A dress belonging to the family of George Ward Cole in the late 1800s; possibly his wife Thomas Anne Ward Cole or one of his daughters, Margaret or Agnes. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn, brown silk, evening dress, circa 1860, consisting of a bodice and skirt. The bodice features an off the shoulder neckline edged with cream lace. A chevron design of black velvet trim, passes from the shoulders to the centre front waist, then hangs loosely to the hip line. The black velvet trim on the sleeves and the skirt is edged with a black fringe. The bodice (.1) base is finished in a v-shaped front at the natural waistline. There are short puffed sleeves also feature the black velvet fringed trim and lace at the edge along with three epaulette style strips, which pass from the shoulder seam to the edge of the sleeve. Each strip finishes with a decorative bobble. The bodice lining is cream glazed silk with steel boning, cotton tabs sewn into both sides have four eyelets for lacing. The dress has a full, floor length unlined skirt (.2) which is slightly longer at the back creating a modest train. The skirt has horizontal bands of the velvet trim and finishes with a box pleated trim of the dress fabric. The dress is fastened at the back using two connecting rows of black velvet covered buttons.brighton, st ninian's, 1860s, evening dress, george ward cole, thomas anne ward cole, margaret morison ward cole, agnes bruce ward cole

This peignoir or morning gown is believed to have belonged to Mrs Thomas Anne Ward Cole, an early Brighton resident and wife of George Ward Cole. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished.A mid blue-green cotton and lace peignoir or morning gown, c.1860. The bodice starts at the neck with a clavicle height, rounded neckline with a turn down flat collar, and is finished with a cream lace frill next to the face. The sleeve starts at the natural shoulder line and its overall silhouette is reminiscent of a soft three quarter length imbecile sleeve constructed of four layers of alternating fabrics. At the shoulder, there is a blue-green flap, which crosses across the top and back of the shoulders towards the centre upper back in a 'v' shape. Here it finishes where it meets with the gathered top of the fabric that creates the train. Underneath this shoulder flap is a gathered, long cream frill that finishes just above the elbow. Underneath this frill is the full gathered blue-green sleeve. Finally falling from this a second gathered long cream frill finishes at the three quarter arm. The bodice buttons with five metal buttons from the neckline to just above the bust. Here it meets a heavily gathered front in two pieces, which falls with fullness to the floor. This full section is secured closed at the centre front with four hooks and eyes over the bust and then continues with shell buttons through the remainder of the garment.st ninians, george ward cole, morning gown, peignoir, brighton, thomas anne ward cole, margaret morrison ward cole, agnes bruce ward cole

This ladies suit belonged to an elderly neighbour of the donor, Margot Miller, who lived in Black Street, Brighton in the 1970s. The neighbour had offered Margot a selection of her old clothing, dating from the early 20th century, as she wanted somebody to hold onto and care for the items after she died. Before Margot could take the items the neighbour was moved into a nursing home and, while cleaning out the house, the woman's son took the clothing to the tip with a load of rubbish. Margot happened to see him leave and was able to follow him and retrieve the clothes. They remained in the Miller family for many years; some were worn by Margot's daughters and some were ultimately passed on to others. Based on our research, we believe that the suit's original owner may have been Julia Richards (nee O'Keefe, c. 1882-1976), who lived at 59 Black Street during this time. Born in Ireland, Julia emigrated to Queensland in 1900. She married William Alfred Richards in 1911 and lived with him in Ayr, near Townsville, where they ran a hotel. It is unclear what became of William, but by the mid-1920s Julia and her two children were living in Brighton, where she remained until her death in 1976, aged 94.Cream wool ladies suit consisting of a jacket and skirt. Jacket is partially lined with silk, quilted around shoulders. Fastens with four self-covered buttons, one attached to a belt. Two box pleats at front and back, each featuring four decorative self-covered buttons at the waist. Upturned cuffs, each with two buttons. The skirt features a fabric belt and triangular pockets in each side with decorative self-covered buttons. Hook fastenings at side.1910s, women's suit, julia richards

In May 1884, George Smart of Bulleen Road Kew, brickmaker, bought the 23 acres one rood and twenty nine and three tenths perches, or 9.4834 hctares from Arthur Bailey Clements of Ringwood for the sum of 600 pound sterling. (Extract from The Story of the Crown Jewel Estate in Ringwood East pdf)Double sided folded page with black and red print on both sides advertising auction sale of residential and business sites and highlighting local facilities, services and layout of the estate.Subdivision includes Mount Dandenong Road, Valda Avenue, Evon Avenue, Mirabel Avenue, and Velma Grove. (Agent) T. Burkitt, Box 12 Ringwood, Phone Ringwood 157. Vendor: A. Marshall Miller, McDonald Street, Mordialloc. Solicitors: Russell, Bona and Russell, 19 Queen Street Melbourne, and Ringwood - Phone Cent. 4308.

This book is a 1988 reprint of an 1897 novel by Mary Gaunt (1861-1942). She was an Australian writer of more than 20 novels and many travel books, short stories and magazine articles and achieved international recognition. The wife of Dr H.L. Miller, she lived in Warrnambool from 1894 to 1900. ‘Kirkham’s Find’ was written while she was in Warrnambool and is of particular local interest as it is partly set in an area that can be identified as Allansford. The novel outlines the difficulties faced by a woman in the 19th century if she wished to pursue a career and gives us a good description of 19th century rural Australia. Although it is only a reprint this novel is of some interest as it was written by Mary Gaunt, an Australian writer of considerable importance. As a one-time resident of Warrnambool and a writer using local places and situations in her stories, she has a place in Warrnambool’s history. This is a soft cover book of 340 pages. It has a purple cover with a reproduction of a 19th century painting on the front cover and material about the contents of the book on the back cover. The spine is an orange colour with black and white printing. The book has an introduction by Kylie Tennant, an afterword by Dale Spender and 29 chapters of a novel. mary gaunt, history of warrnambool, women in literature

This is a travel book written by Mary Gaunt (1861-1942). She was an Australian author who gained international recognition for her novels, travel books, magazine articles and short stories. The wife of Dr H. L. Miller, she lived in Warrnambool from 1894 to 1900 and wrote some of her novels whilst in the town, using local scenes and situations for some of her writings. Her travel books are important as she wrote about her adventures in countries such as Africa and China where she was often touring places not previously visited by a white woman unaccompanied by other Europeans. This original copy of Mary Gaunt’s book about her travels in Jamaica is significant. Not only was Mary Gaunt a noted Australian writer but she was also a resident of Warrnambool for some time and thus has her place in Warrnambool’s history. This book was sent by Mary Gaunt to her brother Clive, resident in Rangoon at the time of the book’s publication. This is a hard cover book of 258 pages. The book has a dark green cover with gold lettering on the spine. The cover is very mottled and stained. There are four black and white photographs scattered throughout the text. A signature on the first page is in black ink and a small book plate is printed on a piece of paper which is pasted into the first page. ‘Clive Gaunt Rangoon’ ‘With the Author’s Compliments’ mary gaunt, history of warrnambool, australian literature

Model of the Era. Oil tanker built by Samsung Ship Building and Heavy Industries Company in South Korea. Completed January 1987. 1985 officially under ownership of Howard Smith Industries Pty Ltd, Melbourne with take over of R W Miller. 1996 transferred to Intercontinental Ship Management. Scrapping began at Alang January 2002. 54 880 gross tons Length overall: 229.732 m (758 ft) Beam (MLD): 46 m (151 ft) Depth (MLD): 19.2m (46 ft) Draught (design): 12.17 m Draught (Scantl): 13.6 mShip builder's model of the tanker Era IMO 8420218 built by Samsung Shipbuilding & Heavy Industries Co. - Moulded polyurethane hull painted in colours of black and maroon, the deck with detailed fittings, machinery and superstructure, presented within a perspex display case. Scale 1:200plaque at foot of model: "95,000 DWT CRUDE/ PRODUCT CARRIER/ PRINCIPAL DIMENSIONS/ LENGTH O.A 229.732M/ LENGTH B.P 220.000M/ Breadth (MLD.) 46.000M/ DEPTH (MLD.) 19.200 m/ DRAUGHT (DESIGN) 12.170 M/ DRAUGHT (SCANTL.) 13.600 M/ SHI SAMSUNG SHIPBUILDING &/ HEAVY INDUSTRIES CO., LTD./ SCALE OF MODEL 1:200" White pen written on base: "PWO 2666.4/ 110/97/S4" Label affixed to base: "104226" on model "ERA MELBOURNE/TUG/TUG/TUG/NO SMOKING/NO SMOKING/ ERA"

Students names on back 6975-5 Stawell High School Form 4c 1967 Teacher Miss Lugg Robyn Pickford, Barbara Ford, Julie McCann, Lyn Rasche, Lyn Bates, Wendy Anyon, Judy Hooper, Elizabeth Zoltonozka Sandra Hooper, Vicky Delley, Pat Hibbert, Beth Ellen, Janel Miller, Helen Guy, Denise Rose, Jean Allan, Beverley Jackson, Heather McLeod Yvonne Howlett, Dianne Dalziel, Anne Lacey, Louise Peters, Miss Lugg, Bernice Smith, Denise Taylor, Marion Paulett, Janet van der Geest Class Photograph of Female Students Stawell High School Form 4c 1967education

David Miller Mair (1879-1938) married Lily Vipond Deakin (1890-1943) in 1910. They lived in East Melbourne after they married followed by Louise Avenue, Mont Albert before settling at 20 Barton Street Mont Albert where they lived until they died. Dave was an extremely keen sportsman (particularly bowls and cricket). He started the Kangaroo Cricket Club and worked for the Melbourne Cricket Club. Possible identification of Sid Ginn: There was a Sydney Herbert Ginn and family living in Camberwell. This is part of a large donation of material related to the Deakin, Mair and Young families.Sepia photo within a cream cardboard mount of a woman in a large hat seated with 2 men, one each side of her on a veranda. The men are both wearing bowler hats; one has a moustache; the other appears to be wearing glasses. REAR: 1. In black ink - "To / Lil & Dave / With love / From / CLS." (uncertain regarding these initials); "21.1.11." 2. In a different hand beleived to be Beryl Mair's on the basis of the handwriting in her autograph book and inscriptions in her daughter Laurie's autograph book: 'MAIR" / Mum & Dad / & Uncle Sid Ginn / (not real uncle)" with "LILY" in lead pencil and "DAVE" in lead pencil above Mum and Dad.david miller mair, dave mair, lily vipond mair, lily vipond deakin, sid ginn

Ernest Lance Young was born 24 March 1915 in Surrey Hills, the son of Ernest Augustus Young and Ruby Nichell Whitty. He married Beryl Mair in 1939 and died on 5 October 1999 at Mont Albert. Electoral rolls record him as a manufacturer. His address after marriage was 11 York Street, Mont Albert. Beryl Mair (1916-1976) was the daughter of David Miller Mair and Lily Vipond Deakin. She had an older brother Geoffrey David (1913) and younger sisters Gwynneth (1918), Isobel Lillian (1921) and Shirley Inez (1928).This is part of a large donation of material relating to the Deakin, Mair and Young families, all of whom had connections with Surrey Hills / Mont Albert. The donor is the daughter of Ernest Lance and Beryl Young.Post card photograph with a stippled surface which has been cut in two and stuck back together but without the top RH corner section. It shows a well-dressed couple and a young girl. The woman and girl are in summer dresses and wearing hats.Multiple inscriptions on both sections. "Young" in lead pencil. "Lance Young / Beryl " / Shirley Mair / at Zoo 1940." Two lines blacked out with permanent marker. "SHIRL MAIR / Melb Zoo / 1940"ernest lance young, lance young, beryl mair, beryl young, shirley inez mair, zoo

This gown, one of two similar items in the collection, belonged to one of the daughters of George Ward Cole, Miss Margaret Morison Ward Cole or Miss Agnes Bruce Ward Cole. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished.A black and mint green wool, velvet, lace and silk dress from circa 1882. The bodice features a wired, standing collar, finishing just under the chin and open at the front of the throat. On either side at the front of the throat it features long black lace ties with black jet bead fringe. The centre front of the dress from the neckline to the base of the skirt features an insert panel of mint green corded silk. The silk is gathered and the neckline and waist and overlaid a panel of gathered lacy net. Inserted into the seam at either side of this panel at the waist are two velvet ties. The dress secures closed with eight black buttons and one hook and eye down the right side of the mint panel to mid thigh. The edges of the collar and black front panels are finished with a looped ribbon trim. The remainder of the dress is made of a black wool fabric woven a checkered pattern of larger and looser threads and smaller and tighter threads creating a seersucker like pattern. The bodice features a natural shoulder line and an Amadis sleeve of full cut gathered to the bodice at the shoulder and finishing at the elbow with a large black lace flounce. The front panels of the dress are flat and shaped neatly to the body from neck to hip line and gently out to create the Victorian silhouette. On the back of each shoulder the dress features a leaf like, small jet beaded embellishment with multiple long loops of jet beads falling down the back to the waist. Underneath this embellishment is a pleated black ribbon that runs from the shoulder to the back of the pelvis. Over the pelvis are another two jet beaded embellishments of a floral design with two tassels. The skirt is full and pleated in under this embellishment and fulls to the floor with a small train. The base of the dress is finished with a ruched band of the main dress fabric.st ninians, george ward cole, visiting gown, brighton, miss margaret morison ward cole, miss agnes bruce ward cole, 1880s

Recollections of Beverley Ferguson ( nee Turner ) re her time at Laurel Street Golden Square Primary School during war time. On bottom half of page photocopied image of Grade 1, 1946. Names Miss Lavery, John Bennets, Wal Boucher, Col Griffiths, Ron Sharp, Noel Seliski, Len Doye, Keith Miller, Ted Hocking, Don Bateman, Brian Wilkinson, Eric McConville, Bruce McConville, Barry Townsend, Evelyn Vincent, Heather Hammill, Nancy Giri, Valerie Shipp, Rhonda McQuillan, Patti McCracken.bendigo, education, golden square primary school

Newspaper clipping. 4/11/1961. 'Women's World', More About Trams. Our Cameo from the Past, dealing with a souvenir tram ticket issued in 1905 to commemorate a Railway Picnic has evoked many memories and given rise to some very interesting sidelights of Bendigo's early tram days. A short history of Bendigo trams from information supplied by Basil Miller. On reverse: Pills And The Breathalyser. Melbourne Police scientists have found and readily available pills or other commercial products that can nullify breathalyser tests to detect drinking drivers.organization, business, bendigo trams

Typed document. Heading: Easter Monday 11 April 1966. Body: Bogeys Golden Square, approx 11-05 to Nth every 15 mins. No midday special. Specials in to service. Turn Back card? Collect time table for issue to pm. Shift. a'b'c'' specials to shunt at Mollison street at all times. (in red) Discs to be on all leading trams. (in pencil) Red flags for car summer against traffic Golden Square intersection no signal light? (Myrtle St) (Miller St) . 5am to 1 pm Sat.organization, business, bendigo trams

Journal of the Tramway Museum Society of Victoria. Ltd. Volume 9, No. 6. December 1972, 35 cents, thirteen pages. Cover photo (right) shows Sydney Road Coburg looking south from Bell Street with horse tram bound for the Brunswick cable tram terminus at Moreland Road. The horse tram was established by the Northern Tramway Company in 1889. Purchased by the Coburg Council in 1911 they operated until 1916 when replaced by the electric trams of the Melbourne Brunswick and Coburg Tramway Trust. History of document: Part of 'Basil Miller Tramways Collection'.document

1. Agreement between Herbert Jackson Leed/South Wattle Gully dated 14.9.1936. 2. Agreement between Herbert Jackson Leed/John Jepson Stanistreet 24.7.1936. 3.Agreement Norman Loder/Herbert Jackson Leed 9.3.1936. 4. 23.9.1939 insurance policy (State Accident Insurance). 5..Hire agreement Miller & Co machinery & mine 6.9.1937. 6. Receipt for advance subscription to Commonwealth Loan 13.9.1946.7. Certificate inspection of boiler 19.11.1936. 8. Donation. 9. Purchase wire rope. South Wattle Gully Coy .N.L. (50).MCCOLL RANKIN & STANISTREETorganization, business, gold mining contracts, mccoll rankin & stanistreet

6917.15a contains two photographs The first photo is titled 'The Melbourne Caledonian Band' and depicts a large orchestra dating from 1906. The second photo dating from 1905 depicts four pipers of the Bendigo Caledonian Band. All are dressed in Scottish Highland attire. 6917.15b contains three dance reels with handwritten musical notations. The first reel is titled 'The Deil amang the Tailors' and is three brackets long. The second reel is titled 'The Miller O'Drone' and is four brackets long. The third reel is titled 'Reel O'Tulloch' and is three brackets long.emu creek bush band, melbourne caledonian band, bendigo caledonian band, highland reels

Coloured photograph of the Golden Square Primary School Year Staff 2001. Their names are; Back Row, L to R: Jo Bury, Tony Gundry, Ruth Dean, Merrill Harvey. Middle Row, L to R: Sheryl Argall, Lyndal McClure, Shane Rodda, Graeme Draaisma, Tanya Ruschmeyer. Front Row, L to R: Kristy Taylor, Julie Gibson, Julie Wakker, John Wakker, Ron Payne, Judi Greenslade, Jill Honey, Jenny Lovett. Absent: Jenny Mann, Jenny Miller. Oval sketch of the school on the right of the names.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph - golden square primary school year staff 2001, jo bury, tony gundry, ruth dean, merrill harvey, sheryl argall, lyndal mcclure, shane rodda, graeme draaisma, tanya ruschmeyer, kristy taylor, julie gibson, julie wakker, john wakker, ron payne, judi greenslade, jill honey, jenny lovett, jenny mann, jenny miller

This majestic peacock embodies the technical achievement, skill and ingenuity of artisans during the 19th century. It is now known as the 'Loch Ard Peacock' and was designed and modelled in 1873 by Paul Comolera (1818-1897) and fired in one piece at the Minton factory at Stoke-on-Trent in the United Kingdom in 1875. The peacock has been portrayed in symbolic motifs and has figured heavily in folktales and fables since antiquity, and many cultures around the world see it as a symbol of beauty, rebirth and power. Wealthy Victorians loved majolica, and the large peacock would have been the ultimate home accessory as a conservatory ornament – combining their desire for nature, the exotic and vibrant colours. The peacock model was listed in catalogues by Minton & Co. for a retail price of 35 guineas or sold as a pair for 90 guineas. Minton & Co. was founded in 1793 by Thomas Minton (1765–1836) and became a famous pottery and porcelain manufacturer. Comolera was a French artist and sculptor, renowned for dramatic naturalistic forms and life-size renditions of birds and animals that won him admiration in public and artistic circles. He was employed by Minton & Co. from 1873 to 1880, and the life-sized peacock became his best-known work. Comolera kept a live peacock loaned from the nearby Duke of Sutherland's Trentham Hall Estate in his studio to create a life-size model of fine buff earthenware model, which was then hand painted in brilliantly coloured green and blue glazes to mimic the peafowl’s dazzling plumage. There are no surviving production records, but according to documents in the Minton Archive, nine peacocks were made by Comolera. However, today, some historians now believe that twelve were fired at the Minton factory; research is ongoing. These peacocks were so admired that Minton & Co. used them as exhibition showpieces at International Exhibitions in London, Paris, and the United States of America, ensuring the company had a worldwide reputation. So, when Melbourne hosted an International Exposition in 1880, Minton & Co. sent out ceramics and tiles, and in particular, this peacock was intended to be part of their exhibit in the British Court in the Exhibition Building, built in the Carlton Gardens. The early dispatch date (1878) indicates that the company may have intended to exhibit their wares, including the peacock, at the 1879 Sydney International Exhibition, but the company did not take up this option. The ship that Minton & Co. used to bring the peacock and their other wares to the Australian colonies was the ill-fated Loch Ard, which sunk after striking Mutton Bird Island near Port Campbell, Victoria, in calm foggy weather in June 1878 on the final leg of the ship's journey to Melbourne. The loss of 52 lives made it one of Victoria’s worst shipwrecks. Therefore, this peacock never made it to the grand exposition in Melbourne, as Minton & Co. had planned. Charles McGillivray dragged this peacock, still in its original packing case, onto the beach in the gorge just two days after the Loch Ard went down. The peacock was rescued unscathed apart from a chip on its beak (only repaired in 1988). After a disagreement with a Melbourne Customs Officer, Joseph Daish, McGillivray stopped his salvage operations, leaving the peacock on the beach. The second salvagers were James Miller and Thomas Keys. Miller was a member of the firm Howarth, Miller and Matthews, Geelong, who had brought the salvage rights to the Loch Ard wreck on 10 June. When Miller and Keys arrived at the wreck site, a storm had washed many of the salvaged goods, including this peacoc,k back into the sea. The two men found the peacock in its case ‘bobbing along in the water’ and pulled it back to the beach. To ensure the peacock wasn't washed out to sea again, Miller and Keys hauled the packing case containing the peacock up the gorge's cliff face to the top, ready to be transported. In an interview in 1928, Keys claimed that at the time of the rescue, the head had broken from the body. This account was proven to be true in 1988, following the birds' display in Brisbane. This peacock began its life in Australia, not in the grandeur of an International Exhibition as intended, but in the hallway of a simple domestic house in Geelong. It appears Minton & Co. did not attempt to buy this peacock back. Florence Miller, daughter of James Miller (Loch Ard salvage rights holder), later remarked that the only item of real value rescued from the wreck had been the peacock and that this had been kept by her father in the family home at Malvern for many years and became a treasured family possession. As such, this 'Loch Ard peacock' was almost forgotten and mistaken with other Minton peacocks around the world. Miss Florence Miller tried to sell the peacock due to financial difficulties in the 1930s but was unsuccessful. While attempting to sell her Loch Ard relic, it was displayed in the window of the old Argus newspaper office, which was at 76 Collins Street, Melbourne; the Argus had relocated to the corner of Elizabeth and La Trobe Streets in 1926. Between 1935 and 1939, the old Argus building was occupied by the Joshua N. McClelland Print Room, which sold not only paintings and prints but also antiques and authentic replicas, as well as hosting exhibitions. Miss Florence Miller loaned her peacock for display at the Victorian Historical Exhibition held in the National Gallery on 1st June 1935, the 57th anniversary of the Loch Ard wreck. As a result, the peacock attracted public attention in books, newspapers and magazine articles that told the story of its survival from a shipwreck. Miss Florence Miller was keen to sell the peacock, even writing overseas to Captain Blain on November 30th, 1938, about the possibility of a sale, but this became no longer possible due to the outbreak of war. Recent information points to the Loch Ard peacock being owned by John S R Heath before its sale to Frank Ridley-Lee in May 1941. Research is ongoing, but it seems likely that John Samuel Robert Heath, a leading Melbourne dentist with a practice in Collins Street, and his wife, a dental mechanic, had purchased Miss Miller’s Loch Ard peacock before its sale in 1941. They were lovers of fine arts, music, wine and food. The peacock in the window of the old Argus building could have attracted their attention as they had already purchased the old stone Presbyterian Church on Warrigal Road, Oakleigh, in 1933 and had converted its interior. The home, renamed The Studio, even included Melbourne’s first all-electric kitchen. The peacock was perfect for display in the Studio’s entrance. A magazine article published after the conversion was completed included photographs of the interior. The picture of the ‘portico’ had a caption below that stated, “Some of her [Mrs Heath’s] finest pottery was salvaged from the Loch Ard Wreck”. In 2025, Heath’s two remaining sons remember running around in the entrance with the peacock standing there, oblivious to its value. Heath was an accomplished artist, studying under Max Meldrum. He painted and exhibited his works at The Studio and in a public exhibition, and he was a finalist eight times in the coveted Archibald Prize portrait competition, including the submission of his self-portrait that is now part of his grandson’s collection. The next owner of the Loch Ard Peacock was Frank Ridley-Lee. He displayed it at his home in Ivanhoe after buying it at an auction in May 1941. The peacock remained in the hands of the Ridley-Lee family until it was offered for sale by auction in 1975 as part of an art collection belonging to Mrs Ridley-Lee's estate. The peacock was not sold at this time, as the reserve price of $4500 was not met. This news was passed on to the board of the newly created Flagstaff Hill Maritime Village. Urgent efforts were made to collect the necessary money through fundraising by the Warrnambool City Council and public donations. The Fletcher Jones Company and the Victorian Government contributed half the cost. On 9 September 1975, the Loch Ard peacock was purchased by Flagstaff Hill Maritime Village, and it found a new home at the maritime museum. Since then, it has only left Warrnambool twice. Firstly, in 1980, at the centenary celebrations of the Royal Exhibition Building in Melbourne, and secondly, in 1988, the peacock was given pride of place at the entrance to the Victorian Pavilion at the Brisbane World Expo, acknowledging that this Minton Majolica peacock is the most significant shipwreck object in Australia. The Minton majolica peacock is considered of historical social and aesthetic significance to Victoria and is one of only a few 'objects' registered on the Victorian Heritage Register (H 2132), as it is a most notable and rare object associated with the Minton factory of the 1870s and works by the celebrated sculptor Paul Comolera along with the wreck of the Loch Ard on the Victorian coastline. This Minton peacock is historically significant for its rarity; it was one of only 9-12 known to exist. The shipwreck of the Loch Ard is also of significance for Victoria and is registered on the Victorian Heritage Register Ref (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's early social and historical themes. The collection is historically significant is that it is associated, unfortunately with the worst and best-known shipwreck in Victoria's history. The peacock, resplendent in polychrome glaze, stands perched on a rocky plinth decorated with vines, leaves, flowers, blackberries and wild mushrooms. The peacock’s breast is cobalt blue; the wings and legs are in naturalistic colours. The tail is a mass of feathers coloured in green, ochre blue and brown — a fantastic display of artistry and Minton expertise. Inscribed at the base :P Comolera, and a Minton & Co. design number: 2045.flagstaff hill, warrnambool, maritime museum, shipwreck coast, loch ard, loch ard gorge, peacock, paul comolera, victorian heritage register, minton peacock, minton & co., stoke upon trent, bird figures, mintons, ceramics, international expositions, majolica, naturalistic, staffordshire, john samuel robert heath, peacock statue, loch ard peacock, majorca peacock

This gold locket was presented to Thomas Edward Bostock on his retirement as Secretary of the Warrnambool Cricket Club on 1st August 1884. Thomas Bostock was a member of the Bostock family who had come from Tasmania to the Warrnambool district in the late 1840s. The Bostock brothers were prominent in the history of the area as pastoralists, shopkeepers, flour millers and Bond Store operators. They were all enthusiastic local cricketers. Thomas worked for the Bank of Australasia in the 1880s and was a keen footballer and cricketer. He moved to Geelong where he made his mark as a Councillor, Mayor and businessman, with several buildings and a street named after him. This item is of very high significance because:- 1. It is an attractive and valuable gold locket from Victorian times 2. It has strong local significance as it was presented in 1884 to a prominent Warrnambool man, Thomas Edward Bostock 3. It has considerable social significance, demonstrating the customs of the time of a man carrying a locket containing miniatures of personal interest to the bearer and of the presentation of such an object by a sporting club. This is a gold locket with a monogram of T.E. Bostock on the front and an inscription on the back. The locket has a small ring at the top so that it could be attached to a watch chain. The locket opens to reveal two oval inserts (one with a blue background) suitable for small photographs or miniatures.Monogram - T.E.B. Inscription: ‘Presented to T.E. Bostock by the Warrnambool Cricket Club on retiring from Secretaryship, Aug 1st 1884’ bostock, thomas edward bostock, warrnambool cricket club 1884, bostock brothers warrnambool, bostock locket

Wreath laying ceremony for widows at the Cenotaph at the Shrine of Remembrance in 2000. This is an annual event for Legacy widows at the start of Legacy Week, which is the first week in September. Sometimes referred to as Pilgrimage to the Shrine, there was usually a church service, a service at the Shrine and a lunch afterwards. Photos show two ladies and the Legacy President David Kelly laying three wreaths at the Cenotaph. On the left is Joyce Cleaves from the ILLC (Intermediate Legacy Ladies Club which was for Junior Legatees who had outgrown the youth activities). On the right is Joan Miller who was widows representative on the Melbourne Legacy Board). A similar photo appeared in the October 2000 edition of The Answer.A record of a ceremony at the Shrine in 2000.Colour photo x 2 of the president and two widows laying a wreath at the Shrine.00525.1 printing on the back "widows, widows' sunday, pilgrimage, wreath laying ceremony, illc

Published for the staff of the SEC, features the Kiewa Valley transmission line, North East towns and workers, industry, Bendigo Tram's Golden Jubilee, (AETA Visit, Mr George Laurens, Doug Dean, Tom Lynch and Basil Miller), electrical safety, meter reading in the country, sports, electric cooking, and sports section. In the retirements were Mr P Pithie, Senior Traffic Inspector Geelong, Mr V Pipps Depot Foreman Geelong and Mr S Watson, Geelong Senior depot clerk. On the inside cover are photos of the package power stations being installed at Geelong, Ballarat (Ballarat B) and Mildura.Demonstrates a SECV Staff magazine.Magazine, 36 pages, black and white production, centre stapled.Has RHSV stamp on the cover and "Case ViiiA" in inktramways, geelong, secv, retirements, ballarat b power station, power stations, bendigo

This skirt belonged to Miss Margaret Morison Ward Cole and was reportedly worn for her role as bridesmaid for the marriage of Miss Barkly, daughter of Sir Henry Barkly. George Ward Cole, father of Margaret, was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor The Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently sub divided and later demolished. Sir Henry Barkly was the second Governor of Victoria.A cream paper silk taffeta crinoline skirt c.1862. This skirt features a flat front across the front waistband but a gathered across the back. At the front it is floor length whilst at the back it features a small train. Presumably the skirt was concealed at the sides and back at the front features decorations that do not continue around the back. The front decoration consists of three tiers of pleated pale violet to pale pink silk ribbon with a deep drop of cream lace. The final lace tier is gracing the floor. st ninians, george ward cole, brighton, sir henry barkly, crinoline, bridesmaid, margaret morrison ward cole

This gown, one of two similar items in the collection belonged to one of the Ward Cole sisters, Miss Margaret Morison Ward Cole or Miss Agnes Bruce Ward Cole, daughters of George Ward Cole. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently sub divided and later demolished. A black and yellow velvet, wool, lace and silk dress from circa 1882. The bodice features a yellow silk, black lace and black velvet collar finishing high on the neck just below the chin finished with a black lace ruffle. The collar has a flap across the front of the throat that attaches at the side with a V-shaped baseline that contributes to concealing the fastenings of the bodice. The dress features a gathered central panel of black lace covered lemon silk, which falls from the neckline to the floor. At either side of this panel are matching panels of black velvet. The remainder of the dress and sleeves are made of black wool featuring a self-striped and spotted pattern. The dress fastens down the centre front with concealed black buttons hidden underneath the right velvet panel. The head of the Amadis sleeve sits on the natural shoulder line and finishes tightly at the elbow. The volume of the sleeve is created by ten pleats at the head of the shoulder, sewn to the bodice and is gathered at the elbow. The sleeve is finished with a black velvet ribbon with a bow and a black lace frill. The base of the dress is finished with a ruffle of the black dress wool. The dress features a small train. The dress is boned at the back waist and features an inset panel just below the waist of gathered fabric which forms the train. st ninians, george ward cole, visiting gown, brighton, margaret morrison ward cole, agnes bruce ward cole

This top hat belonged to bank manager Walter Tom Washington (1870-1948). Walter emigrated to Victoria from the Isle of Man at the age of eleven with his family in 1884. His daughter Lucy Frances Morrison (1905-2005) donated his hat to the Society in 1977, while she was living in Brighton. She recalled that he had purchased the hat for a wedding in 1911 and would wear it to church on Sundays. Established in London in 1773 by Miller Christy, Christys' continues to manufacture hats today. Their hats have been worn by members of the British royal family, Winston Churchill and Marlon Brando in the film 'The Godfather'.Black plush silk top hat with cream silk lining and leather and padded cloth interior bands. Black wool band.Label, printed in blue on crown silk lining: ENGLISH MANUFACTURE / CHRISTYS' LONDON'top hat, silk plush, nineteenth century, christy & co, christys', menswear, walter tom washington

Hardcover book made in 1944 made to keep original copies of “The Football Record”. This book contains all Football Records relating to Carlton games for the season of 1944. Captain: Bob Atkinson / Jim Francis Coach: Percy Bentley Leading Goal-kicker: Jim Mooring - 42 goals Best & Fairest: Bob Chitty Second Best & Fairest: Jim Mooring Jim Park Memorial Cup: Bob Chitty Most Consistent: Arthur Sanger Special Trophy, Most Consistent: Frank Anderson Most Improved: Jim Clark Eddie Miller Trophy, Most Serviceable Player: Rod McLeanblue hardcover book

A regular event for the widows was a concert by the Police Band, 'Off Beat' at the Melbourne Town Hall. Held in March each year, it was originally at the Fitzroy Gardens but moved to the Town Hall in 1995. The Victoria Police Pipe Band also played and used bagpipes. One performer dressed as Elvis (Brian Carbery). The photos show the widows enjoying the music and performers, and what appears to be the winner of a prize receiving a suitcase. One photo shows, from left to right: Legatee Peter Barden, L/- Saltmarsh, Joan Miller, L/- Dave Evans and L/- Ray Kean. One police performer appears in several photos and is Lindsay Robins. A record of regular events for widows to attend and enjoy together.Colour photo x 12 of a Police band concert at the Melbourne Town Hall in 1996 and an article in the Answer.widows, concert, activities, answer, police band

A widows' function, that involved a raffle, (some of the same ladies are in 00654 and 00655). The lady drawing the raffle is Inez Bruce / President, and the lady holding the prize may be Joan Miller. The photo was featured in the July 1992 Widows Newsletter and explains the day was the 'Great Tea Party' in June 1992 when the widows rooms were opened after 9 months of renovations. Cakes were donated by Fergusson Plarre. In the 1990s Legacy was supported by generous donations from Fergusson Plarre Bakehouse with cakes often donated for events and the annual fete. The reference number from the photographic studio 920609 means 9 June 1992.Legacy provided the opportunity for many gatherings of widows to enjoy social interaction and companionship.Black and white photo of a Legacy widow drawing at raffle at Legacy House and a proof sheet.Label on the back from Keesing Photographic with Reference No: 920609A-30. Pg 10 B in blue pen.widows, widows club, activities