From Roger Skien Collection. Back Row: W.Gilbert (Property Steward), J. Cpburn, M. Gravina, P. Kalegerakos, M. Rossin, D.White, A. Mckinnon, J. Lamont (Trainer) 2nd Back Row: R. Skien (Team Manager), D. Filo, R. Andrews, B. Dixon, G. O'Mera, D. Ellis, J. D'Angelo, G. Buck, B. Wallis (Trainer) Center Row: J. Vincent, S. Kerr, I. Atiken, D. Noonan, G. Potter, J. Hullin, W. Burke, D. Bolzonello (Doctor), L. Jones (Head Trainer) G. Walsh (Development Officer) Front Row: B. Baker, G. Reynoldson, M. Edwards, P. Starbuck (Captain), D. McKay (Assistant Coach), G. Southby (Coach) A. Bassett (Vice Captain), I. Wrigglesworth, P. Poursanidis, T. Holding (Runner) Sitting: P. Donohue, H. Buck, B. Carter, M. Vincent, S. Graham, B. Cavigan Coloured photograph mounted on cardboard.

Slide photograph of the exterior of Harelands on a cloudy day from across Willesmere Road. Harelands was at 5 Willesmere Road on the corner with Burke Road. Harelands was a residence run by Melbourne Legacy to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for education. Harelands generally looked after children up to the age of 14. Boys then moved to Blamey House and girls went to Stanhope. Harelands was built in the Queen Anne style and is now heritage listed. The slide is a second copy - as it has a red slide number printed on it. It appears to be part of a roll of slide film that also included photos of the outside of Blamey House. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of the outside of Harelands.Colour slide of the exterior of Harelands, in a brown Kodachrome cardboard mount with red edges printed on the reverse.Handwritten on front 'Harelands' in blue pen. Imprinted with 13 in red ink.residences, harelands

Slide photographs of the exterior of Stanhope on a sunny day with children sitting on the lawn. Believed to be from from the 1950s. Stanhope was a residence run by Melbourne Legacy to take care of children whose fathers were deceased servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself, or they needed to stay in Melbourne for further education. It was at 1245 Burke Road Kew (corner of Cotham Rd). It was purchased by Red Cross in 1945 who refurbished it and leased it back to Legacy for as long as it was required as a residence for junior legatees. It was handed back to Red Cross in 1981. Stanhope generally looked after girls over 14 either studying or working. The children were cared for until they were old enough to become independent. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of the outside of Stanhope.Colour slide x 2 of the exterior of Stanhope with children sitting on the lawn, in a cardboard mount.Imprinted with slide numbers, 14 and 16. Handwritten on front 'Stanhope' in black pen.stanhope, residences

This is a set of six photographs of Lithographic Squadron personnel with Defence Cooperation Program (DCP) students at the Army Survey Regiment, Fortuna Villa, Bendigo Victoria, 1985. These informal and formal group photos were taken on the day of a CO’s Parade. Litho Squadron provided printing and photographic reproduction to the two DCP students. RA Svy also provided technical training to DCP students in map production skills such as, cartography and photogrammetry at the Army Survey Regiment and the School of Military Survey, Bonegilla. The Australian Defence Force over several years sponsored international students from counties such as Indonesia, Malaysia, Papua New Guinea, Philippines, Solomon Islands and Vanuatu. It is not known which South Pacific country these DCP students came from.This is a set of six photographs of Lithographic Squadron personnel with Defence Cooperation Program (DCP) students at the Army Survey Regiment, Fortuna Villa, Bendigo Victoria, 1985. The photographs are on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) Photo, black & white, 1985. L to R: Warren ‘Waldo’ Shirley, Per Andersen, Trevor Osborne, Roy Hicks, Lance Strudwick, Steve Burke, Dale Hudson, Paul Baker, Ralph Chant, Peter Breukel, John ‘Flash’ Anderson, Chad Hardwick, Peter Imeson, DCP student John or Henry, unidentified, Greg Rowe, John South, unidentified, Mick ‘Buddha’ Ellis, John ‘Junior’ Whaling, Terry King, Daryl South, DCP student John or Henry, Bronwyn Jones, John Bateman, Kerron South, unidentified officer, Peter Dillon, Kim Reynolds, Rob Jones, unidentified, Jeff Lynch, Garry Hudson, Mark ‘Dogs’ Doherty, Jim Ash, Gavin Neilson, Jeff Willey, unidentified, Graham Johnston, Steve Egan, Peter Barrett, George Austen, Dave Miles. .2) - Photo, black & white, 1985. L to R: Warren ‘Waldo’ Shirley, Per Andersen, Trevor Osborne, Roy Hicks, Lance Strudwick, Steve Burke, Dale Hudson, Paul Baker, Ralph Chant, Peter Breukel, John ‘Flash’ Anderson, Chad Hardwick, Peter Imeson, DCP student John or Henry, unidentified, Greg Rowe, John South, unidentified, Mick ‘Buddha’ Ellis, John ‘Junior’ Whaling, Terry King, Daryl South, DCP student John or Henry, John Bateman, Kerron South, unidentified officer, Peter Dillon, Kim Reynolds, Rob Jones, unidentified, Jeff Lynch, Garry Hudson, Mark ‘Dogs’ Doherty, Jim Ash, Gavin Neilson, Jeff Willey, unidentified, Graham Johnston, Steve Egan, Peter Barrett, Dave Miles, George Austen. .3) - Photo, black & white, 1985. Photo Troop L to R: Steve Burke, Garry Hudson, Warren ‘Waldo’ Shirley, Ralph Chant, Gavin Neilson, DCP student John or Henry, Paul Baker, Trevor Osborne, Peter Imeson, Mick ‘Buddha’ Ellis, unidentified, John ‘Junior’ Whaling, DCP student John or Henry, Chad Hardwick, Terry King, Dave Miles, Graham Johnston, Kerron South, Bronwyn Jones, Rob Jones, unidentified. .4) - Photo, black & white, 1985. L to R: WO1 Jeff Lynch, DCP student John or Henry, CAPT John South, unidentified officer, DCP student John or Henry, WO2 Dave Miles. .5) & .6) - Photo, black & white, 1985. Print Troop L to R: Per Andersen, Daryl South, Lance Strudwick, Peter Dillon, DCP student John or Henry, Jeff Willey, John Bateman, Roy Hicks, Paul Davis, Dale Hudson, Kim Reynolds, Greg Rowe, Jim Ash, DCP student John or Henry, Mark ‘Dogs’ Doherty, Peter Breukel, Peter Barrett, unidentified, unidentified officer, Steve Egan, George Austen.No personnel are identified. Date and DCP students noted on film negative sleeve.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho sqn, litho

Ural Owls are one of the largest nocturnal birds of prey and are distributed across Northern hemisphere land masses from Scandinavia in the west, across Russia and China to Japan in the east. They average between 500-640mm in length, have large ears, a very long tail, and wing spans up to 1340mm. Ural Owls display reverse sexual dimorphism. They have a range of calls and sounds that vary between regions and among subspecies. Ural Owls prefer mature primary forest habitats that are not too dense, but adapt to a range of environments, including damp heathland and high elevation mountain forests. The species is considered nocturnal but may be more correctly described as ‘cathemeral’, due to frequent daylight activity in the taiga zone. Ural Owls are non-migratory and highly territorial. They prefer to hunt from a perch into open areas of forest, seeking small mammal prey, such as voles, as well as birds, amphibians, and invertebrates. Ural Owls have a broad, rounded head and a well-developed round facial disc with a small V-shaped indentation. They tend to be plain greyish-brown to whitish overall, though some subspecies display darker colour variation. The underparts are pale cream to grey-brown and boldly overlaid with dark brown streaking. Ural Owls lack the richer colour tones of other Strix owls. Their flight style gives the appearance of a large bird. The eyes are dark brown and relatively small, and the bill is yellowish. Tarsi and toes are feathered grey and the talons are yellowish brown with darker tips. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This Ural Owl is an average sized specimen with a broad, rounded head and characteristic V-shaped facial marking between the eyes. Overall plumage is plain and consistent in colour and pattern, with white, brown and grey streaks. The eyes are large and the bill is small and yellow. This specimen stands on a wooden perch with identification tags attached to its leg.Swing tag: Strix noctua / Athene noctua, [illegible] / near leiden / 26 Mai 1860. / Holland / Other tag: N38 / Strix noctua / Holland. / Metal tag: 4062 /taxidermy, taxidermy mount, burke museum, australian museum, owls, birds of prey, heart-shaped faced owl, nocturnal birds, predator birds, carnivore, territorial owl, animalia, large owl, long-tailed owls, ural mountains, taiga zone owls, cathemeral, monogamous, iucn red list, strix, wood owl, attacking owl, long-tailed owl, large-eared owl, owls with facial disc

The habitat of the Bassian Thrush includes leaf littered and canopied gullies and dense forests. It forages for food on the ground eating small invertebrates and nests in tree stumps and tree forks. Primarily found in Tasmania, South Australia and Queensland, there are three sub-species of thrush, Zoothera lunulata cuneate (Queensland), Zoothera lunulata halmaturina (South Australian and Western Bassian Thrushes) and Zoothera lunulata lunulata/Zoothera lunulata macrorhyncha (South East Australia, Queensland, Victoria and Tasmania). Because this bird is a ground foraging species, the main threat to the Bassian Thrush is the ground clearing of its habitat, and unfortunately, the South Australian Zoothera lunulata halmaturina sub-species is considered vulnerable because of the bush fires that have eliminated much of its habitat, especially on Kangaroo Island. While the overall structure of this particular representation of a Bassian Thrush is relatively accurate, some of the smaller details are lacking. The eyes within this particular specimen are not accurate. Instead of solid black eyes, this specimen has golden/yellow eyes with black pupils. Another inaccuracy is some inappropriate intrusions coming from the beak (most noticeable in the left and right close up images). From the photographs, it is unclear if this is a representative/presentation choice or a condition problem caused overtime. Unfortunately, several aging problems have also occurred over time, with the bird’s feathers fading (Bassian Thrushes have distinct dark brown and black and white scalloped plumage) and the beak which was probably once dark grey has faded to the under colour, a yellowy cream. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Bassian Thrush has white and black scalloped plumage on its underbelly with caramel, soft brown and black tipped scalloped plumage on its back. This soft brown continues onto the bird’s head and neck. The thrush has a white rim around the glass black eyes. When seen in flight, there is also a noticeable wide band across the underside of the wings which is not visible on this specimen due to its particular stance.Swing tag appears to read: ‘46a [the a is superscripted] / Mountain Thrush. / See Catalogue, Page 16. / The number in the top centre of the wooden perch reads '63'taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, bassian thrush, zoothera lunulata, white's thrush, ground thrush, scaly thrush

Official invitation to Miss L J Parry from The Council of the Royal Historical Society of Victoria. A large cream coloured card printed with the Royal Historical Society emblem in gold in the upper section and printed with the following words in black script: In the distinguished presence of His Excellency Major-General Sir Rohan Delacombe Governor of Victoria and Lady Delacombe, The President Mrs E W Tipping and the Council of the Royal Historical Society of Victoria in association with the Matthew Flinders Bicentenary Citizens Council invites Miss L J Parry to the Matthew Flinders Oration by Professor Joseph Burke, "The Enlightenment: Foundations of Australian Art and Science" on Tuesday 19 March 1974 at 8:00pm in the Great Hall, National Gallery of Victoria St Kilda Rd Melbourne. In the lower left hand corner is printed RSVP 8th March The Director RHSV 459 Collins St 3000 and in the lower right hand corner Please present this card at door Admits two persons.event, official

Official invitation to Bendigo Historical Society from The Council of the Royal Historical Society of Victoria. A large cream coloured card printed with the Royal Historical Society emblem in gold in the upper section and printed with the following words in black script: In the distinguished presence of His Excellency Major-General Sir Rohan Delacombe Governor of Victoria and Lady Delacombe, The President Mrs E W Tipping and the Council of the Royal Historical Society of Victoria in association with the Matthew Flinders Bicentenary Citizens Council invites Bendigo Historical Society to the Matthew Flinders Oration by Professor Joseph Burke, "The Enlightenment: Foundations of Australian Art and Science" on Tuesday 19 March 1974 at 8:00pm in the Great Hall, National Gallery of Victoria St Kilda Rd Melbourne. In the lower left hand corner is printed RSVP 8th March The Director RHSV 459 Collins St 3000 and in the lower right hand corner Please present this card at door Admits two persons.event, official

Type and hand written notes, on quarto or scrap paper about Orders in councils relating to Melbourne Tramway bridges - 17 sets of notes, each retained by a paper clip. 1 - Caulfield line at Smith St 2 - Church St Bridge Act 3 - Spencer St Bridge Act 4 - Melbourne to Burwood Tramways Act 5 - Footscray Tramway Act 6 - Fitzroy Northcote and Preston Tramways Act 7 - Hawthorn - Under line at Burwood and over line at Burnley 8 - Burke Road Camberwell 9 - St Kilda rail line at Kerford Road 10 - High St Deepdene - Fairfield to Deepdene line. 11 - Glenferrie - Glenferrie Road 12 - Prahran and Malvern Act 13 - Brunswick and Coburg Tramways Act 14 - PMTT - Caulfield and Sandringham rail lines 15 - Glenferrie and Wattletree road and rail lines 16 - Commercial Road and rail crossings 17 - MMTB Act 1928 - various provisionstrams, tramways, bridges, pmtt, mmtb, glenferrie rd, camberwell, htt, mbctt, ftt, fnptt, railways

Set of Swanston Trams timetables, red white green cover with route number on cover, giving details of check points, use of Metcards and contact details, frequency, a Welcome to Swanston Trams, description of route and route map. .1 -Route 5 - Malvern (Burke Rd) - University - December 2000 - 32 pages .2 - Route 6 - Glen Iris - City - December 2000 - 24 pages .3 - Route 16 - St Kilda Beach - University - December 2000 - 24 pages .4 - Route 55 - West Coburg - Domain Interchanges via William St - December 2000 - 28 pages .5 - Route 57 - West Maribyrnong - City - December 2000 - 28 pages .6 - Route 72 - Camberwell - University - December 2000 - 24 pages .7 - Route 78/79 - North Richmond - Prahran or St Kilda Beach - December 2000 - 20 pages .8 - Route 82 Moonee Ponds - Footscray - December 2000 - 20 pagesSome have number notes and notes written inside about changes or errors in ink. See History.trams, tramways, swanston trams, tram services, timetables, route 5, route 6, route 16, route 55, route 57, route 72, route 78, route 79, route 82

Amy Elizabeth Porritt was born on the 21st of March 1915 on Atkinson Road, Beechworth to Thomas Frederick Rodan and Maud Isabel Dowling. Her family had strong associations with Australia's oldest continuously operating newspaper, the Ovens and Murray. Both her grandfather and father worked on this newspaper and played a significant role in continuing its operation. Amy was well-known in the Beechworth community and is remembered fondly for her generosity and her love of cats ‘they are all I live for’ she would often say. She was an avid gardener and had a beautiful garden at 47 Finch Street. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke. Miss Amy Elizabeth Porrit's account of her life in Beechworth and the local area during the 20th century is historically and socially significant to the cultural heritage of the region. She details important historical events and hardships in the region's history that had a lasting local, regional and national impact, including Australia during war time, economic struggles, and women's societal roles in a rural area. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Miss Amy Elizabeth Porrit / listen to what they say, beechworth, oral history, burke museum, porritt, amy elizabeth porritt, gardener, ovens and murray newspaper, o&m

Mr Jack Tully was born in 1927 in Box Hill Doncaster to Irish decedents. The youngest of three children, one brother and two sisters, Jack and his family took after the family orchard after his father died. After years of running the business side of the orchard Jack moved to Beechworth in 1957 purchasing an orchard and becoming a grower. Jack grew mainly apples in his orchard creating job opportunities for locals and elevating his worth in town. He speaks highly of Beechworth; he is a valued and respected member of society. He enjoyed a round of tennis with his wife. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke. Mr Jack Tully's account of his life in Beechworth and the local area during the 20th century is historically and socially significant to the region's cultural heritage. He provides a unique perspective as an orchard owner within Beechworth but also as an outsider who moved and was welcomed into the town with open arms. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a more mundane insight into day-to-day life of ordinary residents during the 20th century. This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Mr Jack Tully / beechworth, jennifer williams, jack tully, oral history, burke museum, listen to what they say, recording

Desmond was born in 1931 in Beechworth but left at age 11 (in 1944) to be educated in Melbourne at Scotch College but returned to the town for holidays and when he was finished with school. Desmond is the son of Raymond Zwar who was 1 of the 3 brothers who owned the Tannery in Beechworth. He worked there when he was 19 for a year in 1950, when the first Baltic migrants came to town. In 1951, Desmond left Beechworth to work in Albury for a newspaper called the "Border Mail" before moving to Melbourne to write for the "Melbourne Herald". He was later known for becoming a writer, having produced 17 books under his name at the time of the interview. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.Mr Desmond Zwar's account of his life in Beechworth during the 20th century is historically and socially significant to the cultural heritage of the region. He details important historical events and hardships in the region's history that had a lasting local, regional and national impact, including Australia during war time, economic struggles, and the relationships of different social groups in the town. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Mr Desmond Zwardesmond zwar, zwar, beechworth, burke museum, raymond zwar, zwar tannery, the tannery, zwar brothers tannery, beechworth tannery, listen to what they say, jennifer williams

This object is a photographic postcard showing some of the above-ground structures of the Golden Bar mine in Chiltern, including a building with a smokestack and the poppet head which is used to haul equipment, materials, and men above or below ground. The Golden Bar site, mined by the Golden Bar Mining Company which was formed in 1901, managed to yield approximately 12,453 oz of gold before work stopped in 1912 - it was one of the principal mines in the area, as well as the deepest and one of the richest. The text on the postcard was handwritten by H.Gordon (?) to Issy (?), to show the mine where he presumably worked as he promises to take them 'above and below'. The postcard can be approximately dated to between 1901-1912. It is stated that after 1902 Kodak added the line on the postcard backs to divide into correspondence and address sections as seen on the reverse of this object. In addition, there is also a similar Kodak photographic postcard in the Burke Museum collection that is dated to 1908 and has the same specific font type and manufacturer markings (see references for link). Lastly, the Golden Bar mine ceased operations in 1912 so the photograph was likely taken prior to this. This photographic postcard is a rare and fair conditioned representation of one of the most significant gold mines in the Chiltern area, showing the above ground structures at the time it was being actively mined. This postcard also holds social significance as a snapshot of working life in the gold mining rush of Victoria, and a personal record of one of its miners. A sepia rectangular postcard printed on card.Obverse: Dudley Studio / Golden Bar. Chiltern Reverse: BMM 8034 / Post Card. / Correspondence. / Address Only. / Kodak. Austral. 110 / My Dear Issy (?), / A card only, to show (?) the mine / and when you come down I will / take you above and below, / All (...) love, me to. Has the baby / gone home yet Heini (?) wants to know / give my love to Syd when next you write / Your loving (...), H. Gordon (?)photographic postcard, postcard, chiltern, golden bar mine, golden bar mining company, dudley studio, kodak

Letter dated 10 March 1943 to the Melbourne and Metropolitan Board of Works about the retention of an internal water closet at 1267 Burke Road, Kew (Holmbush). Legacy accepted responsibility for any trouble which may arise through this fitting which was not directly supplied from a Storage Tank. Holmbush was the first hostel for children that Legacy started and operated from April 1943. It was later renamed Blamey House after another hostel called Blamey House was closed. Melbourne Legacy ran three residences: Blamey House (purchased 1947) , Stanhope (purchased 1945) and Harelands (purchased 1950), to take care of children whose fathers were servicemen, and who may have been left orphans, or whose mother may have been unable to care for them herself. Harelands accommodated boys and girls under the age of 14, Blamey House looked after boys over 14, and Stanhope looked after girls over 14. The children were cared for until they were old enough to become independent.A record of written correspondence in 1943 especially concerning consulting the MMBW about sewer connections.File copy of a letter to MMBW about a WC at Holmbush on white quarto copy paper, with black type, two hole punched.Initialled in ink, possibly EB.residences, holmbush, holmbush administration

Set of six photographs showing Domain Interchange or Junction including trams and buses in St Kilda Road. Photos by Bill Kingsley who lectured in Civil & Traffic Engineering at Footscray Technical College. These would have been taken to show how an interchange functions. Dated on an envelope with negatives as 13/10/1971. 1 - Tram stop showing shelter, SW6 886 (City) and Melbourne Brighton Bus No. 660 (City, route 602). Tram 886 had adverts for Ferris car radios and Sony electronics. 2 - W2 550 (City no route number) arriving at the stop with passengers waiting. 3 - Two Melbourne Brighton buses (routes 601 and 602) with a long line of outbound trams in the background. 4 - Inspectors cabin with W2 428 and W2 324 (City, route 67) 5 - SW6 897 (City route 3) with Inspectors cabin and Domain Road in the background. 6 - Bunch of seven southbound trams between Domain Road, tailed by W2 574 (Malvern Burke Rd, Route 5).Yields information about the Domain Interchange / JunctionSet of six black and white photographs and associated 35mm negatives."Domain Intersection" on rear of each print.trams, tramways, bill kingsley., domain interchange, st kilda road, domain road, w2 class, sw6 class, melbourne brighton bus line, buses, tram 886, tram 550, tram 428, tram 324, tram 897, tram 574

Set of 13 The Met timetables, with an image of the relevant depot manager, details of hiring a tram, The Met fare system, and a diagrammatic map. All are revised issues of earlier timetables and dated Feb. 1996 unless noted otherwise. 1 - Route 3 - East Malvern - City 2 - Route 5 - Malvern Burke Road - City 3 - Route 6 - Glen Iris - City 4 - Route 55 - West Coburg - Domain Interchange 5 - Route 57 - West Maribyrnong - City 6 - Route 59 - Airport West - City 7 - Route 69 - Kew Cotham Road - St Kilda Beach 8 - Route 70 - Wattle Park - Princes Bridge 9 - Route 72 - Camberwell - Melbourne Uni - Dec. 1996 10 - Route 78, 79, North Richmond - St Kilda Beach or Prahran 11 - Route 82 - Moonee Ponds - Footscray 12 - Route 96 - St Kilda Beach - East Brunswick 13 - Route 34 - La Trobe St Services - includes routes that served La Trobe St.Yields information about some of The Met tram services Feb. 1996Set of 13 The Met timetables, DL size, printed in two colours.timetables, the met, route 3, route 5, route 6, route 55, rout 57, route 59, route 69, route 70, route 72, route 78, route 79, route 82, route 96, route 34, la trobe st

The White Winged Triller is a small member of the Campephagidae family. They can be found all over the Australian mainland, but there have also been sightings in Tasmania, Papua New Guinea and Indonesia. Their breeding season is from September to December, when they migrate to southern Australia for the warmer months. The males can be very noisy during this time, when they 'trill' all day, granting them their name. Throughout the winter they can be found in northern Australia. This species can be found in open areas with shrub and lots of ground cover, in woodlands, forests, scrub and waterways. The males and females are noticeably different, particularly when breeding. Breeding males are the most conspicuous, with black on their heads, bodies and wing coverts, with a white body, lower face and lower wings. Females are brown, with a light body, a faint brow and a dark line through their eyes. When not in the breeding season, males are similar to females, though they have a greyer rump. These birds have a netted pattern on their wings. When in flight they undulate, and when they land they often shuffle and re-fold their wings. This species predominantly forage for insects on the ground or tree foliage, but also 'hawks' insects from higher perches. They build nests on horizontal branches or forks, and can be found sometimes using empty nests of other birds. Many of these birds can be found nesting in the same tree as a colony, and both parents incubate and brood their two to three nestlings. This specimen is a male White Winger Triller, which is apparent from his black and white colouring. While missing some plumage, the distinction between black wings, tail, cap and wing covert are still clear against his white body and under-wings. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male White Winged Triller has a black cap on its head. It has black wings with black wing coverts, and a black tail. It has a white lower face and body, a white shoulder bar and white under-wings. This specimen stands upon a wooden post, attached to a wooden post and has an identification tag tied around its leg. Swing-tag: 22a / White shouldered Campephagidae/ See catalogue, page 11. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, triller, white winged triller, campephagidae, australian birds

The Common Buzzard is part of the buteo genus (Latin for buzzard or hawk) which indicates it is part of the raptor group whose features include a medium to large build, a strong body and larger wings. The family includes birds of prey such as hawks and buzzards. Like their name suggests, Common Buzzards are very ‘common’ in the UK but can also be found in other parts of Europe, Africa and Asia. The birds’ habitat consists of woodland, shrubland, forest, wetlands and countryside, and they can live in cold, tropical and temperate climate zones. Similar to other raptor species, Common Buzzards make their nests in tree branches or tree forks. With finely tuned hearing, they are able to detect small marsupials, and their diet consists of small amphibians, birds and mammals. Normally solitary, these raptors can occasionally be seen with others. Common Buzzards are classified as of ‘Least Concern’ on the IUCN Red List. While there is some noticeable fading of this particular taxidermy specimen’s plumage, it is relatively well presented. The completely black eyes and string through the nose of the specimen seem to be taxidermy/curatorial choices, as this is not something that is normally found on living versions today, and the eyes of Common Buzzards are normally golden eyes with black pupils. It is interesting to note, when considering the selected artificial eyes, that the original swing tag labeled this specimen as Saleo tinnunculus Lina, a form of kestrel (known to have complete black eyes), which perhaps explains this taxidermist choice. As a Common Buzzard, this particular specimen could have had its frame and breast area bulked out a little more, as birds within the buteo genus are generally recognised to be of medium to large build. Overall however, this is a fairly reasonable and accurate representation of the species. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.With similar colourings and features to a range of raptor species, the Common Buzzard can often be mistaken for other varieties of buteo and raptor. The bird’s plumage generally varies by location, but normally includes a variety of shades of brown, commonly with darker brown on its back and lighter coloured feathers on its breast, underbelly areas and face. These birds normally have fine bands on their tail and darker tipped wings. Common Buzzards have smaller heads with a band of yellow around the base of their small curved beaks and golden yellow eyes. This particular specimen’s feathers have faded and he stands upon a wooden perch with an identifying tag hanging from its right leg.Swing Tag: Swing tag obverse seems to read: ‘…io [? First few symbols aren’t clear]/ Saleo /tinnunculus/ Lina [there is also another illegible symbol on the tag in the centre on the second line] Swing tag reverse: illegible sections of text and the beginning of a number ‘403…[?]. Metal tag: 1032[?]taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, common buzzard, buteo, hawks, raptors, birds of prey, buzzards

The name bandicoot is taken from the term ‘pandi-kokku’ which means ‘pig-rat’ in Teluga, an Indian language. The bandicoot is endemic to Australia, and is a nocturnal marsupial. When first discovered, the bandicoot was originally mistaken for a type of rodent. This confusion can still occur among people today who don’t know the difference. However, the bandicoot actually descends from the marsupial lineage. Its most distinguishing features are the pointed snout, big ears, long hairless tail, round black eyes, and plump body. The hair colour is brown or tan, sometimes mixed with black or white markings. The hind limbs tend to be longer than the front limbs, and two of the toes are fused together, similar to the kangaroo. They play an important ecological role – turning over soil, which increases the rate of leaf litter decomposition, soil production and nutrient cycling. They're also critical in dispersing fungi spores, so losing bandicoots (and bettongs) from ecosystems has cascading effects on plant diversity, species composition and structure of forests and woodlands. Due to its immense diversity, the bandicoot has a large range of different body sizes. It typically varies between 12 and 31 inches in length, while the tail adds another four to 12 inches. This makes it on average about the size of a house cat. Males may be up to twice as large as females, but otherwise the sexes are similar in appearance. The main difference exhibited by the female is the rear-facing pouch with six to 10 teats to protect and feed the young. The bandicoot is one of the few marsupials to have a developed placenta. However, this placenta is small and lacks certain features, thus separating it from most other placental mammals. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.Small sized bandicoot with a pointy snout, small rounded eyes made of glass, a thin tail, small rounded ears, and sharp clawed legs. The fur in colouring is golden brown with streaks of dark brown, and is of medium length and fine.On wooden mount: BMM5896/ On Catalogue Tag (attached to left foreleg): Bandicoot Mou(...)/ Catalogue, Page. 45/ burke museum, taxidermy, taxidermy mount, fauna, animal, animalia, reynell eveleigh johns, bandicoot, marsupial, peramelemorphia

In 1875, the Rocky Mountain Extended Gold Sluicing Company Ltd was created, utilising the previous Rocky Mountain claim for the area near Lake Sambell. The company employed A.L Martin to survey an area for a tunnel underneath Beechworth and Johnson Stephens to dig it. The tunnel was built at a rate of 40 feet a month and eventually measured 800 metres. The tunnel was a true accomplishment both in the present and during the 19th century. It was considered to be a marvelous engineering feat. Beechworth is renowned for its hydraulic sluice method of mining. This involved soil being exposed to torrents of water from high-pressure hoses. From 1876 until its closure in 1921, the mine produced an astounding 47,926 ozs of gold. Companies like this were the source of income for many Chinese gold-diggers who sought to make their fortune on the goldfields of Beechworth. During the height of the rush, the town had around 7,000 Chinese inhabitants living on the outskirts of town as they were not permitted to live within Beechworth itself.The search for gold is ingrained into the history of Victoria and therefore, images like this one which portrays an open-cut sluicing site can reveal important information for society and technology for the date when the photograph was taken. This image is of important historical significance for its ability to convey information about sluicing and the methods used to find gold in 1910. It also shows a location where sluicing was undertaken which provides insight into the impact of sluicing on the environment at a time when it was done. This image of the Rocky Mountain mine is historically significant as the mining complex is now non-existent, with the only remains being the tunnel built in 1880 by the company, which was considered one of the greatest engineering feats of the time. The image also provides a first-hand look into the social and cultural networks at play during the 19th century with racial segregation of the Chinese at the 'Chinese Camp', as well as an insight into Beechworth's origins during the Gold Rush.A sepia rectangular photograph printed on matte photographic paper as a postcardReverse: Historic Beechworth / 7792.1 / ROCKY MOUNTAIN MINE / Viewed from the “Chinese Camp”, shown partly in the foreground, we see the central plant of the famous Rocky Mountain Mining Company. This extensive complex, of which nothing remains, was situated between Silver Creek and the present Lake Sambell area. The company was responsible for a tunnel cut through solid bedrock underneath the town of Beechworth and surfacing near the keystone bridge on the Wangaratta side. Completed in 1880 it was declared to be one of the greatest engineering feats in Australia. The tunnel is still basically intact today. / Series by Wooragee Graphics: Historic Beechworth. / COPYRIGHT BURKE MUSEUM / No.72 beechworth, rocky mountain mine, sluicing, gold rush, mining, gold

Single page advertisement with black and white photographs of two adjoining timber villas fronting Albert Street and Thanet Street, Ringwood for auction on Saturday, 7th May (1921?).Under instructions from E.W. Smail, esq., Public Accountant, 31 Queen Street, Melbourne. Two well constructed timer villas, each containing 5 rooms, electric light, bath and laundry, good position, land to each 66ft x 258 ft., made road. These well-built homes, so nicely situated in this charming district, only 6 minuts to Ringwood Station, Churhes, Shops, etc., are for positive sale, and are specially suitable for homes and in estments. Terms at sale. J.C. Adams & Son, Auctioneer, 364 Burke Road, Camberwell. J.B. McAlpin, Ringwood, Local Agent.

From Roger Skien Collection. Back Row: J. Smith, D. Zerna, P. James, B. Whitemore, J. Rainone, P. Albon, J. Baker (P.E. Instructor) 2nd Back Row: G. Warry (Development Officer), J. Stevens (P.E. Instructor), A. McKinnon, G. Hatvani, P. Starbuck, D. Forbes, M. Hanna, P. Cronin, D. Bolzonello (Doctor), K. Newman (Committee). 3rd Back Row: R. Shuttleworth (Trainer), W. Burke, J. Hullin, D. Krittemeyer, R. Lowery, A. Price, G. Evans, P. Muscat, N. Fitzpatrick (Property Steward), H Turner (Trainer) 2nd Row: L. Jones (Head Trainer), D. Nardella, J. Dunlop, P. Higgins, P. Lumicisi (Vice Captain), T. Keogh (Coach), S. Baldwin (Captain), S. Glasscott, I. Aitken, J. Vincent (Runner), R. Skien (Team Manager), A. Lugg (Treasurer, Time keeper). Front Row: P. Wilkinson, P Merson, J. Cook, M. Hailes, S, Gray, S. Potter, D. Fitzgerald, M. Turgut, W. Pepper.Colour team photograph mounted on cardboard

Timetables - provide information on ticketing, fares, and timing points, with a description of the route and a map. Not all services had been allocated a route number at the time. 1 - East Brighton - City and via William St - routes 64, 65, 62 and 61 - July 1976 2 - Malvern (Burke Rd) to City and via Wiliam St - routes 5 and 35 - Oct. 1976 3 - Carnegie - City and via William St - routes 67, 37, and 66 - July 1976 4 - Wattle Parke - City and Camberwell depot - routes 70, 71 and 76 - Sept. 1976 5 - Kew - Cotham Road to St Kilda Beach - route 69 - August 1976 6 - East Preston - via Bourke or La Trobe, and East Brunswick - routes 88, 14, 89. 90, 96, 95, and 97 - Feb. 1976 7 - Toorak - City and via William St - routes 8 and 38 - August 1976 8 - St Kilda Beach and South Melbourne Beach and via William St - routes 15, 16, 53, 55, 1, 2 and 4 - Sept. 1976 Yields information about MMTB tram services during the 1970s. Set of 8 MMTB tram timetables - multifolded printed on yellow paper.timetable, mmtb, wattle park, east brighton, malvern, carnegie, kew, east brunswick, toorak, st kilda beach, south melbourne beach, route 64, route 65, route 62, route 61, roure 5, route 35, route 67, route 37, route 66, route 70, route 71, route 76, route 69, route 88, route 96, route 8, route 38, route 15, route 1, route 2, route 55, route 53

MMTB Timetables - providing information on ticketing, fares, and timing points, with a description of the route and a map. Includes routes via William St - in the 30s 1 - East Malvern - City - route 3, bus route on Sundays only - June 1973 2 - Malvern Burke Road - City - route 5 and 35, - June 1973 3 - Glen Iris - City - route 6 and 36 - Sept. 1973 4 - Toorak - City - route 8 and 38 - June 1973 5 - South Melbourne and St Kilda Beach - City - routes 10, 12, and 17 - June 1973 6 - St Kilda Beach - South Melbourne Beach - City - routes 15, 16, 53, 55, 1, 2 and 4 - Sept. 1973 7 - Moreland - East Coburg - City - routes 1, 21, 15 and 22 - August 1973 8 - East Brighton - City - routes 64, 65, 62 and 61 - June 1973 9 - Carnegie - City routes 67, 37 and 66 - June 1973 10 - Kew Cotham Road - St Kilda Beach - route 69 - June 1973Yields information about MMTB tram services during 1973Set of 10 MMTB tram timetables - multifolded printed on yellow paper.timetable, mmtb, glen iris, malvern town hall, toorak, route 36, route 8, route 38, route 10, route 12, route 17, route 3, route 5, route 35, route 6, route 1, route 2, route 4, route 21, route 15, route 22, route 64, route 65, route 61, route 62, route 67, route 37, route 66, route 69