This chair comes from Swintons Stores in Warrnambool and is said to have been used as a "Santa Chair" at Christmas time. Wiliam and Ann Swinton arrived in Australia in 1854. William, a builder opened a grocery, china and glassware store in Timor Street, Warrnambool in 1865. By 1888 the firm was known as William Swinton and Sons. Branch stores were opened at South Warrnambool, Raglan Parade, Wangoom, Cudgee and Nullawarre. In1934 the business split into two companies, Swintons Pty. Ltd. and George Swinton and Sons Pty. Ltd. The Swinton family still operate a business in Timor Street, Warrnambool, making it one of the oldest family businesses still operating in Australia.This chair is of considerable interest as it comes from the Swintons stores in Warrnambool and this is a business that has been operating in Timor Street since 1865.This is a wooden ( bent wood) chair with a round seat attached to the back by wooden screws. The seat insert, possibly basket wear is missing. There is a lower circular piece of wood under the seat and this is broken at one end. There are four bowed legs. The back of the chair has turned wood with three middle slats and two sides attached by wooden pegs and screws. The seat has two bent wood handles, currently detached . The chair is stained and a little chipped.Austria Flaschner Lodenbach a/ F (Autriche)swintons pty. ltd. warrnambool, history of warrnambool

Patriotic rosette made of cotton ribbon in various colours. This was presumably worn in recognition of the Allied Countries involved in World War 1. There are coloured ribbons representing Britain, France, Netherlands, Belgium. The centrepiece of the rosette represents the United States of America and there is a piece of ribbon featuring the flags of the United Kingdom, France, The Netherlands and Belgium. The rosette has a small safety pin sewn to the rear for attachment to the wearers clothing. Some of the ribbon colours have faded noticeably.

The photo shows the opening ceremony of Henham Township by Lord Stradbroke (the man on the right of the structure). A strip of land 2 kilometres long and half a kilometre wide had been approved as suitable for subdivision into 591 quarter acre blocks valued at 30-35 pounds each. Unfortunately it turned out to be a "fizzer". For further information see Victoria's Wonderland pp 93-95, 103.Photo shows a group of people sitting on and standing behind a low pile of rocks that sweeps around a wooden structure, which is three rough logs standing and lashed together to form a rough pyramid. A pulley is attached to the apex of the pyramid and a large stone block is suspended from it. Two men stand, one in front of and one beside the structure, both wear suits and are holding pieces of paper. A young boy sits in the left foreground in front of one of the poles.events, ceremonies

This item of military uniform was worn by Squadron Leader (SQNLDR) Bernard Farley during his period of Full Time service in the Royal Australian Air Force (RAAF) between 27 January 1976 and 02 March 1997. Bernard joined the RAAF as an Airmen was trained and employed as a Clerk Supply (CLKSPL) between 1996 - 1977. He undertook officer cadet training at the Army Officer Cadet School in 1978 and was commissioned into the Ground Defence Category on the 09 December 1978, where he served for 18 years and rose to the rank of SQNLDR. Royal Australian Air Force (RAAF) trousers- Blue Grey. This uniform was in the period 1966 - 2001 as the primary daily uniform in the office environment. Polyester working dress is approved for wear employed in office or business type environments. The trousers have a belted waist and zip front, with two slant side pockets, money fob pocket below the waist on right side and two rear slit pockets. The trouser leg is pleated at the waist belt in the front. Maker: Australian Defence Industries

Issued to Aircraftsman Bernard Farley in 1976 as part of his initial issue of uniform on joining the Permanent Air ForceThis item of military uniform was worn by Squadron Leader (SQNLDR) Bernard Farley during his period of Full Time service in the Royal Australian Air Force (RAAF) between 27 January 1976 and 02 March 1997. Bernard joined the RAAF as an Airmen was trained and employed as a Clerk Supply (CLKSPL) between 1996 - 1977. He undertook officer cadet training at the Army Officer Cadet School in 1978 and was commissioned into the Ground Defence Category on the 09 December 1978, where he served for 18 years and rose to the rank of SQNLDR. Royal Australian Air Force (RAAF) Peaked Hat - Blue Grey. This uniform was in the period 1966 - 2001 as the primary daily uniform in the office environment. Polyester working dress is approved for wear employed in office or business type environments. The trousers have a belted waist and zip front, with two slant side pockets, money fob pocket below the waist on right side and two rear slit pockets. The trouser leg is pleated at the waist belt in the front. Maker: Australian Government Clothing Factory

Black and white photograph mounted on grey frame. 25 mid age police officers in formal setting posing for photograph in 3 row structure [all seem to be influential personalities of Victoria Police - see Inscriptions bellow]. They are all in full 1950s Police uniform, apart from two men on the extremes of front row, who wear suits. They stand in terrace of what seems to be a large and wealthy building on the back, large windows and collums on varandah.Printed above photograph: POLICE COLLEGE << Course No.1 -- November, 1958 - June 1959 >> Printed bellow photograph: Left to Right, Back Row: Stn. Officer Mooney, Sgt. Sheather, Det-Sgt. Carter, Sgt. Poulter, Sgt. Mooring, Sgt. Pearson, Sgt. Comrie, Sgt. Sharkey, Det.Sgt. McKnight. Centre Row: Sgt. Scotney, Insp. Hynes, Sgt. Long, Sgt. Payne, Insp. Houghton, Sgt. Peach, Sgt. Moore, Sgt. Heath, Sgt. Rose. Front Row (Directing Staff): Mr. C. H. Smith, Det-Sgt. Warne, Insp. Quill, Insp. DeLany, Insp. Milner, Det-Sgt. Braybrook, Mr. R. Crowling.victoria police museum, police officers, police academy, police force, william, poulter, bill poulter, police college, tompkins, stuart, stn. officer mooney, sgt. sheather, det-sgt. carter, mr. r. crowling., det-sgt. braybrook, insp. milner, insp. delany, insp. quill, det-sgt. warne, mr. c. h. smith, sgt. rose, sgt. heath, sgt. moore, sgt. peach, insp. houghton, sgt. payne, sgt. long, insp. hynes, sgt. scotney, det.sgt. mcknight, sgt. sharkey, sgt. comrie, sgt. pearson, sgt. mooring, sgt. poulter

Reproduction of black and white photograph of two small children in formal clothing. Little girl standing on cane chair wearing large, decorated headpiece, heavy coat with buttons, knitted leggings and court shoes. A muff if on her shoulder. Boy wears large straw hat, white shirt with large lace collar, dark jacket and trousers, long socks and shoes. Inscriptions: on front - 'typical costumes about 1900', 'JG Biggs, Health Inspector'.person, group, children

Light tan colour, brown text, one page advertising flyer for J.H. Abbott & Co., Tanners and Curriers, Manufacturers of Boots, Shoes and Uppers, belting, saddlery, harness, collars, leggings, neatsfoot oil. J.H. Abbott & co., also at High Street, Echuca, Market Square, Bendigo and Sheepwash Creek, Strathfieldsaye.. On rear of document, special hard wear boots are advertised with a black line image of an elephant endeavouring to pull apart one of 'Abbott's' boots.j.h. abbott & co., shoes, tanners and curriers, boots, market square, bendigo, echuca, manufacturing

Sir John Madden, Chief Justice of Victoria, opened the Auburn Heights Recreation Club in Barkers Road in December 1904. Two years later the greens were improved and a new croquet lawn established. In September 1906, a ceremony was held to open these and also the new pavilion designed by Harry Tompkins.Rare early image of an important sports club in Kew1/4 plate glass negative (and accompanying print) of a scene at the opening of the new greens and croquet lawn at the Auburn Heights Recreation Club in 1906. A player at the Auburn Heights Recreation Club, identified as a Mr Anderson in faint writing on the sleeve of the glass negative, considers his next bowl. His attire, and that of the players in the other photos would indicate that players were expected to wear a shirt, tie and jacket at the Club, but when bowling, waistcoats were acceptable.auburn heights recreation club, barkers road, kew

Was the site of J. Quinn Bakery and Breakells Bakery and shop20cm x 12.5 black and white photograph of the shop at 13 Sydney Street which at the time of the photograph was J.R. Mens Wear. Light coloured recently renovated building, some of the older trim remains and restored, corrugated steel awning which leads down the arcade, concrete planter box out the front of the shop. Was the location of J. Quinn Bakery and Breakells Bakery and shop. 2 picture available in the item offering slightly different angles.Written on the back: Photo 1: 1024 Photo 2: 1025baker, bakery, bakers and bakeries, shopfront, mens fashion

Late WW1 gas maskThis item was worn by German soldiers to protect them against chemical weapons during WW1Late first world war gas mask complete with field grey carry tin and replacement lenses in original paper Tin has a short, tan cotton strap for wearing over the wearers shoulder. replacement lenses are packed in celephane with "klarscheiben vor feuchtigkeit schutzen nicht wischen, nur am rande anfassen so einlegen" which translates to "Do not wipe clear discs from moisture protection, just touch at the edge so insert " 27.Mal1918 on base of tin "klarscheiben vor feuchtigkeit schutzen nicht wischen, nur am rande anfassen so einlegen" on replacemet lenses ww1, german, gas mask, wark vc club

Lapel Badge for the Tramway Board (predecessor to MMTB and the successor to the Melbourne Tramway and Omnibus Co. staff. Has abbreviation of "TB". Made from a cast brass item, nickel plated to indicate the position held by the wearer as part of their uniform. Cast in the form of the handwritten or script word/s and underlined. On the rear, silver soldered on are two brass loops at either of the badge to enable badge to be sewn or fitted with clips onto the cap or the uniform No manufacturer's name on the rear of the badge.trams, tramways, cap badge, hat badge, uniforms, tramway board

Records of members of the Ashley family. Stanley Edgar Ashley married Vera Ama Gravenall in 1939. They lived in Williams Street Greensborough, and Stan had a men's wear and drapery store in Main Street Greensborough. He was elected to Council for the North Ward of the City of Heidelberg in August 1954, and died in December 2002. Vera died in August 2007, and their son Ralph in September 2009.5 pages black and white text and photographsashley family, williams street greensborough, stan ashleys menswear, main street greensborough

These gaiters where used circa 1800's to mid 1900's, by horse riders "cattle men" to protect their shins and long trousers against wear and tear. They were used rather than having expensive boots damaged. Gaiters were a lot easier to fasten and clean than boots. They were used in the Kiewa Valley and the High Plains grazing areas.These gaiters were part of a cattleman's "out fit". The Gaiters were easily cleaned and did away with expensive riding boots. They were used throughout the valley and high plains areas both by horse riders herding cattle and the recreational rider of both sexes. After the 1950s more recreational riders from Melbourne ventured onto the high plains and not so rugged mountain slopes. Small settlements such as Mount Beauty, Bogong village and Falls Creek provided a secure backdrop for short term horse back adventures. The increasing pressure of city life provided a greater flow of stressed out city dweller to find the peace and quiet that city life does not have. Horse riding preceded the modern trail bikes and other recreational vehicles of the late 1900s. Thick leather tapered gaiters with six metal Hooks and Leather lacing through metal eyelets. All bar two eyelets have a metal reinforced punch holes. Left gaiter missing most of lacing.horse, country, leather, gaiters, high, grazing, cattlemen, laces, studs

A capelet is a small cape, usually worn around a person's shoulders and often chosen to wear with an evening outfit. The design may include a hood, collar or even ruffles. Fabrics range from fur, leather, velvet and wool to shear silk and net. Trimmings include buttons, lace, ribbon, and tassels. A capelet was a fashionable garment from the late 19th to the early 20th centuries.Capelet with collar. White fur lined with white fabric. flagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, capelet, cape, evening wear, fur garment, fashion, edwardian, victorian, white fur

This white tailored dress shirt was worn by Mr Dennis Maynard CMHS member and Cheltenham resident c 1960 as part of his Formal Wear for Masonic Lodge , Civil Services and Special occasions. The small black plastic buttons were sewn onto a strip of cotton so that they could be easily inserted to fasten the shirt front and then kept together with the shirt for future use This dress shirt is typical of the formal wear used by men in City of Moorabbin c 1960A white cotton long sleeved tailored man's dress shirt with 2 cotton strips with small black plastic dress buttons "Henry Buck PtyLtd Melb. HB Actual Makers clothing, formal wear, dress shirt, tuxedo, maynard dennis, city of moorabbin, freemasons lodge, city of moorabbin historical society, early settlers, market gardeners, bentleigh, cheltenham, moorabbin,

These Lady's white voile shirt fronts were made for a small woman or child to wear under a suit jacket . The front has fine vertical pintucks and ribbon waist ties The back seam is fastened with press studs. The high collar has horizontal pintucks and 4 metal wire stays. The early settler women were skilled dressmakers and craft workers. These Lady's voile shirt fronts are examples of the high dressmaking skill of the women of the early settler families in Moorabbin Shire c1900 2 identical small lady's white voile shirt fronts, with high collar and ribbon waist ties. The front has fine vertical pintucks and the high collar has horizontal pintucks with 4 metal wire stays. Press studs fasten the back seam . clothing, dressmaking, haberdashery, crochet, brighton, moorabbin, mckinnon, ormond, pioneers, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire, hunt ailsa, dairy farms, fruit orchards

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This 1930s evening dress is one of a number of items donated by Teresa Mayer.Deep rust coloured three-quarter length crepe dress featuring extensive ruching on the bodice and to the short sleeves. A bow of the same fabric with hanging laces (sic) is attached at the neck. The garment has been dated to the 1930s.women's clothing, australian fashion - 1930s, day wear, day dresses

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This 'dance frock' by Park Avenue Gowns is one of a number of garments in the collection by this designer.Metallic thread silk cocktail dress and wrap by Park Avenue Gowns, 1960. Virtually identical dresses by the designer were featured in the Australian Women's Weekly in 1960, described as 'dance frocks', to which the wide flairing skirt would be well suited.Label : "Park Avenue Gowns"women's clothing, cocktail dresses, dance frocks, australian fashion - 1960s, fashion designers - melbourne (vic) - park avenue gowns

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This evening gown is one of a number of items donated to the Collection by Rosemary-Vaughan Smith.Full length ivory satin evening gown, possibly used previously as a wedding dress. Inset figured brocade panel on front of skirt and bodice, with flared plain satin panels at sides. Bodice has a wide rounded neck decorated with bands of pleated satin, and broad satin shoulder straps. evening dresses, women's clothing, vaughan-smith collection, evening wear, australian fashion - 1950s

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This dress, made by Bow+Arrow, and donated by Annie McIntyre, is part of the McIntyre Collection.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Long sleeve brown crepe day dress with matching belt of a contrasting colour. The round necked dress has a high waist and soft pleated skirtLabel: BOW + ARROWbow + arrow, evening wear, evening dresses, australian fashion - 1970s, mcintyre collection, annie mcintyre

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This dress is one of a number of items donated to the Fashion Collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Grey flannel wool dress with a wide collar and elbow length squared sleeveswomen's clothing, australian fashion - 1960s, mcintyre collection, dresses

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This blouse is one of a number of items donated to the Fashion Collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Multicoloured long sleeve fitted floral polyester shirt. The fabric design includes pink roses and chrysanthemums contrasted with yellow leaves and small yellow flowers. The cuffed sleeves are extended to allow them to be bunched when worn.women's clothing, blouses, mcintyre collection, australian fashion - 1970s

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This dress is one of a number of items donated to the Fashion Collection by Annie McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Long sleeved olive green silk shirt buttoned at the front with buttons of the same fabric and colour. Label: Scanlan & Theodorescanlan & theodore, women's clothing, australian fashion - 1980s, mcintyre collection, day wear, blouses

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This caftan is one of a number of evening dresses donated to the Fashion Collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Full length brocade caftan highlighted on the long sleeves and the front with bands of gold brocade.Label: DECORaustralian fashion - 1960s, women's clothing, evening wear, mcintyre collection, caftans, fashion designers - decor

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This dress is one of a number of items donated to the Fashion Collection by Annie McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s.Black acetate top and skirt. The short top includes a pleated border and shoulder straps, The full dress of the same fabric and colour is comprised of layers to emphasise its natural flaring quality.Label: Tussicocktail dresses, australian fashion - 1980s, women's clothing, evening wear, mcintyre collection, annie mcintyre, tussi

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This cocktail dress is one of a number of items donated to the Fashion Collection by Marion Blatchley.Plum coloured silk taffeta underdress with a black sequinned overdress and belt.women's clothing, australian fashion - 1970s, cocktail dresses