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Vision Australia
Photograph - Image, Retrieving Braille from the shelves to pack into cane storage baskets for dispatch
Four people retrieving Braille from the shelves to pack into cane storage baskets for dispatch. A woman is taking a book off the shelf, another is annotating a piece of paper whilst a third woman looks at the spine of a book. A man in a dust coat is also handling a book. Book shelves line the walls and cane baskets are stacked upon the floor.1 B/W digital image of people sending braillebraille library of victoria, braille -
Kew Historical Society Inc
Photograph - Peel Street Health Centre : Official Opening, 1930
The North Kew Centre was the third established at North Kew. It followed a lease of a house at 50 Willsmere Road. The Peel Street building was designed by Mr Chipperfield. Messrs McIntosh and Taylor were the successful tenderers, the price being 1,240 pounds. The North Kew Baby Health Centre was finally opened on 18 June 1930 in the presence of the mayor, councillors and citizens of Kew, and representatives of the Infant Welfare Council. A report in The Age of 19 June described the opening in detail as well as the features of the new Centre. These included: "The rooms ... filled with flowers, pink and mauve hydrangeas and native heath, and the walls are adorned, with a charming frieze, representing windmills, flocks and a fairy tale goose girl. On the walls are hygiene editions of the funniest of Belloc's "Cautionary Tales" revised as posters, Outside there is promise of a gay garden, and a lovely view of green fields sloping to a shining bend of the river." Early photographic record of the opening of an early baby health centre in Kew.[Badly damaged] black and white photograph of the opening of the North Kew Baby Health Centre in Peel Street. The photo is mounted on card, and shows mothers and their children on the veranda, and officials at right. The latter includes the Mayoress and probably Vera Scantlebury. All mothers wear hats as do most of the children. [When the photograph was presented to the Society in 1979, it was described in the first Acquisitions Register as framed. Some time after that it was removed from its frame and badly broken. A separate photocopy of the original photograph is also held in the collection.]Earliest inscription: "Peel Street Health Centre / Official Opening 1930 / donated by Sr Costello and Sr Bewish [sic] 1979 / Copy purchased by ..... for Centre". Old Accession number in Texta: "KH-133 Kew Historical Society". Separate later label: "Opening North Kew Baby Health centre 1930". north kew baby health centre, peel street (kew), baby health centres - kew (vic) -
Kew Historical Society Inc
Book, Flannel Flower Press, The Federation House: a restoration guide, 1986, 2004
160 p. : ill. (some col. ) ; 29 cm.non-fictionarchitecture -- domestic -- australia -- conservation and restoration, interior decoration -- australia -
Tatura Irrigation & Wartime Camps Museum
Document, Nightingale M/S Jill, Wartime Art Murals Camp 13, 18 June 1972
The large twelve murals are caricatures mostly depicting Army personnel from various parts of the world. Painting high on the walls of the garrisons recreation hut by Von Gruenwaldt. The hut was later transported to Murchison and became the RSL Hall. M/s Diane McLeod, Shepparton Art Gallery insisted they be preserved as the RSL was to be demolished and Loel Thompson was unable to preserve the building as a museum. The murals have been preserved and decorate the community centre and D Jones Nursing Home.clear plastic cover with a red margin and back coverWartime Art Murals PG 40 - News Friday 18 June 1972camp 13 murals, rsl hall murchison, david jones nursing home murchison victoria, hans von gruenewaldt, jill nightingale -
Tatura Irrigation & Wartime Camps Museum
Photograph - original, Tatura Museum, 1988
Photograph of meeting room in Museum ready for first meeting. Hessian boards on walls where photos are to be placed.Colour photograph of meeting room, interior of Tatura Museum 1988on back: meeting room Tatura Museum 1988.tatura museum -
Tatura Irrigation & Wartime Camps Museum
Photograph, Female Office in Mustard Uniform - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures whilst he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall. After the war, the recreation hall paintings and all, was moved from the camp to the nearly town of Murchison and used as the RSL local dance hall for 50 years. When the hall was demolished the paintings were restored and framed by citizens of Murchison. The von Gruenewaldt murals presently hang in the David Jones Nursing home and other public buildings in Murchison.Photograph of caricature painted on mess hut wall. Female office in mustard uniform with green hat. The office is accompanied by a dog (coloured). hans walter von gruenewaldt, german pow, internment camp 13, murchison victoria, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, naval officer in full uniform - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting a naval officer in full uniform.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, sergeant holding a swaggers stick - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting male staff - sergeant holding a swaggers stick, accompanied by "Micky Mouse" in staff sergeant uniform.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, female highland dancer - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting female highland dancer.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, Australian swaggy and magpie - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting a male, typical Australian swaggy, magpie looking on.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, Male Cossack dancer - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting a cossack dancer, male.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, male and female dancers - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting male and female dancers.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, native woman carrying a baby - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting a native woman carrying a baby on her back.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, Dutch man smoking pipe - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting one Dutch man smoking a pipe, wearing a light blue top, patched brown trousers and clogs.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, German Waitress carrying beer mugs - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting one German waitress carrying mugs of beer.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, Male dancer in Spanish hat - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting one male dancer, red jacket, white shirt, black trousers and Spanish hat.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, Female Spanish Dancer - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting one female Spanish dancer. Long yellow flounced dress, holding a black fan.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, Female European Dancer - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting female European dancer, light blue top, darker blue skirt, red boots.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, Asian Lady with Donald Duck - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting female Asian lady, leading Donald Duck.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Photograph, RSL Hall Murchison, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of stage of the RSL Hall Murchison.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Tatura Irrigation & Wartime Camps Museum
Album - Photo album, Hans von Gruenwaldt murals, 1980's
Photograph album containing photos of murals painted by POW Hans Von Gruenwaldt. Original murals were painted onto the walls of Camp13 Garrison recreation hall during WW2. When war ended the hut was sold to Murchison RSL and moved into the town. Red album with gold boarder. 7 black pages. tatura, photography, photograph, slides, film -
Tatura Irrigation & Wartime Camps Museum
Booklet, The Graytown Goldrush, 1977
Contains early history of gold rush in Graytown streets and stores, now all gone. Cemetery reamins in bushland. Loose leaflets of invitations (2) to blessing of restored graves, 12.3.1995. Other books by Joyce Hammond : Bridging The Gap, Walls of Wire.Written to record the history of the gold rush days. Kangaroos on the cover. Graytown Cemetery 1869-1947gold, rushworth, books, history, local -
Tatura Irrigation & Wartime Camps Museum
Photographs, Frank Collection of copies of Camp 3 Photographs
Collection of photographs from camp 3, Palestine Group. 1. Christmas decorations. 2. Copy of photo of Erich & Gretl Frank sent by Gretl Frank to her grandfather in Cyprus, 01.06.1947. 3,4. Copy of photo of Gretl Frank & Helga Bulach (now Jurgensen), taken unofficially by a nursing sister. 5. Copy of photo of Frank family & Egar Clauss, an engineer working in Persia and brought for internment without his family. 6.Back: Roland & Berti Frank with Heidi & Ursula in front. Mrs. Emma Frank holding Erich and Mr Kurt Frank, Gretl in front. 7 Kindergarten Class- Ursula Frank; Gretl Frank & Anne Marie Blaich. 8 Doster; Waltraud Guenther; Wally; Nelly Edelmaier; Ilse Frank; Ingebord Graze; Heidi Frank & Gudrun Doster. 9 Gretl's school class with Herr Baer. Back: Walter Krafft; Peter Auer; ? ; ? ; ? ; ? ;Gretl Frank; Ursula Frank; Gerda Baer; ? ; Traude Hoefer; Eleonore Hahn. Front row not identified. 10 Waltraud Guenther; ? ; ? ; ? ; Doster; ? ; ? ;Heidi & Isse Frank. 11 Wedding of Otto Frank & Gertrud Beilharz. 12 Group including Harald Graze and Eberhard Guenther. 13 Group including Ulrich Krafft? 14 Official photograph 809. 15 Back: Roland Frank; Gudrun Heider (Frank); Heider (her husband); Jone Frank; Isolde Frank; Kurt Frank.| Front: Berti holding Ursula; Heidi; Bete Frank (mother of Isolde & Gudrun); Gretl Frank & Emma Frank.Copies of mainly 10 x 8 cms. sepia photographs -
Tatura Irrigation & Wartime Camps Museum
Bag, 1940's
Made for Wally Wagner in Camp 3.Tapestry knitting bag within wooden framework. Handles formed at top to which tapestry material is attachedbag, tapestry, knitting, liebeskind w, camp 3, tatura, ww2 camp, handcrafts -
Tatura Irrigation & Wartime Camps Museum
Photographs, Anderson collection of irrigation and farm photos, c.1920 (Loaned), c.1920
Collection of photos taken c.1920 by the Anderson family. Carlton and Bill Anderson left Murchison for a soldier settlement block at North West Mooroopna, 2 miles from the school. Bill had been a stretcher bearer in WW1. Photos taken by Anderson family of general farming activities, irrigation channel construction with horse teams, Goulburn Weir, Waranga Basin western outlet structure and channel, official opening ceremony. Photos loaned for copying.|1. Outlet structure, possibly the opening.|2.Western Channel.|3.Waranga Basin inlet.|4. Waranga Basin outlet.|5,6.Goulburn Weir.|7,8 Channel construction with horse teams.|9.Skid scoop.|10. Group at Bain.|11."Spot", Bill Anderson and the team.|12.Teams take time off.|13.Washing up.|14.Spring cart and "Smoko"|15.Bill Anderson holding horse.|16.Team of four.|17.A good crop.|18.Wonkey scoop with two horse team.|19,Horses at rest.|20.Head in nose bag.|21.Bill Anderson & Marty Clooney, tents, wagons and gig.|22.Wally Wybrow grooming horse.|23 Bill Anderson, Marty Clooney and furphy tank.|24. Four horse teams.|25.Carlton Anderson? cutting hair.|26,27.|28.Three wheel trolley made from old harvester.|29. Harvester.|30.Wally.|31.Marty Clooney and horse.|32|33.Seven horse team.|34-43.Various farm photos -
Tatura Irrigation & Wartime Camps Museum
Book, Jungle Warfare, 1944
Forwarded by Wally to Miss B. Higgins in 1944.Brown hard covered book, of 208 pages.Jungle Warfare - with the Australian Army in the South West Pacificaif, jungle warfare, australian army in south west pacific -
Melbourne Athenaeum Archives
Theatre program, A Cuckoo in the Nest (play) by Ben Travers performed at the Athenaeum Theatre by Melbourne Theatre Company commencing 2 December 1981
One of the well-known Aldwych farces original performed by Tom Walls' company at the Aldwych Theatre in London in the 1930sPaper programa cuckoo in the nest, athenaeum theatre, melbourbe theatre company, ben travers -
Williamstown Botanic Gardens- Hobsons Bay City Council
Photos - Cannons, 1970
The Armstrong Cannons were originally placed at Fort Gellibrand, located at the southernmost tip of the Williamstown peninsula. The Fort was developed during the 1850s as part of a defensive system for the city and port of Melbourne. The importance of the Fort batteries declined from the 1890s, when they were effectively replaced by new facilities at Queenscliff and Point Nepean, but they were still used for gunnery practice. Local residents, through the Williamstown Town Council, complained to the Acting Minister for Defence that the concussion from the guns damaged windows, walls and foundations of buildings. The Armstrong Cannons were moved from Fort Gellibrand to the Gardens in 1906. A primary source of evidence of the cannons being in the Gardens. The cannons are remembered fondly as play equipment for the local children. Many tales have been told of climbing over them and pretending to be shot out of them A collection of seven black and white photographs documenting the removal of the cannons from the Gardens Photo 1 (a) Black and white landscape image. View is looking through the main gates looking at the front of the truck, which has the name Walter Wright across the front bumper, the crane and canon. The gates and fence are painted a light colour, probably white. Photo 2 (b) Black and white landscape image. Back of loader with cannon on it. Man standing on top of the cannon bending over either tying or untying ropes. Trunk of a palm tree is on the left side of the photo with a top of a palm tree in the background. Photo 3 (c) Black and portrait white image. A cannon being loaded by the crane on to trailer. Palm tree is in the background and fronds from a palm tree can be seen in the right top corner. Photo 4 (d) Black and white landscape image. Side on view of a cannon on the truck parked outside the grounds of the Gardens. The logo of the name of the trucking company is on the door of the truck above the words ‘WALTER H WRIGHT / TRANSPORT PTY LTD / S SCHULZ ST WEST MELB’. A second cannon can be seen in the background. A bus is in the background on the middle right side of the image. Photo 5 (e) Black and white landscape image. Truck with cannon on the back leaving the ground of the Gardens. Tree on the right side of the image and power pole is behind the truck. The logo of the name of the trucking company is on the door of the truck above the words ‘WALTER H WRIGHT / TRANSPORT PTY LTD / S SCHULZ ST WEST MELB’. ‘WALTER WRIGHT’ is on the front bumper Photo 6 (f) Black and white landscape image. Cannon tied down on the back of the truck as it is being driven across the street. Three houses in the background and two cars, one is a Volkswagen Photo 7 (g) Black and white landscape image. Cannon on the back of the truck which is parked over the street from the Gardens. Three houses are in the background. Two trees bare of leaves. The front of a car in in the foreground – it has a sun visor and the steering wheel is a light colour.armstrong cannons, williamstown botanic gardens, hobsons bay city council, 1970, walter h wright / transport pty ltd -
Tatura Irrigation & Wartime Camps Museum
Photograph, Warden Florence Jack and group
Warden Florence Jack was a a warden at Camp 3. The children are from the internees in Camp 3. Wally Wagner is at the right hand side with the accordion. Black and white photograph of Warden Florence Jack, other adults and children from Camp 3. Trees in background.florence jack, wally wagner, camp 3 children -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Work on paper - ink and watercolour, Annette Meikle, Black Rock House, 1977
In 1977, artist Annette Meikle undertook a commission to illustrate a book recording stories of places and people in the Bayside area. It was published in 1978 as Sandringham Sketchbook, with text by Elizabeth Waters. The sketches were intended to record remaining examples of Bayside’s early architecture and environment, as well as reflect newer architectural changes. Meikle went on to donate 22 of these sketches to Bayside City Council in 2003. Black Rock House was built in 1858 by wealthy land dealer and politician Charles Hobson Ebden as a holiday home on 112 acres of virgin scrub, taking in the area of present day Balcombe Road, Beach Road and the line of Keating Street. The house included four bedrooms, a cellar, stables and a courtyard enclosed in castle-like sandstone walls. It was named Black Rock House after Black Rock Castle near Dublin, associated with Mrs Ebden’s childhood.Annette Meikle, Black Rock House 1977, ink and watercolour, 33 x 53.5 cm. Bayside City Council Art and Heritage Collection. Donated by the artist, 2003annette meikle, sandringham sketchbook, elizabeth waters, black rock house, black rock, charles hobson ebden, architecture, historic house