Image of RAAF Radio & Radar Trainee Mechanics taken at the Exhibition Building, Melbourne in 1941-42. In 1940, in the months after the outbreak of WWII, the Exhibition Buildings complex was requisitioned by the Royal Australian Air Force and used as a barracks and training facility. By 1942 more than 2000 men of the RAAF had been stationed there, alongside members of the Women’s Auxiliary Australian Air Force.Brown timber frame and cream coloured mount containing photograph of large group of airmen Plaque -RAAF Radio & Radar Trainee Mechanics 1941-42 at Exhibition Building Melbourneraaf, radio & radar, exhibition building, melbourne, ww2

This publication covers the mid 1900s and relates to a period where the majority of the Australian population was engrossed with the Queen of Australia, even though her Highness did not reside on this continent. The period covered was before the great immigration insurgence from Europe.The Labour Party's "White Australian" policy was a hinderance and a barrier towards the Asian and African prospective immigrants. The motto Queen and Country was still very ingrained in the rural population. This period in Australian domestic self reliance, brought about the growing strength and very active trade union movement and their staunch support for the Tariff protection against a growing swell of imported goods. This self reliance psyche was essentially a by product of World War II, and the isolation felt by the Australian People. The Queen (royalty) was the binding force holding the British Empire together which was emphasised with her popularity when touring Australia Queen Elizabeth's visited the MCG twice in 1954 1. to attend an assembly of ex-servicemen and women's organisations 2. to attend a Children's Display. She also visited Government House and visited Country Victoria on the Royal train from 24th Feb - 9th March.The Kiewa Valley and all the rural areas in the region were still very much tied to the "mother land" and trade between Britain and Australia was very strong. Trade with Asian manufacturers was minimal and needed the late 1900s to see both the trade and immigration barriers fall. This book was produced during a time when the majority of Australians looked more to England for trade and companionship. The agricultural trade with England and Europe was very high and the motto of the time was "Australia grows on the sheep's back". Late 1900's saw the motto "Australia grows on the miner's back" The Queen was still very popular then which was emphasised by the large crowds which greeted her on tour. Residents of Mt Beauty including Cubs, Brownies, Scouts and Guides travelled to Benalla to see the Queen. Clare Roper was a founding member of the KVHS and attended a garden party at Buckingham Palace representing the local CWA. She has purchased this book and therefore giving this a close historical significance connection, it has good provenance and interpretive capacity. This hard(blue coloured) covered book contains thirty six double sided pages. Both the first and last pages (inside cover included) has the royal crest of Australia (kangaroo and emu) balancing the individual six states crests ,united under the royal crown. The first six double pages, each portraying a coloured free hand sketches of various Australian scenery enclosing the Queen's day by day and State by State itinerary. There are 115 black and white photographs and 25 coloured photographs contained in this book.Third page has free hand penned signature "Clare Roper"1954 royal tour, queen elizabeth ii monarchy, british empire in the 1900s, god save the queen.

The Female Relative's Badge was issued to the wife and/or mother, or to the nearest female relative of soldiers, nurses and masseurs who had left Australia for active service abroad during the First World War. The service number of the relative is inscribed on the back of the badge. A bar(s) suspended below the badge was issued for each additional relative, son or daughter serving. (taken from awm.gov.au). The provenance of this badge is unknown. A search on the defence force numbers has been unsuccessful to ascertain the owner of the badge. More research would be required.Shows the importance placed on having relatives serving in the Defence Forces.Silver badge with blue enamel and safety chain. A.I.F. in cutout script in the centre of an oval. Oval has blue enamel with silver text "Issued by the Dept of Defence to Women of Australia". An enamelled scroll beneath this contains the word "For Duty Done". The badge is surmounted by a King's Crown. A brooch fastening and a safety chain are attached to the back, the original safety pin is missing. Two bars are suspended from the bottom of the badge indicating a total of 3 relatives serving overseas. Defence force numbers 33370, 20232 and 20233 inscribed on back. Manufacturer mark "WM Mclean & Co / Melb / STG SIL"female relative's badge, world war one

This jacket and cap were designed by Rosalie 'Rosa' Kiessling about 1967. They formed part of the Fashion Group Inc's Walkabout Tour of the USA in 1967 which aimed to promote Australian fashion design in America. German by birth Rosalie, grew up skiing and ice skating, studied fashion design in Munich and worked designing women’s ski wear and lingerie before migrating to Australia via New Zealand in 1939 with her husband. As skiing increased in popularity following the end of WWII, Rosalie’s business grew reaching its peak during the 1960s. Though it was never large; at most she employed three staff. Her designs featured in the pages of Australian Vogue, Flair and the Women’s Weekly throughout the 1960s and received coverage from newspapers in Australia, New Zealand the United States. Rosalie was closely involved with the Swiss Club of Victoria, the Australian Wool Board and the Fur Traders Association, participating in numerous fashion shows and awards run by these groups. In the late 1960s she became involved with the Melbourne Branch of the Fashion Group Inc, a worldwide non-commercial association of women involved in the fashion industry. Rosalie continued to design and manufacture fashionable but functional ski wear until the late 1970s, although increasing imports from large overseas manufactures and constant new innovations in fabric technology made it difficult for her to compete in a relatively small industry. This ski jacket and cap illustrate Rosalie Kiessling's emphasis on practical glamour. She was the first Australian ski wear manufacturer to bring high fashion to ski wear design; which though common in the boutiques of St Mortiz, Chamonix and St Anton was new to Australia. The use of an Australian wildflower motif and of these pieces in the Fashion Group's Walkabout Tour also speak to her involvement in and promotion of the Australian fashion industry during the 1960s.Ski jacket and matching cap appliqued with Australian wildflowers.Noneskiing, ski clothing, fashion design, australian fashion, australian flora

The booklet shows important aspects of the Shrine, 'one of the greatest of the war memorials erected in various parts of the world'. 'The purpose of this imposing structure is set out in the simple words quoted on the eastern wall of the Shrine of Remembrance itself- "This memorial was erected by a grateful people to the honoured memory of the men and women of Victoria who served the Empire in the Great War of 1914-18." The booklet outlines parts of the Shrine including the Battle Honour Discs, the Porticos, the Stone of Remembrance, the Inner Shrine, the Crypt and the Ray of Light. The document was in a file with other documents concerning the Shrine and it's history (01181 - 01190).A record of the Shrine of Remembrance. There was an effort to record historical events for the "Archive Committee" which collected this and other documents relating to the Shrine together in a file (see items 01181 - 01190)A 16 page of booklet of buff paper in a dark grey brown cover describing the Shrine in photos and black print.memorial, shrine of remembrance

Ada Lyon, nee Apted (1898-1962) was a member of the Eltham War Memorial Trust which in 1945 decided that a WW2 memorial in Eltham should include a baby health centre, a children's library and a pre-school centre. Ada Lyon worked tirelessley as a member of the women's auxiliary to raise funds for the memorial. The third and final stage of the Memorial was opened in November 1961. Following her death the following year; a memorial sundial was erected in recogintion of her work for the War Memorial Trust. Words on the plaque read: "To the memory of Mrs Ada Lyon in recognition of her work for this Trust".The sundial recognising the local contribution of Ada Lyon is of local historical significance in not only recognising a woman for her contributions during an era when women were generally unrecognised publically but is also a reminder to current generations of her work and that of her peers to iniate the war memorial in honour of local enlistments in WW2.Roll of 35mm colour negative film, 10 strips. Print copies originally located in a small pink (with decorative flowers) album, suede spine, 18 x 18 x 6 cm, 50 page inserts, 100 photo capacity.Kodak Gold 100-5ada lyon, eltham war memorial, sundial

Postcard with raised 8.5cm x 8.5cm coloured silk image of Tower Bridge London. Image has printed words 'Patent' and 'Fab Card' either side of a printed coat of arms at the top and letters W.N.S.B. bottom left corner and 'Series V No 40' bottom right corner. Image is attached to printed 14cm x 9cm black and white printed card. The words 'Fab Card' and 'The Art Patchwork Series' appear on the card either side of the image. Printed drawings of 1. two women, one seated sewing and one standing sewing and 2. two women standing examining a cloth, appear either side of the image. On reverse card is addressed to Miss G Dean McKenzie St Golden Square Victoria Australia.W N Sharpe Sole Publisher Bradfordpostcard

A large thick, heavy green hardcover Girl's Own Annual Volume 46 with a large square picture depicting two women walking in the snow holding bunches of holly. The title is in red print and there is holly surrounding the illustration. The spine has the title printed in gold lettering, holly leaves and Vol 46 in black type at the bottom. It is a 1924 edition of this series. The end papers show green tinted woods and a stream. The coloured frontispiece is of a woman decorating a Christmas Tree from the story - The Christmas Fairy. Tissue paper protects this page. The contents of the book are for girls and women with stories, knitting and sewing patterns, handy home hints, factual information and more. There is an emphasis on Royal Family life. Inside is a 1997 religious bookmark for a Ekankar Seminar, Brisbane Australia. A bookplate is pasted at the front of the book. non-fictionThe contents of the book are for girls and women with stories, knitting and sewing patterns, handy home hints, factual information and more. There is an emphasis on Royal Family life.books, children's books, awards, adventure stories, family life fiction, family life

Our Mick Chick, Shire President, Churinga, Nicholas and his family, A search for meaning, Jewish festivals, So women have just gained equality???, This and that, Kinder news, Parent Australia, From the Council Chamber. A digitised copy of this newsletter is available at Greensborough Historical Society.Newsletter, 15 p., illus.greenhills, apollo parkways progress association, greenhills and north greensborough progress association, apollo parkways

A bookmark made to honour the founder of the War Widows Guild, Mrs Jessie Vasey. It has a photo of her and the Guild Motto on the front and a brief summary of the guild on the reverse. The Guild Motto: "We all belong to each other. We all need each other. It is serving each other and in sacrificing for our common good that we are finding our true life", which was taken from the Christmas speech of King George VI in 1941. Mrs J M Vasey was the founder and president of the War Widows Guild. During the second world war she became secretary of the AIF Women's Association, a body which sought to help soldiers' wives. Her work with this body drew her attention to the plight of war widows. After her husband Major-General George Alan Vasey died in an aircraft accident on 5 March 1945 she became a widow herself. At the end of the war Mrs Vasey founded the War Widows Guild, established on 22 November 1945. The Victorian War Widows Guild closed in 2021. Some items, including this bookmark, were donated to the Legacy archive for preservation. It was possible for a widow to be members of both Legacy and the War Widows Guild. Both organisations helped war widows in various ways.A record of the work done by Jessie Vasey and the War Widows Guild.Bookmark honouring the founder of the War Widows Guild.war widows guild, jessie vasey, wwg

A file copy of a letter from Mrs Vasey of the War Widows Guild to Legatee Radford who was Vice President of Melbourne Legacy at the time. She says 'It was most heartening to read how staunchly you supported our idea that a man who dies in the service of his country should not leave his children to poverty and sub-standard living. Thank you very much indeed for speaking for us publicly in the unequivocal way you did." The War Widows Guild was founded by Mrs J M Vasey, the wife of Major-General Vasey. During the second world war she became secretary of the AIF Women's Association, a body which sought to help soldiers' wives. Her work with this body drew her attention to the plight of war widows. After Major-General George Alan Vasey died in an aircraft accident on 5 March 1945 she became a widow herself. At the end of the war Mrs Vasey founded the War Widows Guild. The Victorian War Widows Guild closed in 2021. Some items, including this letter, were donated to the Legacy archive for preservation - it shows a close bond between the two organisations. It was possible for a widow to be members of both Legacy and the War Widows Guild. Both organisations helped war widows in various ways.A record of a close link between Legacy and the War Widows Guild.Yellow carbon copy of a letter from Mrs Vasey to Vice President Radford in 1956.war widows guild, wwg, radford

A bookmark made to commemorate the creation of a labyrinth in 2012 at the Heidelberg Repatriation Hospital in honour of Jessie Vasey, the founder of the War Widows Guild. It has a photo of a labyrinth symbol on the front. It also says labyrinths are places of contemplation and renewal. An ideal place of reflection to acknowledge and remember those that we love and have loved. Where we can take time to reflect upon our thoughts and feeling and make peace with ourselves and others. Mrs J M Vasey was the founder and president of the War Widows Guild. During the second world war she became secretary of the AIF Women's Association, a body which sought to help soldiers' wives. Her work with this body drew her attention to the plight of war widows. After her husband Major-General George Alan Vasey died in an aircraft accident on 5 March 1945 she became a widow herself. At the end of the war Mrs Vasey founded the War Widows Guild, established on 22 November 1945. The Victorian War Widows Guild closed in 2021. Some items, including this bookmark, were donated to the Legacy archive for preservation. It was possible for a widow to be members of both Legacy and the War Widows Guild. Both organisations helped war widows in various ways.A record of the work done by Jessie Vasey and the War Widows Guild.Bookmark honouring the creation of a labyrinth in honour of the founder of the War Widows Guild.war widows guild, wwg, jessie vasey

Two letters on Melbourne Legacy letterhead to Mrs Lois Hurse, the War Widows' Guild president in 1970. The address showed the Guild was also known as The Vasey Housing Auxiliary (War Widows' Guild) Ltd. Both letters discuss the 45 bed nursing home that the Guild was establishing in Church Street Brighton. One is signed by the Executive Officer Ivan Layton and the other by EP Evans the Hon. Secretary. The letters were returned to Legacy by the Guild when the Guild closed. The War Widows Guild was founded by Mrs J M Vasey, the wife of Major-General Vasey. During the second world war she became secretary of the AIF Women's Association, a body which sought to help soldiers' wives. Her work with this body drew her attention to the plight of war widows. After Major-General George Alan Vasey died in an aircraft accident on 5 March 1945 she became a widow herself. At the end of the war Mrs Vasey founded the War Widows Guild. The Victorian War Widows Guild closed in 2021. Some items, including this letter, were donated to the Legacy archive for preservation - it shows a close bond between the two organisations. It was possible for a widow to be members of both Legacy and the War Widows Guild. Both organisations helped war widows in various ways.A record of a close link between Legacy and the War Widows Guild.White letter x 2 from Legacy to the War Widows' Guild in 1970.war widows guild, wwg

In October 1982 the Australian Transsexual Association (ATA), supported by the Gay Solidarity Group (GSG), staged the first transgender protest in Australia. The protest was held to challenge a recent judgement against two transgender women, who a Magistrate ruled were men. In response NSW Attorney-General said that ‘Attorneys-General of the six states had committed to new legislation to recognise the validity of sex changes’.transsexual, transgender

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was published by the Australian Wool Corporation to be given away with the magazine "Family Circle". It contains patterns for crocheted toy sheep, as well as knitting patterns for womens, mens and childrens garments.PURE NEW WOOL / Your / Family Knitting / with wool / Pattern Book / 11 Patterns for all your Family / from Family Circle and / The Australian Wool Corporation.knitting handicrafts - history crochet, family circle australian wool corporation, knitting, handicrafts - history, crochet

Mixing bowls of this design were a common item in Austrailan kitchens in the late 19th and early 20th centuries. At this time the majority of women worked at home looking after their family and producing home-cooked meals. This type of bowl was a common domestic appliance used daily in Australian homes.This item is typical of kitchen utensils used in Australian homes in the early 20th century. No clear provence determined3 ceramic round mixing bowls of various widths - 340 mm, 300 mm and 265 mm. Each bowl has a pouring lip and decorative scallop relief around body. There is no indication of makers mark or source of production.Nonemixing bowl, domestic appliances

This photograph was reproduced on the cover of the magazine 'Housewife, Home and Family', in October, 1960 with the heading, 'Miss Frances Burke, Brilliant Australian Textile Designer'. The photograph contains interesting contradictions: Burke, wearing a cocktail hat whilst painting, was never a housewife, nor did she have children. Gladys Hain, editor of the magazine, exhorted women who did have children to get busy, start businesses and contribute to the economy! The image highlights Burke's ability to attract publicity and demonstrates her acute understanding of the power of PR and marketing. Burke established her textile business in 1937, developing it between the wars in a very challenging marketplace by capitalising on opportunities as they presented. Robyn Oswald-Jacobs, 2017Photograph featuring Frances Burke painting at desktextile design, studio, rmit design archives

The Artist in Residence program enabled research of the Museum's collection of artefacts relating to 11th Battalion AIF. Access was provided to the behind the scenes storerooms of uniforms, banners, photographs, artefacts and diaries. Michele summarised her experience with the project as follows: "It was an interesting experience and a topic I would not probably have considered had I not been asked. The mixture of history and the people who lived through these times has been an absorbing and rewarding journey for my art practice."Mixed media / textile art from Department of Culture and the Arts, Artist in Residence program 2015 by Michele Eastwood. The hand knitted sleeveless jumper in the Museum, made by Sergeant John Ellwood Rudd of the 48th Battalion was the inspiration behind this work. With great ingenuity John Rudd unwound the knitted socks sent by the women back home. Creating knitting needles fashioned from the barbed wire surrounding the POW camp he was incarcerated in, he knitted a jumper to help him through the freezing winters of Germany in the First World War. Original artefact was inspiration for this artistic interpretation.

Collection of Merle Bush Ephemera. 1. Variety of newspaper cuttings (various topics) ; 2. Collection of various religious pamphlets and booklets; 3. Magazines - Soil Association and ''Aqua Pura'' (fluoridation); 4.collection of various documents relating to the ABC and broadcasting; 5. Booklet - Ambassador College, Pasadena, California; 6. Annual Report SEC of Vic, 1950; 7. Issue of the Australian Women's Weekly July 6, 1977 (The Queen's Jubilee Celebrations); 7. Booklet - "Wise investment for today and tomorrow".person, individual, bush collection - personal

Book. Harry Biggs Collection. Fourteenth Annual Summary of the National Trust of Australia (Victoria) 1969 - 1970. Paper with a card cover. The cover has a black & white photo of the interior of the 3 tier cell block, Old Melbourne Gaol before it's restoration. The back has a photo of the Grand Staircase of The Mansion, Barwon Park, Winchelsea. This is the Chairman's 14th Annual Report 1969 - 1970. Ruskin Press, 39 Levesun St. North Melbourne. It also contains a report of the Women's Committee.organisation, union, charity, harry biggs collection, the national trust of australia (victoria)

Yields information about the appearance of Sturt St at the time of Ballarat Begonia Festival, 1957 - the flowers in the medium strip, the tram and the shoppers in particular the women.Black and white photograph of Ballarat No. 14 west bound in Sturt St during the 1957 Begonia Festival with the Town Hall (with a Begonia Festival sign on it), and other buildings in the background. Has the Australian Mutual Life Building, the Odeon Theatre buildings. In the centre median strip, there is a large arrangement of flower beds and many women shoppers crossing the road, motor vehicles and a lady on a bicycle. No. 14 has the destination of Haddon St via Drummond Nth. Festoon lighting is strung out along the street.On rear in red ink "Ballarat Car 14 Sturt St B'rat Summer '57" and the stamp of Jim Seletto.tramways, trams, sturt st, begonia festival, town hall, shoppers, tram 14

This photograph shows members of the community outside the Moorabbin Council Offices, handing over a brand-new utility truck for use by the Australian Comforts Fund, in support of the war effort. It was purchased with funds raised by contestants in Moorabbin's 'Popular Girl Quest'. Contestants received a vote for each penny they collected. The winner was Gladys Mariott, pictured centre wearing a sash, who raised £528 10s, earning her 126,800 votes. In total, the contestants raised more than a thousand pounds, which enabled the purchasing of the new utility truck.Members of the Moorabbin community were keen to play their part in supporting the war effort. A black and white photograph of a group of men and women standing in front of and behind a utility vehicle with the license plate FA 341. There are two buildings in the background, one of which has a sign out the front that reads "Moorabbin Free Library & Mechanics Institute". The photograph was taken outside Moorabbin Council offices to illustrate the handing over of utility truck for use by Australian Comforts Fund. Money for the truck was raised by the 'Popular Girl Quest' won by Gladys Marriott (centre wearing sash)Handwritten in red ink: A 600 / 72% Handwritten in black ink: CHAP 6. / WITH SUB-STORY / Spy base -- / OR general pix / in Chap 6 / referring to warworld war ii, australian comforts fund, popular girl quest, fundraising, war efforts, vehicles

A coolamon is an Indigenous Australian carrying vessel. It is a multi-purpose shallow vessel, or dish with curved sides, ranging in length from 30–70 cm, and similar in shape to a canoe. Coolamons or pitchis were traditionally used by Aboriginal women to carry water, fruits, nuts, as well as to cradle babies. The necessary tools and equipment for hunting, fishing and warfare were one of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. This container is an example of an implement used by the early Indigenous people of Eastern Australia.A large shallow elongated hand-made wooden receptacle used by Australian aborigines as a container for food and drink or for carrying babies.pitchi coolamon aboriginal container

This knitting pattern book was published by the Villawood Textile Company, Sydney and contains knitting patterns for womens and mens knitted garments. The patterns were photographed at the St Leonard's Olympic Bowl and mention is made that ten-pin bowling is Australia's 'newest all-family sport which is catching on fast'.Villawool / BOOK 87 / Designs in / 8 ply / Speediknit, / Argyll, / Celeste. / 2'9knitting handicrafts - history, villawood textile company, knitting, handicrafts - history

In the 1980s the Ithacan Philanthropic Society held a reunion of Greek Australian women who attended the Emily McPherson College in Melbourne between mostly between the 1930s - 1950s . The college which opened in 1927 was renowned for its training in domestic arts. Here the girls honed their cooking and needlework skills. Up until the 1950s most young Ithacan girls were not encouraged to consider a profession or to pursue further study. Following a few years of secondary schooling many attended Emily McPherson College where they pursued domestic arts courses.

Large fold out map and chronology of Australian Army Operations between 1940-1945 that belonged to Private Joan Spencer VFX12932 (VF507134) born 12/11/1924 at Albury. The family moved to Wangaratta and Joan was educated at Wangaratta High School before joining the Australian Army Medical Women's Service at 115 (Heidelberg) Military Hospital. She served with the 130 Australia General Hospital and was deployed overseas to Japan on 17/6/1947 and returned on 26/1/1949Large cream coloured cardboard folded in three, inside is a coloured map of the Middle East 1940-1942, New Guinea Theatre 1942-1944, Pacific Islands 1944-1945 and Malay and Islands 1942-1945. Front cover has Unit patches from top left to bottom right corner , at top right corner is the rising sun badge and bottom left corner 1940-45 Back cover is a listed Chronology.Hand written at top - VFX Pte Joan Spencer AAMWS 115 (H) M.H.australian army operations, private joan spencer, aamws, 130 agh

Plaque commemorating the opening of War Memorial Park Greensborough in 1994. The plaque reads: "Shire of Diamond Valley. Cr David Hay Shire President and the Central Riding Councillors Cr Ian Macarthur Wallace and Cr Leslie John Smith on 24 August 1994 dedicated this monument to the men and women of Diamond Valley who served their country in times of conflict. The assistance and contributions of the Greensborough and Watsonia RSL is gratefully acknowledged."Colour digital photographanzac day 2021, fallen soldiers memorial greensborough, greensborough war memorial park

Embroidered cards such as this one were made by the French (usually women) for use as post cards for World War One soldiers to send home as greeting cards. The gift card with the embroidered card may not have been originally with it. The embroidered card has the date of October 1918, just one month before the official end of the war in November 1918. The name of the person who wrote ‘Somewhere in France’ on the back of the card is not listed but the handwriting appears to be similar to that on another card in our collection which is from R. Kerr from Kerr Street in Warrnambool. No information has been found on this soldier named Kerr. This embroidered card is of considerable significance as a very attractive memento of World War One and one, presumably, with local provenance. .1 The embroidered card is a World War One post card. The embroidery is on silk mounted on a white card. The embroidery is in yellow, blue, red, white and green colours and features a trail of flowers, a rising sun, six national flags, the words ‘Happy Christmas’ and other ornamentation. The embroidery is in two sections with a lift up section that could hold another card or note. The handwriting on the back has been written in pencil. The post card section has not been franked or posted. The card has marks at the edges where it has been attached to a surface with pins. The card is a little stained. .2 This is a small gift card with a coloured image of a girl with a basket of flowers.Embroidered card - ‘Happy Christmas’ ‘Somewhere in France 8/10/18’ Small gift card – ‘A Christmas Wish’ world war one and warrnambool, warrnambool historical society