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Tennis Australia
Ball container, Circa 1970
A Spalding 'Pancho Gonzales' ball can with plastic cap (original metal pulltab seal missing). Contains one original ball. Adhesive label on bottom of can states:$35.00. Materials: Metal, Plastictennis -
Tennis Australia
Glass Bottle, Glass container, Ball, Circa 1990
Three Wilson 'US Open' tennis balls inside a sealed glass wine bottle. Label states: 'VINTAGE/CHATEAU DU TENNIS' and features Wilson logos. Materials: Metal, Ink, Rubber, Glass, Synthetic materialtennis -
Tennis Australia
Ball container, Ball, Circa 1930
A Barnet Glass (Australia) tennis balls box, containing three unbranded balls of varying age and appearance. Box states: 'Approved by L.T.A.A' which body existed 1926 to 1955. Materials: Ink, Cardboard, Paper, Rubber, Wooltennis -
Tennis Australia
Ashtray, Circa 1930
Ceramic ashtray decorated with gold detailing and painted image of couple playing lawn tennis. label on base states: 'SALEM CHINA CO/SALEM OHIO/NAME: GAY NINETIES/PRICE LIST: 6 SUBJECTS' and printed in gold: 'SALEM/OVENPROOF/23 K. GOLD'. Materials: Ceramic, Pigment, Gold/Metaltennis -
Tennis Australia
Trophy, 1973
Two part (bottle & lid) glazed ceramic trophy for 'CLINT EASTWOOD/INVITATIONAL/CELEBRITY TENNIS/TOURNAMENT'. Trophy is also a bottle of Beam whiskey, as per label on base: 'BEAM/100 MONTHS OLD/KENTUCKY BOURBON WHISKEY/86 PROOF/ BOTTLED BY JAMES B. BEAM DISTILLING CO. CLERMONT- BEAM, KENTUCKY'. Sticker on front stating:'OKLAHOMA/LIQUOR TAX PAID/12 GALLON'. Text on rear of vessel states: 'PEBBLE BEACH/JULY, 1973'. Text embossed under base states: 'CREATION OF JAMES B. BEAM/DISTILLING CO./KY-DRB-230/GENUINE REGAL CHINA 1973/C.MILLER/REGAL CHINA CORPORATION/145/LIQUOR BOTTLE'. Materials: Ceramic, Cork, Adhesive labeltennis -
Tennis Australia
Drinking vessel, Circa 1945
Pair of glazed ceramic mugs (.2 - smaller and .1 - larger) decorated with identical image of male tennis player in action (obverse) and female tennis player in action (reverse). Text printed on base states: 'SPORTS SERIES/ROYAL BRADWELL/QUALITY/ARTHUR WOOD/MADE IN ENGLAND'. Materials: Ceramic, Inktennis -
Tennis Australia
Figurine, 1999
Small ornamental figurine of seated bear holding a racquet and ball. Text on base states: 'BOYD'S BEARS AND FRIENDS/THE BEARSTONE COLLECTION/"LOVE MEANS NEVER WINNING A GAME"/-E.E.SMITH/EDITION/PC IE/3330/STYLE # 227717 CHRISSIE...GAME SET, MATCH/1999 THE BOYDS COLLECTION LTD/HANDMADE IN CHINA'. Materials: Ceramic, Pigmenttennis -
Tennis Australia
Ball, Circa 1955
Three Dunlop 'All States' Heavy Duty tennis balls with different coloured seams (bone .1; brown .2; and, black .3). Materials: Rubber, Felt, Ink, Cordtennis -
Tennis Australia
Ball, Circa 1955
Two oval-shaped pieces of cardboard, tied together with red cord at three points, advertising the new Dunlop 'All States' Heavy Duty tennis ball - one of which is actually positioned into a hole, through the middle of the advertisement. Materials: Rubber, Felt, Ink, Cardboard, Cordtennis -
Kew Historical Society Inc
Booklet, Australian Comforts Fund (Victorian Divsion), Voluntary War Workers Record, 1918
... and Queensland and one from the states of Western Australia, South... the states of Western Australia, South Australia and Tasmania ...The Australian Comforts Fund was established in August 1916 to co-ordinate the activities of the state based patriotic funds, which were established earlier in World War I. Mainly run by women, they provided and distributed free comforts to the Australian 'fit' fighting men in all the battle zones. They became divisions of the Australian Comforts Fund. The Council of the Fund comprised two delegates from New South Wales, Victoria and Queensland and one from the states of Western Australia, South Australia and Tasmania. The Executive headquarters was located in Sydney. It ceased operation on 10 April 1920 and was reconstituted in World War II in June 1940 and ceased operation again on 27 June 1946. The state bodies in World War I were: New South Wales: the 'Citizens' 'War Chest' Fund; Queensland Patriotic Fund; South Australia: League of Loyal Women; Tasmania: 'On Active Service Fund'; Australian Comforts Fund, Victorian Division; Victoria League of Western Australia. During World War II the state bodies were called : The Lord Mayor's Patriotic and War Fund of New South Wales; the Australian Comforts Fund, Victorian Division; the Australian Comforts Fund, Queensland Division; the Australian Comforts Fund, Tasmanian Division; the Fighting Forces Comforts Fund SA Inc; the Victoria League Camp Comforts Fund ( W A ) Australian Comforts Fund commissioners conducted its activities in the field, holding honorary rank as officers of the Army or Air Force.World War 1 publication for the home front with Kew listingsVoluntary War Workers Record, compiled for the benefit of the Australian Comforts Fund - 1918. Price - 1/6. the publication includes sections on Kew.australian comforts fund, australian comforts fund (victoria) -
Kew Historical Society Inc
Badge - Souvenir Button, Geary, 1928-1929
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A tin buttonhole button from a series of 16 badges issued by Amalgamated Press. George Geary (1893-1981) was an English Cricketer who played in a number of tests against Australia including the 1928-29 tour. The button includes a tab which states ‘Bend Me’ which was a simple method of attaching the badge to a lapel."Geary"george geary, cricket, test cricket -
Kew Historical Society Inc
Badge - Fundraising Button, Australian Natives Association, Wattle Day, 1914-1918
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.‘Wattle Day’ was celebrated nationally for the first time in 1910, even though the term and day had been celebrated in particular states and territories since the 1870s. This patriotic fundraising button depicts a map of Australia on a pale green background. The map includes a symbolic image of wattle sprigs."Wattle Day"wattle day, patriotic buttons, first world war (1914-18), badges -
Kew Historical Society Inc
Badge - Fundraising Button, Australian Natives Association, Wattle Day, 1914-1918
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.‘Wattle Day’ was celebrated nationally for the first time in 1910, even though the term and day had been celebrated in particular states and territories since the 1870s. This patriotic fundraising button depicts a map of Australia on a pale green background. The map includes a symbolic image of wattle sprigs.Wattle Daywattle day, first world war (1914-18), badges -
Kew Historical Society Inc
Headwear - Pale Green Silk & Gauze Floral Hat, Harbig, 1950s
The firm of Harbig was a Melbourne millinery company owned by Mr and Mrs Richard Ernest Harbig. In 1949, an article in the West Australian newspaper reported their return from the United States. It records that: 'FEATHERS SYDNEY, Sept. 14: Mr. and Mr. Richard Harbig, Melbourne milliners who reached Sydney by air tonight from America, gave these details of hat trends for next winter. Shapes: Head-hugging cloches to suit short hair, cut away at the back to clear high collars, and built up and out at the front to give height. Materals: Felts, velours, velvets, and a new long-haired fur fabric called flamond. Colours: Muted pastels, few jewel shades, and no vivid colours. Trimmings: Little veiling, "but feathers and feathers and feathers".'The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Pale green woman’s hat created by Harbig of Melbourne with a large border of flowers and leaves in shades of green. The crown of the hat is swathed with pale green silk gauze.Label: Harbig. Melbourne, New York, Parismilliners -- harbig, women's clothing -- hats, floral hats -
Kew Historical Society Inc
Headwear - Ivory Silk Floral Hat, Harbig, 1950s
The firm of Harbig was a Melbourne millinery company owned by Mr and Mrs Richard Ernest Harbig. In 1949, an article in the West Australian newspaper reported their return from the United States. It records that: 'FEATHERS SYDNEY, Sept. 14: Mr. and Mr. Richard Harbig, Melbourne milliners who reached Sydney by air tonight from America, gave these details of hat trends for next winter. Shapes: Head-hugging cloches to suit short hair, cut away at the back to clear high collars, and built up and out at the front to give height. Materals: Felts, velours, velvets, and a new long-haired fur fabric called flamond. Colours: Muted pastels, few jewel shades, and no vivid colours. Trimmings: Little veiling, "but feathers and feathers and feathers".'The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Rounded hat covered with ivory coloured silk, simulated flowers attached to a stiffened net. Label: Harbigmilliners -- melbourne (vic.) -- harbig, women's clothing -- hats, headwear -
Kew Historical Society Inc
Leisure object - Board Game, Eye Guess: Jimmy Hannan's new T.V. Game, c. 1966
Eye Guess was originally an American television game show, on which an Australian program, screened on 'Channel O' (now Network 10) in the 1960s, was based. The television programs spawned board games in both America and Australia.The American board game was produced by Milton Bradley, and featured the American compere of the show. An Australian version, produced by John Sands Pty Ltd., featured Jimmy Hannan, the Australian host.The local television version of Eye Guess reflects the influence of American media on television and popular entertainment in Australia in the 1950s and 1960s. The production of the game also reflectss the influence of American models on Australia domestic entertainment.Eye Guess - Jimmy Hannan's New TV Game, Australia c.1996 was based on the series/game from the United States of America. The game is complete and includes instructions.board games, jimmy hannan -
8th/13th Victorian Mounted Rifles Regimental Collection
Binoculars
These binoculars were common issue to CMF units such as 8/13 VMR during 1960s and 1970s.Representative of United States sourced equipment used by Australian Citizen Forces in 1960s and 1970s.No. 2 Mark11 Binoculars in metal carry box, complete with leather strapUS Army 7634 D^D No. Mk11binoculars -
Kew Historical Society Inc
Leisure object - Toy Machine, TAGMA, Metal & Enamel Adding Machine, 1950s
The Kew Historical Society’s collection includes a wide range of leisure objects. Many of the items are European-made, generally of British origin, however there are a number that were made for the Australian market by Australian manufacturers. There were clearly a huge range of toys produced for the Australian and International children’s market in the Nineteenth and Twentieth centuries. The examples of toys in the collection include examples of alphabet toys, arcade toys, baby toys, construction toys, dolls, doll accessories, educational toys, soft toys, tin toys, toy animals, toy blocks, toy machines, toy typewriters, etc. Small toy adding machine. Tin with brown and white enamel painted. A small, damaged label on the front states that it was made by Toys & *** Games Australia / TAGMAtoys, toy machine, child's adding machine toy, tagma australia -
RMIT GSBL Justice Smith Collection
Report, Access to the courts - II : class actions, 1979
... australia united states ISBN: 0642907005 Discussion paper no. 11 ...Discussion paper no. 11 June 1979ISBN: 0642907005class actions. law. reform. australia. proposals, class actions (civil procedure) -- australia, australia, united states -
RMIT GSBL Justice Smith Collection
Report, Commonwealth of Australia, Foreign state immunity : Law Reform Commission of Australia report no. 24, 1984
... immunities of foreign states -- australia... Russell Street Melbourne melbourne immunities of foreign states ...Foreign State Immunity Law Reform Commission Report no. 24ISBN 0644012811immunities of foreign states -- australia, conflict of laws -- jurisdiction -- australia -
RMIT GSBL Justice Smith Collection
Journal series, Butterworths Pty Limited, Australian company law reports [Australian corporations and securities reports], [1977]
... of Australia, the supreme courts of the states and territories... courts of the states and territories of Australia and other ...Previous owners: Phillips Fox, Phillips, Fox & MaselNo. of volumes: 90 Volume range: Australian company law reports: Vol. 1 (1974-1976) - 15 (1988-1989) & Consolidated index and tables to volumes 1-15 Australian corporations and securities reports: Vol. 1 (1989-1990) - 68 part 1 (2008) & Index to volumes 1-65 Later title: Australian corporations and securities reports : being reports of judgements on company and securities law of the High Court of Australia, the Federal Court of Australia, the supreme courts of the states and territories of Australia and other relevant courts and tribunals. ISSN: 03138445corporation law -- australia -- cases, securities -- australia -- cases -
Kew Historical Society Inc
Document - Invitation to the Opening of the Parliament of the Commonwealth, Sands & McDougall Ltd, 1901
The correspondent of the Argus on 10 May 1901 wrote: "The Parliament of the Commonwealth was opened yesterday by the Duke, of Cornwall and York, under a Commission signed by Queen Victoria and subsequently endorsed by King Edward VII. The ceremony was marked by the splendour and solemn impressiveness which befitted its historic importance. An immense assemblage of spectators, drawn mainly, of course, from this state, but in part also from each of the other federated states, and including representatives of other portions of the British Empire and of foreign powers, thronged the spacious, stately, and joyously decorated edifice. The picture was magnificent. It must have printed itself indelibly on the sensitive minds of the thousands of Australians who were privileged to behold it. We may assume that artists will reproduce it in worthy and imperishable forms, and that from generation to generation it will be familiar in the households of the Commonwealth. Our children's children, we may gladly say to-day, will not be ashamed of the function which inaugurated the self-governing rights of the southern British Nation. Nothing was omitted which could add to the grandeur and significance of the occasion. In a broad sense the proceedings were perfectly intelligible to the vast and sympathetic gathering, though the natural limits of a single human voice had to be accepted. The King's son, with his consort and the Governor-General and Lady Hopetoun by his side, and supported by the Governors of the states and other eminent personages, fulfilled his doubly-attested Commission with a simple dignity and a modest manliness altogether admirable. The ceremony was a brilliant spectacle, and, in its sentiment and suggestiveness, an inspiration to a loyal and patriotic people."The document design has artistic and aesthetic merit. While it is not rare, it is representative of the kinds of formal designs used for the Australian Commonwealth celebrations at the time of Federation, and is in excellent condition. Such items as this invitation have local, state and national historic significance as mementoes of a key moment in Australia's history. Locally, the invitation is part of a group of Federation-related items owned by Mrs Grace Tabulo, and displayed at her home - Fairyland - at 57 Malmsbury Street, KewAn invitation, mounted on card to an evening reception at the Exhibition Building, Melbourne, on 9 May 1901, to meet the Duke and Duchess of Cornwall as part of the celebrations of the opening of the first Federal Parliament. A figure of Britannia, in red dress and mailed vest holding a shield like the Union Jack, is on the left of the invitation; she reaches out her hand towards a younger female figure, representing Australia, who is dressed in blue and holds a shield which is white with a blue cross decorated with stars. The writing is on a scroll in the centre of the certificate, and there is a border of vines and vine leaves. The royal crest is at the base of the certificate. Front, printed. gold ink: "His Majesty's Ministers of State for the Commonwealth of Australia request the honour of the presence of / ****l (handwritten) / In the Exhibition Building, Melbourne, on Thursday, 9th May, 1901, to witness / the Opening of the Parliament of the Commonwealth. / Edmund Barton / Prime Minister." Front, bottom left, printed: "The Young Queen / Her hand was still on her sword hilt - the spur was still on her heel ... (and further text) KIPLING'S COMMONWEALTH ODE." Reverse: Mrs G. Tabulo, 57 Malmsbury Streetaustralia -- federation -- 1901, invitations, parliament -- opening -- 1901, grace tabulo -- fairyland -- 57 malmsbury street -- kew (vic.) -
Expression Australia
Book, No Longer by Gaslight - The First 100 years of the Adult Deaf Society of Victoria, 1984
This Book celebrates the history of the first 100 years of the Adult Deaf Society of Victoria, and was written by John Flynn who in his introduction states "This book attempts to trace the story of the men and women, both deaf and not deaf, who worked and planned so that deaf people should have a caring Organisation available to them on leaving school".This Book celebrates the history of the first 100 years of the Adult Deaf Society of Victoria. The work is significant as it brings together material from a number of different collections into an accessible and comprehensive volume detailing the Society's history spanning the years 1884 to 1984. The book is no-longer in print.Crimson Cover iv, 185 p. : ill., facsims., ports. ; 26 cm. (missing pages 92-100)adult deaf society of victoria, flynn, rose, victorian deaf and dumb institution, muir, newbigin, lewis, moss, samuel johnson, lucy lewis, hannah martin, luke, peter holt, leslie newbigin, frewin, robert patterson, matthew miller, eugene salas, robert luff, abraham, knutsford, cornelius reynolds, ernest reynolds, george mortimer, john paul, blackburn, south australia, william dean, okorita, nunawading shire, lacrosse, mckirdy, martin fraser, lakeside lodge, george newnham, jolimont square, horace bedggood, cricket, football, tabletennis, hockey, gymnastics, geelong, ballarat, pengilly, australasian deaf and dumb association, chadwick, parkinson, mcconnan, jennings, macbain, sargood, gillott, grimwade, felsted, mcbeath, mckeddie, peacock, cleveland, bruche, samderson, wignay, driver, smiley, sholl, lovett -
Expression Australia
Newsletter, Across the Board - ASLIA Victoria Vol 3 Issue 1 2008; Volume 3 Issue 4 2008; Volume 4 Issue 1 2009 ; Volume 4 Issue 2 2009; ASLIA National - Volume 4 Issue 4 2009
The Australian Sign Language Interpreters' Association (ASLIA) is a non-profit body and is the national peak organisation representing the needs and interests of Auslan/English interpreters and Deaf (Relay) Interpreters in Australia. The Association is comprised of a national Executive Committee, a Representative Council and branches in most states/territories.White A4 Binder containing 5 newsletters; 29.5cmHx20.5cmW; 40 pages (each)aslia victoria, aslia national, across the board -
Expression Australia
Report, To study the Development in Youth Services for Deaf People in the United States of America
Winston Churchill Memorial Trust; Written by Philip R. Harper Churchill Fellow 1983Red cover, Size 29.5cmHx21cmW, 127 pages, 4 copiesyouth services -
Expression Australia
Newsletters, Across the Board - ASLIA Victoria Winter 2006, Vol 2 Issue 1 2007, Vol 2 Issue 2 2007, Vol 2 Issue 4 2007
The Australian Sign Language Interpreters' Association (ASLIA) is a non-profit body and is the national peak organisation representing the needs and interests of Auslan/English interpreters and Deaf (Relay) Interpreters in Australia. The Association is comprised of a national Executive Committee, a Representative Council and branches in most states/territories.White binder with newsletters, 30cmHx21cmW, Volume 2 Issue 1 (3 copies) Volume 2 Issue 2 ( 3 copies) Volume 2 Issue 4 (2 copies)aslia victoria, aslia national, across the board -
Tennis Australia
Trophy, 1980
Small trophy. Label states: 'TC Ambrosiano...16th Torneo Internazionale Avvenire...1st Classificato 1980...Doppio Maschile'. Materials: Synthetic material, Plastictennis -
Tennis Australia
Commemorative Gift, 1999
Large seashell mounted on a wood base. Label states: 'Tournoi International Les Petits Dauphins 1999 ler de la Coupe Des Nations...Offert par le Gouvernement de la Nouvelle-Caledonie'. Materials: Shell, Wood, Plastictennis -
Tennis Australia
Racquet, Circa 1970
Dunlop Maxply Fort tennis racquet. Tag attached to racquet states: To Mr Geoff Pollard...Tennis Aust...'This is an old racquet that Rod Laver used' and is signed by '????? Laver'. Name unclear and object history not verified. Materials: Metal, Wood, Leathertennis -
Tennis Australia
Photographic print, Circa 1920
Original sepia photographic print in cardboard mount. Two unidentified make players, and unidentified figure in background. Photographer's stamp states"Edwin G. Adamson...Melbourne'. Materials: Cardboard, Paper, Photographic emulsiontennis