Government responded to the need for lifesaving equipment and, in 1858, the provision of rocket and mortar apparatus was approved for the lifeboat stations. In 1859 the first Government-built lifeboat arrived at Warrnambool Harbour and a shed was soon built for it on the Tramway Jetty, followed by a rocket house in 1864 to safely store the rocket rescue equipment. In 1878 the buildings were moved to the Breakwater (constructed from 1874-1890), and in 1910 the new Lifeboat Warrnambool arrived with its ‘self-righting’ design. For almost a hundred years the lifesaving and rescue crews, mostly local volunteers, trained regularly to rehearse and maintain their rescue skills. They were summoned when needed by alarms, gunshots, ringing bells and foghorns. In July 1873 a brass bell was erected at Flagstaff Hill specifically to call the rescue crew upon news of a shipwreck. Some crew members became local heroes but all served an important role. Rocket apparatus was used as recently as the 1950s. Rocket Rescue Method - Rocket rescue became the preferred lifesaving method of the rescue crews, being much safer that using a lifeboat in rough seas and poor conditions. The Government of Victoria adopted lifesaving methods based on Her Majesty’s Coast Guard in Great Britain. It authorised the first line-throwing rescue system in 1858. Captain Manby’s mortar powered a projectile connected to rope, invented in 1808. The equipment was updated to John Dennett’s 8-foot shaft and rocket method that had a longer range of about 250 yards. From the 1860s the breeches buoy and traveller block rocket rescue apparatus was in use. It was suspended on a hawser line and manually pulled to and from the distressed vessel carrying passengers and items. In the early 1870s Colonel Boxer’s rocket rescue method became the standard in Victoria. His two-stage rockets, charged by a gunpowder composition, could fire the line up to 500-600 yards, although 1000 yards range was possible. Boxer’s rocket carried the light line, which was faked, or coiled, in a particular way between pegs in a faking box to prevent twists and tangles when fired. The angle of firing the rocket to the vessel in distress was measured by a quadrant-type instrument on the side of the rocket machine. Decades later, in about 1920, Schermuly invented the line-throwing pistol that used a small cartridge to fire the rocket. . The British Board of Trade regularly published instructions for both the beach rescue crew and ship’s crew. It involved setting up the rocket launcher on shore at a particular angle, determined by the Head of the crew and measured by the quadrant, inserting a rocket that had a light-weight line threaded through its shaft, and then firing it across the stranded vessel, the line issuing freely from the faking board. A continuous whip line was then sent out to the ship’s crew, who hauled it in then followed the instructions – in four languages - on the attached tally board. The survivors would haul on the line to bring out the heavier, continuous whip line with a tail block connected to it. They then secured the block to the mast or other strong part the ship. The rescue crew on shore then hauled out a stronger hawser line, which the survivors fixed above the whip’s tail block. The hawser was then tightened by the crew pulling on it, or by using the hooked block on the shore end of the whip and attaching it to a sand anchor. The breeches buoy was attached to the traveller block on the hawser, and the shore crew then used the whip line to haul the breeches buoy to and from the vessel, rescuing the stranded crew one at a time. The rescue crew wore scarlet, numbered armbands and worked on a numerical rotation system, swapping members out to rest them. This hand barrow is significant for its connection with local history, maritime history and marine technology. Lifesaving has been an important part of the services performed from Warrnambool's very early days, supported by State and Local Government, and based on the methods and experience of Great Britain. Hundreds of shipwrecks along the coast are evidence of the rough weather and rugged coastline. Ordinary citizens, the Harbour employees, and the volunteer boat and rescue crew, saved lives in adverse circumstances. Some were recognised as heroes, others went unrecognised. In Lady Bay, Warrnambool, there were around 16 known shipwrecks between 1850 and 1905. Many lives were saved but tragically, eight lives were lost.Hand barrow; a transporting device carried between two people walking one in front of the other. A wooden ladder-like frame with two handles at each end, blue painted body with unpainted handles. Seven equal-length slats are joined at equal distance between two parallel poles, and two longer slats are attached diagonally between the first and last slats as a brace. flagstaff hill maritime museum and village, flagstaff hill, maritime museum, maritime village, warrnambool, great ocean road, lady bay, warrnambool harbour, port of warrnambool, tramway jetty, breakwater, shipwreck, life-saving, lifesaving, rescue crew, rescue, rocket rescue, rocket crew, lifeboat men, beach rescue, line rescue, rescue equipment, rocket firing equipment, rocket rescue equipment, maritime accidents, shipwreck victim, rocket equipment, marine technology, rescue boat, lifeboat, volunteer lifesavers, volunteer crew, life saving rescue crew, lifesaving rescue crew, rocket apparatus, rocket rescue method, shore to ship, rocket apparatus rescue, stranded vessel, line throwing mortar, mortar, rocket rescue apparatus, line thrower, line throwing, lifeboat warrnambool, hand barrow, manual transport, welsh hand barrow

Produced by the VCE Consultative Committee: Women's Art Register in 1991 at a time when art courses in secondary schools had little material to use in relation to Australian women artists. An invaluable resource for secondary school teachers to broaden the scope of student knowledge about women artist's and thereby offer alternative role models for art students. This slide kit and booklet is a comprehensive, practical resource which provides a rare snapshot of women's art practices in the early 1990s. It is an excellent resource for research and teaching purposesKit containing 74 page booklet and 36 slides, activities, artist's comments and other source materials. Published in 1991 by the Women's Art Register. Artists include Elizabeth Gower, Sally Smart, Wendy Stavrianos, Pam Hallandal, tori de Mestre, Lyn Moore, Deborah Halpern, Tracey Moffat & Jill Orr. Cover image by Jill Orr, 'Walking on Planet Earth'elizabeth gower, sally smart, wendy stavrianos, pam hallandal, tori de mestre, lyn moore, deborah halpern, tracey moffat & jill orr.